Riot Material

Art. Word. Thought.

  • Home
  • The Magazine
    • About
    • Contributors
    • Categories >
      • Art
      • Artist
      • Books
      • Thought
      • Film
      • Cinema Disordinaire
      • Riot Sounds
      • Records
      • Jazz
      • Interview
      • Inside The Image
      • More   >
        • Architecture
        • Image
        • The Line
        • The New Word
        • That Evening Sun
        • Twenty Que
        • The Natural World
        • Opera
        • Video
        • Fiction
        • From The Shelf
        • FR/BLCK/PR
    • Contact
    • Masthead
  • Art
    • Art Reviews
  • Books
    • Book Reviews
  • film
    • Film Reviews
  • Records
    • Jazz Reviews
    • All Reviews
  • Riot Sounds
  • Cinema Disordinaire
    • Riot Cinema

Archives for September 2017

New Work From Matthew Dear: Bad Ones (feat. Tegan and Sara)

September 30, 2017 By Cvon Leave a Comment

Filed Under: Riot Sounds, Video

Rei Kawakubo / Comme des Garçons: Art of the In-Between

September 28, 2017 By Riot Material Leave a Comment

at the Metropolitan Museum of Art, NYC
Reviewed by David Salle

An extract from “Clothes That Don’t Need You,” in the September 28th issue of The New York Review of Books.

The first time I visited Japan I fell hard for the highly abstract, ritualized form of musical drama called Noh. My Japanese friends found this a little puzzling, since I couldn’t understand the dialogue, and there was no simultaneous translation such as one finds at the opera. Even they didn’t understand the arcane Japanese dialect from hundreds of years earlier. There were synopses of the plays, of course—usually just a few lines in a mimeographed program. My traveling companion and I were often the only Westerners at these performances, which were held in the late afternoon, adding to the oddness of the experience. The atmosphere was very different from the more popular Kabuki. No beer. No cheering, no talking in the house at all. Pretty soon, as the intricate rhythms and the rising and falling pitch of the atonal chanting start to work on your brain, you begin to get a feeling for the dramatic arcs. [Read more…]

Filed Under: Art, Artist, The Line

Intellectually Ambitious Yet Ultimately Inept: 78/52 Fails Hitchcock’s Psycho

September 27, 2017 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

The shower scene in Psycho is easily one of the most iconic scenes in cinema history. Even those who’ve never seen Alfred Hitchcock’s notorious 1960 thriller know its shrieking strings score, and have surely seen it mimicked in a bevy of film and TV shows. Beyond that blood-splashed shower curtain, there’s a whole world to be explored. Documentarian Alexandre O. Philippe dives in with 78/52 [Read more…]

Filed Under: Film, The Line

Coffee With Two Good Men

September 25, 2017 By Riot Material Leave a Comment

David Lynch chats with Harry Dean Stanton:

Filed Under: Artist, Interview, The Line, Video

Carlos Almaraz Short Doc

September 25, 2017 By Riot Material Leave a Comment

Filed Under: Video

Carlos Almaraz, Playing With Fire

September 25, 2017 By Nancy Kay Turner 2 Comments

Part of Pacific Standard Time: LA/LA
at The Los Angeles Contemporary Museum of Art
Reviewed by Nancy Kay Turner

Pacific Standard Time/LA/LA (Los Angeles, Latin America) is the second installment of a widespread series of exhibitions sponsored by The Getty. This incarnation involves over 70 institutions (art galleries, museums, and other cultural venues) from all over Southern California, including Palm Springs, to showcase Chicano and Latino art — ancient through contemporary.

As part of PST/LA/LA, The Los Angeles Contemporary Museum of Art (LACMA) shows a survey of painting from the prolific and prodigiously gifted Carlos Almaraz, who died too young of AIDS in 1989. From 1973-83, Almaraz was part of a Chicano (though that term was new) Collective, called Los Four, which included Frank Romero, Gilbert Magu Lujan, and Roberto de la Rocha. They worked together, painted and sculpted many of the same images (cars, cacti, dogs, chairs, flames) as they developed a Chicano lexicon of imagery. They are all being recognized anew. Frank Romero just had an outstanding retrospective at MOLAA last spring and Gilbert Magu Lujan will have a huge retrospective (over 200 works) at UCI this fall. The fourth member, Roberto de la Rocha, unfortunately destroyed all his works, went into seclusion for 20 years and is just now rejoining the Los Angeles artistic community. [Read more…]

