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Archives for March 2017

Vija Celmins’ Splendor Of Stars

March 22, 2017 By Donald Lindeman

Matthew Marks Gallery, NYC  
Reviewed by Donald Lindeman

A confusion about media is at the heart of Vija Celmins‘ artmaking. In her new show at Matthew Marks Gallery in New York, are paintings, prints and sculptures, but we soon learn that things are seldom what they seem in Celmins’ art. The paintings and prints are based on photographs made by her, and some of the sculptures are ‘real’ found objects, e.g. stones, writing tablets, that are juxtaposed to mind-boggling “doubles” crafted by the artist. [Read more…]

Filed Under: Art, Artist, The Line

Frank Romero’s Enchanting Dreamland

March 15, 2017 By Nancy Kay Turner

The Museum of Latin American Art, Long Beach
Reviewed by Nancy Kay Turner

“All that we see or seem is but a dream within a dream” 
Edgar Allan Poe

“Dreamland,” Frank Romero’s sprawling (like Los Angeles itself), exuberant retrospective at the Museum of Latin American Art, is jam-packed with over 200 paintings, monotypes, mixed-media low-relief wall pieces and jazzy neon sculptures. Romero, a founding member of Los Four in 1974 with Carlos Almaraz, Gilbert “Magu” Lujan and Roberto “Berto” de la Roche, came of age artistically in that heady time when identity politics was being shaped. Groups underrepresented in the art world at that time -women, gays and lesbians, Chicanos – all separated into their respective tribes to develop and nurture art that both described and celebrated their unique experience. [Read more…]

Filed Under: Art, Artist, The Line

The Haunting Of One’s Self: Paul Auster’s 4 3 2 1

March 14, 2017 By John Biscello

Reviewed by John Biscello

“He believed in an infinite series of times, in a growing, dizzying net of divergent, convergent and parallel times. This network of times which approached one another, forked, broke off, or were unaware of one another for centuries, embraces all of possibilities of time.” — Jorge Luis Borges, “The Garden of Forking Paths”

One could imagine Borges, who declared that the basic devices of fantastic literature are four-fold—the work within the work, the contamination of reality by dream, the voyage in time, and the double—as personal timekeeper and Virgil-visioned guide to Paul Auster, who for the past half a century has trafficked in existential loops and slipknots, identity crises and vanishing acts. Auster, whether writing fiction or non-fiction, writing in the first person or third person, has always haunted his own writings, sort of as the negative imprint of a splitting point. [Read more…]

Filed Under: Books, The Line

When Punk Grows Up: Raymond Pettibon At The New Museum

March 11, 2017 By Riot Material

A Pen of All Work, at New Museum, NYC
Reviewed by Martin Woessner

I still find it strange that there is a contemporary art museum on the Bowery, but the Bowery is no longer the Bowery. The New Museum is located a block and a half down from a Whole Foods and about three blocks down from where CBGB’s used to be. There’s a John Varvatos boutique there now, selling designer button-downs, vintage vinyl and even—if you have the cash—vintage turntables on which to play said vintage vinyl. I’m sure the framed photographs of the Ramones I spied through the window can be had for the right price as well.

It is impossible to ignore these things when you visit the current, career-spanning exhibition of Raymond Pettibon’s work at The New Museum, A Pen of All Work.  [Read more…]

Filed Under: Art, Artist, The Line

Belkis Ayón’s Nkame, A Remarkable Retrospective

March 10, 2017 By Lorraine Heitzman

Fowler Museum, Los Angeles
Reviewed by Lorraine Heitzman

The recent show at The Fowler Museum, Nkame: A Retrospective of Cuban Printmaker Belkis Ayón, was the first major retrospective of Ayón’s powerful and emotional work in the United States and inarguably one of the most significant exhibitions that opened in Los Angeles last year. Nkame, meaning “greeting” or “praise” in the language of Abakuá, was a welcome homage to Ayón’s signature black and white prints and featured a comprehensive selection of her work never-before shown together outside of Cuba. [Read more…]

Filed Under: Art, Artist, The Line

Enrique Martínez Celaya, The Gypsy Camp

March 9, 2017 By Riot Material

at Jack Shainman Gallery, NYC
Reviewed by Robin Scher

“When we think we know art, what is it that we know?”

