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Archives for November 2016

Winter’s Bone

November 30, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by David Denby

In the extraordinary independent film Winter’s Bone (2010), the large Dolly clan lives off the grid. The movie is set in the Missouri Ozarks, in backcountry—way back, where the front yards are filled with dead cars and cracked toilets, and the children ride wooden horses and hunt squirrels. There are no telephones, much less cell phones or computers, and not a TV in sight. [Read more…]

Filed Under: Cinema Disordinaire

Coney Island at Night

November 24, 2016 By Riot Material Leave a Comment

[Read more…]

Filed Under: The Line, Video

Pipilotti Rist, “I’m Not the Girl Who Misses Much”

November 23, 2016 By Riot Material Leave a Comment

[Read more…]

Filed Under: The Line, Video

Fish Tank

November 21, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by A. O. Scott

Mia, the 15-year-old protagonist of Fish Tank (2009), Andrea Arnold’s tough and brilliant second feature, moves with such speed and fury that she seems to be trying to flee not only from her bleak surroundings but also from the movie itself. The narrow, nearly square frame boxes Mia in, and Ms. Arnold’s on-the-run hand-held tracking shots increase the sense of panicky claustrophobia. Living in a cramped apartment in a British housing project that stands like a cluster of megaliths in the middle of nowhere, Mia is at once trapped and adrift, unable to contain or to express the feelings seething beneath the blank, sullen mien she usually presents to the world. [Read more…]

Filed Under: Cinema Disordinaire

A Prophet

November 20, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by Manohla Dargis 

Near the end of A Prophet (2009), one of those rare films in which the moral stakes are as insistent and thought through as the aesthetic choices, there’s a scene in which the lead character, Malik, travels to Paris to kill some men. The scene reverberates with almost unbearable tension but is briefly punctured by a seemingly throwaway image: Seconds before he begins shooting, thereby sealing his fate, you see him catch sight of a pair of men’s shoes showcased like jewels in a boutique window in a rich Parisian quarter. He does a double take, a reaction that might mirror that of the anxious viewer who wonders why he doesn’t just get on with it. [Read more…]

Filed Under: Cinema Disordinaire

Drag Me To Hell

November 20, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed By Dan Kois

In each of the two great movies opening this weekend, a crotchety old person faces the loss of the family home to cold, impersonal capitalism. On which film should you, the viewer, spend your hard-earned money? Well, if you think you’d enjoy seeing the elderly hero spirit away his home in an inspiring ode to adventure and friendship, you should see Up. On the other hand, if you’d rather watch the old person viciously attack a loan officer, tear out chunks of her hair and place a horrifying Gypsy curse on her soul, then see Drag Me to Hell (2009). How angry are you feeling about the economy, anyway? [Read more…]

Filed Under: Cinema Disordinaire

Gomorrah

November 19, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by Manohla Dargis

There are no colorful characters in Gomorrah (2008), Matteo Garrone’s corrosive and ferociously unsentimental fictional look at Italian organized crime; no white-haired mamas lovingly stirring the spaghetti sauce; no opera arias swelling on the soundtrack; no homilies about family, honor or tradition; no dark jokes; no catchy pop songs; no film allusions; no winking fun; no thrilling violence. Instead, there is waste, grotesque human waste, some of which ends up illegally buried in the same ground where trees now bear bad fruit, some of which, like the teenager scooped up by a bulldozer on a desolate beach, is cast away like trash. [Read more…]

Filed Under: Cinema Disordinaire

Let The Right One In

November 17, 2016 By Cvon 4 Comments

CINEMA DISORDINAIRE

Reviewed by Manohla Dargis

The title of the spectrally beautiful Swedish vampire movie Let the Right One In (2008) comes from a song by Morrissey, a romantic fatalist who would surely appreciate this darkly perverse love story. “Let the right one in,” he sings in “Let the Right One Slip In.” I’d say you were within your rights to bite/The right one and say, ‘What kept you so long?’ ” These may sound like words to live by, though in the case of a film about a boy and the girl next door who may just be a vampire, they could easily turn out to be words to die for. [Read more…]

