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Archives for January 2018

The Poetry of Decay: Andrei Tarkovsky’s Newly Remastered Stalker

January 31, 2018 By Alci Rengifo 1 Comment

by Alci Rengifo

The year has begun with the Bulletin of Atomic Scientists — those rational soothsayers of the global landscape — moving their infamous Doomsday Clock closer to midnight by thirty seconds. As it stands according to the clock, we are but two minutes away from cataclysm. If we are to approach it in messianic terms, we are living two minutes away from apocalypse. Desolation now haunts our daydreams and nightmares, even if the Doomsday Clock adjustment goes unnoticed by the wider populace still marching to the rhythm of a modern world. But the sense of upcoming cataclysm seeps into our pop consciousness, as personified by the sudden rise of dystopian television, young adult and adult fiction, and the return to political discourse of words associated with futuristic struggle (#resistance). [Read more…]

Filed Under: Art, Artist, Film, The Line, Thought

New Work From Gorillaz: “Ascension”

January 30, 2018 By Cvon Leave a Comment

The Nic Fanciulli Remix

Filed Under: Riot Sounds, Video

An Interview With Category-Defying Artist Tony DeLap

January 30, 2018 By Christopher Michno Leave a Comment

by Christopher Michno

Tony DeLap: A Career Survey, 1963 – 2016, the bi-coastal double-venue exhibition at Parrasch Heijnen Gallery, Los Angeles, through December, and Franklin Parrasch Gallery, New York, through January, sampled the artist’s refined material treatments, quirky geometries and subversive edge-to-canvas relationships. DeLap’s category defying work intersected with a number of significant movements, including hard-edge abstraction, minimalism and finish fetish. His upcoming retrospective at the Laguna Art Museum (Tony DeLap: A Retrospective, February 25 – May 28, 2018) will exhibit 80 of his works and offer a comprehensive look at his five decades of art practice. In a recent studio visit, DeLap discussed his early career in the Bay Area, his subsequent move to Southern California, and his art. [Read more…]

Filed Under: Art, Artist, The Line

Bigga Bush Samples Patti Smith With “60 Days”

January 29, 2018 By Cvon Leave a Comment

https://www.riotmaterial.com/wp-content/uploads/2018/01/2-BiggaBush_-_60_Days-320kb_s_MP3.mp3

Bigga Bush, “60 Days” [Read more…]

Filed Under: Riot Sounds

Parallel Worlds, Pools and The Psyche

January 29, 2018 By Emily Nimptsch Leave a Comment

Marty Schnapf: Fissures in the Fold
At Wilding Cran Gallery Los Angeles (Through March 10, 2018)
Reviewed by Emily Nimptsch

Multi-layered in both the composition and psychology, Los Angeles-based multimedia artist Marty Schnapf’s latest historically inspired yet wildly inventive oil and charcoal paintings, currently on view at LA’s Wilding Cran Gallery, dive into themes of the subconscious while boasting extensive allusions to parallel realities, Abstract Expressionism, as well as Pablo Picasso’s celebrated cubist period.

Titled Fissures in the Fold, this series heavily features contorted nude figures. With the twisted, angular poses and ubiquitous stray arms and legs seen here, the human body is deconstructed and the viewer is often left unsure about which limbs belong to which figure.  [Read more…]

Filed Under: Art, Artist, The Line

An Ode to Femininity and Freedom

January 29, 2018 By Emily Nimptsch Leave a Comment

Judith Linhares: The Way She Goes to Town
at Various Small Fires, Los Angeles (Through February 24, 2018)
Reviewed by Emily Nimptsch

What does a world without men look like? Celebrated Pasadena-born, New York-based figurative painter Judith Linhares’s current exhibition at Hollywood’s prestigious Various Small Fires aids the viewer in imagining this feminist utopia through a wide array of sumptuous female nudes lounging in lush landscapes, communing with nature, and performing a range of daily tasks. Perhaps a vision of a mythical, Amazonian-inspired tribe of women or an era after men, The Way She Goes to Town reveals social order and harmony without gender roles. Here, women seem to be entirely comfortable in their bodies, in nature, in leisure, as well as in their duties. Although the subjects depicted here are nude, they are not sexualized; rather, they are joyful and peaceful in their natural state. [Read more…]

Filed Under: Art, Artist, The Line

New Work From John Tejada & Arian Leviste: “Western Starland”

January 27, 2018 By Cvon Leave a Comment

Some New House. Happy Saturday!

