Riot Material

Art. Word. Thought.

An Interview with Pae White

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Slow Winter Sun, at Jessica Silverman Gallery, San Francisco (through 25 February 2023)
by Amadour

Artist Pae White captivates her audience with a solo exhibition, Slow Winter Sun, at Jessica Silverman Gallery in San Francisco, featuring new monochromatic paper-clay paintings on wood, iridescent ceramic sculptures, and tapestries. Timed in proximity to the city’s FOG Design+Art Fair, this show centers on the relationship between humanity, nature, and technology. We discuss the artist’s connection to California, her shapeshifting materials, and her processes in the studio. [Read more…]

In Conversation with Artist Jim Shaw

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Jim Shaw: Thinking the Unthinkable, at Gagosian, Beverly Hills (12 January – 25 February 2023)
by Amadour

Artist Jim Shaw captures the tantalizing spectacle of Hollywood in a new series of paintings and sculptures in his exhibition Thinking the Unthinkable, opening at Gagosian Gallery in Beverly Hills. Last month I visited the artist at his studio in Highland Park, Los Angeles, to view the work for this show and to speak with him about his many muses. A prolific drawer, Shaw has mountains of sketches from which he prepares his ideas for forthcoming paintings. In this interview, we plug into his infatuation with film, stories of Hollywood personalities, and secret societies. [Read more…]

An Interview with Gerard & Kelly

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by Amadour
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Artist duo Gerard & Kelly personify the collaborative nature of art making. Their exhibition, Panorama, at Marian Goodman Gallery in New York, displays a dynamic video with three dancers questioning the colonialist narratives on the ceiling mural of the Bourse de Commerce in Paris, now the Pinault Collection. The artists also work with silkscreening in their Glyphs series, which explores notions of  “orientation” and the multilayered works of composer Julius Eastman. In this conversation, we discuss the duo’s many collaborators and influences, how they articulate their vision for performance, and their time in art school.

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An Interview with Idris Khan

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The Pattern of Landscape, at Sean Kelly, Los Angeles (through 5 November 2022)
by Ricky Amadour

Opening on the corner of Highland and De Longpre Avenues in the heart of Hollywood, Idris Khan’s The Pattern of Landscape is the inaugural exhibition at Sean Kelly, Los Angeles. Khan investigates color theory, text, and musical concepts through new large-scale paintings, bronze sculptures, watercolors on paper, and photography. Khan’s first Los Angeles presentation features music and text, fitting for an area predominantly known for legendary recording studios and music venues. Based in London, the artist speaks about his meticulous artistic process, lyrical expression, and affinity to architecture.

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Inglewood Open Studios Art Walk 2022

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by Margaret Lazzari

The Inglewood Open Studios (IOS) Art Walk features over 75 artists working in all media and will tour artists’ studios as well as host film screenings and gallery exhibitions. The event will kick off with an opening reception featuring all participating artists at Residency Art Gallery in Downtown Inglewood on Friday, November 11th from 4-7 PM, followed by the self-guided art walk tour on Saturday, November 12th and Sunday, November 13th from 12-5 PM (both days).

The following is a conversation with artist and IOS Board Vice President Holly Tempo:  [Read more…]

An Interview with Artist Eve Wood

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Eve Wood: Hanging in There to Hang On
at Track 16 Gallery, Los Angeles (opening reception: Saturday, September 10, 7-10pm)

by Julie Adler

I met Eve Wood at Holly Matter, an art gallery on Heliotrope in East Hollywood, 22 years ago now. I recall she got up and read some of her poems. Incisive, cutting, direct, I thought, “wow, what a master,” and also “ouch,” but in a good way. We became friends there, and a few years later she brought out some drawings at a meal we were having, of people, animals with wide eyes, craggy lines. Sparse, comical and awkward, eyes staring back at you or away. Up until that point I had no idea Eve was also a visual artist. I had come from a performance art background but was also starting to get more engaged in 2 dimensions. She was eager to do a trade. It seemed we shared a similar concern for the human condition. And because we humans are funny in our grotesqueness, our derangement, our folly, we didn’t think it unusual to portray that. We also felt the comradery of being outsiders, even though we both grew up here in LA and went to art school here.

So, when Eve asked me to interview her for this publication, I did not hesitate. It’s been wonderful to burrow in with her on the ways and means of her process. She’s really not an outsider (nor am I.) She is as inside as it gets. [Read more…]

Riot Material Speaks with Artist Joeun Kim Aatchim

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JOEUN KIM AATCHIM
사자굴 [SAJAGUL] — THEN, OUT OF THE DEN
at MAKE ROOM LOS ANGELES (through June 4th 2022)

Rachel Reid Wilkie: There seems to be a shamanistic quality to your work. You summon your family members into the architectural space of your paintings and beckon them to dream with you, as a collective consciousness, as a collective dream-body. Did you journey together into the dreamscape? Or did you collect your family memories piece by piece?

