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Archives for June 2018

Leave No Trace Is A Ruthlessly Intimate Coming-Of-Age Drama

June 29, 2018 By Kristy Puchko 1 Comment

Review by Kristy Puchko

It’s in the clicks, a soft double-click sound made by the tongue of a thirteen-year-old girl. It’s a secret code to tell her father she’s near and she loves him. Leave No Trace is rich with details like this, which deftly paint its central father-daughter relationship without a word. It’s clear in their comfort, the way she falls into sync with his humming of a half-remembered tune. In their efficiency in building a fire, scavenging for wild mushrooms, and casually shooing away wild dogs, you learn this isn’t just a camping trip. This shelter of tarps and tents in the midst of a lush park in Portland, Oregon, is their home, humble but happy. However, once the authorities discover them, this simple bliss will be shattered, forcing the two to come to a brutal decision. [Read more…]

Filed Under: Film, The Line

The Agency Of Imagination In Olivier Babinet’s Swagger

June 29, 2018 By Riot Material Leave a Comment

by Megan M. Garwood

In the 2016 film Swagger (newly out on Mubi), by Parisian filmmaker Olivier Babinet, an undercurrent of fictionalized plotlines pulls the story through the surface of reality. As a storyteller, Babinet has developed a potent strategy to render the lives of children and teenagers—who recall events with exaggeration and fervent emotion—by building out their imaginative tales. His approach presents a novel documentary methodology, one that can truly illuminate the way we depict the world. [Read more…]

Filed Under: Film, Profile, The Line

Ideal J’s Straggly “Blast Masta Killa”

June 28, 2018 By CvH Leave a Comment

From the Le Combat Continue release
on Arsenal Records

Filed Under: Riot Sounds

The Shocking Doc Three Identical Strangers Is Vexing Yet Undeniably Fascinating

June 28, 2018 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

Their spectacular story scored them a slew of newspaper headlines. Their charming chemistry made them coveted guests on the talk show circuit, the toast of New York’s nightclub scene, and quirky celebrity cameos in Desperately Seeking Susan who were handpicked by Madonna herself. They were three strapping young men, with broad smiles, meaty hands, curly hair, and the same damn face. Robert “Bobby” Shafran, David Kellman, and Eddy Galland were triplets separated at birth, adopted into three different families, and 19 years later reunited by chance. Their reunion was a warm and wonderful story that captured the public’s curiosity and hearts. But what happened next was dark and disturbing, and is revealed in the fascinating and frustrating documentary Three Identical Strangers. [Read more…]

Filed Under: Film, The Line

Made In L.A. Is A Tapestry Of Diversity, And A Golden One

June 27, 2018 By Emily Nimptsch 3 Comments

at the Hammer Museum, Los Angeles
Reviewed by Emily Nimptsch

Like an intricately woven tapestry, Made in L.A. 2018 stitches together a diverse sampling of some of the most dynamic and noteworthy artists working in Los Angeles today. Presently on display at the UCLA Hammer Museum, this sweeping biennial exhibition boasts 32 textile, performance, painting, video, sculpture, assemblage, photography, and installation artists hailing from a total of 13 states and seven countries. Together they weave a grand and gripping narrative highlighting critical socio-political issues, including representation and marginalization. [Read more…]

Filed Under: Art, The Line

Archive Fever: Repetition And History In The Works Of Kudzanai Chiurai

June 25, 2018 By Riot Material Leave a Comment

by Khanya Mashabela

Kudzanai Chiurai’s practice visualises history and its tendency for repetition. The cyclical nature of history is as much a subject as Colonial and Post-Colonial southern Africa and its governance. He shows us history outside of the limitations of linearity and its related belief of progression or digression. This representation is particularly potent within the African context, largely because its position as ‘inferior’ within the binaries of First World and Third world — and White and Black — relies upon the belief that Africa and Africans are connected to the ancient past, while the West has been portrayed as having a monopoly on modernity and postmodernity. [Read more…]

Filed Under: Art, Artist, The Line

Blacklit Industrial From Maceo Plex: “Mutant Disco”

June 22, 2018 By CvH Leave a Comment

Featuring Maars
https://www.riotmaterial.com/wp-content/uploads/2018/06/03-Mutant-Disco-feat.-Maars.m4a

from the Mutant 1 EP
on Correspondant

Filed Under: Riot Sounds

Jon Hassell’s Listening to Pictures (Pentimento Volume 1)