https://www.riotmaterial.com/wp-content/uploads/2018/01/8471437_Western_Starland_Original_Mix.mp3

Western Starland

[Read more…]

Filed Under: Riot Sounds

Ken Gonzales-Day’s Bone-Grass Boy: The Secret Banks of the Conejos River

January 27, 2018 By Ellen C. Caldwell Leave a Comment

at Luis De Jesus Los Angeles, and BRIC House, Brooklyn
Reviewed by Ellen C. Caldwell

In Bone-Grass Boy: The Secret Banks of the Conejos River, Ken Gonzales-Day brings his ongoing inquiry of erasure, history, and the history-making process itself full circle. First shown in 1993-96, the updated Bone-Grass Boy made its debut at Luis De Jesus Los Angeles in 2017 and now shows at BRIC House in Brooklyn, NY as part of Reenactment, a group show curated by Jenny Gerow. This updated version of Bone-Grass Boy features Gonzales-Day’s original show, with the addition of new work, reflections, and introductions. [Read more…]

Filed Under: Art, Artist, The Line

Feminism Borne Of A Tangerine’s Skin

January 26, 2018 By Riot Material 1 Comment

Louise Bourgeois demonstrates the peeling of a party tangerine, which no less becomes a commentary on her father’s “detestable” humor and a likely point of awakening of her lifelong feminism:

Filed Under: Artist, The Line, Video

Louise Bourgeois: An Unfolding Portrait

January 26, 2018 By Phoebe Hoban 1 Comment

at the Museum of Modern Art, NYC
Reviewed by Phoebe Hoban

The name Louis Bourgeois has become justly synonymous with her giant spiders and other large-scale sculptures. But there has always been another, more intimate dimension to her work. One that is beautifully explored in The Museum of Modern Art’s exquisite show of her prints and illustrated books, Louise Bourgeois: An Unfolding Portrait.

This under-appreciated aspect of Bourgeois’ genius, ranging over seven decades of her long and productive life, includes 265 prints, as well as about two-dozen sculptures and a smattering of drawings and paintings. The exhibit was curated by Deborah Wye, a long-time Bourgeois friend and scholar, who was also responsible for the museum’s 1982 Bourgeois retrospective, the first that MoMa ever gave a female artist, and is now its curator emerita of prints and illustrated books. The work is striking for its delicacy and hyper-attenuation, as well as for its poignant psychological and erotic content; it makes palpable Bourgeois’ famous motto: “Art is a guaranty for sanity.” [Read more…]

Filed Under: Art, Artist, The Line

Brazilian Photographer João Pina Snaps The Soul Of Samba

January 25, 2018 By Riot Material Leave a Comment

[Read more…]

Filed Under: Image

2000 & One: “Kawaski”

January 25, 2018 By Cvon Leave a Comment

Sounds to bite your nails to:

Filed Under: Riot Sounds

Hugh Masekela “The Boy’s Doin’ It”

January 25, 2018 By Cvon Leave a Comment

He will be missed.

Filed Under: Riot Sounds

An Interview With Artists Tim Berg And Rebekah Myers

January 25, 2018 By Christopher Michno Leave a Comment

by Christopher Michno

Tim Berg and Rebekah Myers work collaboratively to produce objects that are sensually appealing and refer to advertising, design, and glossy consumer products. Their work is intentionally ambiguous, mining objects for their capacity to mean different things to different people; and in this way, it operates both within a specific narrative, and as work about the nature of how we construct meaning. This Way Lies Madness (2018), their latest, a neon sign made for “Manifesto: A Moderate Proposal,” the exhibition at the Pitzer College Lenzner Family Gallery through March 29, adopts a line from King Lear. The sign reads “This Way Lies Madness Lies” and is shaped in a continuous circle. In a conversation in their Claremont studio, Myers and Berg discussed Madness, manifestos, and making objects that create space for dialog. [Read more…]

Filed Under: Art, Artist, Interview, The Line

South African Statesman, Anti-Apartheid Activist, Trumpeter Hugh Masekela Dead At 78

January 24, 2018 By Cvon Leave a Comment

Hugh Masekela
RIP
1939 | 2018

The founder of South African Jazz, an anti-apartheid activist and, as a result, a man decades in exile, Hugh Masekela pushed on into deeper waters. May the winds catch his every sail.

