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Archives for January 2018

The Poetry of Decay: Andrei Tarkovsky’s Newly Remastered Stalker

January 31, 2018 By Alci Rengifo 1 Comment

by Alci Rengifo

The year has begun with the Bulletin of Atomic Scientists — those rational soothsayers of the global landscape — moving their infamous Doomsday Clock closer to midnight by thirty seconds. As it stands according to the clock, we are but two minutes away from cataclysm. If we are to approach it in messianic terms, we are living two minutes away from apocalypse. Desolation now haunts our daydreams and nightmares, even if the Doomsday Clock adjustment goes unnoticed by the wider populace still marching to the rhythm of a modern world. But the sense of upcoming cataclysm seeps into our pop consciousness, as personified by the sudden rise of dystopian television, young adult and adult fiction, and the return to political discourse of words associated with futuristic struggle (#resistance). [Read more…]

Filed Under: Art, Artist, Film, The Line, Thought

New Work From Gorillaz: “Ascension”

January 30, 2018 By CvH Leave a Comment

The Nic Fanciulli Remix

Filed Under: Riot Sounds, Video

An Interview With Category-Defying Artist Tony DeLap

January 30, 2018 By Christopher Michno Leave a Comment

by Christopher Michno

Tony DeLap: A Career Survey, 1963 – 2016, the bi-coastal double-venue exhibition at Parrasch Heijnen Gallery, Los Angeles, through December, and Franklin Parrasch Gallery, New York, through January, sampled the artist’s refined material treatments, quirky geometries and subversive edge-to-canvas relationships. DeLap’s category defying work intersected with a number of significant movements, including hard-edge abstraction, minimalism and finish fetish. His upcoming retrospective at the Laguna Art Museum (Tony DeLap: A Retrospective, February 25 – May 28, 2018) will exhibit 80 of his works and offer a comprehensive look at his five decades of art practice. In a recent studio visit, DeLap discussed his early career in the Bay Area, his subsequent move to Southern California, and his art. [Read more…]

Filed Under: Art, Artist, The Line

Bigga Bush Samples Patti Smith With “60 Days”

January 29, 2018 By CvH Leave a Comment

https://www.riotmaterial.com/wp-content/uploads/2018/01/2-BiggaBush_-_60_Days-320kb_s_MP3.mp3

Bigga Bush, “60 Days” [Read more…]

Filed Under: Riot Sounds

Parallel Worlds, Pools and The Psyche

January 29, 2018 By Emily Nimptsch Leave a Comment

Marty Schnapf: Fissures in the Fold
At Wilding Cran Gallery Los Angeles (Through March 10, 2018)
Reviewed by Emily Nimptsch

Multi-layered in both the composition and psychology, Los Angeles-based multimedia artist Marty Schnapf’s latest historically inspired yet wildly inventive oil and charcoal paintings, currently on view at LA’s Wilding Cran Gallery, dive into themes of the subconscious while boasting extensive allusions to parallel realities, Abstract Expressionism, as well as Pablo Picasso’s celebrated cubist period.

Titled Fissures in the Fold, this series heavily features contorted nude figures. With the twisted, angular poses and ubiquitous stray arms and legs seen here, the human body is deconstructed and the viewer is often left unsure about which limbs belong to which figure.  [Read more…]

Filed Under: Art, Artist, The Line

An Ode to Femininity and Freedom

January 29, 2018 By Emily Nimptsch Leave a Comment

Judith Linhares: The Way She Goes to Town
at Various Small Fires, Los Angeles (Through February 24, 2018)
Reviewed by Emily Nimptsch

What does a world without men look like? Celebrated Pasadena-born, New York-based figurative painter Judith Linhares’s current exhibition at Hollywood’s prestigious Various Small Fires aids the viewer in imagining this feminist utopia through a wide array of sumptuous female nudes lounging in lush landscapes, communing with nature, and performing a range of daily tasks. Perhaps a vision of a mythical, Amazonian-inspired tribe of women or an era after men, The Way She Goes to Town reveals social order and harmony without gender roles. Here, women seem to be entirely comfortable in their bodies, in nature, in leisure, as well as in their duties. Although the subjects depicted here are nude, they are not sexualized; rather, they are joyful and peaceful in their natural state. [Read more…]

Filed Under: Art, Artist, The Line

New Work From John Tejada & Arian Leviste: “Western Starland”

January 27, 2018 By CvH Leave a Comment

Some New House. Happy Saturday!

