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Archives for March 2018

Recent Work From Joeski: “Dub Music”

March 30, 2018 By Cvon Leave a Comment

From the Lessons In Dub EP

On Poker Flat Recordings

 

Filed Under: Riot Sounds

The Universe As Canvas For Inscrutable Wonder

March 30, 2018 By Christopher Michno Leave a Comment

Vija Celmins
at Matthew Marks Gallery, West Hollywood
Reviewed by Christopher Michno

In a world increasingly short of attention, Vija Celmins has for more than four decades been depicting a narrowly delimited set of subjects with a degree of emotional distance that has offered expansive space for reflective thought. In her current exhibition at Matthew Marks Gallery in West Hollywood, Celmins returns again to these same subjects—the surface of the ocean and views of the night sky, littered, as it were, with stars. Accompanying the paintings, mezzotints and drypoints of these familiar motifs are examples of Celmins’ formal dexterity applied to trompe l’oeil objects, paired with real world counterparts: two rocks, one, a painted bronze, the other, geologic artifact; and two sets of blackboards, each set comprised of a fabrication and its found partner. These six objects engage themes that run beneath the immediate surface of her constructions: the natural world, and human systems of knowledge that reflect our constant probing of that world. [Read more…]

Filed Under: Art, Artist, The Line

Broki’s “Es Que Lo Es”

March 29, 2018 By Cvon Leave a Comment

The Kay Suzuki Mix
From the Hecho En Casa Part 1 release

on Muthas of Invention

Filed Under: Riot Sounds

Hereditary Introduces a New Master Of Terror

March 29, 2018 By Kristy Puchko 2 Comments

Reviewed by Kristy Puchko

We are in a glorious moment for horror. Boldly original and deeply terrifying directorial debuts like Jennifer Kent’s The Babadook, Julia Ducournau’s Raw, and Jordan Peele’s Get Out have not only had critics cheering, and audiences screaming, but also announced the arrival of daring new visionaries to the genre. Next to join this esteemed company of masterful horror makers is Ari Aster. This ruthlessly talented writer/director makes his feature film debut with the Sundance-heralded Hereditary, which turns family dysfunction into pure, unfiltered nightmare fuel. [Read more…]

Filed Under: Film, The Line

New Work From Alice Ivy: “Be Friends”

March 29, 2018 By Cvon Leave a Comment

Featuring Cazeaux O.S.L.O and Tim De Cotta
From the I’m Dreaming release

https://www.riotmaterial.com/wp-content/uploads/2018/03/01-Be-Friends-feat.-Caseaux-O.S.L.O.-Tim-De-Cotta.m4a

.

Filed Under: Riot Sounds

Dark Waters: Director John Curran On The Making of Chappaquiddick

March 29, 2018 By Alci Rengifo Leave a Comment

By Alci Rengifo

The myths have not left us even in a supposedly rational age. Especially in an imperial society what is past is prologue. With every passing year historical memory takes on a new gloss, and the darker shades are colored over with wishful thinking. In the United States the Kennedy family personifies the very idea of national myth. Chiseled in stone, the personas of John F. Kennedy and Robert Kennedy, both assassinated in their political primes in the 1960s, are equally romanticized and debated. Admired for their patrician air in a culture that worships opulence, yet deconstructed by scholars of realpolitik, the twin gods of American liberalism evoke a special allure via grainy photographs and film reels. It is the third brother, Edward Kennedy, denied his turn at the throne, who wanders under a shadow infused with that most bitter of phrases, “what could have been.” [Read more…]

Filed Under: Film, Interview, The Line

Ingrid Allen and Liv Saether’s Liv-Ing With Art: A Creative Mother-Daughter Painting Duo