June 22, 2018 By John Payne Leave a Comment

Reviewed by John Payne

One perhaps unusual compliment we ought to pay to Jon Hassell’s new Listening to Pictures (Pentimento Volume 1) is that, like all of his music, one grows impatient having to write about it while listening to it. This music — which I want to never end when I put it on — is too seductive to be looking at a computer screen while trying to come to terms with its intriguing charms. [Read more…]

Filed Under: Records, The Line

Cheeky And Challenging, Damsel Won’t Play By The Rules

June 22, 2018 By Kristy Puchko 1 Comment

Review by Kristy Puchko

The Wild West is a place of fantasy long divorced from any truth that inspired its folklore. Movies have painted a gorgeous yet ferocious world of vast and vivid mesas and plains, inhabited by mysterious natives, dainty damsels in distress, black-hatted outlaws, and gruff but noble cowboys who ride high, like knights of this treacherous terrain. In our imagination, The West is a place ripe with opportunities to be a hero; the dangers are just part of that adventure. But in the sharply witty Western Damsel, buying into this fantasy means buying into deadly delusions of grandeur. Here, every man wants to think he’s the hero of this story, and every one is wrong. [Read more…]

Filed Under: Film, The Line

Fuller On Fuller

June 20, 2018 By Cynthia Biret 2 Comments

Samantha Fuller Speaks to the Life and Legacy of Her Father, Director Sam Fuller

by Cynthia Biret

A Fuller Life is a special tribute to maverick filmmaker Samuel Fuller, directed by his daughter Samantha. Fuller was a force to be reckoned with in Hollywood. His raw and unbridled stories favored the underdog and dared to question and highlight the grim reality of war, racism and manipulation from experiences that he had lived first hand. Starting as a crime reporter, he enrolled himself in the infantry during World War II, exposed the horrors of concentration camps, and was awarded the Purple Heart for his bravery. His persona was bigger than life. He was known for smoking a large cigar and calling action by firing a Colt .45 into the air. From The Big Red One to Shock Corridor and White Dog, his indelible mark influenced countless directors. Scorsese once said of him, “If you don’t like the films of Samuel Fuller, then you just don’t like cinema. Or at least you don’t understand it.” [Read more…]

Filed Under: Interview, The Line

Lynn Tejada’s Green Galactic Sees Its Silver Reign

June 18, 2018 By Riot Material Leave a Comment

By Steven Mirkin

Twenty-five years is a long time for any business to survive. Many marriages don’t make it to their Silver Anniversary, much less businesses. Throw in a rapidly changing media marketplace, and the idea that Green Galactic, a boutique publicity firm owned by Lynn Tejada and devoted to some of the most adventurous and experimental artists out there, made it to 25 is even more impressive.

Think about it: When Tejada started Green Galactic, dial-up modems were the norm and CDs were the future of the music industry. Few people had an email address, and most of those ended in “@aol.com.” Social media was unknown, Mark Zuckerberg was nine years old, and the words “blog,” “vlog” and “website” were yet to be coined; you’d be more likely to come across the word “streaming” in a copy of Outside than Rolling Stone. A large part of a publicist’s job was rolling calls, working the phones, and they were judged by the size of their Rolodexes.    [Read more…]

Filed Under: Profile, The Line

Prototype

June 17, 2018 By CvH Leave a Comment

CINEMA DISORDINAIRE

By Alci Rengifo

One cannot simply write a review of Blake Williams’s immersive, hypnotic experimental film Prototype (2017). It is more appropriate to comment on this film as the description of an experience. Whether taken in as a 3D experience or as a standard, 2D film, Protoype attempts to create an environment with the very idea of cinema itself. Cinema in its most primal form is a collection of images, rushing one after the other, weaving a tapestry. Williams’s work has a kinship with the early avant-garde cinema which experimented with the marriage of image and narrative, producing works which today have a dreamlike intensity. This intensity comes from the passage of time, because now these films can feel like a transmission from some other age or world. Herman G. Weinberg’s 1931 “film poem,” Autumn Fire, is such a film, with its silent black white imagery of nature, a wandering man in silhouette, a daydreaming woman and breezy waters. As modern pop culture came to be in the 1960s, artists like Andy Warhol would push the very boundaries of what cinema as an art form even meant. His 7-hour Empire is simply one still shot of the Empire State Building. [Read more…]

Filed Under: Cinema Disordinaire

Death By Streaming: Is Cult Cinema At An End?

