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A Quiet Place Part II Delivers Everything You’d Want For This Horror Sequel

May 22, 2021 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

A Quiet Place was one of the most exhilarating cinematic experiences of the last decade, unfurling a unique vision of horror that weaponized audience screams against them. Often when watching a scary movie, a good scream can release the tension that’s brewing as your spine tingles. However, while watching this 2018 monster tale in which a single peep could get you ripped into ribbons, a scream unleashed only made viewers feel more unnerved. This clever device paired with a stellar cast made John Krasinski’s horror offering a twisted crowd-pleaser and a smashing success. Three years later, he’s back with his co-writers and cast for A Quiet Place Part II, a supremely scary and satisfying sequel. [Read more…]

Filed Under: Film, The Line

The Painter and The Thief Offers The Best Kind Of True-Crime Bait-And-Switch

April 9, 2020 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

Is there a word for cinema that lures you in with a dark promise, then delivers something profound, surprising, and humane instead? When I first saw the trailer for The Painter and The Thief, I thought I had its number, having seen myriad of true-crime docs. The tantalizing trailer teased a tale of two sides: the painter and the thief. I assumed theirs would be a story of victim and criminal, hero and villain, saint and sinner. However, what documentarian Benjamin Ree offers is far more compelling and so exhilarating that made me relish being wrong. [Read more…]

Filed Under: Film, The Line

In Its Feminist Spin On The Turn Of The Screw, The Turning Fatally Flubs Its Finale

January 20, 2020 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

The glory of psychological horror is the doubt injected within it. Is there truly a malevolent spirit creeping through creaking halls of the grand old house? Is there someone lurking in the dark, hungry to do harm? Is there a Babadook knock-knock-knocking at the closet door? Or is it all in the mind of a harried woman pushed to bring of sanity? The “what if” of it all is crucial to the stinging pleasure of this viewing experience, tickling your brain with possibilities. Perhaps the most popular tale of such stories is Henry James’ The Turn of the Screw. This gothic horror novella has been adapted to film and television dozens of times over the past 122 years. And Floria Sigismondi’s The Turning certainly is another one, and almost a great one! Shame its attempt to give this old tale a fresh relevance is fumbled in a bewildering final act. [Read more…]

Filed Under: Film, The Line

Creature-Feature After Midnight Killed By A Buckshot Of Clichés

January 19, 2020 By Kristy Puchko 1 Comment

Reviewed by Kristy Puchko

Heartbreak can be a savage thing. It’s a primal ache that creeps up on you in the middle of the night, ferociously roaring and threatening to tear your heart into tiny pieces. This metaphor is made literal in the horror-drama After Midnight, which focuses on a man-versus-monster battle that begins after the dropping of a devastating Dear John letter. [Read more…]

Filed Under: Film, The Line

The Savage Wit And Surreal Wonder Of The Wave

January 15, 2020 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

You make one little decision and the repercussions hit you like a wave. Boom! You’re knocked out of your cozy footing and swept away into a new reality. There’s a swirl of excitement and terror as you desperately stretch to find your bearings or snatch a breath of air. Maybe you wish you could go back to before, make a new choice, take a new path. All of this is what the trippy sci-fi thriller The Wave is about. [Read more…]

Filed Under: Film, The Line

Atmosphere So Thick You’ll Choke: Robert Eggers’ The Lighthouse

October 18, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

In 2016, production designer turned writer/director Robert Eggers awed critics with his directorial debut, The Witch, a daring horror film set in the 1630s. Now, for his ferociously anticipated follow-up, he and his brother/co-writer Max Eggers have journeyed 200-some years to a rocky and remote island off the New England coast to tell a tale of isolation, envy, intimacy, wrath, and regret with The Lighthouse. [Read more…]

Filed Under: Film, The Line

In Jaw-Dropping Homage To The Twilight Zone, The Exhilarating The Vast of Night

October 11, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

There’s something in the air on a crisp night in 1950s Cayuga, New Mexico. Sure, there’s excitement as basketball season begins with a game so anticipated that nearly the entirety of this rural town has convened upon the high school’s gymnasium. But then there’s something stranger, a crackle on the phone lines, a light in the skies. In The Vast of Night, this mystery will be cracked wide open by an unlikely pair of amateur detectives. The result is an ode to The Twilight Zone series that is fittingly riveting, exhilaratingly daring, and a whiz-bang technical marvel. [Read more…]