March 28, 2018 By Riot Material Leave a Comment

at the Ebell of Los Angeles (April 5 - 27)
by Daniel Rolnik

The faded black and white photograph [below] of people sitting in a Minnesota prairie has a lot to do with the story of an art show taking place 156 years after it was taken. The photo was shot by a college dropout named Adrian John Ebell. A young man that had come to Minnesota to document Native Americans for the purposes of their exploitation. See, Ebell was a travelling showman that needed more content for his magic lantern act. An act, which was essentially a slide show performance accompanied by live music and sound effects. [Read more…]

Filed Under: The Line

Cage Music From Los Wilds: “No me toques mamá”

March 26, 2018 By Cvon Leave a Comment

on Ataque Records

Filed Under: Riot Sounds, Video

Chaplin’s Stuttering Body And The Utopian Potential Of Film

March 26, 2018 By Riot Material Leave a Comment

By Timofei Gerber

Courtesy of Epoché (ἐποχή)

“With time, the invention of printing has rendered the human face unreadable. […] By that, the visible being [Geist] has turned into a readable being, and the visualculture has turned into a conceptual one. […] Nowadays, another machine is at work, which is turning culture back to the visual and is giving humans a new face. It is called the cinematograph” (Balázs, p. 16)

With these optimistic words, the early film theorist Béla Balázs summarised the advent of (silent) film. The year was 1924, a tumultuous time between the two World Wars, one that witnessed a vast amount of changes — the rise of the modern metropolises with their busy streets and vitrines, a plethora of political movements giving a face to urban mass culture, the deaths and abdigations of the last European emperors, and a new popular medium — film. And Berlin, where Balázs was writing these lines, was in the midst of it all. The new experience of seeing moving faces and bodies on the big screen, so much more intense than the memories convened in the family photo album, promised a fundamental change in the cultural landscape — the birth of visual culture. [Read more…]

Filed Under: Film, The Line, Thought

In Tribute To And Full Support Of March For Our Lives

March 25, 2018 By Cvon Leave a Comment

Marvin Gaye: Inner City Blues (Make Me Wanna Holler)

Filed Under: Riot Sounds

The Cross-Bordered DeLIMITations Bridges An Era’s Divide

March 25, 2018 By Nancy Kay Turner Leave a Comment

at Museo De La Artes, Guadalajara, Mexico
Reviewed by Nancy Kay Turner

“Delimitation means the act or process of fixing limits or boundaries of territorial constituencies in a country or province having a legislative body”

A timely and compelling installation at Museo De La Artes, Guadalajara, Mexico, entitled DeLIMITations by Mexican artist Marcus Ramirez ERRE and American artist David Taylor, examines and documents through stills, a documentary film, large-scale graphics, a solid-steel obelisk and historical research presented as wall text, the original border between the United States and Mexico as determined by the Adams-Onis Treaty of 1821. Their historical, political and cultural piece sets about to establish a border that was never physically marked by placing 47 steel obelisks along the 2400 mile border that never was. The treaty was rescinded 27 years later, after the Mexican-American War of 1846-8, when Mexico ceded 55% of its land to the United States in a land grab disguised as a war. Ulysses S. Grant was then a young lieutenant who fought in the war, and later admitted (and is quoted here in the exhibition) “I do not think there was ever a more wicked war…I thought so at the time…only I had not the moral courage to resign.” [Read more…]

Filed Under: Art, Artist, The Line

New Work From Nosaj Thing: “U G”

March 23, 2018 By Cvon Leave a Comment

Les Sins Remix

From the Parallels release

Filed Under: Riot Sounds

After The Rains: Khurangbin’s “August 10”

March 22, 2018 By Cvon Leave a Comment

From the recent release, Con Todo El Mundo
.
on Dead Oceans

Filed Under: Riot Sounds

Wes Anderson’s Isle of Dogs Is As Whimsical As It Is Wearying

March 22, 2018 By Riot Material 15 Comments

Reviewed by Kristy Puchko

Nearly nine years after the success of his charming heist flick Fantastic Mr. Fox, Wes Anderson returns to stop-motion animation and tales of untamed yet lovable animals with Isle of Dogs. With this original story set in a dystopian Japan, the acclaimed filmmaker steps out of his comfort zone, creating an adventure that’s whimsical, bittersweet, and uncomfortably problematic. [Read more…]