Filed Under: Art, Artist, The Line

See/Saw: Siegfried Tieber is Ready for His Close-Up

September 24, 2017 By Shana Nys Dambrot Leave a Comment

By Shana Nys Dambrot

Up-Close Magic — sometimes called Micromagic — is a genre of cards and coins, not smoke and mirrors. It’s an arena where the audience is small, perhaps a dozen, or twenty, and they are watching the performer from mere feet or inches away. There’s a lot of eye contact, audience participation is central to almost every trick, and the magician is basically daring you to figure out what he’s doing and how he’s doing it. [Read more…]

Filed Under: The Line

Traumatizing, Tragic, Grimly Comedic: Yorgos Lanthimos Unnerves Fantastic Fest

September 23, 2017 By Kristy Puchko 2 Comments

The Killing Of A Sacred Deer
Reviewed by Kristy Puchko

Greek filmmaker Yorgos Lanthimos has raised eyebrows and sunk hearts with his heralded drama Dogtooth and his Colin Farrell-fronted dark comedy The Lobster. Now he reteams with Farrell for The Killing of A Sacred Deer, an enigmatic bit of slow burn horror that boasts a streak of pitch-black humor. Not nearly as accessible or silly as The Lobster, it’s nonetheless breathlessly daring and unnerving. [Read more…]

Filed Under: Film, The Line

Desolation, Dystopia And Joyous Dance

September 22, 2017 By Lorraine Heitzman 1 Comment

Simphiwe Ndzube’s Bhabharosi 
at Nicodim Gallery, Los Angeles (through October 14, 2017)
By Lorraine Heitzman

Simphiwe Ndzube, in his bold debut at the Nicodim Gallery, has produced a personal and political tragicomedy that is an insightful commentary on the human condition. Set against the backdrop of South Africa where Ndzube was born, Bhabharosi tells the timely story of the hero’s journey that is steeped in the colors and customs of his birthplace but speaks to universal themes. His fresh perspective resonates with a vocabulary that is both witty and visually stunning. [Read more…]

Filed Under: Art, Artist, The Line

Hagazussa

September 22, 2017 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by Stephen Dalton

[from old High-German, a Hagazussa refers to the fence sitter, or one who lives between two worlds]

Anyone who found the deranged cannibalistic excesses of Darren Arofonsky’s mother! a little too vanilla should feast their senses on the deliciously dark flavors of Hagazussa (2017). An atmospheric folk-horror fable that combines a constant undertow of creeping dread with a striking avant-gothic visual style, it marks the feature debut of Vienna-born, Berlin-based director Lukas Feigelfeld. The title draws on an ancient term used to describe witches and female demons across German-speaking Europe in the Middle Ages. [Read more…]

Filed Under: Cinema Disordinaire

New Work From Erin Currier

September 21, 2017 By Erin Currier Leave a Comment

American Women (dismantling the border) II

American Women (dismantling the border) II (48″x60″) depicts the U.S. Mexico wall being dismantled by American Indigenous women (Comanche, Navajo, on the U.S. side; Aztec, Miztec, Mayan, on the Mexican side). Most borders which define Nation States — topics of such heated debate — were only recently built, created by Colonial conquest, and are false constructs: hastily drawn lines etching across and carving up lands inhabited for millennia by Indigenous peoples. Thus, it is the right of the Indigenous to dismantle the oppressive walls and artificial distinctions of the world: walls that slice through the heart of communities and ecosystems, the only function of which is fear based exclusion. [Read more…]

Filed Under: Art, Artist, The Line

Gathered Crumbs From A Lost Cake

September 21, 2017 By John Biscello Leave a Comment

A Review of Elizabeth Ellen’s Person/a
by John Biscello

I

In the 2004 film, The Libertine, Johnny Depp, playing the Earl of Rochester, delivers an acidic opening monologue, which begins, “Allow me to be frank at the commencement, you will not like me. The gentlemen will be envious and the ladies will be repelled. You will not like me now and you will like me a good deal less as you go on.”

