Riot Material

Art. Word. Thought.

Songs For Our Higher Selves

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A Cadence for Redemption: Conversations With Abraham Lincoln
by Eve Wood
Del Sol Press, 46pp., $5.99

Employing the fictive voice of a former president, Eve Wood shifts the perspective on the happenings of our times – where all indicators point to the slow, inexorable collapse of the American Experiment – to the one man who represents the very heart of our onetime democracy and the towering soul of this once-revered nation: Abraham Lincoln. A Cadence for Redemption is a work of narrative brilliance, the arc and architecture of which is seemingly upheld by the merest of lyrical tentpoles – that, in all their brevity, of the poems themselves. Yet the ideas across the collection, and the emotive carry in each one of these songs of love, songs of longing and loss, are as equally affecting as they are disquieting; they are as well, in their grand sum, entirely profound.

If you’re seeking to recalibrate your own internal compass on what it means to be a ‘good person’ or, conversely, are in search of sound template for our next generation of elected leaders, A Cadence for Redemption is a singular point of onset, for its terrains are of the highest bearings, its lyricism of heartsome beauty, its imagination of distinct wonder. It is, in other words, an altogether fine book of poetry for this fraught moment of our now.  – C von Hassett

Below are three excerpts from A Cadence for Redemption, courtesy of  Eve Wood.

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Milton’s Quotidian Paradise, Lost

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By Catherine Nicholson

Katie Kadue: Domestic Georgic: Labors of Preservation from Rabelais to Milton
Timothy M. Harrison: Coming To: Consciousness and Natality in Early Modern England
Nicholas McDowell: Poet of Revolution: The Making of John Milton
Joe Moshenska: Making Darkness Light: A Life of John Milton
NYRB

Of the many liberties John Milton took in writing Paradise Lost, his 1667 epic poem on Adam and Eve’s expulsion from Eden, the most delightful and underrated are his efforts to imagine daily life in Paradise before the Fall. Compared to the risks he takes elsewhere in the poem—recasting the devil as its charismatic antihero, scripting conversations between God the Father and his only begotten Son, staging war in heaven, describing angelic sex, and playing fast and loose with the logic of allusion so as to make himself the founding author of the entire Western literary tradition—the domestic details of prelapsarian existence can appear merely charming, inventive flourishes on the scenic backdrop to the grand conflicts between good and evil. In the long, relatively uneventful middle of the poem, after Satan has hatched his demonic plot but before he’s worked out the crucial business with the snake, Adam and Eve occupy themselves with an array of activities: talking, eating and drinking, strolling and stargazing, sleeping, dreaming, bickering and flirting, playing with the animals, tending the roses, socializing with angels, and passing whole days in the unexpectedly interesting business of innocence. [Read more…]

“Skunk Hour,” by Robert Lowell: A Reflection

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by James McWilliams

Robert Lowell
Life Studies / From the Union Dead
Farrar, Straus and Giroux, 176pp

In 1958, The Partisan Review published Robert Lowell’s poem “Skunk Hour.” This was a notable moment in American literary history. The poem was closely linked to Lowell’s friendship with Elizabeth Bishop. Reading and re-reading Bishop’s work allowed Lowell to escape, as he put it, “the shell of my old manner.” It is to her that he dedicates this poem. 

“Skunk Hour” is worthy of close study because it captures Robert Lowell in the midst of creative transformation. He alters himself from a formal to a confessional poet in the middle of the poem. It happens “right before our eyes,” as one critic aptly put it.