Joeun Kim Aatchim: It was piece by piece, or more precisely, space by space, then object by object. [Read more…]

Entering The Mind 3-Part Podcast

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Riot Material Presents

Entering The Mind 3-Part Podcast

Entering The Mind 3-Part Podcast is an intimate discussion on “mind in its natural state” — what the Tibetans refer to as rigpa — and how we as meditators can recognize this already awakened mind within ourselves, then fully realize it through day-to-day practice. But the conversation is so much more than that, for it is an intimate discussion between two intimates — husband and wife duo C von Hassett and Rachel Reid Wilkie, both of whom are practitioner’s of a timeless wisdom practice known as Dzogchen, which points the meditation practitioner directly into the fertile interiors of their own mind — not the conceptual mind, which we are all too familiar with. The mind referred to here is the naturally occurring one, the innate mind, or what is known in Dzogchen as “mind in its natural state.” It has been called the awakened mind, or the fully realized one, and not only is this mind within each of us, it is also ever-so close – as close to us as our finger is to touching space. How far must we move our finger to touch space? Our own natural state is this close, and we must only turn inward to first see it, then familiarize ourselves with it, before intimately coming to know it.

The rich discussion in the series below speaks to the key concepts in C von Hassett’s new book, Entering the Mind, excerpts from which can be read here. We hope you enjoy the 3-Part Podcast, and we likewise hope you enjoy the book.

[RACHEL REID WILKIE NARRATES ETM THE AUDIOBOOK]

[Read more…]

An Interview with Alison Saar

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By Ricky Amadour

As an indefatigable voice for women of color and the greater human spirit, Alison Saar recomposes fractured histories into multivalent sculptures. Saar curated SeenUNseen, a group exhibition at L.A. Louver Gallery, with a focus on spirit portraiture. Throughout human existence there has been a predilection to the allure of the unseen. Hidden forces have shaped paradigms of scientific thought, political ideology, and technological development. Skepticism and belief can also subvert our realities as heavily noted over the course of the pandemic.

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An Interview with Artist Gala Porras-Kim

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by Ricky Amadour
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Interdisciplinary artist Gala Porras-Kim frames her research to highlight and question the current institutional practices of conservation, acquisition, and deaccession. Acting as an investigator of cultural artifacts that correspond to institutional collections, Porras-Kim deep dives into the expansive histories, stories, and functions of those objects. The artist’s first solo exhibition in New York City, Precipitation for an Arid Landscape, opened at Amant — a non-profit arts organization based in Brooklyn.

[Read more…]

Fear and Self-Loathing in Rachael Tarravechia’s Wish You Were Here

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at Launch F18, NYC (through 4 December 2021)
by Danielle Dewar

The horror genre is rooted in a desire for catharsis by means of dispelling fears and anxieties that live deep within a subconscious mind. Since we often crave a controlled release of such emotions, the use of the macabre within an artist’s practice allows for a quick glimpse into a unique psyche while highlighting our collective societal fears. Brooklyn-based artist Rachael Tarravechia delivers just that in her new, exciting body of work currently on view at Launch F18 in Manhattan. [Read more…]

In Conversation: Andrej Dubravsky and Sam Trioli

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Andrej Dubravsky, Aggressive Slav + Friendly Slav, at LAUNCH F18, NYC
by Sam Trioli

Andrej Dubravsky speaks to Sam Trioli about his new paintings for his current dual exhibition at LAUNCH F18, Aggressive Slav and  Friendly Slav. Created from his countryside home in rural Slovakia, Andrej shares the effects on his work and life with returning to nature.

SAM TRIOLI: This exhibition highlights a new series of paintings for you. How did the Aggressive Slav/Friendly Slav series first begin?

ANDREJ DUBRAVSKY: I don’t even know if it’s a particular “series” with an exact start and end, to be honest. I just keep working all year long on various subjects in parallel, no matter if there’s any show coming up next month or in the next six months. Sometime before the works had to be shipped to New York City, I lined up many paintings outside in my garden and I picked from all of these paintings and sort of curated them in a way that would make a sense. This show makes it my first solo show in New York City.  [Read more…]

Music for a Revolution: A Word with Jazz Great Archie Shepp

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Interview by Accra Shepp
NYRB

My father, the saxophonist Archie Shepp, has recorded more than 110 albums since 1962, performed all over the world, and received numerous honors, including the 2016 Jazz Master’s Award from the National Endowment for the Arts. In the 1960s, he helped define “free jazz,” a new idiom in which the details of melody, harmony, and rhythm are all improvised to create a grand conversation: voices rise and fall, sometimes echoing one another, sometimes dissonant and discordant. In the 1970s and 1980s he wove the blues into his music, extending our understanding of this tradition. His cultural influence reaches far beyond the realm of jazz, touching artists as diverse as Ntozake Shange and Chuck D. [Read more…]

An Interview with Erin Currier: Artist, Writer & Activist

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by Lisette García and Barrett Martin

excerpted from Ponderosas: Conversations with Extraordinary, Ordinary Women 
by Lisette García, Ph. D
available November 20th
Sunyata Books

