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Archives for December 2019

Giving Voice To The Voiceless In Christopher Myers’ Drapetomania

December 27, 2019 By Genie Davis Leave a Comment

at Fort Gansevoort, Los Angeles (through February 8)
Reviewed by Genie Davis

Opening an outpost in Los Angeles, the well-known New York-based gallery, Fort Gansevoort, chose artist, author, and play-write Christopher Myers’ Drapetomania as its inaugural exhibition in this city. Myers’ large-scale, mural-sized textile works and powerfully bleak sculptures create a stirring initial show. [Read more…]

Filed Under: Art, Artist, The Line

Philipp Kremer: With Lovers

December 27, 2019 By Eve Wood Leave a Comment

at Nicodem Gallery, Los Angeles (through February 1)
Reviewed by Eve Wood

Imagine a faceless orgy, a concupiscence of bodies – colliding, embracing, penetrating, wherein the entirety of the surrounding picture plane is reduced to a senseless expanse of writhing and roiling flesh. In Philipp Kremer’s work, the notion of desire is determined by an exploration into genderless ideation. Sex is not strictly sex, nor is this beauteous lovemaking, but an electrified and energized landscape of human intersections – hand in hand, arm over arm, face into face, thigh across thigh, torsos twisting and contorting in a vaguely nihilistic expanse where no two people ever seem to truly connect. [Read more…]

Filed Under: Art, Artist, The Line

Sites Of Love And Desire In Lari Pittman: Declaration Of Independence

December 23, 2019 By Lita Barrie Leave a Comment

at Hammer Museum, Los Angeles (through January 5)
Reviewed by Lita Barrie

Lari Pittman’s momentous retrospective at Hammer Museum, is not only the most ambitious exhibition organized by the museum but arguably the most important exhibition anywhere in the country — or perhaps the world, today. This career-spanning exhibition of 80 densely layered monumental paintings and 50 vibrant works on paper ends the decade on a jubilant note because as the curator Connie Butler says, “the show is really about revelation.” [Read more…]

Filed Under: Art, Artist, The Line

The ’10s: Best Jazz Releases Of The Decade

December 19, 2019 By Henry Cherry Leave a Comment

by Henry Cherry

In the last decade of his life, Duke Ellington, probably America’s greatest composer, had a resurgence. Jazz was in turmoil, expanding and contracting at the same time, not unlike a star going supernova. In Ellington’s case, he was reincorporating various musical influences. He returned to the sacred music of his early life, to New Orleans, to the songbook of his musical foil, Billy Strayhorn, after Strayhorn died in 1967. But it is the sacred music that truly reinvigorated what would be the master’s last era. [Read more…]

Filed Under: Jazz, Records, The Line

Memories and Despair: The 10 Best Films of the Year

December 18, 2019 By Alci Rengifo Leave a Comment

by Alci Rengifo

The year 2019 was reflected in its cinema like few before it. Fittingly, the decade closes with movies that obsessively gazed upon the passage of time and the social realities which are setting parts of the world aflame. It is hard for the art of an era to escape its dominant forces. Since 2016, history has moved in a strange blur, the age of Donald Trump taking on a surrealist hue. From Jordan Peele’s Us to Bong Joon-ho’s Parasite, visions of class war and upheaval were expressed through dreamscapes both satirical and haunted. With another decade passing, this was also a year focused on the power of nostalgia and history’s darker edges. Martin Scorsese’s grandiose Netflix saga, The Irishman, followed a de-aged Robert De Niro through the shadowy underworld of American history. Quentin Tarantino’s Once Upon a Time in Hollywood was pure nostalgia in its reverie, working ever so hard to revive an idea of 1969 Los Angeles. Now the question is if the 2020’s will bring hope or more gazing at what has passed, with fear of what is to come. [Read more…]

Filed Under: Film, The Line

The Overlooked Ten From 2019’s Jazz Bin

December 14, 2019 By Henry Cherry Leave a Comment

by Henry Cherry

Choosing music outside of the constraints of marketing and modishness is a difficult practice that for some is an absolute chore. In this technocratic age of curated playlists, there is less exploration among individuals. While online encyclopedias continue to define and annotate the music of the past along with current releases, it is sometimes easier to plug into the mindless algorithmic bliss provided by streaming services. That is NOT wrong. Everybody wants some simplification in these complicated times. [Read more…]