Filed Under: Film, The Line

Lauren Halsey: we still here, there

March 22, 2018 By Riot Material Leave a Comment

at MOCA Grand Avenue (Through September 3, 2018)
Reviewed by Emily Nimptsch

Appearing simultaneously prehistoric and futuristic, the labyrinthine cave formations presented in MOCA Grand Avenue’s fantastical current installation, Lauren Halsey: we still here, there are bathed in ethereal suffusions of cerulean, emerald, magenta, and violet light. This site-specific showing presents maximalism at its most celebratory and poignant with several diverse sources of inspiration, including Chinese-Buddhist caves, the neighborhoods of South Los Angeles and Watts, the sculptural architecture of André Bloc, and the music of Parliament-Funkadelic. Punctuated with a plethora of tropical potted plants, reflection pools, and found objects, this exhibition exists as a wondrous, whimsical realm, a vision of a just and inclusive society. [Read more…]

Filed Under: Art, Artist, The Line

On Bruno Mars

March 21, 2018 By Seren Sensei 18 Comments

by Seren Sensei

Bruno Mars is an agent of the system of white supremacy. There. I said it.

More pointedly, Mars is representative of a system that smudges out Black people, specifically Black Americans, while white and non-Black persons of color benefit from anti-Black racism and white supremacy. If Mars were white, we—the Black community—would not be okay with it. Yet despite the fact that he is not white, that still does not make him Black, and it in no way indicates that he is not benefitting from anti-Black racism as a non-Black person of color. Rather, the stark and barefaced opposite is true. [Read more…]

Filed Under: The Line, Thought

The City as an Abyss of Dreams: Michael Chrisoulakis’s Los Angeles Overnight

March 20, 2018 By Riot Material Leave a Comment

Reviewed by Alci Rengifo

Los Angeles. The city is damned and neon-lit, devourer of the modern-day wanderer in search of gold and social stability, like some hip reincarnation of the Conquistadors. Pauline Kael once wrote that L.A. is the city “where people have given in to the beauty that always looks unreal.” This is ever so true about those glassy-eyed souls who leave home to settle into this pitiless city to make a dream reality, or at least come close to touching it. Director Michael Chrisoulakis’s Los Angeles Overnight is a true and raw portrait of the spirit of LA, even if the film masquerades as an engaging dark comedy—which it no less is. Flirting with surrealism, this low-budget film moves with an immersive energy and a dark heart. It takes the romanticized image of the struggling artist trying to get a call back and twists it back into its true self, full of despair and willing to indulge in the criminal netherworld. [Read more…]

Filed Under: Film, The Line

Real Worlds: Brassaï, Arbus, Goldin

March 19, 2018 By Riot Material Leave a Comment

at MOCA Grand Avenue (Through September 3, 2018)
Reviewed by Emily Nimptsch

Borrowing from its vast and momentous photography collection, The Museum of Contemporary Art, Los Angeles (MOCA) is currently exploring themes of intimacy, non-traditional relationships, and marginalized people through Real Worlds: Brassaï, Arbus, Goldin. This gripping group exhibition centers around images from Brassaï’s provocative 1976 photobook, The Secret Paris of the 30’s, Arbus’s posthumous treatise, Diane Arbus: An Aperture Monograph (1972), and Nan Goldin’s famed autobiographical slideshow, The Ballad of Sexual Dependency (1986). These honest and intimate depictions of young lovers, prostitutes, and gathered friends form a timeless bond between viewer and subject and reveal the perennial desire to be loved and accepted. [Read more…]

Filed Under: Art, Artist, Image, The Line

New Work From Vince Staples, Kendrick Lamar, & Yugen Blakrok : “Opps”