The ego, as a mouthpiece for rebellion, as an exiled priest dispatching its sermon-of-self from a rogue pulpit, creates itself through voice. In the “Letter from the Editor” section of Elizabeth Ellen’s new novel, Person/a, the author states: “… I write this letter to you, dear reader, as both editor and author of this novel, with full awareness and with full admission that if there is a ‘Monster at the End of this Book,’ that monster is I. I am that monster. Let this then serve as an introduction.” [Read more…]

Filed Under: Books, The Line

The Substantial, Steady Shadow Of Harry Dean Stanton

September 18, 2017 By Riot Material Leave a Comment

by Manohla Dargis
From “Harry Dean Stanton: Fully Inhabiting Scenes, Not Stealing Them,” in the September 17 edition of the New York Times

Soon after the start of “Paris, Texas,” Harry Dean Stanton appears in an astonishing gorge called the Devil’s Graveyard. He’s playing a lost soul, Travis, who will spend the rest of the film getting found. Right now, though, surrounded by rock formations that evoke the westerns of John Ford, Travis is an enigma. On foot and wholly alone save for a watchful eagle, wearing a red cap and an inexplicable double-breasted suit, Travis looks like a former cowboy or maybe a businessman who took a wrong turn. He looks like someone Dorothea Lange might have photographed during the Great Depression. He looks like the American West, all sinew, dust and resolve. [Read more…]

Filed Under: Artist, Film, The Line, Video

Mother! — An Interview With Darren Aronofsky

September 17, 2017 By Riot Material Leave a Comment

 

Filed Under: Interview, Video

Enigmatic and Unnerving, Mother! Might Be a Modern Horror Masterpiece

September 17, 2017 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

Darren Aronofsky’s Mother! is his Mona Lisa. Maybe a masterpiece, but most definitely crafted to capture the public with its mystery. Following its debut at the Toronto International Film Festival, the art-horror offering has ignited furious debate over its meaning, and even basic plot points. Sure, the trailer suggests this is a creepy cult thriller about a married couple whose happy home is unsettled by some unexpected–and sexy–guests. But the truth is something more complicated and far trickier to define. [Read more…]

Filed Under: Film, The Line

Harry Dean Stanton

September 15, 2017 By Cvon Leave a Comment

1926 – 2017

Filed Under: Artist, Riot Sounds, Video

Free Black Press Radio, Episode 7- Musings On The Afro-Techno-Utopia

September 8, 2017 By Riot Material Leave a Comment

Filed Under: FR/BLCK/PR

Acts Of Congress

September 8, 2017 By Cvon Leave a Comment

Acts of Congress

by Christopher Hassett

 

 

 

Filed Under: The Line

Bookends: The Doors’ Debut

September 7, 2017 By Cvon Leave a Comment

https://www.riotmaterial.com/wp-content/uploads/2017/09/01-Break-On-Through.m4a

Break On Through

https://www.riotmaterial.com/wp-content/uploads/2017/09/11-The-End.m4a

The End

Filed Under: Records, Riot Sounds

James Welling’s Seascape

September 6, 2017 By Donald Lindeman Leave a Comment

at David Zwirner, NYC
Reviewed by Donald Lindeman

Vacation-starved New Yorkers could nonetheless repair to David Zwirner gallery this summer, on West 19th St. and view James Welling’s short film Seascape (2017). The film provides an ingratiating encounter with the storied, rock-festooned Maine coast, accompanied by an audio of accordion and taped ocean sound. There is no narration, just image, sound and elegiac music, as ocean waves endlessly and variously crash upon the rocks, the sun becomes clouded then bright again, and water and sky ever change hue. America “grew up” with landscape painting of the Romantic era, beginning effectively with Thomas Cole, and, continuing in the dramatic seascape narratives of the Maine coast by Winslow Homer. Welling’s film adds yet another iteration of aesthetic and method to this tradition [Read more…]

Filed Under: Art, Artist, Film, The Line

  • 1
  • 2
  • Next Page »

The Line

A review of Thelonious Monk's Palo Alto

Palo Alto Sees the Thelonious Monk Quartet at its “Final Creative High”

Reviewed by Marty Sartini Garner Palo Alto on Impulse! Pitchfork Thelonious Monk once said: “Weird means something you never heard before. It’s weird until people get around to it. Then it ceases to be weird.” By the time Monk and his quartet strode into the auditorium at Palo Alto High School on October 27, 1968, […]

Archie Shepp Quartet, Stadsteatern, Stockholm, September 1966. An interview with Archie Shepp, September 2020

Music for a Revolution: A Word with Jazz Great Archie Shepp

Interview by Accra Shepp NYRB My father, the saxophonist Archie Shepp, has recorded more than 110 albums since 1962, performed all over the world, and received numerous honors, including the 2016 Jazz Master’s Award from the National Endowment for the Arts. In the 1960s, he helped define “free jazz,” a new idiom in which the […]

Bobby Seale Checks Food Bags. March 31, 1972.

