Riot Material

Art. Word. Thought.

Archives for March 2019

The Literal Sounds Of Plastic On Matmos’s Plastic Anniversary

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Thrill Jockey
Reviewed by John Payne

In music, in general, combining high conceptual aims with what we call accessibility (a troublesome concept on its own) is not an easy thing to pull off. My no doubt annoyingly subjective list of musicians who’ve achieved a balancing in this equation (ear-friendliness + modernity) would include, say, Robert Wyatt, Lee “Scratch” Perry, Jon Hassell, Holger Czukay, Ryuichi Sakamoto, Terje Rypdal, Annette Peacock, Diamanda Galás, Coil and the Velvet Underground. This varied bunch shares the notion of basing the work on musical or thematic ideas, and in so doing not skimping on the soul; the goal is a kind of beauty. [Read more…]

Hew Locke: Here’s the Thing

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at Ikon Gallery, Birmingham UK (through 2 June)
Reviewed by Christopher P Jones

Hew Locke makes art to discover things. This is the sense you get. It explains why there is so much texture and variety throughout his work. For the viewer, being with an artist who seems to be in the act of turning over a dozen stones at once, it is a rewarding experience.

Open-eyed, critical but not dogmatic, Locke comes across as an artist who is happy to reveal his anxieties. Much of his work is a personal response to the history of European colonialism and especially to Guyana, a country with a long history of colonial subjugation. First from Dutch imperialism and then under the British Empire in the late 18th century, Guyana finally gained its independence in 1966. [Read more…]

11.8

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That Evening Sun is a photo-journal of life, love and interminable lasting on LA’s Skid Row
by Suitcase Joe

Suitcase Joe. "That Evening Sun," a photo-journal of life, love and interminable lasting on LA’s Skid Row, is at Riot Material Magazine.

I didn’t get a quote after meeting this gentlemen, but often while I’m walking around I think about the many great authors who lived in and wrote about downtown Los Angeles and its Skid Row. Charles Bukowski, Edward Bunker, Raymond Chandler, and John Fante are amongst my favorites. I’m not one much for quoting others, but I always loved this passage from John Fante’s book, Ask The Dust, and it often crosses my mind when I’m on a walk through these streets. “Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town!” [Read more…]

Transit Offers Old-School Romance And Timeless Tragedy

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Reviewed by Kristy Puchko

The cruelest twist of history is how it mercilessly repeats. As the dust of World War II settled, German author Anna Seghers wrote Transit, a novel that centered on a concentration camp escapee fleeing Nazi forces. While headlines and political propaganda might paint refugees are invading swarms, Seghers’ book aimed to restore the personhood of these people, sharing their stories to display their humanity. 75 years later, the debate over refugees still rages regularly. Which might explain why German filmmaker Christian Petzold’s adaptation of Transit is obliquely placed, making its setting as timeless as its harrowing tale. [Read more…]

Andy Warhol: By Hand

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at The New York Academy of Art
Reviewed by Phoebe Hoban

We are so accustomed to seeing Warhol as a seminal game changer that it’s easy to forget that like most artists, he started out in a much more conventional vein, as evidenced by his junvenilia and other early works on display at the Whitney’s wonderful major Warhol survey. The New York Academy of Art’s recent exhibit, Andy Warhol: By Hand, running somewhat concurrently with the Whitney retrospective, offered a rare opportunity to sample Warhol’s seductive skills as a draughtsman and illustrator—apart from such well-known commercial work as his I. Miller shoe ads and album covers. [Read more…]

Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth

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Reviewed by Caroline Fraser

Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth
by Sarah Smarsh
Scribner, 290 pp., $26.00
Courtesy of The New York Review of Books

As told in her ambitious and moving new memoir, Heartland, Sarah Smarsh’s life was ripped right out of a Bruce Springsteen song. “Spare Parts,” for one: “Bobby said he’d pull out Bobby stayed in/Janey had a baby it wasn’t any sin.”