Filed Under: Film, The Line

A Movable Feast In The Dystopic The Platform

October 1, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

Imagine: you awake in a cold, concrete prison cell. There are no windows, no doors, one cellmate, and a big, square hole in the center of the floor. Should you peek down into it, you’d see a cell below the same as yours. And beneath that lie so many more that you can’t estimate their number. Should you look up, you’ll see the same. This hole holds the place for the platform, a large concrete table that descends daily packed with delectable delicacies. But what you get — if anything — depends on how far down you are in this merciless food chain. Those at the top feast on red wine, succulent meats, and delicate desserts. Those below will eat their scraps, on and on until all that’s left are empty plates and hungry bellies, pushing the bottom dwellers to inhumane extremes to survive. This is the chilling premise of The Platform, a riveting Midnight Madness movie with a sharp political commentary at its core. [Read more…]

Filed Under: Film, The Line

The Lodge is a Stark and Chilling Follow-Up to Goodnight Mommy

September 27, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

In 2015, Severin Fiala and Veronika Franz dropped jaws and blew minds with their harrowing–and at points hilarious–debut narrative feature, Goodnight Mommy. Last year, they offered a fresh taste in terror with a vignette in the folklore-inspired horror anthology, The Field Guide To Evil. Now, this heralded Austrian pair of co-writers/co-directors is back with their much-anticipated English-language debut, The Lodge. And while this psychological thriller has plenty in common with their first film, the vibe is decidedly different. [Read more…]

Filed Under: Film, The Line

Takashi Miike’s First Love Is A Delightfully Earnest Rom-Com Set To An Onslaught Of Slaughter

September 25, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

As you might anticipate, First Love is a story of boy meets girl, but coming from Takashi Miike, the visionary director behind Ichi the Killer, Audition, and 13 Assasins, you might rightly anticipate this romantic-comedy is less flowers and kisses and more yakuzas and blood. There is also a high-kicking revenge killer, a grimacing ghost in tightie-whities, and a pair of gruesome yet pretty damn funny decapitations. [Read more…]

Filed Under: Film, The Line

A Pitch-Black Comedic Masterwork In Bong Joon-ho’s Parasite

September 16, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

South Korean writer/director Bong Joon-ho has been thrilling critics and genre fans since 2006, when he unleashed his rambunctious yet heartbreaking creature-feature The Host. He’s awed us again and again with marvelous movies like the mind-bending murder-mystery Mother, the star-stuffed dystopian drama Snowpiercer, and the whimsical yet brutal fantasy-adventure Okja. By now, when you walk into a Joon-ho movie, you should expect something wildly riveting and wickedly clever. And that’s about all you can predict, because Joon-ho’s stories take audiences down paths twisted and devastating, often just when you think everything might just work out. In this vein, his pitch-black comedy Parasite might his masterpiece. [Read more…]

Filed Under: Film, The Line

Richard Stanley Returns With Sci-Fi Head-Spinner, Color Out Of Space

September 11, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

Richard Stanley is a filmmaker arguably less famous than infamous. Though he’s directed a pair of thrillers, three docs, and a string of music videos, he might be best known for being fired from the helm of the 1996 studio adaptation of H.G. Wells’ The Island of Doctor Moreau.  [Read more…]

Filed Under: Film, The Line

Savagely Sharp, One Cut Of The Dead Is So Much More Than Its Buzz Suggests

September 10, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

“You have to see it,” I was told again and again by ardent admirers of One Cut Of The Dead. This Japanese zombie-comedy has been bouncing all over the world from one film festival to the next, picking up praise with every stop. But the breathless buzz was strangely, annoyingly vague. There were rumblings about an astoundingly ambitious long-take that lasts a whopping 37 minutes. And there was the giddy hinting of a big “twist.” Frankly, the gimmickiness this suggested was a turnoff, pushing the film further and further down my fest watch lists. But with this heralded horror-comedy headed to theaters, I finally decided to see what all the buzz was about. And I’m elated to reveal One Cut Of The Dead is far more than a one-(camera)-trick pony. [Read more…]

