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Archives for May 2018

Amazon To Arctic, Part I: The Rainforest Is Burning

May 31, 2018 By Barrett Martin Leave a Comment

by Barrett Martin

In just six months, between March and August, I spent time in three of the most important ecological zones in North and South America, those being: The Amazon Rainforest, the Mississippi Delta, and Alaska’s Arctic Wildlife Refuge. This is a two-part essay about the people, places, and environments I’ve seen in these parts of the world, and my observations on a warming, changing climate that is accelerating in its pace. The environment in these places is being severely impacted by oil exploration, and compounded by clear cutting in the Amazon Rainforest, confused caribou herds in the Arctic Wildlife Refuge, and the negative impact of heavy equipment and infrastructure on the natural flora and fauna in all three zones.  [Read more…]

Filed Under: The Line, The Natural World

Old-School And, Yes, Funky New Work From Parliament

May 30, 2018 By Riot Material Leave a Comment

“I’m Gon’ Make U Sick O’Me” 
Feat. Scarface and Mudbone

From Medicaid Fraud Dogg (it’s been 38 years since their last release!)
on C Kunspyruhzy

Filed Under: Riot Sounds, Video

Connan Mockasin’s “Forever Dolphin Love”

May 29, 2018 By Riot Material Leave a Comment

The Erol Alkan Rework

From the Reworks Volume 1 release
on Phantasy Sound

Filed Under: Riot Sounds

Revisiting The Art-Life Balance In The Square

May 29, 2018 By Timofei Gerber Leave a Comment

by Timofei Gerber

The new film, The Square (2017) is not marked by a tight plot; quite on the contrary it can be said to be built on vignettes, or even more precisely, by performances. Now, ‘performance’, of course, recalls Performance Art, the ‘movement’ that started out in the 1960’s; and as The Square is dealing with the contemporary art world, this connection is in no way accidental. Yet, the movie’s protagonist also explicitly refers to the work of Nicolas Bourriaud, who wrote extensively on the art of the 1990’s, which he differentiated from the issues and problems that were raised by the art movements of the past (cf. Bourriaud 2002: 7f.). He distinguishes the two in as far as Performance Art is following in the footsteps of avant-garde modernism, with its attempts to disrupt the standardised flow of our daily lives and to sketch out bold utopias with its manifestos; while for the Art of the 1990’s, or as he calls it, Relational Art, “the role of artworks is no longer to form imaginary and utopian realities, but to actually be ways of living and models of action within the existing real” (ibid.: 13). The Square opens up a discussion between these two conceptions of the role of art within society, the one leading up to the 60’s/70’s and the other starting out in the 1990’s, which are based on two different interpretations of what modernity is. Let us look at them separately and see what different forms they take within the movie. [Read more…]

Filed Under: Film, The Line, Thought

New Work From Marcus Marr: “Familiar Five”

May 25, 2018 By Riot Material Leave a Comment

 

The Justin Van Der Volgen Remix

on DFA Records

Filed Under: Riot Sounds

Hitler’s Hollywood Is A Lovely Veil Of Horrors

May 25, 2018 By Alci Rengifo Leave a Comment

Reviewed by Alci Rengifo

When a historical nightmare occurs it can distort every facet of society, in particular the arts. Artistic expression is molded by the tides of events. If a society goes completely mad, its artistic processes will be a reflection of the disease. This is ever so evident in the evolution of fascist societies. Rüdiger Suchsland’s brilliant, unnerving yet captivating new documentary, Hitler’s Hollywood, is a work of dark reverie and critical study. It challenges the viewer to ponder the very meaning of the word “beauty,” and to wonder in disturbed awe if fascism can indeed produce beautiful works. Moments in this documentary are indeed so luminous that the spectator cannot help but drink in the imagery, even if we are aware that it is all merely a veil for horrors. [Read more…]

Filed Under: Film, The Line

Wajatta’s Wickedly Funky (And Fun!) Casual High Technology

May 24, 2018 By John Payne Leave a Comment

on Comedy Dynamics
Reviewed by John Payne

As a way of potentially creating something genuinely new, or at least surprising, the time-honored but perhaps neglected artistic scheme of melding or juxtaposing multiple dissimilar aesthetic beliefs or conceptual visions in order to birth a third entity, independent of its parents’ genetics, might be the best way to describe the resonant thrills encoded within the grooves of Wajatta’s debut album. [Read more…]

Filed Under: Records, The Line

Wajatta’s Infectious “Synchronize”