That’s pretty much the tale the author tells of her own conception, except that her father was Nick and her mother was seventeen-year-old Jeannie. On Halloween night, 1979, Nick and Jeannie are having sex in his parents’ basement when Jeannie says, “Don’t come in me!” Nick pays no attention. Like most Springsteen songs, the story ends in melancholy, or what Thomas Hardy, in Tess of the d’Urbervilles, his great Victorian novel about the debasement of poor country women, called “the ache of modernism.” [Read more…]

Angela Davis On What It Means To Be A Revolutionary

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One of the videos on view at the entrance of The Broad’s exceptional new exhibition, Soul of a Nation: Art in the Age of Black Power (opening March 23), is Angela Davis speaking to the idea of what it means to be a revolutionary. It is a timely reminder and an historical summoning to hone once-again one’s revolutionary teeth. A review of Soul of a Nation is forthcoming.

Angela Davis (1972)

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Solange Knowles: When I Get Home

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Reviewed by Seren Sensei

Announced on the last day of Black History Month, Solange Knowles’ fourth studio album, When I Get Home, surprise released at midnight as a digital drop and experimental short film. A method originally pioneered by her sister, mega-superstar Beyoncé, many other artists have since adopted the technique of the ‘surprise drop,’ eschewing the popular single. But Solange elevates it to high art with Home, a thought-provoking concept album that’s as much video installation and interactive performance piece as music.  [Read more…]

The Timely Call of Revolution from Without…

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at The 8th Floor, NYC (through May 4)
Reviewed by Ellen C. Caldwell

Revolutionary Cycles is an expansive two-year series of art showing at The 8th Floor, a New York exhibition space run by the Shelley & Donald Rubin Foundation. The series will feature different themes such as issues around surveillance, gender, and media. Curated by Sara Reisman, Revolution from Without… kicks off the first installment of the series focused on the topic of resistance, with this exhibition featuring art from Tania Bruguera, Tony Cokes, Chto Delat, Raqs Media Collective, Kameelah Janan Rasheed, Dread Scott, and Mark Wallinger. [Read more…]

Annie Leibovitz, The Early Years: 1970-1983

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Archive Project No. 1
at Hauser & Wirth, Los Angeles (through April 14)
Reviewed by Nancy Kay Turner

There’s something happening here
What it is ain’t exactly clear
There’s a man with a gun over there
Telling me I got to beware
           –-Lyrics: Stephen Sills/Buffalo Springfield
              “For What It’s Worth”

Annie Leibovitz has combed through her enormous archive of negatives to personally curate and print these 4,000 (yes, that’s right) mostly black and white photographs for this poignant and profound exhibition at Hauser & Wirth. The exhibition chronicles the turbulent late sixties, the “me decade” of the seventies and the beginning of the prosperous early eighties. Printed in various sizes with some as small as 3”x5” straight from a contact sheet to later work that is printed much larger with an irregular black border (that echoed both Diane Arbus and Richard Avedon, two photographers that she admired), they are push pinned to a hemp wall in a precise grid in a sometimes curiously casual looking installation meant to evoke a kind of walk-in scrap book. These pictures are truly an amazing visual history of the way we were, while clearly indicating where we were headed. [Read more…]

Them That Follow Delivers A Striking Coming-Of-Age Drama About Snake Handlers

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Reviewed by Kristy Puchko

To most, a slithering snake might inspire fear. But to Mara (Alice Englert), in the new film Them That Follow, these creatures are beautiful, strong, and hold deep ties to her faith. Mara is a snake handler, part of a Pentecostal sect rooted deep in the woods of Appalachia. Like the snakes they use in their worship, these people are fiercely loyal, keeping to their own on a remote mountain. Martial engagements are made within their church community, involving all in a proposal process that includes quilting, snake-hunting, and a public acceptance. They avoid outsiders, like the police who will snatch their snakes, as well as their members, whenever possible. And if one of their members should be bit, they reject modern medicine, seeing the bite not as a health concern but a God-ordained test of faith. This life is all Mara has ever known. But as she grows into womanhood, her faith is rattled.   [Read more…]