Riot Material

Art. Word. Thought.

Archives for August 2020

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

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at The Barbican, London (through 24 Jan 2021)
Reviewed by Christopher P Jones

Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and remarkable thing. She has created an entire origin-myth that not only revisits ancient African history but invents it. Through 40 new works specially commissioned for the Curve Gallery at London’s Barbican Centre, Ojih Odutola has hand-drawn a fictional prehistoric civilisation dominated by female rulers and served by males labourers. [Read more…]

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

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by Sarah A. Seo

Driving While Black: African American Travel and the Road to Civil Rights
by Gretchen Sorin
Liveright, 332 pp., $28.95

Overground Railroad: The Green Book and the Roots of Black Travel in America
by Candacy Taylor
Abrams, 360 pp., $35.00
The New York Review of Books

In 1963, after Sam Cooke was turned away from a hotel in Shreveport, Louisiana, because he was black, he wrote “A Change Is Gonna Come.” He was right. The next year, Congress passed the Civil Rights Act of 1964, which dismantled a cornerstone of the racial caste system known as “Jim Crow” by banning discrimination in employment and public accommodations. Change seemed to be coming in other areas of American law as well. Congress followed with the Voting Rights Act of 1965, and during the 1960s the Supreme Court waged a “Due Process Revolution” that established more criminal defense rights, such as the guarantee of state-funded counsel for indigent suspects and defendants. The decade seemed poised to bring about a more equal and just America. [Read more…]

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

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Reviewed by Michael Gorra

Sontag: Her Life and Work
by Benjamin Moser
Ecco, 816 pp., $39.99
New York Review of Books

Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald Spengler and Rudolf Steiner. She read Kenneth Burke, who would become her teacher at the University of Chicago, and of course many novels, Thomas Mann above all; an entry in her diary recalls getting caught stealing a copy of Doctor Faustus at a Los Angeles bookshop. One day at a newsstand she picked up Partisan Review and began to tremble as she read Lionel Trilling’s “Art and Fortune,” his 1948 attempt to determine if the novel remained a living form. That set her future. That was when she began to dream of New York, and even of writing for that very journal. And Trilling, a critic forever “talking about the things that mattered,” became a model for her own work.1 [Read more…]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

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Reviewed by John Biscello

The Deeper the Water the Uglier the Fish
by Katya Apekina
Two Dollar Radio, 353pp., $12.74

Humpty Dumpty sat on a wall
Humpty Dumpty had a great fall;
All the king’s horses and all the king’s men
Couldn’t put Humpty together again

In the name of nursery rhyme remixology, first let us add the soothing menace of a Pink Floyd soundscape to the tale, and then let us peer into the fragmented disaster that the fallen Humpty has become, and realize that he was never an anthropomorphized egg-man at all, but rather a family incestuously consolidated into a single mutated unit, a dangerously complex and fragile organism that, in breaking apart, becomes its own prospective savior and redeemer. As you keep looking—and you will, because this specific accident has you in its grip, like a shock collar at Sunday mass—you will notice how the congealed blob that comprised Humpty’s interior is slowly disassembling into individual parts: mother, father, two daughters. How each of these exposed selves will react to their blunt individuation, their emergence from a cystic sublet, remains to be seen. And so you watch, and listen, and find yourself drawn into a narrative that is at once familiar and remote. Welcome to family, as modern American gothic, in the half-lit world of Katya Apekina’s The Deeper the Water the Uglier the Fish. [Read more…]