May 23, 2018 By Riot Material Leave a Comment

From their new release Casual High Technology

https://www.riotmaterial.com/wp-content/uploads/2018/05/11-Synchronize.m4a

on Comedy Dynamics

Filed Under: Riot Sounds

A Love Letter In Sprays: LA’s BEYOND THE STREETS

May 23, 2018 By Emily Nimptsch Leave a Comment

At Werkartz, Los Angeles (through 6 July)
Reviewed by Emily Nimptsch

Wandering through the cavernous, labyrinthine yet thoroughly modern galleries of BEYOND THE STREETS — graffiti and street art historian Roger Gastman’s love letter to the genre — the viewer stumbles upon a modest and intimate installation resembling an ancient Roman temple. Closer inspection, however, reveals references to a myriad of other religious traditions, including Buddhist prayer wheels and a relief sculpture of the Biblical serpent tempting Eve. It is this blending of worlds, this juxtaposition of old and new, East and West, and high and low-brow art that defines this  extravaganza of an exhibition [Read more…]

Filed Under: Art, The Line

John Cameron Mitchell’s Timid How To Talk To Girls At Parties

May 22, 2018 By Riot Material Leave a Comment

Reviewed by Kristy Puchko

In 2001, John Cameron Mitchell roared onto the film scene like a bat out of hell with Hedwig And The Angry Inch. Based on his daring Off-Broadway show, this outrageous rock musical was celebrated for its poignant tale of self-love and the dynamic spectacle of its sensational song numbers. Remarkably, Mitchell brought the experience of the live show into the movie theater, creating a sense of enchanting spontaneity that transformed the audiences who saw it. And that included me. [Read more…]

Filed Under: Film, The Line

First Reformed

May 18, 2018 By Riot Material Leave a Comment

Reviewed by Alci Rengifo

There can be nothing more dangerous than an awakened consciousness. Paul Schrader’s new and fierce work, First Reformed (2017), is a portrait of a man connecting with a world in crisis, even as he is silently torn by his own scars. Beautifully composed, it is a film that reaches well beyond the surface of its story. It is about the very condition and mood of our times, and the palpable sense of some oncoming cataclysm.

We are but individuals operating within the larger panorama of societies and nations. Some of us are bond strong by belief systems; others despair within their beliefs at a world symbolically ready to burn. Paul Schrader has been a filmmaker of the latter ilk since his early days when he composed furious, violent works which, even when featuring traditional plots, displayed an artist grappling with the spirit and the flesh. [Read more…]

Filed Under: Riot Cinema

KAN Offers Up A Fresh Way ‘To Look’

May 18, 2018 By Genie Davis Leave a Comment

at Durden and Ray, Los Angeles (through 26 May)
Reviewed by Genie Davis

KAN, the group exhibition at Durden and Ray, is a subtle, poetic show that shines with both its intent and its artwork. Curated by Sijia Chen and Lydia Michelle Espinoza, the show features the work of Chen and artists Carl Berg, Gul Cagin, Hai-Biao Cai, Huang Cheng, Roni Feldman, Ed Gomez, Jenny Hager, Ruowan Li, Ty Pownall, and Zhengsai Xie.

Primarily abstract work, with some figurative pieces, KÀN in Chinese translates as “to look,” and that is what each piece encourages us to do remarkably well here. Viewers are invited to observe captured moments, to take-in even the most minute or quiet details with intention and purpose. Each piece in the exhibition is quietly contemplative. Regardless of mediums — which are varied — the works encourage the viewer to turn inward, to go beyond the casual glance and truly study a piece. Many, though by no means all, of these works have subdued palettes, in most cases the palettes chosen by the artist fall into a specific series of shades. [Read more…]

Filed Under: Art, The Line

The Aggressively Uncategorizable Roger Ballen

May 15, 2018 By Shana Nys Dambrot Leave a Comment

Roger Ballen: Ballenesque
at Fahey/Klein Gallery (through June 16, 2018)
Reviewed by Shana Nys Dambrot

Ballenesque: Roger Ballen: A Retrospective
by Roger Ballen and Robert JC Young
Thames & Hudson, 336 pp., $80.00

Sometimes an artist’s style is so aggressively uncategorizable, so interdisciplinary and outside conventions, that it defies not only genre, but any meaningful comparisons to history or peer — and their name simply becomes its own adjective. Meet US/South African artist Roger Ballen, whose sui generis style of photography-based practices has been dubbed Ballenesque, because there’s literally no better way to describe it. Of course, in this case, Ballen himself began referring to his own work that way fairly early on, in the 1990s, and honestly he has a point. [Read more…]