June 16, 2018 By Riot Material Leave a Comment

by Judy Berman
Courtesy of The Baffler

The defining cult film of the Twenty-First Century is neither a mirror held up to nature or a hammer used to shape reality. The Room, released in 2003, is like a ninety-nine-minute episode of The Real World as performed by the inmates of the asylum of Charenton under the direction of no one. It is an incoherent broadside against evil women (or all women) and a backwards vindication of all-American male breadwinners who buy their girls roses and befriend at-risk teens. It’s a tragedy not just because it ends with a suicide, but also because sitting through it requires a robust Dionysian death drive. The Room is so bad that when you point out its idiocy, the idiocy of stating the obvious bounces back and sticks to you. [Read more…]

Filed Under: Film, The Line, Thought

Electro-Psychedelia From Dirty Art Club: “Queen Persephone”

June 14, 2018 By CvH Leave a Comment

From the Basement Seance release

on Soulspazm

Filed Under: Riot Sounds

Factory Farming, Though Vile, Does Not Equate To Chattel Slavery

June 13, 2018 By Seren Sensei 3 Comments

by Seren Sensei

A quiet wave of veganism has tacked its roots in pop culture. Veganism, vegetarianism and to a lesser extent, pescetarianism — existing for so long on the fringe — are finally having their moment in the mainstream, with many adopting the practices of eating solely vegetables and/or cutting out red meat, pork, poultry and dairy. Celebrity chefs, actors, athletes and musicians extoll the virtues of going vegan. Vegan challenges, wherein participants attempt to go entirely vegan for an allotted amount of time, are wildly popular. Smoothie bowls run rampant on social media; vegan options have crept onto menus everywhere from five star restaurants to fast food restaurants. (The popular California hamburger chain Fatburger, was recently the first fast food chain to introduce The Impossible Burger, made entirely of plant protein.) [Read more…]

Filed Under: The Line, Thought

Hung Viet Nguyen’s Artistic and Spiritual Alchemy

June 11, 2018 By Genie Davis Leave a Comment

by Genie Davis

Artist Hung Viet Nguyen is a magician and an alchemist. His paintings evoke the beauty of nature, its wonder and its spiritual quality. He takes the real and reconfigures it, shapes it into a mysterious, reverent space. With images that are both landscapes and stunning mosaic-like patterns, the Vietnamese-born, Los Angeles-based artist transports viewers into paintings that resemble an enchanted realm. [Read more…]

Filed Under: Art, Profile, The Line

Tougher And Tougher To Find, This Sound, No? : Chance The Rapper’s “All Night”

June 8, 2018 By CvH Leave a Comment

(Feat. Knox Fortune)

From the hermetic Coloring Book

Filed Under: Riot Sounds

Tomas Saraceno’s Literally Uplifting Solar Rhythms

June 8, 2018 By Phoebe Hoban 1 Comment

at Tanya Bonakdar Gallery, NYC
Reviewed by Phoebe Hoban

As much a visionary as he is an artist, Tomas Saraceno, a visionary artist, clearly follows in the footsteps of such innovators as Buckminster Fuller, Paolo Soleri, and others whose aesthetic brilliance parallels their deep desire to sustain humanity on this planet. The influence of his friend, the great Olafur Eliasson, for whom he briefly worked as a studio assistant, is obvious. But Saraceno goes beyond flexing the muscles of his considerable technical flair to invent designs that are or can be implemented as part of his Aerocene project, started in 2015, the stated goal of which “proposes a new epoch, one of atmospherical [sic] and ecological consciousness, where we together earn how to float and live in the air, and to achieve an ethical collaboration with the environment.” [Read more…]

Filed Under: Art, Artist, The Line

Cash And Ass In Anderson .Paak’s “Bubblin”

June 7, 2018 By CvH Leave a Comment

From the new release, Bubblin

Directed by Calmatic

Filed Under: Riot Sounds, Video

Rage And Grace In Paul Schrader’s First Reformed

June 7, 2018 By Alci Rengifo Leave a Comment

by Alci Rengifo

There can be nothing more dangerous than an awakened consciousness. Paul Schrader’s new and fierce work, First Reformed, is a portrait of a man connecting with a world in crisis, even as he is silently torn by his own scars. Beautifully composed, it is a film that reaches well beyond the surface of its story. It is about the very condition and mood of our times, and the palpable sense of some oncoming cataclysm.