https://www.riotmaterial.com/wp-content/uploads/2018/01/8471437_Western_Starland_Original_Mix.mp3

Western Starland

[Read more…]

Filed Under: Riot Sounds

Ken Gonzales-Day’s Bone-Grass Boy: The Secret Banks of the Conejos River

January 27, 2018 By Ellen C. Caldwell Leave a Comment

at Luis De Jesus Los Angeles, and BRIC House, Brooklyn
Reviewed by Ellen C. Caldwell

In Bone-Grass Boy: The Secret Banks of the Conejos River, Ken Gonzales-Day brings his ongoing inquiry of erasure, history, and the history-making process itself full circle. First shown in 1993-96, the updated Bone-Grass Boy made its debut at Luis De Jesus Los Angeles in 2017 and now shows at BRIC House in Brooklyn, NY as part of Reenactment, a group show curated by Jenny Gerow. This updated version of Bone-Grass Boy features Gonzales-Day’s original show, with the addition of new work, reflections, and introductions. [Read more…]

Filed Under: Art, Artist, The Line

Feminism Borne Of A Tangerine’s Skin

January 26, 2018 By Riot Material 1 Comment

Louise Bourgeois demonstrates the peeling of a party tangerine, which no less becomes a commentary on her father’s “detestable” humor and a likely point of awakening of her lifelong feminism:

Filed Under: Artist, The Line, Video

Louise Bourgeois: An Unfolding Portrait

January 26, 2018 By Phoebe Hoban Leave a Comment

at the Museum of Modern Art, NYC
Reviewed by Phoebe Hoban

The name Louis Bourgeois has become justly synonymous with her giant spiders and other large-scale sculptures. But there has always been another, more intimate dimension to her work. One that is beautifully explored in The Museum of Modern Art’s exquisite show of her prints and illustrated books, Louise Bourgeois: An Unfolding Portrait.

This under-appreciated aspect of Bourgeois’ genius, ranging over seven decades of her long and productive life, includes 265 prints, as well as about two-dozen sculptures and a smattering of drawings and paintings. The exhibit was curated by Deborah Wye, a long-time Bourgeois friend and scholar, who was also responsible for the museum’s 1982 Bourgeois retrospective, the first that MoMa ever gave a female artist, and is now its curator emerita of prints and illustrated books. The work is striking for its delicacy and hyper-attenuation, as well as for its poignant psychological and erotic content; it makes palpable Bourgeois’ famous motto: “Art is a guaranty for sanity.” [Read more…]

Filed Under: Art, Artist, The Line

Brazilian Photographer João Pina Snaps The Soul Of Samba

January 25, 2018 By Riot Material Leave a Comment

[Read more…]

Filed Under: Image

2000 & One: “Kawaski”

January 25, 2018 By CvH Leave a Comment

Sounds to bite your nails to:

Filed Under: Riot Sounds

Hugh Masekela “The Boy’s Doin’ It”

January 25, 2018 By CvH Leave a Comment

He will be missed.

Filed Under: Riot Sounds

An Interview With Artists Tim Berg And Rebekah Myers

January 25, 2018 By Christopher Michno Leave a Comment

by Christopher Michno

Tim Berg and Rebekah Myers work collaboratively to produce objects that are sensually appealing and refer to advertising, design, and glossy consumer products. Their work is intentionally ambiguous, mining objects for their capacity to mean different things to different people; and in this way, it operates both within a specific narrative, and as work about the nature of how we construct meaning. This Way Lies Madness (2018), their latest, a neon sign made for “Manifesto: A Moderate Proposal,” the exhibition at the Pitzer College Lenzner Family Gallery through March 29, adopts a line from King Lear. The sign reads “This Way Lies Madness Lies” and is shaped in a continuous circle. In a conversation in their Claremont studio, Myers and Berg discussed Madness, manifestos, and making objects that create space for dialog. [Read more…]

Filed Under: Art, Artist, Interview, The Line

South African Statesman, Anti-Apartheid Activist, Trumpeter Hugh Masekela Dead At 78

January 24, 2018 By CvH Leave a Comment

Hugh Masekela
RIP
1939 | 2018

The founder of South African Jazz, an anti-apartheid activist and, as a result, a man decades in exile, Hugh Masekela pushed on into deeper waters. May the winds catch his every sail.