“You have to act as if it were possible to radically transform the world. And then you have to do it all the time.”
–Angela Davis

Barrett: I first met Erin Currier and her late partner, Anthony Hassett, in 1996 when I was visiting mutual friends in Taos, New Mexico. A group of us went on a hike together, in the magnificent Sangre de Cristo Mountains in the high desert of northern New Mexico. We all had much in common—a great love for music, art, and an obscure martial art that we were studying with the same master in Taos. Even though we were all relatively young, we seemed to understand each other in a much deeper way than most new friends. [Read more…]

Jeffrey Vallance Interview: The Story Behind Blinky

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by Lita Barrie

Jeffrey Vallance has loved pranks since he was at high school but it did not occur to him that they could be called “performance art” until he went to art school. Vallance is so guileless he did not understand why he was called a “prankster” at first because he was making a social point. Since then he has continued to do what came naturally to him: blurring the lines between art and life because it has never occurred to him that they could be separate. Vallance is known as a pioneer of Infiltration Art (a form of Intervention Art) because he interacts with religious and political institutions and foreign dignitaries: traveling throughout Polynesia in search of the origin of the myth of Tiki and meeting with the king of Tonga and the queen and president of Palau; studying Christian relics and meeting Pope John Paul 11 at the Vatican; creating a Richard Nixon Museum; initiating a campaign “Preserving America’s Cultural Heritage” and creating a shamanic magic drum in Lapland. These art performances led to whacky sculptures, phantasmagoric paintings, collages, bricolages and frenzied drawings that draw as much on folk art and pop culture as avant-garde concepts. [Read more…]

Errol Morris On Sitting Down With Alt-Right Nationalist Steve Bannon In American Dharma

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By Alci Rengifo

Errol Morris, one of the great documentary filmmakers, has sat down with men from the halls of power for years. In his new film, American Dharma, Morris faces Steve Bannon, one of the darker lingering figures of our very recent collective history. If some of the world’s major publications were a bit more astute they would have long ago tagged Bannon as the person of the year, if not the decade. An argument can be made that Bannon is the most dangerous man in the world. Known primarily as the odd right-wing firebrand who helped Donald Trump win the 2016 election, and before that as the head of the infamous website Breitbart News, Bannon’s shadow casts over every major gain by an emerging, new proto-fascism. In Brazil he consulted the campaign of Jair Bolsonaro, in Europe he rubs shoulders with Hungary’s Viktor Orban and Italy’s Matteo Salvini, power players united in their paranoid policies aimed at immigrants and leftists. What sets Bannon apart from the stereotypical Trump aficionado, if not Trump himself, is that he is an actual ideologue, a reactionary internationalist designed for a postmodern world. [Read more…]

Waad And Hamza al-Kateab, Edward Watts, On Syria And Their New Film, For Sama

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By Cynthia Biret

For Sama is an extraordinary journey into war through the intimate lens of a woman who, in the course of five grueling years, also becomes a mother. From the 2011 uprisings in Aleppo, Syria, to her daily life in an area under never-ending siege, director Waad al-Kateab offers an unprecedented look into the lives of civilians held hostage under the oppression of what they refer to as “The Regime” — Syria’s president Bashar al-Assad regime — amid the shadows of global politics. [Read more…]

An Interview With Artist and Critic Rose Vickers

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By Sam Trioli

With the recent group exhibition Future Starts Slow at LAUNCH F18, participating artist Rose Vickers and I took the occasion to discuss her artmaking and extensive writing practices. Rose grew up in Australia and has spent time living and traveling throughout many regions of the world. Rose and I both discovered each other’s work through Instagram and followed one another for many years before finally meeting in 2018.

While many know Rose for her writing, which has been published in Mousse Magazine, Oyster, and Artist Profile among others, she in her own right is an incredibly talented visual artist. The way in which she views her subject matter has always stood out to me as an incredibly unique perspective. We began our conversation about her work and duality of her combined artistic practices and where throughout her process they converge. [Read more…]

David Crosby and Cameron Crowe on Capturing a Legendary Life in Remember My Name

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By Alci Rengifo

At 77, the youthful fire inside David Crosby refuses to flicker out. The music legend makes this more than evident in the new, reflective documentary David Crosby: Remember My Name. A chronicle of his highs and lows, Crosby impressively allows this to be a work of complete, sometimes stinging honesty. Directed by A.J. Eaton with renowned director and journalist Cameron Crowe producing, Remember My Name leaves few stones unturned in Crosby’s life. In a sense he is a survivor from that last generation of creative minds who were heirs to the Romantic tradition. Born in the shadow of World War II, finding a voice in the tumultuous 60s, there’s more to a personality like Crosby than the mere tag of “old hippie.” From his drug abuse to writing iconic music and touring as a member of Crosby, Stills, Nash & Young before the group implodes amid intense squabbles, it’s all laid bare in this film. And that’s exactly how he wanted it. [Read more…]