“Witch Doctor,” one of the greats in any genre, is below, as is “Grazing in the Grass,” “Stimela (Coal Train),” and “Mandela (Bring Him Back Home).”

https://www.riotmaterial.com/wp-content/uploads/2018/01/08-Witch-Doctor.m4a

Witch Doctor (2003)

[Read more…]

Filed Under: Artist, Riot Sounds, The Line, Video

The Great Deflowering, or How Gay Marriage Took The Queer Out Of Gay Culture

January 21, 2018 By Riot Material Leave a Comment

by Fenton Johnson

Excerpted from “The Future of Queer: A Manifesto,” 
in the January issues of Harper’s Magazine

In the spring of 2017, for the first time since publishing a memoir set at the height of San Francisco’s AIDS epidemic, I summoned the nerve to teach a course on memoir—which is to say, at least as I taught it, a course on the necessity of personal witness, a course against forgetting. Mostly I avoided the subject of AIDS, not wanting to be the grizzled old veteran croaking war stories to a classroom of undergraduates. But since AIDS memoirs are among the best examples of the genre, I decided I had to foray into the minefields of those memories. I surprised myself by choosing not one of several poignant memoirs but the edgy anger of Close to the Knives, by the artist David Wojnarowicz, with its hustler sex and pickup sex and anonymous sex on the decaying piers of Chelsea and amid the bleak emptiness of the Arizona desert, one eye cocked at the rearview mirror to watch for the cop who might appear and haul your naked ass to the county jail, sixty miles of rock and creosote bushes distant.* Wojnarowicz was thirty-seven years old when he died of AIDS in 1992. [Read more…]

Filed Under: The Line, Thought

Beyond Dark, Pity Is Comedy Gone Grim-Black

January 19, 2018 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

There’s dark comedy, and then there’s Efthimis Filippou. While the former flirts with death and depravity to score bubbling belly-laughs and cheeky chortles, the latter crafts a humor so macabre it makes audiences itch, their laughs coming out more like alarmed barks or gasps. Teamed with writer/director Yorgos Lanthimos, the Greek screenwriter wrung comedy out of the repressive, incestuous family in Dogtooth, the passionless matchmaking of The Lobster, and the repulsive revenge of The Killing of a Sacred Deer. Now, he’s teamed with lesser-known director, Babis Makridis, for their co-penned Sundance entry, Pity. And it’s just as twisted–yet uncomfortably funny–as you may have hoped. [Read more…]

Filed Under: Film, The Line

The Rediscovered Art of Gil Cuatrecasas

January 18, 2018 By Riot Material 4 Comments

at the LA Art Show 2018, Los Angeles
Reviewed by Janna Avner

The paintings of Gil Cuatrecasas were exhibited at the LA Art Show 2018 last week (Jan 10-14th). His booth of large acrylics—depicting vibrant, botanical chucks of color crosshatched like Joseph Albers’ early optical studies and densely layered like white noise or confetti— will be the prelude to a major 2020 retrospective at American University Museum in Washington, D.C. [Read more…]

Filed Under: Art, Artist, The Line

Rage Against The (Relationship) Machine

January 18, 2018 By Seren Sensei 1 Comment

by Seren Sensei

In the most recent season of Charlie Brooker’s excellent The Twilight Zone meets tech anthology series, Black Mirror, an entire episode is dedicated to dating: specifically the app-driven online variety favored by millennials. In “Hang The DJ,” we meet protagonists that slog through endless hours, months, and years of misery guided by an automated system that “learns” from each doomed relationship and ultimately pairs them with their “perfect match.” But an unspoken question looms throughout the episode: why? [Read more…]

Filed Under: The Line, Thought

An Interview With Spoor Director Agnieszka Holland

January 16, 2018 By Cynthia Biret Leave a Comment

by Cynthia Biret

Agnieszka Holland’s provocative film, Spoor, challenges preconceived notions of animal dominion, gender equality, and the excessive use of power by the ruling class. A recipient of multiple awards, including three Academy Awards nominations, Holland is a masterful director who excels at weaving powerful and conflicting themes into stories. Inspired by Olga Tokarczuk’s book, Drive Your Plough Over the Bones of the Dead, the title of the film refers to the tracks and traces left by animals, while its original title, Pokot, is a hunting expression referring to the count of animals killed after the hunt. [Read more…]

Filed Under: Film, Interview, The Line

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The Line

An interview with Alison Saar, at Riot Material magazine.