Filed Under: Jazz, Records, The Line

Meander, Spiral, Explode: Design and Pattern in Narrative

December 13, 2019 By Riot Material Leave a Comment

Reviewed by Katie Waldman

Meander, Spiral, Explode: Design and Pattern in Narrative
by Jane Alison
Catapult, 272 pp., $12.81(paper)
Review courtesy of the New Yorker

I was in the seventh grade when Jane Alison’s début novel, The Love-Artist fell into my hands, and its effect on me was like a full-body blush. The book, which imagines an answer to the mystery of why Ovid was exiled to the edge of the Black Sea, in 8 A.D., stars a witch whom Ovid first glimpses rising from a pool in strands of water and wild grass. Everything is sensuous. Flowers are carnal. Alison has since written three more novels; she is also a translator and the author of a memoir, The Sisters Antipodes. [Read more…]

Filed Under: Books, The Line

Memory Palaces & The Hidden Art: Works And Studies Within The Collection Of Audrey B. Heckler

December 9, 2019 By Riot Material Leave a Comment

Reviewed by Sanford Schwartz
Memory Palaces: Inside the Collection of Audrey B. Heckler (through January 26)
an exhibition at the American Folk Art Museum, NYC, January 26, 2020
 
The Hidden Art: 20th- and 21st-Century Self-Taught Artists from the Audrey B. Heckler Collection
by Valérie Rousseau with Jane Kallir, Anne-Imelda Radice, and others
American Folk Art Museum/Skira Rizzoli, 272 pages, $50.00
Review courtesty of The New York Review of Books
.
There are two stories, one might say, being told at the American Folk Art Museum’s current show Memory Palaces: Inside the Collection of Audrey B. Heckler. The first and more clear-cut is that the exhibition gives us a chance to see what must be one of the most discerning and wide-ranging collections of self-taught, or outsider, art in this country. There are top-notch works here by artists of varying degrees of recognition, many of whom were active in the middle and later years of the last century. Some, including Carlo Zinelli, William Hawkins, Adolf Wölfli, Thornton Dial, and Madge Gill, are known to people who follow this art but are not quite household names. There are strong works here as well by artists—such as Christine Sefolosha, Malcolm McKesson, and Edmund Monsiel—whose pictures may come as a welcome surprise to nearly everybody. And there are fine pieces by Bill Traylor and James Castle, and extraordinary ones by Martín Ramírez, who are all becoming widely known.

[Read more…]

Filed Under: Art, Books, The Line

Into the Abyss With Jonathan Glazer’s Feral Short: The Fall

December 9, 2019 By Alci Rengifo Leave a Comment

Reviewed by Alci Rengifo

Jonathan Glazer emerges every so often with work that above all is constructed by a powerful aesthetic. More than narratives, what Glazer crafts are images combined with soundscapes which immerse the viewer in moments of dread, hallucination and discovery. Moments which could have the feel of a common day action suddenly take on a dreamlike ambiance. In Glazer’s underrated 2004 film, Birth, Nicole Kidman plays an upper class New Yorker confronted with the possibility that a young boy is her reincarnated husband. His 2013 Under the Skin finds a silent woman played by Scarlett Johansson, an extraterrestrial in human form, drives through grey streets seeking male prospects for the purpose of consuming their physical essence for an unclear plan. In both films familiar settings, whether upscale dinner parties or gritty alleyways, are touched by extreme possibilities. But how does the artist respond to the world when it actually does become extreme? [Read more…]

Filed Under: Film, The Line

Hazards Of Alienation In The Fool (and Other Moral Tales)

December 9, 2019 By John Biscello Leave a Comment

Reviewed by John Biscello

The Fool (and Other Moral Tales)
by Anne Serre
Translated by Mark Hutchinson
New Directions, 228pp., $13.97