Filed Under: Art, Artist, Image, The Line

Roger Ballen’s Visceral & Phantasmagorical Outland

May 15, 2018 By Riot Material Leave a Comment

In her review of the Roger Ballen retrospective, “Ballenesque,” at Fahey/Klein Gallery in Los Angeles (through June 16, 2018), Shana Nys Dambrot tells us, “in the last three decades, Ballen’s instincts became more and more fantastical, his poetic and surrealist impulses gaining momentum and eventually taking over his storytelling impulse in the name of fiction and allegory.” 

The exhibition is a must see, and to double down on its delightfully troubling aesthetic — and to get a truly visceral sense of Ballen’s taste for the fantasitical, the grossly poetic and the apocalyptically surreal — check out his 2015 short, Outland:

Filed Under: Short Film, The Line

Klimt and Schiele: Drawn

May 14, 2018 By Riot Material Leave a Comment

at the Museum of Fine Arts, Boston
Reviewed by Adam Kirsch

Klimt and Schiele: Drawings
by Katie Hanson
MFA Publications, 150 pp., $49.95
Courtesy of The New York Review of Books

As you enter “Klimt and Schiele: Drawn,” at the Museum of Fine Arts in Boston, you are faced with a choice. Begin on the left, with Gustav Klimt’s Seated Woman in a Pleated Dress, and you will find yourself following Klimt down one wall of the single, large room; pick the right, with Egon Schiele’s The Artist’s Mother, Sleeping, and you are in his more colorful and astringent territory. Not until you have completed the whole circuit does it become clear that these two paths are also mirror images, each organized around the same rubrics: “Inner Life Made Visible,” “The Stuff of Scandal.” It is the curator Katie Hanson’s deft way of paying obeisance to the familiar coupling of the two artists—the heroic heralds, with Oskar Kokoschka, of Viennese modernity—while also insisting on their difference, even their irreconcilability. [Read more…]

Filed Under: Art, Artist, Books, The Line

Rashid Johnson: The Rainbow Sign

May 14, 2018 By Emily Nimptsch Leave a Comment

at David Kordansky Gallery (Through May 19, 2018)
Reviewed by Emily Nimptsch

Viscous black liquids cascade down the picture planes as scrawled drawings of agonized grimaces and anxious eyes confront the viewer at every turn. Indeed, Brooklyn-based multimedia artist Rashid Johnson’s current David Kordansky exhibition, The Rainbow Sign is a masterclass in haunting and subtly violent imagery. Extracting its title from an often-cited passage in James Baldwin’s 1963 bestseller, The Fire Next Time, this eclectic collection of wall sculptures, ceramic cups, mosaic portraits, and psychedelic collages presents a poignant reflection on notions of cultural identity and protest. [Read more…]

Filed Under: Art, Artist, The Line

Chaim Soutine: Flesh

May 12, 2018 By Riot Material Leave a Comment

at the Jewish Museum, NYC (through September 16, 2018)
Chaim Soutine with a chicken

Chaim Soutine with a chicken

Reviewed by Will Heinrich
Courtesy of The New York Times

The most well-known story about Chaim Soutine has him alarming his Montparnasse neighbors by bringing in fresh sides of beef to paint, and dousing the carcasses, as he turned out one gory, ecstatic still life after another, with blood to keep them fresh.

Born outside Minsk, in what is now Belarus, Soutine (1893-1943) arrived in Paris in 1913. There he endured almost a decade of struggle before finding a few patrons, most notably Albert C. Barnes, the great Philadelphia collector, who catapulted Soutine to fame and fortune when he bought every canvas in the painter’s studio in 1922. [Read more…]

Filed Under: Art, Artist, The Line

A Lovely New Track From Damien Jurado: “Allocate”

May 11, 2018 By Riot Material Leave a Comment

From The Horizon Just Laughed release:
.
.
on Secretly Canadian

Filed Under: Riot Sounds

Dangerous Poetics: Baal and the Resurrection of Fassbinder

May 11, 2018 By Alci Rengifo Leave a Comment

by Alci Rengifo

The poet wanders the world, his soul a caldron of anarchic nihilism. Thus we are introduced to a young Rainer Werner Fassbinder in Volker Schlöndorff’s Baal. Based on a 1918 play by the legendary German playwright Bertolt Brecht, this 16mm work, vivid and wild, has remained largely unseen since it was first broadcast on West German television in 1970. An aghast cultural hierarchy, not least Brecht’s own aged widow, ensured the film would remain locked away until 2014, when a digitally restored version was previewed at the Berlin Film Festival. Now this restored version arrives as one of the latest additions to the Criterion Collection. [Read more…]

