Riot Material

Art. Word. Thought.

Archives for July 2022

Magia Protetora: The Art of Luciana Lupe Vasconcelos and Darcilio Lima

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at the Buckland Museum of Witchcraft and Magick, Cleveland OH (through 30 September 2022)
Curated by Stephen Romano Gallery
Reviewed by Christopher Ian Lutz

The extension of a lineage occurs not merely by the repetition of form, but by the intersection of conservation and revolution. Transformation is fundamental to preserving the essence of a given tradition’s rituals and symbols. Therefore, a symbol’s form or essence can outlive the original contextual boundaries that generated its living meaning. [Read more…]

Songs For Our Higher Selves

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A Cadence for Redemption: Conversations With Abraham Lincoln
by Eve Wood
Del Sol Press, 46pp., $5.99

Employing the fictive voice of a former president, Eve Wood shifts the perspective on the happenings of our times – where all indicators point to the slow, inexorable collapse of the American Experiment – to the one man who represents the very heart of our onetime democracy and the towering soul of this once-revered nation: Abraham Lincoln. A Cadence for Redemption is a work of narrative brilliance, the arc and architecture of which is seemingly upheld by the merest of lyrical tentpoles – that, in all their brevity, of the poems themselves. Yet the ideas across the collection, and the emotive carry in each one of these songs of love, songs of longing and loss, are as equally affecting as they are disquieting; they are as well, in their grand sum, entirely profound.

If you’re seeking to recalibrate your own internal compass on what it means to be a ‘good person’ or, conversely, are in search of sound template for our next generation of elected leaders, A Cadence for Redemption is a singular point of onset, for its terrains are of the highest bearings, its lyricism of heartsome beauty, its imagination of distinct wonder. It is, in other words, an altogether fine book of poetry for this fraught moment of our now.  – C von Hassett

Below are three excerpts from A Cadence for Redemption, courtesy of  Eve Wood.

[Read more…]

Reflections On Our Warming Planet

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at the Lois Lambert Gallery, Bergamot Station, Santa Monica (through 3 September 2022)
Reviewed by Austin Janisch

The exhibition Reflections On Our Warming Planet, at the Lois Lambert Gallery, signals that the time for reacting to our planetary warnings has now passed. We have transitioned into a new stage, that of reflection. This progression into a period of reflection may at first be difficult to accept. However, such a problematization of our actions through the assembled artworks ultimately proves apt. Conceived by Lucinda Luvaas, the selected participants not only raise awareness of, but also pose a relevant inquiry into the climate crisis of our day. Knowledge of climate change is no longer a novel concept. Awareness of global environmental change not only occupies our consciousness, but has become palpable. As year after year continues to pass with at best proportional reaction, the assembled works act as an archive of what has already been set into motion. [Read more…]

Filed Under: Art

The Clear, Crisp Taste of Cronenberg

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Crimes of the Future
Reviewed by Anna Shechtman and D.A. Miller
Neon
NYRB

A line from Crimes of the Future, David Cronenberg’s latest film, has been trailing it around with the campy insistence of an old-fashioned ad campaign: “Surgery is the new sex.” On receiving this information, a skeptical Saul Tenser, played by Viggo Mortensen, asks, “Does there have to be a new sex?” “Yes,” he is told by Kristen Stewart’s Timlin, with the assurance of a fashion influencer, “It’s time.”

It’s time for a new sex? For Timlin, infatuated with Saul, this might mean, “It’s time for a new sex act—sex between us.” For devotees of Cronenberg’s cinema, the phrase more pertinently means, “It’s time for a new Cronenberg film.” The director has been spawning new versions of sex since the start of his career. Murder is the new sex (Videodrome, 1983), car accidents are the new sex (Crash, 1996), commodity fetishism is the new sex (Cosmopolis, 2012), and so on. To get in the mood for new sex, you might resort to the rave drug that Cosmopolis calls “novo,” and afterward, you may need to be cured of bugs at the “Institute of Neo-venereal Disease” (the first Crimes of the Future, 1970). At all events, the precondition for making it with anyone in Cronenberg is making it new. [Read more…]

An Artist at Work, An Artist in Life: Studio Visits with Nancy Kay Turner

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July 2022, Los Angeles

by Margaret Lazzari

“An iceberg is 10% above water and 90% below. When we talk about our work, artists all talk about the stuff above water, but we never talk about all the stuff way beneath the work. Who knows what their work will be until they do it, until they do the investigation, until they get surprised?”  –Nancy Kay Turner

This article is about the whole iceberg of Nancy Kay Turner’s artwork, discussing the 10% above but also illuminating some below, including the chance occurrences and unplanned upheavals that shaped her work just as much as her conscious intention form them.  –ML  [Read more…]

Conjuring a Divine Silence in Georganne Deen’s The Lyric Escape

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at Rory Devine Fine Art, Los Angeles (through 6 August)
Reviewed by Eve Wood

Albert Camus once famously asked, “Should I kill myself, or have a cup of coffee?” One can only hope that this was a rhetorical question, yet however ironic, it is still a sentiment worth pondering, especially considering today’s current socio-political climate of daily hate crimes, bigotry and mass shootings. Let’s face it — if you happen to have been born into a corporeal, human existence, you will inevitably suffer some sort of trauma, either real or imagined, over the course of your lifetime. Hell, even the act of being born, is enough to scare any living creature back into the womb. Still, we persist because, in the end, as Camus suggests, we must all take solace in the smallest mundane tasks that frame our lives and make them bearable. It’s rare that an artist is a direct conduit to both grief and absurdity simultaneously, yet Georganne Deen is exactly that, relishing in the absolute bizarreness that often encompasses a life well lived. [Read more…]

A Strictly Organic Diet is Good Enough to Save Your Life

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A chapter excerpt from Entering the Mind, the new book from C von Hassett which speaks to an ageless way of resting the mind in meditation to both recognize and stabilize in its already Awakened state. Yet to do this successfully, we must first cleanse the body of its myriad mind-fogging toxins taken in through food. The chapter below, “Eclipse and Revelation,” argues in favor of a diet free from industrial pesticides, which only then will allow us to see our own naturally occurring mind within — or what the great Tibetan Masters speak of as Mind in its Natural State.

Entering the Mind
by C von Hassett
Waterside Productions, 173pp., $12.95

Eclipse and Revelation

Before entering mind or having any opportunity to recognize its essence, we must first have a body that allows us to freely enter the natural state without awareness itself being impeded by the toxins we take in. The in-flight airplane metaphor is apt: when masks drop in a moment of alert, put yours on first before taking care of others. We must take care of our body first before there is even a chance to remedy the confusion of our own mind. If the body is sick, being poisoned each day by pollutants in our environment, then awareness, too, is hampered by these same toxins. Mind follows body, and when the mind is riddled – be it by thoughts or by the actual poisons absorbed into our flesh – it cannot recognize itself, let alone come to the experiential realization that Wisdom-Being arrives only from within. [Read more…]