Filed Under: Film, The Line

Taikai Waititi’s Jojo Rabbit Is A Bold But Fumbled Entry In His Lost Boy Trilogy

September 9, 2019 By Kristy Puchko 1 Comment

Reviewed by Kristy Puchko

Taika Waititi loves a lost boy. His latest, Jojo Rabbit, is the third coming-of-age comedy the Kiwi filmmaker has crafted that centers on a young boy facing trauma by embracing fantasy. 2010’s Boy ollowed a bullied 11-year-old, who fantasizes that his absentee father isn’t the despicable criminal everyone says, but instead a mix of a noble samurai and moonwalking Michael Jackson.  [Read more…]

Filed Under: Film, The Line

Jennifer Kent’s The Nightingale Is A Savagely Brilliant Masterpiece

August 6, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

It’s rare that a press screening comes with a warning. But in the wake of reported walkouts, invites to see Jennifer Kent’s The Nightingale came with a warning. In red font, critics were alerted that the film would contain “sexual violence towards women, violence towards children, and violence motivated by racism.” Since the film’s Venice premiere last fall, some have criticized Kent for the brutality found in her much-anticipated follow-up to her breakthrough debut The Babadook. However, considering her sophomore effort is a revenge-thriller that explores the sins of colonialism, the brutality is essential to its message. To capture the merciless of this domineering mindset, Kent won’t look away from its violence and depravity. And she won’t let us look away either. [Read more…]

Filed Under: Film, The Line

Bursts Of Wild Yet Middling Cinema In Villains

July 29, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

We’ve met lovers like Jules and Mickey before in movies like Badlands, Natural Born Killers and, of course, Bonnie and Clyde. They are partners in crime, metaphorically and literally, kicking off Villains with a smash-and-grab robbery that’s given a bit of flare by the animal masks they choose to wear. As they dash off in their getaway car, Jules (Maika Monroe) excitement translates into titillation, and she’s all over an elated Mickey (Bill Skarsgård) as he drives. But their plan to hightail to a beach and easy living hits a snag when they run out of gas. [Read more…]

Filed Under: Film, The Line

Quentin Tarantino’s Once Upon A Time … In Hollywood Is A Messy And Wild Love Letter To…Hollywood

July 25, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

For his ninth (and possibly penultimate) film, Quentin Tarantino takes audiences back to the summer of 1969, where Hollywood was swinging and hippies seemed a harmless subculture. That is until the Manson Family murdered Sharon Tate and her friends in her mansion on Cielo Drive. Blending fact with lots of fiction, Once Upon a Time in Hollywood re-imagines this time as the fairytale its title suggests. But instead of white knights and princes, Tarantino offers stuntmen and TV cowboys. Instead of castles and lavish balls, he presents a celebrity-stuffed party at the Playboy mansion. Instead of an evil sorcerer or monster horde, there’s Charles Manson and his minions. And instead of a princess as a damsel in distress, Tarantino presents an enchanting ingénue who was killed in her prime. [Read more…]

Filed Under: Film, The Line

Firecrackers Is A Raw Nerve Of A Film And An Explosive Debut

July 17, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

“Why are you so angry all the time?” The heroines of writer/director Jasmin Mozaffari’s debut feature Firecrackers have plenty of reasons to rage. Living in poverty in a suffocatingly small Ontario town, recent high school graduates Lou (Michaela Kurimsky) and Chantal (Karena Evans) have little hope for their futures. All they see around them is squalor, crappy jobs, abusive boys, addiction, intolerance, and violence. This is why these battle-hardened besties, who throw punches as easily as f-bombs, have plotted a way out. For a year, they’ve scraped together the wages earned cleaning scuzzy motel rooms so they can runoff to New York. They’ve slung they’re possessions into a pair of garbage bags, compiled one thousand dollars into a tattered envelope, and arranged a ride with a pick-up truck-owning pal. But a horrid incident derails the pair’s plan, pitching them down a path littered with stinging tears, shattered glass, and wretched compromises. [Read more…]

Filed Under: Film, The Line

The Deeper You Dig Makes Horror A Twisted Family Affair

July 17, 2019 By Kristy Puchko 1 Comment

Reviewed by Kristy Puchko

It was an accident. A dark night. A remote road. A girl sledding alone. A man driving home. And just like that, 14-year-old Echo Allen is dead. A tragedy to be sure. But what happens next is true horror. By following her killer and the mother Echo has left behind, The Deeper You Dig explores grief and guilt while traveling down a twisted road into the supernatural.  [Read more…]