Among the linty cling of rumors and backwashed gossip spread around the barrooms and laundromats of the universe, circulates this mortuary nugget: Hey, did you know that Ego, when it dies, would love nothing more than to attend its own funeral? Ego, in brazenly counterpointing Woody Allen’s proclamation — “I don’t mind dying, I just don’t want to be there when it happens” — would happily play the role of phantom witness while enjoying the privileged position of being able to float above its own death. It could view itself through the ceremony of mirrored eyes, and gauge its impact upon the audience gathered in its name. Ego, or the I-self, aspires to dream itself into a permanent narrative, to secure tenancy in a time-loop — it longs to know its movements are in accord with something lasting. This fretful existential dilemma, as it relates to writing, to functioning as a writer, and to the amorphic realm of stories and narrative, finds itself swaddled in the gallows’ silk of Love and Death, in Anne Serre’s new book, The Fool (and Other Moral Tales). [Read more…]

Filed Under: Books, The Line

Twenty Que With J. Matthew Thomas

December 9, 2019 By Erin Currier Leave a Comment

By Erin Currier

The appearance of J. Matthew Thomas on our Earth is a rare and fortuitous event, akin to a special comet or eclipse that occurs once every 500 hundred years or so. He is the DaVinci of our day-and-age, a true Visionary bringing together community, education, environment and art with international events such as the PASEO, programs such as Studio TAOS and Pecha Kucha nights. His tenure at the Harwood Museum in Taos has seen him at the curatorial Vanguard in featuring previously unknown or undervalued works by Women, Indigenous, LGBTQ, and other underrepresented artists. [Read more…]

Filed Under: The Line, Twenty Que

Cathexis

December 6, 2019 By Riot Material 1 Comment

When we say the world is haunted
we mean untranslated

as yet.

[Read more…]

Filed Under: The New Word

Shirin Neshat: I Will Greet The Sun Again

December 2, 2019 By Nancy Kay Turner 1 Comment

at The Broad, Los Angeles (through February 16)
Reviewed by Nancy Kay Turner

“Exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted.” —Edward Said

“To stay alive you must slay silence” –Simin Behbahani

Shirin Neshat’s dense and nearly overwhelming exhibition I Will Greet The Sun Again interrogates the very nature of reality, myth, perception and memory with her piercing portraits of women whose face, hands and feet are covered with intricate, decorative Farsi text; her haunting videos reminiscent of Ingmar Bergman’s mysterious starkness, and her later portraits, which compile faces of the exiled.  Neshat’s compelling photographs (black and white) and mystical films (black and white as well as color) examine cultural norms surrounding the wearing of the veil, as seen through both the Western and Islamic gaze along with the cultural dislocation suffered by individuals in diaspora. [Read more…]

Filed Under: Art, Artist, The Line

Redolent Honey From The Lone Star in Kruangbin and Leon Bridges’ “Texas Sun”

December 1, 2019 By Cvon Leave a Comment

from the Texas Sun EP (out 7 February 2020)

https://www.riotmaterial.com/wp-content/uploads/2020/01/01-Texas-Sun.m4a

“Texas Sun”

on Black Vinyl

Filed Under: Riot Sounds

The Line

An interview with Alison Saar, at Riot Material magazine.

An Interview with Alison Saar

By Ricky Amadour As an indefatigable voice for women of color and the greater human spirit, Alison Saar recomposes fractured histories into multivalent sculptures. Saar curated SeenUNseen, a group exhibition at L.A. Louver Gallery, with a focus on spirit portraiture. Throughout human existence there has been a predilection to the allure of the unseen. Hidden […]

William S. Burroughs on a bed, smoking a cigarette.