What follows is my own stanza-by-stanza attempt to make sense of it. I’ve always loved this poem for the way it hits my ear, and the shifting imagery. But I’ve never really slowed down and tried to figure out why. This is what I’m doing here. My comments are italicized    —jm———

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Hunting in the Dark

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by Kika Dorsey

Joan was convinced she had cancer. Sometimes it was a dull ache in her side, sometimes a cut that didn’t heal. She knew of a woman with Crohn’s Disease and just recently an old friend of hers died of pancreatic cancer. It was just a matter of time before those alien cells took over her body. Her body was on the edge of a cliff, ready to fall. When she got out her Tarot deck, she always drew the Fool. Once she saw the Hermit in a dream. He dropped his lantern and the light tumbled down into a rocky canyon, glowing on the silver cliffs as it fell. It was winter, with pockets of snow on the peaks. [Read more…]

Haruki Murakami’s “The Wind Cave”

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Excerpted from Murakami's recent novel, Killing Commendatore
Translated from the Japanese by Philip Gabriel
Read Riot Material's review of Killing Commedatore

When I was fifteen, my younger sister died. It happened very suddenly. She was twelve then, in her first year of junior high. She had been born with a congenital heart problem, but since her last surgeries, in the upper grades of elementary school, she hadn’t shown any more symptoms, and our family had felt reassured, holding on to the faint hope that her life would go on without incident. But, in May of that year, her heartbeat became more irregular. It was especially bad when she lay down, and she suffered many sleepless nights. She underwent tests at the university hospital, but no matter how detailed the tests the doctors couldn’t pinpoint any changes in her physical condition. The basic issue had ostensibly been resolved by the operations, and they were baffled. [Read more…]

Every Moment Was One Of Dying

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After 79 Years, Joe Frank Departs
RIP
1938 | 2018

The two samples below are enough to show Frank’s savage (and hysterical!) brilliance, but if you need further proof, or merely more of Joe Frank’s wonderous vision, go to joefrank.com and listen to virtually his entire career. Below, Pol Pot, Hitler, Stalin & Mao speak of tailors, floral arrangements, paint colors and books while the lesser-breeds, those less brilliant and accomplished — the pikey-lot of Gary Gilmore, Jeffrey Dahmer, JW Gacy, T-Bone Bundy and Charlie Manson sit with party hats at a nearby children’s table, wordless, inconsequential, shunned. In the second clip, a preacher speaks in Old Nick’s tongue:

“No More my Lord,” from Bad Karma (2000).

“Telephone Prayer,” a clip from Joe Frank’s Men of the Cloth (2001).

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Charles Bukowski’s Storm for the Living and the Dead

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A New Volume Of Uncollected And Unpublished Poems
Reviewed by John Biscello

“Baby . . . I’m a genius but nobody knows it but me.” — Bukowski, Factotum

As a bottom-feeding, hardscrabble Walt Whitman, Bukowski sang of himself, incessantly, with a volcanic chip on his shoulder. He was determined to be heard, recognized, affirmed—Charles Bukowski Wuz Here stamped on Eternity’s forehead. He coerced you to see life as a cruel and dirty joke that he was in on, and often felt himself to be the butt of, and he would play the page like a blowsy stand-up comedian with too much acid in his diet. He was a living room Pulcinella with a beer-gut, a literary W.C. Fields tossing water balloons and Molotov cocktails with sardonic glee.  [Read more…]

Hope Is The Thing With Feathers

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I, Parrot: A Graphic Novel
Reviewed by John Biscello

“A black-sharded lady keeps me in a parrot cage.”
Sylvia Plath

The power of the black-sharded lady, a cunning saboteur of a shadow-self, resides less as a jailor and more as an illusionist. She creates a phantom cage out of thin air, and conditions one to behave and function as a captive, barred from moving beyond limitations that calcify into tainted gospel. In the new graphic novel I, Parrot, written by Deb Olin Unferth and illustrated by Elizabeth Haidle, cages, both real and metaphysical, play into what is a modern-day fable on survival, fierce love, and the necessity of wing-spreading. Or, as Emily Dickinson so eloquently stated: “Hope” is the thing with feathers. [Read more…]

New Work From The Magnificent Denis Johnson: “Strangler Bob”

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“Strangler Bob” is one of five stories from Denis Johnson’s forthcoming collection, The Largesse of the Sea Maiden, which was completed just before his death in May of this year. See Riot Material’s earlier tributes to Denis Johnson here.