Filed Under: Film, The Line

The Art of Self-Defense Makes A Menacing Joke Of Toxic Masculinity

July 10, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

You probably think you can kick Jesse Eisenberg’s ass. Which makes him perfectly cast as the protagonist of The Art of Self-Defense, a dark comedy exploring the allure and dangers of toxic masculinity. Writer/director Riley Stearns applies a crisp and dark sense of humor to a low-key thriller about one man’s quest to become the thing that scares him most: a man’s man. [Read more…]

Filed Under: Film, The Line

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Riot Sounds

Sleaford Mods, "Force 10 From Navarone," featuring Florence Shaw, can be listened to at Riot Material magazine -- in the exclusive Riot Sounds.

New From the Mods: “Force 10 From Navarone”

Sleaford Mods
feat. Florence Shaw (of Dry Cleaning)
from UK Grim

on Rough Trade

Dean Blunt's "The Rot." Listen at Riot Material under the exclusive Riot Sounds.

“The Rot” — Though A Rose By Any Other Name

by Dean Blunt
feat. Joanne Robertson
from BLACK METAL 2

https://www.riotmaterial.com/wp-content/uploads/2023/03/10-the-rot.m4a

on Rough Trade

The Line

A poetic interpretation of Anselm Kiefer's Exodus, at Los Angeles Marciano Art Foundation, is at Riot Material.

On Wing With Word Through Anselm Kiefer’s Exodus

Gagosian at Marciano Art Foundation, Los Angeles (through 25 March 2023) by Rachel Reid Wilkie Los Angeles poet Rachel Reid Wilkie was given the task of walking into Anselm Kiefer’s Exodus — a literally monumental exhibition, in that each of these paintings are upwards of 30’ tall — and addressing the colossal artworks “cold,” as in […]

Songbook of a Bygone Dead: Bob Dylan’s The Philosophy of Modern Song

Reviewed by Dan Chiasson The Philosophy of Modern Song by Bob Dylan Simon & Schuster, 352pp., $28.93 NYR Bob Dylan’s new book, The Philosophy of Modern Song, is a kind of music-appreciation course open to auditors and members of the general public. It is best savored one chapter, one song, at a time, while listening to the […]

Grant Wallace, “Through Evolution Comes Revelation.” at Riot Material magazine.

Communication Breakdown: Grant Wallace, His Heirs & the Legacy of a Forgotten Genius

Grant Wallace: Over the Psychic Radio at Ricco/Maresca Gallery, NYC (through 3 December 2022) By Michael Bonesteel Freelance writer and editor Deborah Coffin of Albany, California, was in graduate school at the University of California, Berkeley in 1997 when she first encountered street musician Brian Wallace at a party. “I had a friend who knew Brian,” […]

Smoking the Bible by Chris Abani

Words To Wrap Around A Dying Brother

Smoking the Bible Reviewed by Rhony Bhopla Smoking the Bible by Chris Abani Copper Canyon Press, 96pp., $15.99 HR Chris Abani’s autobiographical book of poems, Smoking the Bible, centers on the relationship of two brothers growing up in Nigeria with an Igbo father and an English mother. The poems, which incorporate the Igbo language along […]

Yehonatan Koenig. "Shulamith" (2022). At Riot Material Magazine

Yehonatan Koenig’s Subversion of the Ordinary

Knowing Not Knowing, at Matt Drey Arts (presenting with the Kava Collective) by Mat Gleason The art of Yehonatan Koenig is a subatomic soiree, every mark-making molecule involved in contributing to a higher purpose along the way. There is form and structure revealed here, an elegant point in the digressions of a thousand or more […]

The Joshua Tree Talk

A Conversation on Dzogchen C von Hassett & Rachel Reid Wilkie at Joshua Tree Retreat Center 

Louise Bourgeois: What Is The Shape of This Problem?

at University of Southern California, Fisher Museum of Art. (through 3 December 3, 2022) Reviewed by Margaret Lazzari Louise Bourgeois is widely recognized for her sculptures and installations, but Louise Bourgeois: What is The Shape of This Problem is a wonderful opportunity to immerse yourself in her perhaps-lesser-known prints, fabric work and writings. This exhibit contains over […]