Food As Culture, Identity and an Enduring Form of Black Protest

By Amethyst Ganaway Food & Wine We are demanding, not asking, for “Land, Bread, Housing, Education, Clothing, Justice And Peace.” —Amethyst Ganaway Black people in America have used food as a means of resistance, rebellion, and revolution since being forcefully brought here in the late 1500s. Food has always been a part of the culture and […]

A Pandemic Q&A with David Lynch

Pandemic Musings: A From-The-Bag Q&A With David Lynch

 From David Lynch Theater Presents: “Do You Have a Question for David? Part 1”

Erin Currier, American Women (dismantling the border) II. Read the interview with Erin excerpted from Lisette Garcia's new book, Ponderosas, at Riot Material.

An Interview with Erin Currier: Artist, Writer & Activist

by Lisette García and Barrett Martin excerpted from Ponderosas: Conversations with Extraordinary, Ordinary Women  by Lisette García, Ph. D available November 20th Sunyata Books “You have to act as if it were possible to radically transform the world. And then you have to do it all the time.” –Angela Davis Barrett: I first met Erin Currier and her […]

A review of Mark Lynas's new book, "Our Final Warning: Six Degrees of Climate Emergency," is at Riot Material Magazine.

The Earth Commences Her Retalitory Roar

Reviewed by Bill McKibben  Our Final Warning: Six Degrees of Climate Emergency by Mark Lynas London: 4th Estate, 372 pp., $27.99 The New York Review of Books So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, […]

Oliver Stone in Vietnam. A review of his new book, Chasing the Light, is at Riot Material

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

Reviewed by Alci Rengifo Chasing the Light by Oliver Stone Houghton Mifflin Harcourt, 352 pp., $25.20 If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our […]

Toyin Ojih Odutola's wonderful exhibition, A Countervailing Theory, at Barbican Centre, London, is reviewed at Riot Material Magazine

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

at The Barbican, London (through 24 Jan 2021) Reviewed by Christopher P Jones Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and […]

Driving Whle Black, two books reviewed at Riot Material

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

by Sarah A. Seo Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Liveright, 332 pp., $28.95 Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy Taylor Abrams, 360 pp., $35.00 The New York Review of Books In 1963, after Sam Cooke was […]

A review of Sontag: Here Life and Work is at Riot Material

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

Reviewed by Michael Gorra Sontag: Her Life and Work by Benjamin Moser Ecco, 816 pp., $39.99 New York Review of Books Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald […]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

Reviewed by John Biscello The Deeper the Water the Uglier the Fish by Katya Apekina Two Dollar Radio, 353pp., $12.74 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again In the name of nursery rhyme remixology, first let us […]

Heads of the Colored People, by Nafissa Thompson-Spires, is reviewed at Riot Material

Histories of Trauma in Heads of the Colored People

Reviewed by Patrick Lohier Heads of the Colored People by Nafissa Thompson-Spires Thorndike Press, 293pp., $32.99 Harvard Review In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” […]

Lord Krishna speaks to Prince Arjuna about the Gita

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

The Bhagavad Gita Translated by Eknath Easwaran Vintage Books, 122pp., $15.00 Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked […]

A review of Kevin Young's Brown is at Riot Material

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

Reviewed by Kevin T. O’Connor Brown: Poems by Kevin Young Knopf, 176pp., $19.29 Harvard Review In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” […]

Dispatch: Poems, by Cameron Awkward-Rich

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

Reviewed by Flora Field Dispatch by Cameron Awkward-Rich Persea, 80pp., $12.69 Columbia Journal In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the […]

The Monument to Joe Louis, aka "The Fist," as sculpted by Robert Graham

Relic as Horrific Remembrance in the Monument to Joe Louis

by Max King Cap “My father was a little headstrong, my mother was a little armstrong. The Headstrongs married the Armstrongs, and that’s why darkies were born.” — Rufus T. Firefly, Duck Soup, 1933 He had done it before. One can readily find the photographs of his handiwork; two human torsos, headless, the legs amputated just below […]

Cornel West and his 2001 Preface to Race Matters: "Democracy Matters in Race Matters." At Riot Material.