“Witch Doctor,” one of the greats in any genre, is below, as is “Grazing in the Grass,” “Stimela (Coal Train),” and “Mandela (Bring Him Back Home).”

https://www.riotmaterial.com/wp-content/uploads/2018/01/08-Witch-Doctor.m4a

Witch Doctor (2003)

[Read more…]

Filed Under: Artist, Riot Sounds, The Line, Video

The Great Deflowering, or How Gay Marriage Took The Queer Out Of Gay Culture

January 21, 2018 By Riot Material Leave a Comment

by Fenton Johnson

Excerpted from “The Future of Queer: A Manifesto,” 
in the January issues of Harper’s Magazine

In the spring of 2017, for the first time since publishing a memoir set at the height of San Francisco’s AIDS epidemic, I summoned the nerve to teach a course on memoir—which is to say, at least as I taught it, a course on the necessity of personal witness, a course against forgetting. Mostly I avoided the subject of AIDS, not wanting to be the grizzled old veteran croaking war stories to a classroom of undergraduates. But since AIDS memoirs are among the best examples of the genre, I decided I had to foray into the minefields of those memories. I surprised myself by choosing not one of several poignant memoirs but the edgy anger of Close to the Knives, by the artist David Wojnarowicz, with its hustler sex and pickup sex and anonymous sex on the decaying piers of Chelsea and amid the bleak emptiness of the Arizona desert, one eye cocked at the rearview mirror to watch for the cop who might appear and haul your naked ass to the county jail, sixty miles of rock and creosote bushes distant.* Wojnarowicz was thirty-seven years old when he died of AIDS in 1992. [Read more…]

Filed Under: The Line, Thought

Beyond Dark, Pity Is Comedy Gone Grim-Black

January 19, 2018 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

There’s dark comedy, and then there’s Efthimis Filippou. While the former flirts with death and depravity to score bubbling belly-laughs and cheeky chortles, the latter crafts a humor so macabre it makes audiences itch, their laughs coming out more like alarmed barks or gasps. Teamed with writer/director Yorgos Lanthimos, the Greek screenwriter wrung comedy out of the repressive, incestuous family in Dogtooth, the passionless matchmaking of The Lobster, and the repulsive revenge of The Killing of a Sacred Deer. Now, he’s teamed with lesser-known director, Babis Makridis, for their co-penned Sundance entry, Pity. And it’s just as twisted–yet uncomfortably funny–as you may have hoped. [Read more…]

Filed Under: Film, The Line

The Rediscovered Art of Gil Cuatrecasas

January 18, 2018 By Riot Material 4 Comments

at the LA Art Show 2018, Los Angeles
Reviewed by Janna Avner

The paintings of Gil Cuatrecasas were exhibited at the LA Art Show 2018 last week (Jan 10-14th). His booth of large acrylics—depicting vibrant, botanical chucks of color crosshatched like Joseph Albers’ early optical studies and densely layered like white noise or confetti— will be the prelude to a major 2020 retrospective at American University Museum in Washington, D.C. [Read more…]

Filed Under: Art, Artist, The Line

Rage Against The (Relationship) Machine

January 18, 2018 By Seren Sensei 1 Comment

by Seren Sensei

In the most recent season of Charlie Brooker’s excellent The Twilight Zone meets tech anthology series, Black Mirror, an entire episode is dedicated to dating: specifically the app-driven online variety favored by millennials. In “Hang The DJ,” we meet protagonists that slog through endless hours, months, and years of misery guided by an automated system that “learns” from each doomed relationship and ultimately pairs them with their “perfect match.” But an unspoken question looms throughout the episode: why? [Read more…]

Filed Under: The Line, Thought

An Interview With Spoor Director Agnieszka Holland

January 16, 2018 By Cynthia Biret Leave a Comment

by Cynthia Biret

Agnieszka Holland’s provocative film, Spoor, challenges preconceived notions of animal dominion, gender equality, and the excessive use of power by the ruling class. A recipient of multiple awards, including three Academy Awards nominations, Holland is a masterful director who excels at weaving powerful and conflicting themes into stories. Inspired by Olga Tokarczuk’s book, Drive Your Plough Over the Bones of the Dead, the title of the film refers to the tracks and traces left by animals, while its original title, Pokot, is a hunting expression referring to the count of animals killed after the hunt. [Read more…]

Filed Under: Film, Interview, The Line

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The Line

Mary Corse: A Survey of Light, at LACMA, is reviewed at Riot Material, LA's premier magazine for art

Mary Corse: A Survey in Light

at LACMA (through November 11) Reviewed by Lita Barrie Mary Corse is finally having her moment in a breakout role as the luminary of  “light painting.” Although Corse has received critical acclaim since the sixties she has been overshadowed by male SoCal Light and Space artists. Interestingly, it took New York women curators to revise the […]

Lindsey Warren, Venice Twilight. A review of Warren's current exhibition, A Love Letter, is reviewed at Riot Material magazine.