An Interview with Alison Saar

By Ricky Amadour As an indefatigable voice for women of color and the greater human spirit, Alison Saar recomposes fractured histories into multivalent sculptures. Saar curated SeenUNseen, a group exhibition at L.A. Louver Gallery, with a focus on spirit portraiture. Throughout human existence there has been a predilection to the allure of the unseen. Hidden […]

William S. Burroughs on a bed, smoking a cigarette.

“The Opposite of Literature:” Mary McCarthy’s Feb. ’63 Review of Naked Lunch

From the inaugural print edition of The New York Review of Books In remembrance of Jason Epstein, originator and co-founder of NYRB RIP 1928-2022 by Mary McCarthy Naked Lunch  by William S. Burroughs Grove Press, 304pp., $14.49 “You can cut into The Naked Lunch at any intersection point,” says Burroughs, suiting the action to the […]

Remembered and Remade: James Castle’s Conjurings of Mind

James Castle at David Zwirner, NYC (through 12 February 2022) by Andrew Martin James Castle: Memory Palace John Beardsley Yale University Press, 280pp., $65.00 NYR Every James Castle picture seems to contain a secret. Approaching one of his works for the first time, you peer into pockets of shadow and smudge, examining the depopulated landscapes […]

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

An excerpt from a new book which examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. —The University of Chicago Press Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction by Steven Ruszczycky University of Chicago Press, 216pp., $30.00 In the United […]

Hilary Brace, Drawings and Tapestries, is reviewed at Riot Material magazine.

Darkness Made Visible in Hilary Brace’s Drawings and Tapestries

at Craig Krull Gallery, Bergamot Station (through 19 February 2022) Reviewed by Eve Wood The intricacies and inherent beauty of the natural world are rarely celebrated these days, and when artists do turn their attention to the surrounding landscape, the resulting images are usually ones of devastation and chaos — charting the movement of fires, […]

The Tragedy of Macbeth 

A film written and directed by Joel Coen Reviewed by James Shapiro NYR Those who have long followed the Coen brothers and their cinematic universe of criminals, nihilists, and overreachers may see in Joel Coen’s The Tragedy of Macbeth (2021) a long-deferred reckoning with Shakespeare, who has been there before them. We don’t typically think of Shakespeare […]

John Divola, From Dogs Chasing My Car In The Desert,1996-98,

Illuminating Images: Liquid Light and Golden Hour and the Affective Force of Non-Didactic Art

at the Vincent Price Art Museum, Los Angeles (through 5 February 2022) Reviewed by Johanna Drucker What is the difference between a wall label and a work of art? The unrelenting didacticism that prevails in current gallery and museum exhibits of contemporary art makes it seem that many curators and artists cannot answer that question. […]

The Occult Works of Ray Robinson, with an essay by Christopher Ian Lutz, is at Riot Material Magazine.

The Brush as Luminous Torch: Ray Robinson’s Blazing Portals Into the Divine Feminine

The Third Door:Occult Works of Ray Robinson, at the Buckland Museum of Witchcraft and Magic (through 15 January) by Christopher Ian Lutz Burn the Sun The persecution of the witch is a war of the hours. The Inquisition that charged women with witchcraft was not just about controlling women’s bodies – it was a crusade to extinguish […]

An Interview with Artist Gala Porras-Kim is at Riot Material Magazine.

An Interview with Artist Gala Porras-Kim

by Ricky Amadour . Interdisciplinary artist Gala Porras-Kim frames her research to highlight and question the current institutional practices of conservation, acquisition, and deaccession. Acting as an investigator of cultural artifacts that correspond to institutional collections, Porras-Kim deep dives into the expansive histories, stories, and functions of those objects. The artist’s first solo exhibition in […]

Seizing the Snowmelt: Industrial Agriculture is Draining Our State Dry

by Mark Arax The Dreamt Land: Chasing Water and Dust Across California by Mark Arax Knopf, 576pp., $25.00 MITTR The wind finally blew the other way last night and kicked out the smoke from the burning Sierra. Down here in the flatland of California, we used to regard the granite mountain as a place apart, our […]

The Great Flood of 1862

The Looming Catastrophe Few in California Are Aware Of (or in Want to Address)

An excerpt from Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent it, by Tom Philpott. THE FLOOD NEXT TIME In November 1860, a young scientist from upstate New York named William Brewer disembarked in San Francisco after a long journey that took him from New York City through Panama and then […]

Precontact California Indians: Their Life Prior to Genocide

An excerpt from the first chapter of An American Genocide: The United States and the California Indian Catastrophe, by Benjamin Madley. CALIFORNIA INDIANS BEFORE 1846 Within a few days, eleven little babies of this mission, one after the other, took their flight to heaven. -Fray Junipero Serra, 1774 We were always trembling with fear of […]

Laurie Anderson's "The Weather," is reviewed at Riot Material magazine.