Cornel West’s “Democracy Matters in Race Matters”

Preface to the 25th Anniversary Edition to Race Matters Race Matters by Cornel West Beacon Press, 110pp., $11.60 Black people in the United States differ from all other modern people owing to the unprecedented levels of unregulated and unrestrained violence directed at them. No other people have been taught systematically to hate themselves — psychic violence […]

Another Week in the Death of America

Samantha Fields, American Dreaming at LSH CoLab, Los Angeles Reviewed by Eve Wood The first verse of the Mamas and the Papas seminal 1960’s anthem California Dreamin’ begins with “all the leaves are brown, and the sky is grey,” at once establishing an atmosphere devoid of color, hope and youthful abandon, and certainly not a […]

Through the Lens of Race, and Jim Crow South, in Eudora Welty's photographs

Reckoning Race in Eudora Welty’s Photographs

by James McWilliams Two portraits; two men. Both are from 1930s Mississippi. The men are situated together, photos 22 and 23, both from Eudora Welty’s only published book of photographs, simply titled Photographs. If you could put a frame around both images it would be the Jim Crow South.

Kara Walker's Fons Americanus (2019) at Turbine Hall at the Tate Modern

A Gathering Of Ruins, And Simmering Consciousness, In Kara Walker’s Fons Americanus

in Turbine Hall at Tate Modern, London by Zadie Smith Kara Walker: Hyundai Commission edited by Clara Kim Tate Publishing, 144pp., $24.95 New York Review of Books Two women are bound at the waist, tied to each other. One is a slim, white woman, in antebellum underskirt and corset. A Scarlett O’Hara type. She is […]

follow us

Enter your email and click 'SUBSCRIBE' to receive a weekly recap of reviews, interviews, the latest in song, cinema, the state of art and other cerebral musings. Each Sunday from Riot Material.
  • Facebook
  • Instagram

Writers

  • Alci Rengifo
  • Allyn Gaestel
  • Ann Landi
  • Annabel Osberg
  • A. Hutter von Arx
  • Barrett Martin
  • Brian Block
  • C von Hassett
  • Christopher Michno
  • Christopher P Jones
  • Cvon
  • Cynthia Biret
  • Donald Lindeman
  • Ellen C. Caldwell
  • Emily Nimptsch
  • Erin Currier
  • Eve Wood
  • Genie Davis
  • Henry Cherry
  • Hoyt Hilsman
  • James McWilliams
  • Jill Conner
  • Johanna Drucker
  • John Biscello
  • John Haber
  • John Payne
  • Kristy Puchko
  • Lisa Zeiger
  • Lita Barrie
  • Lorraine Heitzman
  • Max King Cap
  • Nancy Kay Turner
  • Pancho Lipschitz
  • Phoebe Hoban
  • Rachel Reid Wilkie
  • Riot Material
  • Seren Sensei
  • Shana Nys Dambrot

Community Links

  • Black Lives Matter
  • Black Radical Congress
  • Assata’s Daughters
  • Dream Defenders
  • EJI
  • NAACP
  • ACLU
  • BAMN
  • NUL
  • UNCF
  • HRC
  • NOW
  • AWID
  • Planned Parenthood
  • Reproductive Rights
  • Nonhuman Rights
  • PETA
  • LANAIC
  • NARF
  • AICF
  • IEN
  • MPV
  • NGLTF
  • GLAAD
  • NCLR
  • LULAC
  • MALDEF
  • Fight for $15
  • Working Families
  • Rendition Project
  • Amnesty Int.
  • Democracy Now
  • Critical Resistance
  • Progressive Change
  • Justice Democrats
  • Swing Left
  • Prison Policy Init.
  • Progressive Orgs

Museums

  • The Broad
  • MOCA
  • Geffen
  • LACMA
  • The Getty
  • Annenberg
  • Hammer
  • Marciano
  • CAFAM
  • CAAM
  • MAF
  • MOLAA
  • LBMA
  • MOMA
  • PS1
  • Whitney
  • The Met
  • Brooklyn
  • New
  • Neue
  • Guggenheim
  • El Museo Del Barrio
  • Tate Modern
  • White Cube
  • National Portrait

Categories

  • Architecture
  • Art
  • Artist
  • Books
  • Cinema Disordinaire
  • Fiction
  • Film
  • FR/BLCK/PR
  • From The Shelf
  • Image
  • Inside The Image
  • Interview
  • Jazz
  • Mind
  • Opera
  • Profile
  • Records
  • Riot Sounds
  • Short Film
  • sound
  • That Evening Sun
  • The Line
  • The Mother Tongue
  • The Natural World
  • The New Word
  • Theater
  • Thought
  • Twenty Que
  • Video

Archives

  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
RIOT MATERIAL
art. word. thought.