A Love Letter to LA Offers a Haunting Magic

at Launch Gallery, Los Angeles (through November 16) Reviewed by Genie Davis Magic is the word that first comes to mind when describing the two-artist exhibition currently at Launch Gallery. A Love Letter is an exhibition of landscapes — quintessentially Los Angeles landscapes — that serve as landmarks for both the city’s, and the artists’, zeitgeist.

Wangari Mathenge "The Cacophony of Silence." Methenge's latest exhibition at Roberts Projects, Aura of Quiet, is reviewed at Riot Material magazine.

Wangari Methenge’s Aura of Quiet

at Roberts Projects (through November 16) Reviewed by Eve Wood How do artists convey silence within two-dimensional space? I would argue that it is difficult to create an authentic connection between the subject and the viewer, and it is even more difficult to create a space of quietude and self-reflection even as the artist is […]

Nels Cline & Yuka Honda are Cup. Their new record, Spinning Creatures, is reviewed at Riot Material Magazine.

CUP’s Hydra-Headed Spinning Creature

on Northern Spy Reviewed by John Payne Wherein the husband and wife team up to rinse and shine the aural punchbowl, no squabbling. Nels Cline & Yuka Honda are Cup, co-cookers of rich, musically nutritious stuff packed with savory, skewed nuance that reflects their artistic differences and affinities. Guitar visionary Cline’s scope, skills and, yes, taste, […]

The Lesson. Enrique Martinez Celaya’s current exhibition at Kohn Gallery, Los Angeles, is reviewed at RIot Material magazine.

Enrique Martínez Celaya’s The Tears of Things

at Kohn Gallery, Los Angeles ( through November 2) Reviewed by Lita Barrie Enrique Martínez Celaya’s haunting exhibition at Kohn Gallery is conceived as visual poetry predicated upon Virgil’s phrase “the tears of things,” from Aeneid ( Book 1, line 462), about an encounter with a mural of the battle of Troy which made the […]

Willem Dafoe and Robert Pattinson in Robert Eggers' The Lighthouse, reviewed at Riot Material magazine.

Atmosphere So Thick You’ll Choke: Robert Eggers’ The Lighthouse

Reviewed by Kristy Puchko In 2016, production designer turned writer/director Robert Eggers awed critics with his directorial debut, The Witch, a daring horror film set in the 1630s. Now, for his ferociously anticipated follow-up, he and his brother/co-writer Max Eggers have journeyed 200-some years to a rocky and remote island off the New England coast […]

Pink Peep (detail). Laura Krifka's latest exhibition at Luis De Jesus is reviewed at Riot Material, LA's premier art magazine.

Laura Krifka’s Wickedly Deviant The Game of Patience

at Luis De Jesus (through October 26) Reviewed by Lita Barrie Laura Krifka enjoys doing things she is not supposed to do. Having absorbed the tenets of neoclassical painting, she bypasses high-minded seriousness by adding a candy-coated veneer of hyper-artificiality adopted from 1950s MGM musicals to the domestic decor of private scenes she then undercuts […]

How to Hate the City: A Storyboard Of Canvases

Ernst Ludwig Kirchner at The Neue Galerie, NYC (through January 13) Reviewed by John Haber No movement in early modern art was as cosmopolitan as German Expressionism — and the group that called itself Die Brücke. Who else took to the streets when Picasso was just finding his way from circus performers to still life? […]

Swans' Leaving Meaning, Various Personnel. Leaving Meaning is reviewed at Riot Material, LA's premier magazine for art and sound.

Sound Itself As The Only Way Forward In Swans’ Leaving Meaning

out October 25 on Young God Records Reviewed by John Payne Michael Gira founded/guiding-lighted the sort of no-wave / noise / spiritual-purification band Swans in NYC 35 some odd years ago, and, roughly, he’s made a career out of trying musically to express the inexpressible ever since. After a hiatus of a few years, during which […]

The Vast of Night, dir. by Andrew Patterson, is reviewed at Riot Material, LA's premier magazine for art and film

In Jaw-Dropping Homage To The Twilight Zone, The Exhilarating The Vast of Night

Reviewed by Kristy Puchko There’s something in the air on a crisp night in 1950s Cayuga, New Mexico. Sure, there’s excitement as basketball season begins with a game so anticipated that nearly the entirety of this rural town has convened upon the high school’s gymnasium. But then there’s something stranger, a crackle on the phone […]

Resilience: Philip Guston In 1971

at Hauser & Wirth, Los Angeles (through January 5, 2020) Reviewed by Nancy Kay Turner …there’s no success like failure and failure’s no success at all Bob Dylan The painter’s first duty is to be free Philip Guston In 1970, New York City was the undisputed center of the art world and 57th street in […]

Betye Saar’s Call and Response, at LACMA, is reviewed at Riot Material magazine, LA's premier art magazine.

