The geometer’s circle is a perfect abstraction, a static and timeless singularity. The naturalist prefers ripples on a pond: plural, overlapping, and dynamic. Throughout their histories, much of philosophy and art have sided with the geometer, regarding the eternal form as more real, more substantial. This perspective denounces the transitional for its decay and change; it sees permanence as superior.
In his essay “Circles,” Ralph Waldo Emerson takes a different approach. He says, “Our life is an apprenticeship to the truth that around every circle another can be drawn; that there is no end in nature, but every end is a beginning; that there is always another dawn risen on mid-noon, and under every deep a lower deep opens.” [Read more…]