“The Opposite of Literature:” Mary McCarthy’s Feb. ’63 Review of Naked Lunch

From the inaugural print edition of The New York Review of Books In remembrance of Jason Epstein, originator and co-founder of NYRB RIP 1928-2022 by Mary McCarthy Naked Lunch  by William S. Burroughs Grove Press, 304pp., $14.49 “You can cut into The Naked Lunch at any intersection point,” says Burroughs, suiting the action to the […]

Remembered and Remade: James Castle’s Conjurings of Mind

James Castle at David Zwirner, NYC (through 12 February 2022) by Andrew Martin James Castle: Memory Palace John Beardsley Yale University Press, 280pp., $65.00 NYR Every James Castle picture seems to contain a secret. Approaching one of his works for the first time, you peer into pockets of shadow and smudge, examining the depopulated landscapes […]

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

An excerpt from a new book which examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. —The University of Chicago Press Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction by Steven Ruszczycky University of Chicago Press, 216pp., $30.00 In the United […]

Hilary Brace, Drawings and Tapestries, is reviewed at Riot Material magazine.

Darkness Made Visible in Hilary Brace’s Drawings and Tapestries

at Craig Krull Gallery, Bergamot Station (through 19 February 2022) Reviewed by Eve Wood The intricacies and inherent beauty of the natural world are rarely celebrated these days, and when artists do turn their attention to the surrounding landscape, the resulting images are usually ones of devastation and chaos — charting the movement of fires, […]

The Tragedy of Macbeth 

A film written and directed by Joel Coen Reviewed by James Shapiro NYR Those who have long followed the Coen brothers and their cinematic universe of criminals, nihilists, and overreachers may see in Joel Coen’s The Tragedy of Macbeth (2021) a long-deferred reckoning with Shakespeare, who has been there before them. We don’t typically think of Shakespeare […]

John Divola, From Dogs Chasing My Car In The Desert,1996-98,

Illuminating Images: Liquid Light and Golden Hour and the Affective Force of Non-Didactic Art

at the Vincent Price Art Museum, Los Angeles (through 5 February 2022) Reviewed by Johanna Drucker What is the difference between a wall label and a work of art? The unrelenting didacticism that prevails in current gallery and museum exhibits of contemporary art makes it seem that many curators and artists cannot answer that question. […]

The Occult Works of Ray Robinson, with an essay by Christopher Ian Lutz, is at Riot Material Magazine.

The Brush as Luminous Torch: Ray Robinson’s Blazing Portals Into the Divine Feminine

The Third Door:Occult Works of Ray Robinson, at the Buckland Museum of Witchcraft and Magic (through 15 January) by Christopher Ian Lutz Burn the Sun The persecution of the witch is a war of the hours. The Inquisition that charged women with witchcraft was not just about controlling women’s bodies – it was a crusade to extinguish […]

An Interview with Artist Gala Porras-Kim is at Riot Material Magazine.

An Interview with Artist Gala Porras-Kim

by Ricky Amadour . Interdisciplinary artist Gala Porras-Kim frames her research to highlight and question the current institutional practices of conservation, acquisition, and deaccession. Acting as an investigator of cultural artifacts that correspond to institutional collections, Porras-Kim deep dives into the expansive histories, stories, and functions of those objects. The artist’s first solo exhibition in […]

Seizing the Snowmelt: Industrial Agriculture is Draining Our State Dry

by Mark Arax The Dreamt Land: Chasing Water and Dust Across California by Mark Arax Knopf, 576pp., $25.00 MITTR The wind finally blew the other way last night and kicked out the smoke from the burning Sierra. Down here in the flatland of California, we used to regard the granite mountain as a place apart, our […]

The Great Flood of 1862

The Looming Catastrophe Few in California Are Aware Of (or in Want to Address)

An excerpt from Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent it, by Tom Philpott. THE FLOOD NEXT TIME In November 1860, a young scientist from upstate New York named William Brewer disembarked in San Francisco after a long journey that took him from New York City through Panama and then […]

Precontact California Indians: Their Life Prior to Genocide

An excerpt from the first chapter of An American Genocide: The United States and the California Indian Catastrophe, by Benjamin Madley. CALIFORNIA INDIANS BEFORE 1846 Within a few days, eleven little babies of this mission, one after the other, took their flight to heaven. -Fray Junipero Serra, 1774 We were always trembling with fear of […]

Laurie Anderson's "The Weather," is reviewed at Riot Material magazine.

