Riot Material

Art. Word. Thought.

Archives for March 2022

Presence as Abstraction, as Beguiling Obfuscation, in the Works of Leon Kossoff

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Leon Kossoff: A Life in Painting, at Mitchell-Innes & Nash, NYC (with concurrent exhibitions at LA Louver in Los Angeles, through 9 April 2022, and Annely Juda Fine Art in London)
Reviewed by Arabella Hutter von Arx

The first painting greeting us in the Mitchell-Innes & Nash exhibition is, aptly, a self portrait. Smaller than the other pieces in the show, monochromatic, it packs the power of dynamite. The man represented closeup looks aghast, terrified even. His eyes stare down with dismay at something off canvas, an abyss? Hell? Malleable, the face is agitated by a chaos of brushstrokes. The boundaries between the head and its surroundings are unclear, as if everything was made of the same substance: mud. Mud, here, is nicely symbolic not only for its biblical intimation — Man being dipped, thrown, trampled in and yanked from the “miry mud” — but the muddiness of mind is also equally appropriate. While his portraits often halted at an opacity in the sitter, Kossoff had a pretty good idea of what he was about: uncertain about everything. He could, he tells us, hold onto nothing solid, either on the outside or the inside. “The important thing is to somehow keep going. This is ‘the straw to which we cling.” This credo, shared in a rare interview, could serve as caption for all of his mature paintings. [Read more…]

The Haunt of One Yet Faintly Present: Noah Davis, Still at Home

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Noah Davis, at the Underground Museum, Los Angeles
Reviewed by Ricky Amadour

Directly across from the entrance, an opening statement to Noah Davis, at the Underground Museum, reads “many of the paintings you are about to see were painted in this space.” Smudges, dribbles, and droplets on the floor embody the physical notion of Davis activating the now museological edifice. Until this very writing, The Underground Museum was the gathering space for black culture in greater Los Angeles. As a Delphic entity, Davis predates the popularity of figurative works that are today commonplace in the art world. One cannot escape the imagining of Davis negotiating his thought process, laboring to organize an institution, and sketching together a community that would build its own familiarity and create an indelible mark. Curated by Helen Molesworth and Justin Leroy, this exhibition morphs Noah Davis the man, the architecture, and his paintings, jointly as one indivisible existence.

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“Skunk Hour,” by Robert Lowell: A Reflection

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by James McWilliams

Robert Lowell
Life Studies / From the Union Dead
Farrar, Straus and Giroux, 176pp

In 1958, The Partisan Review published Robert Lowell’s poem “Skunk Hour.” This was a notable moment in American literary history. The poem was closely linked to Lowell’s friendship with Elizabeth Bishop. Reading and re-reading Bishop’s work allowed Lowell to escape, as he put it, “the shell of my old manner.” It is to her that he dedicates this poem. 

“Skunk Hour” is worthy of close study because it captures Robert Lowell in the midst of creative transformation. He alters himself from a formal to a confessional poet in the middle of the poem. It happens “right before our eyes,” as one critic aptly put it.

What follows is my own stanza-by-stanza attempt to make sense of it. I’ve always loved this poem for the way it hits my ear, and the shifting imagery. But I’ve never really slowed down and tried to figure out why. This is what I’m doing here. My comments are italicized    —jm———

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Entering The Mind 3-Part Podcast

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Riot Material Presents

Entering The Mind 3-Part Podcast

Entering The Mind 3-Part Podcast is an intimate discussion on “the nature of mind” and how we as meditators can recognize it within ourselves, then realize it through day-to-day practice. But the conversation is so much more than that, for it is an intimate discussion between two intimates — husband and wife duo C von Hassett and Rachel Reid Wilkie, both of whom are practitioner’s of a timeless wisdom practice known as Dzogchen, which points the meditation practitioner directly into the fertile interiors of their own mind. Not the conceptual mind, which we are all too familiar with. The mind referred to here is the naturally occurring one, the innate mind, or what is known in Dzogchen as “mind in its natural state.” It has been called the awakened mind, or the fully realized one, and not only is this mind within each of us, it is also ever-so close – as close to us as our finger is to touching space. How far must we move our finger to touch space? Our own natural state is this close, and we must only turn inward to first see it, then familiarize ourselves with it, before intimately coming to know it.