Process And Fierce Redemption In Betye Saar’s Call and Response

at LACMA (through April 5, 2020) Reviewed by Genie Davis Betye Saar’s riveting, 40-object exhibition currently at LACMA offers a fascinating insight into the artist’s process. It’s strong focus on the power of redemptive faith and personal strength in the face of adversity is passionate and compelling – which can be frankly said of all Saar’s […]

Virgil Abloh, from Figures of Speech. Reviewed at Riot Material, LA's premier magazine for art and fashion

Audacious Digs In Virgil Abloh’s Figures of Speech

at Museum of Contemporary Art, Chicago Reviewed by Seren Sensei In a short video clip during Figures of Speech, Virgil Abloh’s show at the Museum of Contemporary Art (MCA) in Chicago, he mused on his upbringing and influences. Born the son of Ghanaian immigrants in a small town in Illinois, he discussed the wonders of growing […]

Nathalie Djurberg and Hans Berg’s This Is It. As part of Apple's [AR]T Walk, reviewed at Riot Material.

Lightly Through The Looking Glass With Apple’s [AR]T Walk

By Mayne Alert the critics: The cutting edge of New York City’s art avantgarde can now be found at the Fifth Avenue Apple Store. Amid the blistering doldrums of summer, Apple has offered [AR]T Walk a guided tour of their new augmented reality exhibit. Co-curated with the New Museum, the tour is being offered in five […]

Antonio Banderas and Nora Navas in Pain and Glory (Dolor y gloria), directed by Pedro Almodóvar and reviewed at Riot Material magazine.

Wounds Of Desire In Pedro Almodóvar’s Pain And Glory

Reviewed by John Payne Were you looking for such a thing, you’d be hard-pressed to find a more humanizing film than Pedro Almodóvar’s latest little miracle. The Spanish director/writer’s Pain and Glory is a story about an artist, who suffers, and remembers, and relives. This tale is only somewhat the story of people in general, […]

Review of Hiroko Oyamada’s The Factory at Riot Material magazine

Hiroko Oyamada’s Mordant Fable, The Factory

Reviewed by John Biscello The Factory by Hiroko Oyamada New Directions, 128pp., $13.95 The year was 1936, when an indefatigable tramp served as a working-class Virgil in guiding audiences through the hellscape of big industry and assembly line madness. The tramp, of course, was Charlie Chaplin in his iconic film, Modern Times, which applied fool’s […]

Peter Doig, Music (2 Trees). Doig's latest exhibition is reviewed at Riot Material magazine.

Corrosion And Other Maladies In Peter Doig’s Latest, Paintings

Paintings, at Michael Werner Gallery, London (16 November) Reviewed by Christopher P Jones With Peter Doig – who has a collection of new paintings on show at the Michael Werner Gallery, London – corrosion is paramount. His paintings seek to overturn themselves from within, alluding to altered states, to dreams and hallucinations. His paint has become […]

Alexandra Masangkay in The Platform (El Hoyo) 2019, reviewed at Riot Material, LA's premier magazine for art and film,

A Movable Feast In The Dystopic The Platform

Reviewed by Kristy Puchko Imagine: you awake in a cold, concrete prison cell. There are no windows, no doors, one cellmate, and a big, square hole in the center of the floor. Should you peek down into it, you’d see a cell below the same as yours. And beneath that lie so many more that […]

Robert Gunderman's latest exhibition, This End, is reviewed at Riot Material, LA's premier art and culture magazine.

Transits Through Finalities In Robert Gunderman’s This End

at AF Projects, Los Angeles (through October 12) Reviewed by Eve Wood Robert Gunderman’s current exhibition at AF Projects could be understood as both a meditation on the nature of time and an investigation into the elusiveness of memory. The title of the exhibition, This End, powerfully yet simply encapsulates and personalizes the idea of transition […]

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art. word. thought.