Riot Material

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Archives for September 2020

An Interview with Erin Currier: Artist, Writer & Activist

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by Lisette García and Barrett Martin

excerpted from Ponderosas: Conversations with Extraordinary, Ordinary Women 
by Lisette García, Ph. D
available November 20th
Sunyata Books

“You have to act as if it were possible to radically transform the world. And then you have to do it all the time.”
–Angela Davis

Barrett: I first met Erin Currier and her late partner, Anthony Hassett, in 1996 when I was visiting mutual friends in Taos, New Mexico. A group of us went on a hike together, in the magnificent Sangre de Cristo Mountains in the high desert of northern New Mexico. We all had much in common—a great love for music, art, and an obscure martial art that we were studying with the same master in Taos. Even though we were all relatively young, we seemed to understand each other in a much deeper way than most new friends. [Read more…]

The Earth Commences Her Retalitory Roar

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Reviewed by Bill McKibben 

Our Final Warning: Six Degrees of Climate Emergency
by Mark Lynas
London: 4th Estate, 372 pp., $27.99
The New York Review of Books

So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, seeing your parents—shifts dramatically. The world feels different, with every assumption about safety and predictability upended. Will you have a job? Will you die? Will you ever ride a subway again, or take a plane? It’s unlike anything we’ve ever seen.

The upheaval that has been caused by Covid-19 is also very much a harbinger of global warming. Because humans have fundamentally altered the physical workings of planet Earth, this is going to be a century of crises, many of them more dangerous than what we’re living through now. The main question is whether we’ll be able to hold the rise in temperature to a point where we can, at great expense and suffering, deal with those crises coherently, or whether they will overwhelm the coping abilities of our civilization. The latter is a distinct possibility, as Mark Lynas’s new book, Our Final Warning, makes painfully clear. [Read more…]

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

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Reviewed by Alci Rengifo

Chasing the Light
by Oliver Stone
Houghton Mifflin Harcourt, 352 pp., $25.20

If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our nationalist pride as a world hegemony, it no doubt has uprooted many personal obsessions with career paths and lifestyle. That most provocative of American film directors, Oliver Stone, has now released a passionate and absorbing memoir, Chasing the Light: Writing, Directing, and Surviving Platoon, Midnight Express, Scarface, Salvador and the Movie Game, which in its own way, is fully apt for our time. More than any other work of autobiography to be released this summer, Stone’s account of going against the grain and demanding to be allowed to live off his vocation reads like a tonic. [Read more…]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

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Reviewed by John Biscello

The Deeper the Water the Uglier the Fish
by Katya Apekina
Two Dollar Radio, 353pp., $12.74

Humpty Dumpty sat on a wall
Humpty Dumpty had a great fall;
All the king’s horses and all the king’s men
Couldn’t put Humpty together again

In the name of nursery rhyme remixology, first let us add the soothing menace of a Pink Floyd soundscape to the tale, and then let us peer into the fragmented disaster that the fallen Humpty has become, and realize that he was never an anthropomorphized egg-man at all, but rather a family incestuously consolidated into a single mutated unit, a dangerously complex and fragile organism that, in breaking apart, becomes its own prospective savior and redeemer. As you keep looking—and you will, because this specific accident has you in its grip, like a shock collar at Sunday mass—you will notice how the congealed blob that comprised Humpty’s interior is slowly disassembling into individual parts: mother, father, two daughters. How each of these exposed selves will react to their blunt individuation, their emergence from a cystic sublet, remains to be seen. And so you watch, and listen, and find yourself drawn into a narrative that is at once familiar and remote. Welcome to family, as modern American gothic, in the half-lit world of Katya Apekina’s The Deeper the Water the Uglier the Fish. [Read more…]