This is a question posed by the Cuban-born artist Enrique Martínez Celaya in his book, On Art and Mindfulness: Notes from the Anderson Ranch. It is just one of the many philosophical provocations Martínez Celaya delivered to his classes during summer workshops held at the Colorado-based art center over the past few years. Walking around Martínez Celaya’s solo exhibition of recent oil and wax paintings, currently on at New York’s Jack Shainman Gallery through April 22, it’s also a thought that rhetorically resonates through much of his work. [Read more…]

Filed Under: The Line

Dan Herschlein’s Safe As Houses

March 9, 2017 By Riot Material

JTT Gallery, NYC
Reviewed by Michael Hilsman

Dan Herschlein’s current exhibition, “Safe as Houses,” at JTT Gallery in New York’s Lower East Side, consists of wall works, sculptures, and works on paper. Situated in the center of the gallery floor is a work titled The Tenant, which, like much of the sculptural work in the exhibition, is made from pigmented wood, plaster, and pigmented joint compound painted in thin washes of milk paint, a type of paint similar to casein and used by early American furniture makers.  [Read more…]

Filed Under: Art, Artist, The Line

Painting The Elephant In The Room: A Conversation With Justin Lyons

March 8, 2017 By C von Hassett

Justin Lyons is a mixed media artist living in the Florida panhandle. We spoke with him on the eve of his solo exhibition at the Bruce Lurie Gallery in Los Angeles.

CHRISTOPHER HASSETT: Before addressing your most recent work, I wanted to briefly touch on a few signature elements in what is considered to be pivotal career pieces, elements which not only define but help flesh out your global visual language. This language, by the way, initially and superficially registers as being quite primitive, even crude, but upon spending time with these pieces it becomes apparent that something more thoughtful and sophisticated is taking place. [Read more…]

Filed Under: Art, Artist, Interview, The Line

When The Imaginary Reader Gets Real

March 7, 2017 By Arabella Hutter von Arx

by Arabella Hutter von Arx

Exploring the writer-reader relationship, whether real or imaginary

“I know it’s happenin’, but who is it happenin’ to? I know it’s happenin’, but who is it happenin’ to? What am I gonna do to wake up? ” cries Kate Tempest, the UK wunderkind, into an imaginary cellphone.  On the largest stage of the Jaipur Literature Festival 2017, she is performing her work Let Them Eat Chaos, part one- woman play, part rap, part poetry. Gutsy, gusty, genuine, she paints with brilliance and poignancy the world of anguished young Brits: “He can’t tell, he can’t dream, he can’t feel, he can’t scream … And he thinks, Is this really what it means to be alive?” But the packed audience of young Indian people knows without the shadow of a doubt who it is happening to and what it means to be alive: they feel only too urgently their desire for a better life, a better India. Still, they clearly appreciate the passionate lament, and with open minds try to understand the strange, frumpy woman plodding the stage. [Read more…]

Filed Under: The Line

From Shangri-La to Hell: Elliott Green’s Human Nature

March 4, 2017 By Phoebe Hoban

Pierogi, New York City
Reviewed by Phoebe Hoban

Elliott Green’s show at Pierogi is an eye-opener. The dozen ambitious canvases exude enormous confidence and verve, and more than most contemporary abstract painting, bring the once-radical genre of abstract-expressionism back to its original roots. While essentially abstract, these works are nothing if not expressive on a purely visceral level, a painted barometer of a roiling subconscious encountering disorienting change. [Read more…]

Filed Under: Art, Artist, The Line

The Line

A poetic interpretation of Anselm Kiefer's Exodus, at Los Angeles Marciano Art Foundation, is at Riot Material.

On Wing With Word Through Anselm Kiefer’s Exodus

Gagosian at Marciano Art Foundation, Los Angeles (through 25 March 2023) by Rachel Reid Wilkie Los Angeles poet Rachel Reid Wilkie was given the task of walking into Anselm Kiefer’s Exodus — a literally monumental exhibition, in that each of these paintings are upwards of 30’ tall — and addressing the colossal artworks “cold,” as in […]

Detail of Henry Taylor, "Warning shots not required," 2011. At Riot Material magazine.

