Joan was convinced she had cancer. Sometimes it was a dull ache in her side, sometimes a cut that didn’t heal. She knew of a woman with Crohn’s Disease and just recently an old friend of hers died of pancreatic cancer. It was just a matter of time before those alien cells took over her body. Her body was on the edge of a cliff, ready to fall. When she got out her Tarot deck, she always drew the Fool. Once she saw the Hermit in a dream. He dropped his lantern and the light tumbled down into a rocky canyon, glowing on the silver cliffs as it fell. It was winter, with pockets of snow on the peaks. [Read more…]
Saw-Whipping Techno-Trance From Toby Dreher: “Orkan”
From the new release, Ohrwurm
on Acker Dub
New Work From Toro Y Moi: “Laws Of The Universe”
From the Outer Peace release
on Carpark Records
Where to Begin?
First, we’re skinny-dipping,
Sam & I, in a pond in Tennessee,
which is his idea, I should say,
& the tree with the rope swing
looms darker
than the dark night sky.
Second, the harvest moon,
which we came here to see,
is nowhere to be found,
instead the sky burning with stars
I can’t see without my glasses [Read more…]
Penal Cistern Lightning Throne Lightning Rebounded
Back into the body all the lightning goes
back into the body. Up through the crown
of the skull and round again like the Whip-It
at the fairgrounds. Pushing the boundaries
of the light body. Overloading the light
body. Silly bowl shaking above the bowl
of the skull, which is a bowl holding court over
bowl the brain. Bowl into bowl into bowl.
All the curves pressing together. Too much
light in the light body. Body of cattle after long [Read more…]
La Luz’s “Cicada”
Pain Scale
Floating above the gynecologist’s hands,
Dolor looks down at me
with her many expressions.
Someone sketched the eyes, the mouths,
someone pinned them up,
arranged the faces
so they softly say, like this? like this?
The doctor says to choose one,
but I’m no fool, I close my eyes [Read more…]
Gary Indiana’s Vile Days
Vile Days, by Gary Indiana,
edited by Bruce Hainley.
Semiotext(e). 600 pages. $29.95.
Courtesy of Harper’s Magazine
How unromantic can a deathbed scene get? A test case: one day in 2015, The New Yorker’s art critic, Peter Schjeldahl, makes his way to the Village Voice’s Cooper Square offices, seeking to rescue the columns he wrote for the alt-weekly in the 1990s from their undigitized obscurity. Let in by a staff member who seems slack-jawed that anyone should be so keen to enter, Schjeldahl observes the paper’s remaining employees: “A very few people, not appearing to be up to much, sat far apart at desks in a dimly lighted panorama of desuetude.” Coda: as summer 2018 gasps its last, so does the Voice; mourned in September blog posts, like Schjeldahl’s for The New Yorker, it now exists only in archival form. This seems a fittingly uncharismatic parable for an East Village that has died more than once in the past thirty years or so—the end doesn’t even get to feel poignant anymore. [Read more…]
A City No More: The Rise Of The World’s Largest Gated Community
by Kevin Baker From "Death of a Once Great City" Courtesy of Harper's Magazine
New York has been my home for more than forty years, from the year after the city’s supposed nadir in 1975, when it nearly went bankrupt. I have seen all the periods of boom and bust since, almost all of them related to the “paper economy” of finance and real estate speculation that took over the city long before it did the rest of the nation. But I have never seen what is going on now: the systematic, wholesale transformation of New York into a reserve of the obscenely wealthy and the barely here—a place increasingly devoid of the idiosyncrasy, the complexity, the opportunity, and the roiling excitement that make a city great. [Read more…]
NYC Supertalls And The Narrowfication Of The City’s Architecture
by Aaron Timms
From “The Needles and the Damage Done”
Courtesy of The Baffler
What kinds of people did I expect to find here, in the public garden at the foot of 432 Park Avenue, New York’s tallest residential building? In the days before I arrived in Manhattan to chart a course across the city, I’d studied the plans and websites of the “supertalls,” the new crop of skeletal residential towers rising one thousand feet and more above midtown. The architects’ renderings of these new superstructures were charged with all the clichés of the genre: the plate-glass exteriors knifing skyward, the unobstructed views of the miniature city below, the lobbies at once massive and discreet. The humans were harder to grasp. Artists’ impressions showed the supertalls’ residents-to-be in a variety of unnatural poses: a couple in formal wear touching each other next to a baby grand, a woman alone on a balcony with a dining table set for eight. But it was the passers-by sketched at the periphery who interested me most. Would the people here be like they were there, smudged and passive with the bready limbs of a disaster movie’s sacrificial-crowd-in-waiting? [Read more…]
Sonic Youth’s “Kool Thing” (feat. Chuck D)
Chuck D is at Subliminal Projects, Los Angeles, tonight with a new body artwork. Exhibition review is forthcoming:
https://subliminalprojects.com/exhibitions/chuck-d/
“Kool Thing” is from Goo
on Geffen Records
New From Underworld: “Universe of Can When Back”
From Drift: Episode 1
on Smith Hyde Productions
I Listen
by John Biscello From his forthcoming collection of poems, Arclight, publishing this February by Indie Blu(e) Publishing ....................................... Dawn. The sea breeze, salt-fringed, rolls in through the opened glass doors, its damp fingers sifting and touching upon the cravings, rent and folds of our shared bare skin, It’s like home, you say, and this makes me dig my nails in deeper, [Read more...]
Rejiggering The Very Elementals Of One’s Soul: Charles Mingus’s “Celia”
From the latest (and miraculous!) release, Jazz In Detroit / Strata Concert Gallery / 46 Selden
Introduction by Bud Spangler
With the prodigious Don Pullen on piano, Joe Gardiner on trumpet, Roy Brooks on drums, & John Stubblefield on tenor saxophone
on Barely Breaking Even
Read Henry Cherry’s review of this “combustable” (his words, entirely apt) new release here
Spare And Glorious: Section 25’s “Girls Don’t Count”
Produced by Ian Curtis
from the album Always Now
on LTM Recordings
Dystopic Synth-Punk From L.A.’s Sextile: “Disco”
from the new EP, 3
on felte
Transforming Light Into Art: A Look At The Movement Of Light And Space
During the mid 1960’s, Light and Space became a loosely affiliated art movement related to Op Art, Minimalism and Abstraction. Influenced by American artist John McLaughlin, the movement was characterized by a focus on perceptual phenomenon and became well known throughout California. Artists integrated ideas of light, volume and scale, and the use of materials such as glass, neon, fluorescent lights and cast acrylic. Led by installation artists Robert Irwin and James Turrell, the pair specialized in the phenomenon of sensory deprivation and became curious about pushing the boundaries of art and perception. [Read more…]
New Work From Planningtorock: “Beulah Loves Dancing”
from Powerhouse
on DFA Records
Peggy Gou’s “It Makes You Forget” (the Itgehane edit)
from the recent Once
on Ninja Tune
Ron Gallo’s “Young Lady, You’re Scaring Me”
From Heavy Meta
on New West Records