An Atmospheric River of Wonder in Laurie Anderson’s The Weather

at the Hirshhorn Museum and Sculpture Garden, Washington D.C. (through 31 July 2022)  Reviewed by Nancy Kay Turner             “What are the days for? To put between the endless nights. What are the nights for? To slip through time into another world.”  –Laurie Anderson             “Stories are our weather”  –Laurie Anderson Laurie Anderson is a Renaissance polymath whose […]

Maria Lassnig Augenglaeser - Autoportraets (1965)

Maria Lassnig: The Paris Years, 1960–68

at Petzel Gallery, New York City Reviewed by James Quandt Maria Lassnig: Film Works edited by Eszter Kondor, Michael Loebenstein, Peter Pakesch, and Hans Werner Poschauko FilmmuseumSynemaPublikationen, 189 pp., $35.00 NYRB Many female artists — most recently Carmen Herrera, Faith Ringgold, and Lorraine O’Grady — have had to wait a lifetime to be accorded the recognition […]

Marcellina Akpojotor’s Sublime Matriarchy

Daughters of Esan at Rele Gallery, Los Angeles (through 4 December 2021) Reviewed by Eve Wood Marcellina Akpojotor’s second solo exhibition, Daughters of Esan, continues her exploration into notions of personal intimacy, drawing on her own relationships with her family and the tremendously powerful and transformational possibilities of education and love. Inspired by her great-grandmother’s […]

An interview with Rachael Tarravechia, at Riot Material

Fear and Self-Loathing in Rachael Tarravechia’s Wish You Were Here

at Launch F18, NYC (through 4 December 2021) by Danielle Dewar The horror genre is rooted in a desire for catharsis by means of dispelling fears and anxieties that live deep within a subconscious mind. Since we often crave a controlled release of such emotions, the use of the macabre within an artist’s practice allows […]

Umar Rashid, aka Frohawk Two Feathers, exhibition review of En Garde/On God is at Riot Material magazine

Histories Disembowled in Umar Rashid’s En Garde/On God

at Blum and Poe, Los Angeles (through 18 December 2021) Reviewed by Ellen C. Caldwell In En Garde/On God, Blum & Poe showcases the work of artist Umar Rashid (also known by the pen name Frohawk Two Feathers). Featuring thirteen large paintings and one sculpture in Rashid’s hallmark style, the exhibition highlights works that are bold […]

A Grid Gone Wholly Off in My Monticello

Reviewed by Bridgett M. Davis My Monticello By Jocelyn Nicole Johnson Henry Holt & Company, 210 pp., $13.49 NYT In the essay “The Site of Memory,” Toni Morrison described the crafting of her fictional worlds as a quest to access the interior lives of her ancestors. “It’s a kind of literary archeology,” she explained. “On the […]

The Web of Mind Throughout Our Earth

Reviewed by Zoë Schlanger Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures by Merlin Sheldrake Random House, 352 pp., $28.00; $15.48 NYRB Imagine that you are afloat on your back in the sea. You have some sense of its vast, unknowable depths—worlds of life are surely darting about beneath […]

Drugs Amongst Other Adult Liberties

Reviewed by Mike Jay Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear by Dr. Carl L. Hart Penguin Press, 290 pp., $16.94 NYRB The modern meaning of “drugs” is of surprisingly recent origin. Until the twentieth century, the word referred to all medications (as it still does in “drugstore”); it was only […]

Rashid Johnson, Anxious Red Painting August 20th. At Riot Material

Break//Breathe: Broken Men That Glitter

by Allyn Aglaïa Aumand On the coherence of fracture an essay in fragments on fragments * I had a lover once, who self described as a volcano, but fully encased. Make space to let it out sometimes, I told him. That’s why I wanted to see you today, he said.

Against White Feminism: Notes on Disruption

An excerpt from a new book W. W. Norton calls “a radically inclusive, intersectional, and transnational approach to the fight for women’s rights.”  Against White Feminism: Notes on Disruption by Rafia Zakaria W. W. Norton, 256pp., $23.95 There is an important distinction between what Nancy Fraser calls “affirmative change” and actual transformational change. The former is […]

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