Henry Taylor’s B Side: Where Mind Shapes Itself to Canvas

Henry Taylor: B Side at MOCA Grand, Los Angeles (through 30 April 2023) Reviewed by Eve Wood Ages ago when there were LP records and 45s, the B side of a popular single made allowances for experimentation and could be counted on as an alternative vision to the more mainstream and compulsory hit single. B […]

Songbook of a Bygone Dead: Bob Dylan’s The Philosophy of Modern Song

Reviewed by Dan Chiasson The Philosophy of Modern Song by Bob Dylan Simon & Schuster, 352pp., $28.93 NYR Bob Dylan’s new book, The Philosophy of Modern Song, is a kind of music-appreciation course open to auditors and members of the general public. It is best savored one chapter, one song, at a time, while listening to the […]

Smoking the Bible by Chris Abani

Words To Wrap Around A Dying Brother

Smoking the Bible Reviewed by Rhony Bhopla Smoking the Bible by Chris Abani Copper Canyon Press, 96pp., $15.99 HR Chris Abani’s autobiographical book of poems, Smoking the Bible, centers on the relationship of two brothers growing up in Nigeria with an Igbo father and an English mother. The poems, which incorporate the Igbo language along […]

Grant Wallace, “Through Evolution Comes Revelation.” at Riot Material magazine.

Communication Breakdown: Grant Wallace, His Heirs & the Legacy of a Forgotten Genius

Grant Wallace: Over the Psychic Radio at Ricco/Maresca Gallery, NYC (through 3 December 2022) By Michael Bonesteel Freelance writer and editor Deborah Coffin of Albany, California, was in graduate school at the University of California, Berkeley in 1997 when she first encountered street musician Brian Wallace at a party. “I had a friend who knew Brian,” […]

The Joshua Tree Talk

A Conversation on Dzogchen C von Hassett & Rachel Reid Wilkie at Joshua Tree Retreat Center 

Louise Bourgeois: What Is The Shape of This Problem?

at University of Southern California, Fisher Museum of Art. (through 3 December 3, 2022) Reviewed by Margaret Lazzari Louise Bourgeois is widely recognized for her sculptures and installations, but Louise Bourgeois: What is The Shape of This Problem is a wonderful opportunity to immerse yourself in her perhaps-lesser-known prints, fabric work and writings. This exhibit contains over […]

Moonage Daydream Conveys More Myth Than Man

Moonage Daydream Dir. Brett Morgan Reviewed by Nicholas Goldwin As one of the greatest shapeshifters in the expansive history of rock music, it seems only fitting that the documentary with David Bowie as its subject never seems content to express the trials, tribulations and artistic triumphs of Bowie in any one fixed way. This is […]

Carnación di Rocío Molina, at Riot Material Magazine.

On Binding: Notes from Venice

Bienalle Arte and Bienalle Danza, Venice 2022 By Allyn Aglaïa Chest bound, lips sealed, I walked through Venice alone, quiet, and: thought about narratives that bind us to erotic binds

Mohammad Barrangi's Guardians of Eden (Dreamscape #8), at Riot Material magazine.

Transcendence Beyond Erasure in Mohammad Barrangi’s Dreamscape

at Advocartsy, Los Angeles (thru 5 November 2022) Reviewed by Christopher Ian Lutz Fantasy requires a symbolic vehicle to transport a character from the real world into the imaginary realm, where the laws of reality are subverted or obscured to justify an otherwise absurd event. The artist might depict the vehicle as a real object […]

Soul Crash: Our Slow, Inexorable Release Into the Metaverse

by Sue Halpern The Metaverse: And How It Will Revolutionize Everything by Matthew Ball Liveright 352pp., $18.89 NYR In October 2021, when Mark Zuckerberg announced that Facebook would now be called Meta and its business interests would be pivoting to the metaverse, there was almost universal confusion: most observers had no idea what he was […]

green tara

Pointing the Staff at the Old Man

A wisdom transmission by Samaneri Jayasāra Excerpted from —  Advice from the Lotus Born  from the chapter “Pointing the Staff at the Old Man” Translated by Eric Pema Kunsang Rangjung Yeshe Publications, 184pp., $21.95 . .