Filed Under: Film, The Line

Stray Dog Of Tokyo, Daidō Moriyama

May 11, 2018 By Riot Material Leave a Comment

by Ian Buruma

Daidō Moriyama: Record 
edited by Mark Holborn
Thames and Hudson, 424 pp., $70.00
Provoke: Between Protest and Performance—Photography in Japan 1960/1975 
edited by Diane Dufour and Matthew S. Witkovsky, with Duncan Forbes and Walter Moser
Steidl/Le Bal/Fotomuseum Winterthur/ Albertina/Art Institute of Chicago, 679 pp., $75.00 (paper)
Daido Tokyo
by Daidō Moriyama
Paris: Fondation Cartier pour l’art contemporain/Thames and Hudson, 192 pp., $40.00

Courtesy of The New York Review of Books

One of Moriyama Daidō’s most famous black-and-white photographs is of a stray dog, a bit wolfish, with matted hair, looking back into the camera watchfully, with a hint of aggression. He took the picture in 1971 in Misawa, home to a large US Air Force base, in the northeast of Japan. Moriyama has described this dog picture as a kind of self-portrait:

I wander around, glare at things, and bark from time to time…. Something there is close to how I look at things and to how I probably appear when I’m wandering. Having become a photographer, I always sensed that I have strayed.  [Read more…]

Filed Under: Artist, Books, Image, The Line

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Short Fiction

Hunting in the Dark, by Kika Dorsey

Hunting in the Dark

by Kika Dorsey

Joan was convinced she had cancer. Sometimes it was a dull ache in her side, sometimes a cut that didn’t heal. She knew of a woman with Crohn’s Disease and just recently an old friend of hers died of pancreatic cancer. It was just a matter of time before those alien cells took over her body. Her body was on the edge of a cliff, ready to fall. When she got out her Tarot deck, she always drew the Fool. Once she saw the Hermit in a dream. He dropped his lantern and the light tumbled down into a rocky canyon, glowing on the silver cliffs as it fell. It was winter, with pockets of snow on the peaks. [Read More…]

Riot Sounds

Tony Dreher's Orkan. Listen to it at Riot Material magazine

Saw-Whipping Techno-Trance From Toby Dreher: “Orkan”

From the new release, Ohrwurm

https://www.riotmaterial.com/wp-content/uploads/2019/02/11480527_Orkan_Original_Mix.mp3

on Acker Dub

Toro y Moi's Laws of the Universe, at Riot Material magazine

New Work From Toro Y Moi: “Laws Of The Universe”

From the Outer Peace release

https://www.riotmaterial.com/wp-content/uploads/2019/02/03-Laws-of-the-Universe.m4a

on Carpark Records

The new word

Where to Begin?

First, we’re skinny-dipping,
Sam & I, in a pond in Tennessee,

which is his idea, I should say,
& the tree with the rope swing
looms darker

than the dark night sky.

Second, the harvest moon,
which we came here to see,

is nowhere to be found,
instead the sky burning with stars
I can’t see without my glasses [Read More…]

The Line

Village Voice Covers, a wood-block print on newsprint, by Nils Karsten © The artist..

Gary Indiana’s Vile Days

Reviewed by Lidija Haas Vile Days, by Gary Indiana, edited by Bruce Hainley.  Semiotext(e). 600 pages. $29.95. Courtesy of Harper’s Magazine How unromantic can a deathbed scene get? A test case: one day in 2015, The New Yorker’s art critic, Peter Schjeldahl, makes his way to the Village Voice’s Cooper Square offices, seeking to rescue the columns he […]

Seeing Allred (2018). Interview with Gloria Allred at Riot Material magazine.