The Artful Construction of The ‘I’

by Merve Emre NYR The essay form…bears some responsibility for the fact that bad essays tell stories about people instead of elucidating the matter at hand. —Theodor Adorno The personal essay is a genre that is difficult to define but easy to denounce. The offending element is rarely the essay as a form, but its […]

Moonage Daydream Conveys More Myth Than Man

Moonage Daydream Dir. Brett Morgan Reviewed by Nicholas Goldwin As one of the greatest shapeshifters in the expansive history of rock music, it seems only fitting that the documentary with David Bowie as its subject never seems content to express the trials, tribulations and artistic triumphs of Bowie in any one fixed way. This is […]

Carnación di Rocío Molina, at Riot Material Magazine.

On Binding: Notes from Venice

Bienalle Arte and Bienalle Danza, Venice 2022 By Allyn Aglaïa Chest bound, lips sealed, I walked through Venice alone, quiet, and: thought about narratives that bind us to erotic binds

Mohammad Barrangi's Guardians of Eden (Dreamscape #8), at Riot Material magazine.

Transcendence Beyond Erasure in Mohammad Barrangi’s Dreamscape

at Advocartsy, Los Angeles (thru 5 November 2022) Reviewed by Christopher Ian Lutz Fantasy requires a symbolic vehicle to transport a character from the real world into the imaginary realm, where the laws of reality are subverted or obscured to justify an otherwise absurd event. The artist might depict the vehicle as a real object […]

Idris Khan's The Pattern of Landscape at Sean Kelly Gallery, Los Angeles. An interview with Idris is at Riot Material magazine.

An Interview with Idris Khan

The Pattern of Landscape, at Sean Kelly, Los Angeles (through 5 November 2022) by Ricky Amadour Opening on the corner of Highland and De Longpre Avenues in the heart of Hollywood, Idris Khan’s The Pattern of Landscape is the inaugural exhibition at Sean Kelly, Los Angeles. Khan investigates color theory, text, and musical concepts through […]

Soul Crash: Our Slow, Inexorable Release Into the Metaverse

by Sue Halpern The Metaverse: And How It Will Revolutionize Everything by Matthew Ball Liveright 352pp., $18.89 NYR In October 2021, when Mark Zuckerberg announced that Facebook would now be called Meta and its business interests would be pivoting to the metaverse, there was almost universal confusion: most observers had no idea what he was […]

green tara

Pointing the Staff at the Old Man

A wisdom transmission by Samaneri Jayasāra Excerpted from —  Advice from the Lotus Born  from the chapter “Pointing the Staff at the Old Man” Translated by Eric Pema Kunsang Rangjung Yeshe Publications, 184pp., $21.95 . .

Margaret Lazzari’s "Shimmer." From the exhibition "Breathing Space."

Margaret Lazzari’s Luminous Breathing Space

at George Billis Gallery, Los Angeles (through 8 October 2022) Reviewed by Nancy Kay Turner “Things are not what they seem: nor are they otherwise.” –Buddha Margaret Lazzari’s luminous solo exhibition of paintings, entitled Breathing Space, were painted during the pandemic, and the exhibition title is indeed significant. It’s defined as a respite, a hiatus, or an […]

A Look Back on an Iconoclast: Art Critic Dave Hickey

by Jarrett Earnest Far From Respectable: Dave Hickey and His Art by Daniel Oppenheimer University of Texas Press, 141 pp., $24.95 The Invisible Dragon: Essays on Beauty, Revised and Expanded by Dave Hickey University of Chicago Press, 123 pp., $15.00 (paper) Air Guitar: Essays on Art and Democracy by Dave Hickey Art Issues Press, 215 […]

From Phil Tippet's Mad God, reviewed at Riot Material magazine.

Nihilism Births Its Own Interminable Hell

Mad God Dir. Phil Tippett Reviewed by Nicholas Goldwin Technically astonishing and immersive to a fault, director Phil Tippett successfully demonstrates that thirty years of relentless dedication to your craft can lead to cinematic innovations even his old stomping grounds – the sets of Star Wars and Jurassic Park – have yet to catch up. […]

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