Margaret Lazzari’s "Shimmer." From the exhibition "Breathing Space."

Margaret Lazzari’s Luminous Breathing Space

at George Billis Gallery, Los Angeles (through 8 October 2022) Reviewed by Nancy Kay Turner “Things are not what they seem: nor are they otherwise.” –Buddha Margaret Lazzari’s luminous solo exhibition of paintings, entitled Breathing Space, were painted during the pandemic, and the exhibition title is indeed significant. It’s defined as a respite, a hiatus, or an […]

From Phil Tippet's Mad God, reviewed at Riot Material magazine.

Nihilism Births Its Own Interminable Hell

Mad God Dir. Phil Tippett Reviewed by Nicholas Goldwin Technically astonishing and immersive to a fault, director Phil Tippett successfully demonstrates that thirty years of relentless dedication to your craft can lead to cinematic innovations even his old stomping grounds – the sets of Star Wars and Jurassic Park – have yet to catch up. […]

A Look Back on an Iconoclast: Art Critic Dave Hickey

by Jarrett Earnest Far From Respectable: Dave Hickey and His Art by Daniel Oppenheimer University of Texas Press, 141 pp., $24.95 The Invisible Dragon: Essays on Beauty, Revised and Expanded by Dave Hickey University of Chicago Press, 123 pp., $15.00 (paper) Air Guitar: Essays on Art and Democracy by Dave Hickey Art Issues Press, 215 […]

John Lurie’s The History of Bones

Reviewed by Cintra Wilson The History of Bones: A Memoir by John Lurie Random House, 435 pp., $28.00 NYRB It was 1989 when I saw John Lurie on TV in a late-night advertisement for the new Lounge Lizards album, Voice of Chunk, which was “not available in stores” and selling exclusively through an 800 number. Operators were standing […]

Marlene Dumas, "Losing (Her Meaning)," 1988. At Riot Material magazine.

Marlene Dumas’ Masks of Inborn Gods

open-end, at Palazzo Grassi, Venice (through 8 January 2023) Reviewed by Arabella Hutter von Arx Four relatively small artworks greet the visitor in the first room of the Marlene Dumas exhibit, open-end, at Palazzo Grassi. D-rection shows a young man contemplating his rather large and purple erection. A bluish white face and a brown face unite […]

Clarice Lispector

Baffling the Sphinx: The Enigmatic World of Clarice Lispector

Reviewed by John Biscello Água Viva by Clarice Lispector New Directions Publishing 88pp., $14.95 Too Much of Life: The Complete Crônicas by Clarice Lispector New Directions Publishing 864pp., $29.95 The word is my fourth dimension –Clarice Lispector And on the eighth and endless day, where the bottomless hallelujah meets Ouroboros, God created Clarice Lispector. Maybe. […]

Donna Ferrato "Diamond, Minneapolis, MN 1987." At Riot Material magazine

Donna Ferrato’s Magnificent Holy

at Daniel Cooney Fine Art, NYC (through July 29 2022) Reviewed by Phoebe Hoban The small scale of Donna Ferrato’s snapshot-like black-and-white photographs belies their personal and political power. Whether they document the medical sinks and shelves in a now-shuttered Texas abortion clinic, or hone in on the badly bruised face of a domestic violence […]

Darcilio Lima Unknown Lithograph, 1972. At Riot Material magazine.

Magia Protetora: The Art of Luciana Lupe Vasconcelos and Darcilio Lima

at the Buckland Museum of Witchcraft and Magick, Cleveland OH (through 30 September 2022) Curated by Stephen Romano Gallery Reviewed by Christopher Ian Lutz The extension of a lineage occurs not merely by the repetition of form, but by the intersection of conservation and revolution. Transformation is fundamental to preserving the essence of a given tradition’s rituals and […]

Eve Wood's A Cadence for Redemption, written in the fictive voice of Abraham Lincoln, is excerpted at Riot Material magazine.