The rich discussion in the series below speaks to the key concepts in C von Hassett’s new book, Entering the Mind, excerpts from which can be read here. We hope you enjoy the 3-Part Podcast, and we likewise hope you enjoy the book.

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I Am Not Your Cis

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by Hypatia

The verve of English is under house-arrest by the under-educated: the students of Ivy League universities. They are the standard-bearers — Premium Woke — of our freshly scoured language. Still hallowed as God’s little incubators of future elites, America’s most prestigious universities began their decline in the 1980s. The humanities became a forum for hurt feelings instead of nuanced thought. Now America is carpeted wall-to-wall in the egg shells the Woke have laid.

The born-again Roundheads of academe damp-mop our language with trails of their tears. They hold conversations in capital letters too numerous to remember, tacking on new ones to keep pace with fresh categories of victims. Our future leaders neither speak nor write. They abbreviate.

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The Great Perfection: A Perspective on Dzogchen

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In his new book, Entering the Mind, C von Hassett takes us luminously into the life-affirming, heart-awakening, consciousness-altering terrains of mind in its natural state, where he shows us how to recognize it within ourselves, then realize it through holistic, wholly committed practice. “EtM is a singular accomplishment, remarkable for its clarity as well as its richly poetic delivery. The text is all the more essential for its practitioner’s insight into what is considered to be the highest wisdom practice known to man – that of Dzogchen.”

Below is an excerpt from Entering the Mind.

Entering the Mind
by C von Hassett
Waterside Productions, 173pp., $12.95

The Great Perfection

Dzogchen is like the highest point of a monastery, the golden top-ornament: above it, there is nothing but sky.
–Tulku Urgyen Rinpoche

Dzogchen, or atiyoga, is a profound body of teachings that point us directly toward the recognition of our own mind in its natural state. This state, what in the Tibetan tradition is known as rigpa, is naturally pure and nakedly aware. It is, in other words, awakened, and this already awakened state is present within each of us, is always accessible to us, and through clear instruction it is also easy to identify. In seeing it, we are literally in witness of our own luminous path to liberation, this with one subtle though skillful shift in perspective. [Read more…]

The View Into Your Already Awakened Mind

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In his new book, Entering the Mind, C von Hassett takes us luminously into the life-affirming, heart-awakening, consciousness-altering terrains of mind in its natural state, where he shows us how to recognize it within ourselves, then realize it through holistic, wholly committed practice. “EtM is a singular accomplishment, remarkable for its clarity as well as its richly poetic delivery. The text is all the more essential for its practitioner’s insight into what is considered to be the highest wisdom practice known to man – that of Dzogchen.”

Below is an excerpt from Entering the Mind.

Entering the Mind
by C von Hassett
Waterside Productions, 173pp., $12.95

The View

There is a road leading into the Grand Canyon, Highway 64, that takes you straight into the heart of some of the most magnificent views on the planet. They are literally breathtaking, these views, looking out as they do on both space and split plateaus that plunge deep through the earth and through stratas of time into the Río Colorado below. One could say these views are to die for, for they deliver you headlong into the contemplation of your own imminent death. This contemplation isn’t necessarily a philosophical one, though it can certainly be that as well. Rather, it is one which is immediate and visceral and borne entirely of a fall, for you cannot look over the edge of the Grand Canyon without considering your own fall into that great abyss of emptiness. It is this very abyss which gives rise to the canyon’s ineffable beauty, as well as highlighting by way of counterpoint the sheer sanctity of the riven land. [Read more…]