March 18, 2018 By Cvon Leave a Comment

From the Black Panther Soundtrack

on Interscope Records, Los Angeles

Filed Under: Riot Sounds

Won’t You Be My Neighbor? Is A Gentle And Needed Battle Cry

March 18, 2018 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

It seems almost impossible. For 33 years, Fred Rogers switched into sneakers and a cozy cardigan, and nestled in to host a children’s show called Mister Rogers Neighborhood. The times changed. TV became flooded with loud and violent cartoons that were basically thinly-veiled toy commercials. But Rogers was a constant, always there to smile and encourage. But what do we–the generations who grew up watching him–really know about Mister Rogers? Through interviews with family and friends and a deep dive into the show’s archive and Rogers’ personal letters, Morgan Neville’s documentary Won’t You Be My Neighbor? reveals the complexity, doubts, and curiosities of the man behind the beatific grin and cardigan. [Read more…]

Filed Under: Film, The Line

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The Line

A review of Thelonious Monk's Palo Alto

Palo Alto Sees the Thelonious Monk Quartet at its “Final Creative High”

Reviewed by Marty Sartini Garner Palo Alto on Impulse! Pitchfork Thelonious Monk once said: “Weird means something you never heard before. It’s weird until people get around to it. Then it ceases to be weird.” By the time Monk and his quartet strode into the auditorium at Palo Alto High School on October 27, 1968, […]

Archie Shepp Quartet, Stadsteatern, Stockholm, September 1966. An interview with Archie Shepp, September 2020

Music for a Revolution: A Word with Jazz Great Archie Shepp

Interview by Accra Shepp NYRB My father, the saxophonist Archie Shepp, has recorded more than 110 albums since 1962, performed all over the world, and received numerous honors, including the 2016 Jazz Master’s Award from the National Endowment for the Arts. In the 1960s, he helped define “free jazz,” a new idiom in which the […]

Bobby Seale Checks Food Bags. March 31, 1972.

Food As Culture, Identity and an Enduring Form of Black Protest

By Amethyst Ganaway Food & Wine We are demanding, not asking, for “Land, Bread, Housing, Education, Clothing, Justice And Peace.” —Amethyst Ganaway Black people in America have used food as a means of resistance, rebellion, and revolution since being forcefully brought here in the late 1500s. Food has always been a part of the culture and […]

A Pandemic Q&A with David Lynch

Pandemic Musings: A From-The-Bag Q&A With David Lynch

 From David Lynch Theater Presents: “Do You Have a Question for David? Part 1”

Erin Currier, American Women (dismantling the border) II. Read the interview with Erin excerpted from Lisette Garcia's new book, Ponderosas, at Riot Material.

An Interview with Erin Currier: Artist, Writer & Activist

by Lisette García and Barrett Martin excerpted from Ponderosas: Conversations with Extraordinary, Ordinary Women  by Lisette García, Ph. D available November 20th Sunyata Books “You have to act as if it were possible to radically transform the world. And then you have to do it all the time.” –Angela Davis Barrett: I first met Erin Currier and her […]

A review of Mark Lynas's new book, "Our Final Warning: Six Degrees of Climate Emergency," is at Riot Material Magazine.

The Earth Commences Her Retalitory Roar

Reviewed by Bill McKibben  Our Final Warning: Six Degrees of Climate Emergency by Mark Lynas London: 4th Estate, 372 pp., $27.99 The New York Review of Books So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, […]

Oliver Stone in Vietnam. A review of his new book, Chasing the Light, is at Riot Material

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

Reviewed by Alci Rengifo Chasing the Light by Oliver Stone Houghton Mifflin Harcourt, 352 pp., $25.20 If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our […]

Toyin Ojih Odutola's wonderful exhibition, A Countervailing Theory, at Barbican Centre, London, is reviewed at Riot Material Magazine