Songs For Our Higher Selves

A Cadence for Redemption: Conversations With Abraham Lincoln by Eve Wood Del Sol Press, 46pp., $5.99 Employing the fictive voice of a former president, Eve Wood shifts the perspective on the happenings of our times – where all indicators point to the slow, inexorable collapse of the American Experiment – to the one man who […]

The Clear, Crisp Taste of Cronenberg

Crimes of the Future Reviewed by Anna Shechtman and D.A. Miller Neon NYRB A line from Crimes of the Future, David Cronenberg’s latest film, has been trailing it around with the campy insistence of an old-fashioned ad campaign: “Surgery is the new sex.” On receiving this information, a skeptical Saul Tenser, played by Viggo Mortensen, asks, “Does there have […]

Georganne Deen, How to prepare people for your weirdness (Painting for a gifted child) 2022

Conjuring a Divine Silence in Georganne Deen’s The Lyric Escape

at Rory Devine Fine Art, Los Angeles (through 6 August) Reviewed by Eve Wood Albert Camus once famously asked, “Should I kill myself, or have a cup of coffee?” One can only hope that this was a rhetorical question, yet however ironic, it is still a sentiment worth pondering, especially considering today’s current socio-political climate […]

Pesticides in our foods inevitably enter the body and will have the intended effect of killing the organism. Which is to say you are certain to become diseased and evenutally die from the longterm ingestion of industrial pesticides.

A Strictly Organic Diet is Good Enough to Save Your Life

A chapter excerpt from Entering the Mind, the new book from C von Hassett which speaks to an ageless way of resting the mind in meditation to both recognize and stabilize in its already Awakened state. Yet to do this successfully, we must first cleanse the body of its myriad mind-fogging toxins taken in through […]

Milton’s Quotidian Paradise, Lost

By Catherine Nicholson Katie Kadue: Domestic Georgic: Labors of Preservation from Rabelais to Milton Timothy M. Harrison: Coming To: Consciousness and Natality in Early Modern England Nicholas McDowell: Poet of Revolution: The Making of John Milton Joe Moshenska: Making Darkness Light: A Life of John Milton NYRB Of the many liberties John Milton took in writing Paradise Lost, his 1667 epic […]

Foucault in Warsaw and the Shapeless, Shaping Gaze of the Surveillance State

Reviewed by Marcel Radosław Garboś Foucault in Warsaw by Remigiusz Ryziński  translated by Sean Gasper Bye Open Letter Books, 220pp., $15.95 Harvard Review Since Poland’s state socialist system collapsed in 1989, the records of its police agencies and security services have gone to a government commission entrusted with the “prosecution of crimes against the Polish […]

Noah Davis, Untitled (2015)

The Haunt of One Yet Faintly Present: Noah Davis, Still at Home

Noah Davis, at the Underground Museum, Los Angeles Reviewed by Ricky Amadour Directly across from the entrance, an opening statement to Noah Davis, at the Underground Museum, reads “many of the paintings you are about to see were painted in this space.” Smudges, dribbles, and droplets on the floor embody the physical notion of Davis […]

Julian Schnabel, The Chimes of Freedom Flashing (detail), 2022

The Supremely Humanistic Hand of Julian Schnabel

For Esmé – With Love and Squalor, at Pace Gallery, Los Angeles (through 21 May 2022) Reviewed by Eve Wood How does one represent, let alone quantify hope, hate, grief, love, joy, tragedy, or anything, for that matter, which stands in opposition to something else? Throughout his illustrious career, Julian Schnabel has always been one to […]

Rose Wylie, "I Like To Be" (2020)

In Full Surrender to the Wylie Eye

Rose Wylie: Which One, at David Zwirner, NYC (through 12 June) Reviewed by David Salle Rose Wylie: Which One by Rose Wylie; with Barry Schwabsky, Judith Bernstein, and Hans Ulrich Obrist David Zwirner Books, 196pp., $75.00 NYRB Rose Wylie, who is now eighty-seven, has been painting in the same rural studio in Kent, England, since […]

The Artful Construction of The ‘I’

by Merve Emre NYR The essay form…bears some responsibility for the fact that bad essays tell stories about people instead of elucidating the matter at hand. —Theodor Adorno The personal essay is a genre that is difficult to define but easy to denounce. The offending element is rarely the essay as a form, but its […]

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