We are but individuals operating within the larger panorama of societies and nations. Some of us are bond strong by belief systems; others despair within their beliefs at a world symbolically ready to burn. Paul Schrader has been a filmmaker of the latter ilk since his early days when he composed furious, violent works which, even when featuring traditional plots, displayed an artist grappling with the spirit and the flesh. [Read more…]

Filed Under: Film, The Line

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The New Word

Cathexis

When we say the world is haunted
we mean untranslated

as yet.

[Read More…]

The Line

Nels Cline & Yuka Honda are Cup. Their new record, Spinning Creatures, is reviewed at Riot Material Magazine.

CUP’s Hydra-Headed Spinning Creature

on Northern Spy Reviewed by John Payne Wherein the husband and wife team up to rinse and shine the aural punchbowl, no squabbling. Nels Cline & Yuka Honda are Cup, co-cookers of rich, musically nutritious stuff packed with savory, skewed nuance that reflects their artistic differences and affinities. Guitar visionary Cline’s scope, skills and, yes, taste, […]

The Lesson. Enrique Martinez Celaya’s current exhibition at Kohn Gallery, Los Angeles, is reviewed at RIot Material magazine.

Enrique Martínez Celaya’s The Tears of Things

at Kohn Gallery, Los Angeles ( through November 2) Reviewed by Lita Barrie Enrique Martínez Celaya’s haunting exhibition at Kohn Gallery is conceived as visual poetry predicated upon Virgil’s phrase “the tears of things,” from Aeneid ( Book 1, line 462), about an encounter with a mural of the battle of Troy which made the […]

Willem Dafoe and Robert Pattinson in Robert Eggers' The Lighthouse, reviewed at Riot Material magazine.

Atmosphere So Thick You’ll Choke: Robert Eggers’ The Lighthouse

Reviewed by Kristy Puchko In 2016, production designer turned writer/director Robert Eggers awed critics with his directorial debut, The Witch, a daring horror film set in the 1630s. Now, for his ferociously anticipated follow-up, he and his brother/co-writer Max Eggers have journeyed 200-some years to a rocky and remote island off the New England coast […]

Pink Peep (detail). Laura Krifka's latest exhibition at Luis De Jesus is reviewed at Riot Material, LA's premier art magazine.

Laura Krifka’s Wickedly Deviant The Game of Patience

at Luis De Jesus (through October 26) Reviewed by Lita Barrie Laura Krifka enjoys doing things she is not supposed to do. Having absorbed the tenets of neoclassical painting, she bypasses high-minded seriousness by adding a candy-coated veneer of hyper-artificiality adopted from 1950s MGM musicals to the domestic decor of private scenes she then undercuts […]

How to Hate the City: A Storyboard Of Canvases

Ernst Ludwig Kirchner at The Neue Galerie, NYC (through January 13) Reviewed by John Haber No movement in early modern art was as cosmopolitan as German Expressionism — and the group that called itself Die Brücke. Who else took to the streets when Picasso was just finding his way from circus performers to still life? […]

Swans' Leaving Meaning, Various Personnel. Leaving Meaning is reviewed at Riot Material, LA's premier magazine for art and sound.

Sound Itself As The Only Way Forward In Swans’ Leaving Meaning

out October 25 on Young God Records Reviewed by John Payne Michael Gira founded/guiding-lighted the sort of no-wave / noise / spiritual-purification band Swans in NYC 35 some odd years ago, and, roughly, he’s made a career out of trying musically to express the inexpressible ever since. After a hiatus of a few years, during which […]

The Vast of Night, dir. by Andrew Patterson, is reviewed at Riot Material, LA's premier magazine for art and film

In Jaw-Dropping Homage To The Twilight Zone, The Exhilarating The Vast of Night

Reviewed by Kristy Puchko There’s something in the air on a crisp night in 1950s Cayuga, New Mexico. Sure, there’s excitement as basketball season begins with a game so anticipated that nearly the entirety of this rural town has convened upon the high school’s gymnasium. But then there’s something stranger, a crackle on the phone […]

Resilience: Philip Guston In 1971

at Hauser & Wirth, Los Angeles (through January 5, 2020) Reviewed by Nancy Kay Turner …there’s no success like failure and failure’s no success at all Bob Dylan The painter’s first duty is to be free Philip Guston In 1970, New York City was the undisputed center of the art world and 57th street in […]

Betye Saar’s Call and Response, at LACMA, is reviewed at Riot Material magazine, LA's premier art magazine.