A Word With Seeing Allred Co-Director Sophie Sartain

by Cynthia Biret Seeing Allred is a fascinating documentary about one of the most powerful and outspoken discrimination attorney and women’s rights advocates of our times: Gloria Allred. Co-directed by Sophie Sartain and Roberta Grossman, the film gets up-close and personal with this formidable woman, from her high profile cases and strategic presence in the […]

Supertalls in NYC

A City No More: The Rise Of The World’s Largest Gated Community

by Kevin Baker From “Death of a Once Great City” Courtesy of Harper’s Magazine New York has been my home for more than forty years, from the year after the city’s supposed nadir in 1975, when it nearly went bankrupt. I have seen all the periods of boom and bust since, almost all of them […]

"Supertalls" in NYC

NYC Supertalls And The Narrowfication Of The City’s Architecture

by Aaron Timms From “The Needles and the Damage Done” Courtesy of The Baffler What kinds of people did I expect to find here, in the public garden at the foot of 432 Park Avenue, New York’s tallest residential building? In the days before I arrived in Manhattan to chart a course across the city, […]

Charles Mingus, at Riot Material Magazine

Playing the Truth: Charles Mingus’s Jazz in Detroit/ Strata Concert Gallery/ 46 Selden

Reviewed by Henry Cherry In January of 1979, two extraordinary losses occurred in Mexico. 56 sperm whales beached themselves on the country’s coast line. Reportedly on the same day, fabled jazz composer and bassist Charles Mingus died of heart failure related to ALS (Lou Gehrig’s disease). He was 56. Mingus had gone to Mexico in […]

Thelonious Monk, Mønk, Reviewed at Riot Material Magazine

Thelonious Monk, Not Yet At The End

Mønk on Gearbox Records Reviewed by Henry Cherry Jazz pianist and composer Thelonious Monk loved Laurel and Hardy, and playing Yahtzee with his wife Nellie, and ping pong. He once played 60 consecutive games of pong against John Coltrane, Monk winning all but one. He also lost his cabaret card (a license to play in […]

Touch Me Not (2018)

Bodies, And Limits, Beyond The Norm In Touch Me Not

Reviewed by Arabella Hutter von Arx At the start of Touch Me Not, which opened the 2018 Romanian Film Festival in New York City, two men set up a device involving a glass plate and a camera. This is followed by a panning shot in shallow focus detailing the landscape of a male body, skin, […]

Deana Lawson at The Underground Museum, Los Angeles

Deana Lawson’s Planes Soars

Deana Lawson: Planes at The Underground Museum, Los Angeles (through February 17th, 2019) Reviewed by Ellen C. Caldwell  The space of The Underground Museum might be what you expect, but it might not be. It is housed in an unassuming storefront on a busy street in Arlington Heights, Los Angeles. As visitors enter, they appear in […]

Dhatu (2009) — James Turrell

Transforming Light Into Art: A Look At The Movement Of Light And Space

by Ryan Guerrero During the mid 1960’s, Light and Space became a loosely affiliated art movement related to Op Art, Minimalism and Abstraction. Influenced by American artist John McLaughlin, the movement was characterized by a focus on perceptual phenomenon and became well known throughout California. Artists integrated ideas of light, volume and scale, and the use […]

Sally Mann

Southern Discomfort: The Photographs of Sally Mann

Sally Mann: A Thousand Crossings at Getty Center, Los Angeles (through February 10, 2019) Reviewed by Nancy Kay Turner Abide with me! Fast falls the eventide; The darkness deepens: Lord, with me abide!  –Hymn Sally Mann’s haunting black and white photographs are a hymn to the South she loves so ferociously, with all its troubled, tangled, […]

Christian Bale (left) as Dick Cheney and Sam Rockwell (right) as George W. Bush in Adam McKay’s VICE,

Dick Cheney’s Imperial Shadow Looms Large in Adam McKay’s Vice

Reviewed by Alci Rengifo One can only imagine what the great Roman historians like Tacitus and Suetonius would write about our own imperial moment. From rugged colonial stock the union sprout, liberated itself from the British crown, declared itself the United States, expanded in both territory and military might, and birthed characters like Richard Bruce […]

Ethan Hawke in First Reformed (2018)

Visions of the Age: A Top 10 Of 2018

by Alci Rengifo It is the cinema which chronicles the passions, nightmares and dreams of an era. To look back at the movies of any given decade is to peer into the very fabric of an age’s consciousness. We are currently living through a period of historical transition, a moment Gramsci would recognize as a […]

Robert Pruitt's Devotion, Installation View

Robert Pruitt: Devotion

at California African American Museum, Los Angeles (through February 17, 2019) Reviewed by Ellen C. Caldwell Robert Pruitt: Devotion is Houston-born and New York-based Robert Pruitt’s first major museum exhibit in Los Angeles, and it is a must-see and muse-experience. California African American Museum (CAAM) features Devotion in a large interior room, with plenty of light and […]

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