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

at The Barbican, London (through 24 Jan 2021) Reviewed by Christopher P Jones Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and […]

Driving Whle Black, two books reviewed at Riot Material

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

by Sarah A. Seo Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Liveright, 332 pp., $28.95 Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy Taylor Abrams, 360 pp., $35.00 The New York Review of Books In 1963, after Sam Cooke was […]

A review of Sontag: Here Life and Work is at Riot Material

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

Reviewed by Michael Gorra Sontag: Her Life and Work by Benjamin Moser Ecco, 816 pp., $39.99 New York Review of Books Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald […]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

Reviewed by John Biscello The Deeper the Water the Uglier the Fish by Katya Apekina Two Dollar Radio, 353pp., $12.74 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again In the name of nursery rhyme remixology, first let us […]

Heads of the Colored People, by Nafissa Thompson-Spires, is reviewed at Riot Material

Histories of Trauma in Heads of the Colored People

Reviewed by Patrick Lohier Heads of the Colored People by Nafissa Thompson-Spires Thorndike Press, 293pp., $32.99 Harvard Review In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” […]

Lord Krishna speaks to Prince Arjuna about the Gita

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

The Bhagavad Gita Translated by Eknath Easwaran Vintage Books, 122pp., $15.00 Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked […]

A review of Kevin Young's Brown is at Riot Material

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

Reviewed by Kevin T. O’Connor Brown: Poems by Kevin Young Knopf, 176pp., $19.29 Harvard Review In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” […]

Dispatch: Poems, by Cameron Awkward-Rich

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

Reviewed by Flora Field Dispatch by Cameron Awkward-Rich Persea, 80pp., $12.69 Columbia Journal In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the […]

The Monument to Joe Louis, aka "The Fist," as sculpted by Robert Graham

Relic as Horrific Remembrance in the Monument to Joe Louis

by Max King Cap “My father was a little headstrong, my mother was a little armstrong. The Headstrongs married the Armstrongs, and that’s why darkies were born.” — Rufus T. Firefly, Duck Soup, 1933 He had done it before. One can readily find the photographs of his handiwork; two human torsos, headless, the legs amputated just below […]

Cornel West and his 2001 Preface to Race Matters: "Democracy Matters in Race Matters." At Riot Material.

Cornel West’s “Democracy Matters in Race Matters”

Preface to the 25th Anniversary Edition to Race Matters Race Matters by Cornel West Beacon Press, 110pp., $11.60 Black people in the United States differ from all other modern people owing to the unprecedented levels of unregulated and unrestrained violence directed at them. No other people have been taught systematically to hate themselves — psychic violence […]

Another Week in the Death of America

Samantha Fields, American Dreaming at LSH CoLab, Los Angeles Reviewed by Eve Wood The first verse of the Mamas and the Papas seminal 1960’s anthem California Dreamin’ begins with “all the leaves are brown, and the sky is grey,” at once establishing an atmosphere devoid of color, hope and youthful abandon, and certainly not a […]

Through the Lens of Race, and Jim Crow South, in Eudora Welty's photographs

Reckoning Race in Eudora Welty’s Photographs

by James McWilliams Two portraits; two men. Both are from 1930s Mississippi. The men are situated together, photos 22 and 23, both from Eudora Welty’s only published book of photographs, simply titled Photographs. If you could put a frame around both images it would be the Jim Crow South.

Kara Walker's Fons Americanus (2019) at Turbine Hall at the Tate Modern

A Gathering Of Ruins, And Simmering Consciousness, In Kara Walker’s Fons Americanus

in Turbine Hall at Tate Modern, London by Zadie Smith Kara Walker: Hyundai Commission edited by Clara Kim Tate Publishing, 144pp., $24.95 New York Review of Books Two women are bound at the waist, tied to each other. One is a slim, white woman, in antebellum underskirt and corset. A Scarlett O’Hara type. She is […]

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