Process And Fierce Redemption In Betye Saar’s Call and Response

at LACMA (through April 5, 2020) Reviewed by Genie Davis Betye Saar’s riveting, 40-object exhibition currently at LACMA offers a fascinating insight into the artist’s process. It’s strong focus on the power of redemptive faith and personal strength in the face of adversity is passionate and compelling – which can be frankly said of all Saar’s […]

Virgil Abloh, from Figures of Speech. Reviewed at Riot Material, LA's premier magazine for art and fashion

Audacious Digs In Virgil Abloh’s Figures of Speech

at Museum of Contemporary Art, Chicago Reviewed by Seren Sensei In a short video clip during Figures of Speech, Virgil Abloh’s show at the Museum of Contemporary Art (MCA) in Chicago, he mused on his upbringing and influences. Born the son of Ghanaian immigrants in a small town in Illinois, he discussed the wonders of growing […]

Nathalie Djurberg and Hans Berg’s This Is It. As part of Apple's [AR]T Walk, reviewed at Riot Material.

Lightly Through The Looking Glass With Apple’s [AR]T Walk

By Mayne Alert the critics: The cutting edge of New York City’s art avantgarde can now be found at the Fifth Avenue Apple Store. Amid the blistering doldrums of summer, Apple has offered [AR]T Walk a guided tour of their new augmented reality exhibit. Co-curated with the New Museum, the tour is being offered in five […]

Antonio Banderas and Nora Navas in Pain and Glory (Dolor y gloria), directed by Pedro Almodóvar and reviewed at Riot Material magazine.

Wounds Of Desire In Pedro Almodóvar’s Pain And Glory

Reviewed by John Payne Were you looking for such a thing, you’d be hard-pressed to find a more humanizing film than Pedro Almodóvar’s latest little miracle. The Spanish director/writer’s Pain and Glory is a story about an artist, who suffers, and remembers, and relives. This tale is only somewhat the story of people in general, […]

Review of Hiroko Oyamada’s The Factory at Riot Material magazine

Hiroko Oyamada’s Mordant Fable, The Factory

Reviewed by John Biscello The Factory by Hiroko Oyamada New Directions, 128pp., $13.95 The year was 1936, when an indefatigable tramp served as a working-class Virgil in guiding audiences through the hellscape of big industry and assembly line madness. The tramp, of course, was Charlie Chaplin in his iconic film, Modern Times, which applied fool’s […]

Peter Doig, Music (2 Trees). Doig's latest exhibition is reviewed at Riot Material magazine.

Corrosion And Other Maladies In Peter Doig’s Latest, Paintings

Paintings, at Michael Werner Gallery, London (16 November) Reviewed by Christopher P Jones With Peter Doig – who has a collection of new paintings on show at the Michael Werner Gallery, London – corrosion is paramount. His paintings seek to overturn themselves from within, alluding to altered states, to dreams and hallucinations. His paint has become […]

Alexandra Masangkay in The Platform (El Hoyo) 2019, reviewed at Riot Material, LA's premier magazine for art and film,

A Movable Feast In The Dystopic The Platform

Reviewed by Kristy Puchko Imagine: you awake in a cold, concrete prison cell. There are no windows, no doors, one cellmate, and a big, square hole in the center of the floor. Should you peek down into it, you’d see a cell below the same as yours. And beneath that lie so many more that […]

Robert Gunderman's latest exhibition, This End, is reviewed at Riot Material, LA's premier art and culture magazine.

Transits Through Finalities In Robert Gunderman’s This End

at AF Projects, Los Angeles (through October 12) Reviewed by Eve Wood Robert Gunderman’s current exhibition at AF Projects could be understood as both a meditation on the nature of time and an investigation into the elusiveness of memory. The title of the exhibition, This End, powerfully yet simply encapsulates and personalizes the idea of transition […]

The Lodge, the follow up film to Goodnight Mommy, is reviewed at Riot Material Magazine.

The Lodge Offers a Chilling Follow-Up To Goodnight Mommy

Reviewed by Kristy Puchko In 2015, Severin Fiala and Veronika Franz dropped jaws and blew minds with their harrowing–and at points hilarious–debut narrative feature, Goodnight Mommy. Last year, they offered a fresh taste in terror with a vignette in the folklore-inspired horror anthology, The Field Guide To Evil. Now, this heralded Austrian pair of co-writers/co-directors is […]

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