Filed Under: Cinema Disordinaire

A Tribe Manifesto and Masterwork of the Moment

November 16, 2016 By C von Hassett Leave a Comment

We got it from Here... Thank You 4 Your service
Reviewed by C von Hassett

A Tribe Called Quest just dropped their first album in 18 years, and it couldn’t have come at a better time. Released mere days after the Great Debacle of 2016, We got it from Here… Thank You 4 Your service is remarkably, if not thrillingly present tense. Wholly animate in both sound and vision, it is a record that is also uniquely relevant — as much for being in essential response to the angst and rancor of the day as it is for inspiring, as good art tends to do, a requisite spark that might yet ignite conscientious action in the days and months ahead.

Theirs, with this exceptional release, is the resounding shot of this new cycle, and it is one which heralds little quarter. Straight-in they reject a presidential promise that unblushingly assures “all you Black folks, you must go / all you Mexicans, you must go / all you poor folks, you must go / Muslims and gays…” The vitriol, borne high on foul national sentiments, amounts to a kind-of maniacal voodoo, to use their image, and they counter the venom with their own dream serum of living in a world inclusive of all, one without division “no matter the skin tone, culture or time zone.” We are long on a grim horizon from there, but in the storm that is surely in approach, “young leaders will rise / in the eyes of despair and adversity.”

https://www.riotmaterial.com/wp-content/uploads/2016/11/1-03-Whateva-Will-Be-copy.m4a

Whatever Will Be

[Read more…]

Filed Under: Artist, Records, The Line

Fugitive Effects of Light: Erin Currier’s Carnet d’AmeriKa

November 15, 2016 By John Biscello 1 Comment

Reviewed by John Biscello

“To be human is to transform; to be human is to name, then name anew. I must remember the inseparable nature of word and action.” Erin Currier, 6 November, 2004 [Read more…]

Filed Under: Books, The Line

Pipilotti Rist Dreams Us In Return

November 15, 2016 By C von Hassett Leave a Comment

Pixel Forest
New Museum, NYC

The New Museum’s three-floor exhibition, Pixel Forest, from Swiss artist Pipilotti Rist, is an immersive wonder. If you’re looking for an enchanting, into-the-wilds experience where you can literally lie around — beds and floor cushions are in plenty — then this is the show for you.

[Read more…]

Filed Under: Art, Artist, The Line

Bronson

November 15, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by A. O. Scott

Nicolas Winding Refn’s Bronson (2008) is a highly stylized and embellished film biography of a man known as the most famous prisoner in Britain. Born Michael Peterson in 1952 and raised mostly in the city of Luton, Charles Bronson, renamed after the American movie star, has spent all but a few months of the last 35 years in prison, mostly in solitary confinement. [Read more…]

Filed Under: Cinema Disordinaire

We could drive into the desert

November 15, 2016 By Rachel Reid Wilkie Leave a Comment

by Reid Wilkie

“I will give you space,” he said.
“I wouldn’t disturb you,” he promised.
We could drive into the desert and hold the
Sand between our bodies. [Read more…]

Filed Under: The New Word

Claws Out, Bristow Draws Sonic Blood

November 13, 2016 By C von Hassett Leave a Comment

Jackie Bristow Live 
at Piano Bar, Los Angeles
Reviewed by C von Hassett

Look out Lucinda. The heir to blistering Americana is honing her craft and unleashing some heat on LA’s pulsing musical fringe, known otherwise as its de facto center. New Zealand-born, Los Angeles-based Jackie Bristow sculpts out some distinctive terrain with the formative blade of her exemplary band and the clement heart of her winsome songcraft.

Bristow on record is rather in the tradition of the lovestruck or lonely, a sultry, mid-tempo sound that has as its subject a woman vulnerable yet invincibly strong, a woman to worship were it not for ill-fatings or a misalignment in the stars. Unsurprisingly on stage her presence is one of tenderness and backcountry charm, her voice both sweetly raw and refreshingly unrefined.

Her band, however, at least the one in current support, is an urban fur that wraps her and warms her to those more in want of a good sonic mauling. They, this connective quartet, are muscular and fierce and sculpt out a body of sound rooted deeply in country, blues, rock and roll, and perhaps something more distinctively Los Angeles, that of great session players coming together for an evening on stage or, that rarer wed, a lasting incarnation that not only translates but transforms one artist’s vision into a leaner, dare I say meaner, more enduring sound.