An Atmospheric River of Wonder in Laurie Anderson’s The Weather

at the Hirshhorn Museum and Sculpture Garden, Washington D.C. (through 31 July 2022)  Reviewed by Nancy Kay Turner             “What are the days for? To put between the endless nights. What are the nights for? To slip through time into another world.”  –Laurie Anderson             “Stories are our weather”  –Laurie Anderson Laurie Anderson is a Renaissance polymath whose […]

Maria Lassnig Augenglaeser - Autoportraets (1965)

Maria Lassnig: The Paris Years, 1960–68

at Petzel Gallery, New York City Reviewed by James Quandt Maria Lassnig: Film Works edited by Eszter Kondor, Michael Loebenstein, Peter Pakesch, and Hans Werner Poschauko FilmmuseumSynemaPublikationen, 189 pp., $35.00 NYRB Many female artists — most recently Carmen Herrera, Faith Ringgold, and Lorraine O’Grady — have had to wait a lifetime to be accorded the recognition […]

Marcellina Akpojotor’s Sublime Matriarchy

Daughters of Esan at Rele Gallery, Los Angeles (through 4 December 2021) Reviewed by Eve Wood Marcellina Akpojotor’s second solo exhibition, Daughters of Esan, continues her exploration into notions of personal intimacy, drawing on her own relationships with her family and the tremendously powerful and transformational possibilities of education and love. Inspired by her great-grandmother’s […]

An interview with Rachael Tarravechia, at Riot Material

Fear and Self-Loathing in Rachael Tarravechia’s Wish You Were Here

at Launch F18, NYC (through 4 December 2021) by Danielle Dewar The horror genre is rooted in a desire for catharsis by means of dispelling fears and anxieties that live deep within a subconscious mind. Since we often crave a controlled release of such emotions, the use of the macabre within an artist’s practice allows […]

Umar Rashid, aka Frohawk Two Feathers, exhibition review of En Garde/On God is at Riot Material magazine

Histories Disembowled in Umar Rashid’s En Garde/On God

at Blum and Poe, Los Angeles (through 18 December 2021) Reviewed by Ellen C. Caldwell In En Garde/On God, Blum & Poe showcases the work of artist Umar Rashid (also known by the pen name Frohawk Two Feathers). Featuring thirteen large paintings and one sculpture in Rashid’s hallmark style, the exhibition highlights works that are bold […]

A Grid Gone Wholly Off in My Monticello

Reviewed by Bridgett M. Davis My Monticello By Jocelyn Nicole Johnson Henry Holt & Company, 210 pp., $13.49 NYT In the essay “The Site of Memory,” Toni Morrison described the crafting of her fictional worlds as a quest to access the interior lives of her ancestors. “It’s a kind of literary archeology,” she explained. “On the […]

The Web of Mind Throughout Our Earth

Reviewed by Zoë Schlanger Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures by Merlin Sheldrake Random House, 352 pp., $28.00; $15.48 NYRB Imagine that you are afloat on your back in the sea. You have some sense of its vast, unknowable depths—worlds of life are surely darting about beneath […]

Drugs Amongst Other Adult Liberties

Reviewed by Mike Jay Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear by Dr. Carl L. Hart Penguin Press, 290 pp., $16.94 NYRB The modern meaning of “drugs” is of surprisingly recent origin. Until the twentieth century, the word referred to all medications (as it still does in “drugstore”); it was only […]

Rashid Johnson, Anxious Red Painting August 20th. At Riot Material

Break//Breathe: Broken Men That Glitter

by Allyn Aglaïa Aumand On the coherence of fracture an essay in fragments on fragments * I had a lover once, who self described as a volcano, but fully encased. Make space to let it out sometimes, I told him. That’s why I wanted to see you today, he said.

Against White Feminism: Notes on Disruption

An excerpt from a new book W. W. Norton calls “a radically inclusive, intersectional, and transnational approach to the fight for women’s rights.”  Against White Feminism: Notes on Disruption by Rafia Zakaria W. W. Norton, 256pp., $23.95 There is an important distinction between what Nancy Fraser calls “affirmative change” and actual transformational change. The former is […]

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