Riot Material

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Archives for March 2022

Presence as Abstraction, as Beguiling Obfuscation, in the Works of Leon Kossoff

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Leon Kossoff: A Life in Painting, at Mitchell-Innes & Nash, NYC (with concurrent exhibitions at LA Louver in Los Angeles, through 9 April 2022, and Annely Juda Fine Art in London)
Reviewed by Arabella Hutter von Arx

The first painting greeting us in the Mitchell-Innes & Nash exhibition is, aptly, a self portrait. Smaller than the other pieces in the show, monochromatic, it packs the power of dynamite. The man represented closeup looks aghast, terrified even. His eyes stare down with dismay at something off canvas, an abyss? Hell? Malleable, the face is agitated by a chaos of brushstrokes. The boundaries between the head and its surroundings are unclear, as if everything was made of the same substance: mud. Mud, here, is nicely symbolic not only for its biblical intimation — Man being dipped, thrown, trampled in and yanked from the “miry mud” — but the muddiness of mind is also equally appropriate. While his portraits often halted at an opacity in the sitter, Kossoff had a pretty good idea of what he was about: uncertain about everything. He could, he tells us, hold onto nothing solid, either on the outside or the inside. “The important thing is to somehow keep going. This is ‘the straw to which we cling.” This credo, shared in a rare interview, could serve as caption for all of his mature paintings. [Read more…]

“Skunk Hour,” by Robert Lowell: A Reflection

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by James McWilliams

Robert Lowell
Life Studies / From the Union Dead
Farrar, Straus and Giroux, 176pp

In 1958, The Partisan Review published Robert Lowell’s poem “Skunk Hour.” This was a notable moment in American literary history. The poem was closely linked to Lowell’s friendship with Elizabeth Bishop. Reading and re-reading Bishop’s work allowed Lowell to escape, as he put it, “the shell of my old manner.” It is to her that he dedicates this poem. 

“Skunk Hour” is worthy of close study because it captures Robert Lowell in the midst of creative transformation. He alters himself from a formal to a confessional poet in the middle of the poem. It happens “right before our eyes,” as one critic aptly put it.

What follows is my own stanza-by-stanza attempt to make sense of it. I’ve always loved this poem for the way it hits my ear, and the shifting imagery. But I’ve never really slowed down and tried to figure out why. This is what I’m doing here. My comments are italicized    —jm———

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Entering The Mind 3-Part Podcast

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Riot Material Presents

Entering The Mind 3-Part Podcast

Entering The Mind 3-Part Podcast is an intimate discussion on “mind in its natural state” — what the Tibetans refer to as rigpa — and how we as meditators can recognize this already awakened mind within ourselves, then fully realize it through day-to-day practice. But the conversation is so much more than that, for it is an intimate discussion between two intimates — husband and wife duo C von Hassett and Rachel Reid Wilkie, both of whom are practitioner’s of a timeless wisdom practice known as Dzogchen, which points the meditation practitioner directly into the fertile interiors of their own mind — not the conceptual mind, which we are all too familiar with. The mind referred to here is the naturally occurring one, the innate mind, or what is known in Dzogchen as “mind in its natural state.” It has been called the awakened mind, or the fully realized one, and not only is this mind within each of us, it is also ever-so close – as close to us as our finger is to touching space. How far must we move our finger to touch space? Our own natural state is this close, and we must only turn inward to first see it, then familiarize ourselves with it, before intimately coming to know it.

The rich discussion in the series below speaks to the key concepts in C von Hassett’s new book, Entering the Mind, excerpts from which can be read here. We hope you enjoy the 3-Part Podcast, and we likewise hope you enjoy the book.

[RACHEL REID WILKIE NARRATES ETM THE AUDIOBOOK]

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The Mind-Slicing Wisdoms of Dzogchen

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A chapter excerpt from Entering the Mind, by C von Hassett
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The Great Perfection

Dzogchen is like the highest point of a monastery, the golden top-ornament: above it, there is nothing but sky.
–Tulku Urgyen Rinpoche

Dzogchen, or atiyoga, is a profound body of teachings that point us directly toward the recognition of our own mind in its natural state. This state, what in the Tibetan tradition is known as rigpa, is naturally pure and nakedly aware. It is, in other words, awakened, and this already awakened state is present within each of us, is always accessible to us, and through clear instruction it is also easy to identify. In seeing it, we are literally in witness of our own luminous path to liberation, this with one subtle though skillful shift in perspective.

The teachings as a philosophy are radical, if not wholly revolutionary. As a practice, they are transformational, moving one from concept-based being to awareness being; from contrived, dualistic thinking to a mind unbound by mundane thought. This is the wisdom mind, enlightened mind, and our arrival here means there is no turning back. There simply cannot be, for conventional mind has been sliced clean through. [Read more…]

The View Into Your Already Awakened Mind

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In his new book, Entering the Mind, C von Hassett takes us luminously into the life-affirming, heart-awakening, consciousness-altering terrains of mind in its natural state, where he shows us how to recognize this already Awakened state within ourselves, then realize it through holistic, wholly committed practice. Below is a chapter excerpt from Entering the Mind.

Entering the Mind
by C von Hassett
Waterside Productions, 173pp., $12.95

The View

There is a road leading into the Grand Canyon, Highway 64, that takes you straight into the heart of some of the most magnificent views on the planet. They are literally breathtaking, these views, looking out as they do on both space and split plateaus that plunge deep through the earth and through stratas of time into the Río Colorado below. One could say these views are to die for, for they deliver you headlong into the contemplation of your own imminent death. This contemplation isn’t necessarily a philosophical one, though it can certainly be that as well. Rather, it is one which is immediate and visceral and borne entirely of a fall, for you cannot look over the edge of the Grand Canyon without considering your own fall into that great abyss of emptiness. It is this very abyss which gives rise to the canyon’s ineffable beauty, as well as highlighting by way of counterpoint the sheer sanctity of the riven land. [Read more…]