[Read more…]

Filed Under: Artist, The Line

Eastern Promises

November 12, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by A. O. Scott

The story told in Eastern Promises (2007) is a grim and violent one, set in London’s expatriate Russian underworld. The film, directed by David Cronenberg from a script by Steve Knight, revisits a number of themes and motifs that are staples of the genre: the ties of family and culture that bind criminal organizations; Oedipal drama; honor among thieves. The audience stumbles into this realm in the company of an innocent outsider (Naomi Watts) who finds herself at once fascinated and repelled by it, as well as in considerable danger. [Read more…]

Filed Under: Cinema Disordinaire

House of Sand

November 12, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by A. O. Scott

If anything, the title of House of Sand (2005) is an understatement. This lovely film, directed by Andrucha Waddington (Me You Them), takes place in a corner of northern Brazil that is a veritable universe of dry, swirling white dust. Like the main characters — three women of successive generations exiled from a softer, more accommodating life in the city — you grow accustomed to this landscape after a while, and come to appreciate its beauty. But at first it seems about as hospitable as the surface of Mars: gritty, windy, almost actively hostile to human habitation. [Read more…]

Filed Under: Cinema Disordinaire

Pusher I & II

November 11, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by Robert Abele

It’s the rare crime film that balances the vicarious thrill of rampant illegality with the real-world desperation of broken souls who are nearly always one wrong move away from a wretched end. Danish director Nicolas Winding Refn’s Pusher trilogy — showing this weekend at the American Cinematheque over two days — are such movies, character-overlapping slash-and-burners about underworld types who discover the pitfalls of vulnerability in their profession when it’s least advantageous. [Read more…]

Filed Under: Cinema Disordinaire

Manhattan Subway Becomes Emotive (and Sticky) Town Square

November 11, 2016 By Riot Material Leave a Comment

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The walls of 14th Street-Union Square subway station in New York City are tiling with Post-it notes in response to the recent election, with sentiments ranging from “This is the end of Democracy: Fuck Trump,” to “It’s not the end of the world, it’s time to take action,” to “More Love.” New York Governor Andrew Cuomo, whom we are to believe was just “passing through,” attached his own soft-footed missive to the mix, which says: [Read more…]

Filed Under: The Line

In Memoriam: 8 November

November 11, 2016 By Riot Material Leave a Comment

Election Night Thoughts, 2016

Cormac McCarthy

The following day on the skyline to the south they saw clouds of dust that lay across the earth for miles. They rode on, watching the dust until it began to near and the captain raised his hand for a halt and took from his saddlebag his old brass cavalry telescope and uncoupled it and swept it slowly over the land. The sergeant sat his horse beside him and after a while the captain handed him the glass. [Read more…]

Filed Under: Fiction, From The Shelf, The Line

The Machinist

November 10, 2016 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by Stephen Holden

Christian Bale’s 63-pound weight loss for his role in The Machinist (2004) may take the cake (or is it a diet wafer?) as an example of an actor’s starving for his art. To play Trevor Reznik, the skeletal insomniac who stalks through this bleak psychological thriller, this buff star of American Psycho reduced himself to a walking 120-pound cadaver. [Read more…]

Filed Under: Cinema Disordinaire

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The Line

An interview with Alison Saar, at Riot Material magazine.

An Interview with Alison Saar

By Ricky Amadour As an indefatigable voice for women of color and the greater human spirit, Alison Saar recomposes fractured histories into multivalent sculptures. Saar curated SeenUNseen, a group exhibition at L.A. Louver Gallery, with a focus on spirit portraiture. Throughout human existence there has been a predilection to the allure of the unseen. Hidden […]

William S. Burroughs on a bed, smoking a cigarette.

“The Opposite of Literature:” Mary McCarthy’s Feb. ’63 Review of Naked Lunch

From the inaugural print edition of The New York Review of Books In remembrance of Jason Epstein, originator and co-founder of NYRB RIP 1928-2022 by Mary McCarthy Naked Lunch  by William S. Burroughs Grove Press, 304pp., $14.49 “You can cut into The Naked Lunch at any intersection point,” says Burroughs, suiting the action to the […]

Remembered and Remade: James Castle’s Conjurings of Mind

James Castle at David Zwirner, NYC (through 12 February 2022) by Andrew Martin James Castle: Memory Palace John Beardsley Yale University Press, 280pp., $65.00 NYR Every James Castle picture seems to contain a secret. Approaching one of his works for the first time, you peer into pockets of shadow and smudge, examining the depopulated landscapes […]

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

An excerpt from a new book which examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. —The University of Chicago Press Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction by Steven Ruszczycky University of Chicago Press, 216pp., $30.00 In the United […]

Hilary Brace, Drawings and Tapestries, is reviewed at Riot Material magazine.

Darkness Made Visible in Hilary Brace’s Drawings and Tapestries

at Craig Krull Gallery, Bergamot Station (through 19 February 2022) Reviewed by Eve Wood The intricacies and inherent beauty of the natural world are rarely celebrated these days, and when artists do turn their attention to the surrounding landscape, the resulting images are usually ones of devastation and chaos — charting the movement of fires, […]

The Tragedy of Macbeth 

A film written and directed by Joel Coen Reviewed by James Shapiro NYR Those who have long followed the Coen brothers and their cinematic universe of criminals, nihilists, and overreachers may see in Joel Coen’s The Tragedy of Macbeth (2021) a long-deferred reckoning with Shakespeare, who has been there before them. We don’t typically think of Shakespeare […]

John Divola, From Dogs Chasing My Car In The Desert,1996-98,

Illuminating Images: Liquid Light and Golden Hour and the Affective Force of Non-Didactic Art

at the Vincent Price Art Museum, Los Angeles (through 5 February 2022) Reviewed by Johanna Drucker What is the difference between a wall label and a work of art? The unrelenting didacticism that prevails in current gallery and museum exhibits of contemporary art makes it seem that many curators and artists cannot answer that question. […]

The Occult Works of Ray Robinson, with an essay by Christopher Ian Lutz, is at Riot Material Magazine.

The Brush as Luminous Torch: Ray Robinson’s Blazing Portals Into the Divine Feminine

The Third Door:Occult Works of Ray Robinson, at the Buckland Museum of Witchcraft and Magic (through 15 January) by Christopher Ian Lutz Burn the Sun The persecution of the witch is a war of the hours. The Inquisition that charged women with witchcraft was not just about controlling women’s bodies – it was a crusade to extinguish […]

An Interview with Artist Gala Porras-Kim is at Riot Material Magazine.

An Interview with Artist Gala Porras-Kim

by Ricky Amadour . Interdisciplinary artist Gala Porras-Kim frames her research to highlight and question the current institutional practices of conservation, acquisition, and deaccession. Acting as an investigator of cultural artifacts that correspond to institutional collections, Porras-Kim deep dives into the expansive histories, stories, and functions of those objects. The artist’s first solo exhibition in […]

Seizing the Snowmelt: Industrial Agriculture is Draining Our State Dry

by Mark Arax The Dreamt Land: Chasing Water and Dust Across California by Mark Arax Knopf, 576pp., $25.00 MITTR The wind finally blew the other way last night and kicked out the smoke from the burning Sierra. Down here in the flatland of California, we used to regard the granite mountain as a place apart, our […]

The Great Flood of 1862

The Looming Catastrophe Few in California Are Aware Of (or in Want to Address)

An excerpt from Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent it, by Tom Philpott. THE FLOOD NEXT TIME In November 1860, a young scientist from upstate New York named William Brewer disembarked in San Francisco after a long journey that took him from New York City through Panama and then […]

Precontact California Indians: Their Life Prior to Genocide

An excerpt from the first chapter of An American Genocide: The United States and the California Indian Catastrophe, by Benjamin Madley. CALIFORNIA INDIANS BEFORE 1846 Within a few days, eleven little babies of this mission, one after the other, took their flight to heaven. -Fray Junipero Serra, 1774 We were always trembling with fear of […]

Laurie Anderson's "The Weather," is reviewed at Riot Material magazine.

An Atmospheric River of Wonder in Laurie Anderson’s The Weather

at the Hirshhorn Museum and Sculpture Garden, Washington D.C. (through 31 July 2022)  Reviewed by Nancy Kay Turner             “What are the days for? To put between the endless nights. What are the nights for? To slip through time into another world.”  –Laurie Anderson             “Stories are our weather”  –Laurie Anderson Laurie Anderson is a Renaissance polymath whose […]

Maria Lassnig Augenglaeser - Autoportraets (1965)

Maria Lassnig: The Paris Years, 1960–68

at Petzel Gallery, New York City Reviewed by James Quandt Maria Lassnig: Film Works edited by Eszter Kondor, Michael Loebenstein, Peter Pakesch, and Hans Werner Poschauko FilmmuseumSynemaPublikationen, 189 pp., $35.00 NYRB Many female artists — most recently Carmen Herrera, Faith Ringgold, and Lorraine O’Grady — have had to wait a lifetime to be accorded the recognition […]

Marcellina Akpojotor’s Sublime Matriarchy

Daughters of Esan at Rele Gallery, Los Angeles (through 4 December 2021) Reviewed by Eve Wood Marcellina Akpojotor’s second solo exhibition, Daughters of Esan, continues her exploration into notions of personal intimacy, drawing on her own relationships with her family and the tremendously powerful and transformational possibilities of education and love. Inspired by her great-grandmother’s […]

An interview with Rachael Tarravechia, at Riot Material

Fear and Self-Loathing in Rachael Tarravechia’s Wish You Were Here

at Launch F18, NYC (through 4 December 2021) by Danielle Dewar The horror genre is rooted in a desire for catharsis by means of dispelling fears and anxieties that live deep within a subconscious mind. Since we often crave a controlled release of such emotions, the use of the macabre within an artist’s practice allows […]

Umar Rashid, aka Frohawk Two Feathers, exhibition review of En Garde/On God is at Riot Material magazine

Histories Disembowled in Umar Rashid’s En Garde/On God

at Blum and Poe, Los Angeles (through 18 December 2021) Reviewed by Ellen C. Caldwell In En Garde/On God, Blum & Poe showcases the work of artist Umar Rashid (also known by the pen name Frohawk Two Feathers). Featuring thirteen large paintings and one sculpture in Rashid’s hallmark style, the exhibition highlights works that are bold […]

A Grid Gone Wholly Off in My Monticello

Reviewed by Bridgett M. Davis My Monticello By Jocelyn Nicole Johnson Henry Holt & Company, 210 pp., $13.49 NYT In the essay “The Site of Memory,” Toni Morrison described the crafting of her fictional worlds as a quest to access the interior lives of her ancestors. “It’s a kind of literary archeology,” she explained. “On the […]

The Web of Mind Throughout Our Earth

Reviewed by Zoë Schlanger Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures by Merlin Sheldrake Random House, 352 pp., $28.00; $15.48 NYRB Imagine that you are afloat on your back in the sea. You have some sense of its vast, unknowable depths—worlds of life are surely darting about beneath […]

Drugs Amongst Other Adult Liberties

Reviewed by Mike Jay Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear by Dr. Carl L. Hart Penguin Press, 290 pp., $16.94 NYRB The modern meaning of “drugs” is of surprisingly recent origin. Until the twentieth century, the word referred to all medications (as it still does in “drugstore”); it was only […]

Rashid Johnson, Anxious Red Painting August 20th. At Riot Material

Break//Breathe: Broken Men That Glitter

by Allyn Aglaïa Aumand On the coherence of fracture an essay in fragments on fragments * I had a lover once, who self described as a volcano, but fully encased. Make space to let it out sometimes, I told him. That’s why I wanted to see you today, he said.

Against White Feminism: Notes on Disruption

An excerpt from a new book W. W. Norton calls “a radically inclusive, intersectional, and transnational approach to the fight for women’s rights.”  Against White Feminism: Notes on Disruption by Rafia Zakaria W. W. Norton, 256pp., $23.95 There is an important distinction between what Nancy Fraser calls “affirmative change” and actual transformational change. The former is […]

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