Strangler Bob
By Denis Johnson

You hop into a car, race off in no particular direction, and, blam, hit a power pole. Then it’s off to jail. I remember a monstrous tangle of arms and legs and fists, with me at the bottom, gouging at eyes and doing my utmost to mangle throats, but I arrived at the facility without a scratch or a bruise. I must have been easy to subdue. The following Monday, I pled guilty to disturbing the peace and malicious mischief, reduced from felony vehicular theft and resisting arrest because—well, because all this occurs on another planet, the planet of Thanksgiving, 1967. I was eighteen and hadn’t been in too much trouble. I was sentenced to forty-one days. [Read more…]

Denis Johnson’s “Emergency”

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In further tribute to the great Denis Johnson, who died late May, an excerpt from Jesus’ Son:

Emergency

I’d been working in the emergency room for about three weeks, I guess. This was in 1973, before the summer ended. With nothing to do on the overnight shift but batch the insurance reports from the daytime shifts, I just started wandering around, over to the coronary-care unit, down to the cafeteria, et cetera, looking for Georgie, the orderly, a pretty good friend of mine. He often stole pills from the cabinets.

He was running over the tiled floor of the operating room with a mop. “Are you still doing that?” I said.

“Jesus, there’s a lot of blood here,” he complained.

“Where?” The floor looked clean enough to me.

“What the hell were they doing in here?” he asked me.

“They were performing surgery, Georgie,” I told him.

“There’s so much goop inside of us, man,” he said, “and it all wants to get out.” He leaned his mop against a cabinet.

“What are you crying for?” I didn’t understand. [Read more…]

The Killers at Red’s

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Excerpted from Nocturne Variations, a soon-to-be published novel by John Biscello

   Joe pushed open the door and a bell sang.
   Max followed Joe into Red’s.
   The men’s dark hats and trenchcoats were beaded in snow.
   Joe took off his hat and waved it profusely, air-drying the moisture that had accumulated on it. He put the hat back on and surveyed the diner.
   The place was empty except for two customers.
   An old woman, wearing a green hat that fit her head like a woolen conch shell, was seated at a table in the far corner. Arms gelatinously splayed on either side of the table, she was hunched over her bowl as if divining messages from it. When Joe and Max entered, she raised her eyes and stared at them with listless gravity.
   At the counter, which was lined with red vinyl stools, sat a rumpled, doughy-looking man with an eyepatch.
   Snow in April, Joe piped, as if announcing the title of a hit song. [Read more…]

Denis Johnson

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1949 | 2017

Excerpted from Jesus’ Son

Car Crashing While Hitchhiking

A salesman who shared his liquor and steered while sleeping . . . A Cherokee filled with bourbon . . . A VW no more than a bubble of hashish fumes, captained by a college student . . . 

And a family from Marshalltown who head­onned and killed forever a man driving west out of Bethany, Missouri . . . 

. . . I rose up sopping wet from sleeping under the pouring rain, and something less than conscious, thanks to the first three of the people I’ve already named–the salesman and the Indian and the student–all of whom had given me drugs. At the head of the entrance ramp I waited without hope of a ride. What was the point, even, of rolling up my sleeping bag when I was too wet to be let into anybody’s car? I draped it around me like a cape. The downpour raked the asphalt and gurgled in the ruts. My thoughts zoomed pitifully. The travelling salesman had fed me pills that made the linings of my veins feel scraped out. My jaw ached. I knew every raindrop by its name. I sensed everything before it happened. I knew a certain Oldsmobile would stop for me even before it slowed, and by the sweet voices of the family inside it I knew we’d have an accident in the storm. 

I didn’t care. They said they’d take me all the way.  [Read more…]

Where she is opened. Where she is closed.

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by Donika Kelly

When he opens her chest, separates the flat skin
of one breast from the other, breaks the hinge of her ribs,
and begins, slowly, to evacuate her organs, she is silent.

He hollows her like a gourd, places her heart
below her lungs, scrapes the ribs clean of fat
and gristle with his thick fingers. He says, Now you are ready, [Read more…]

In Memoriam, 20 January 2017: What Have We Done?

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Denis Johnson 
From Tree of Smoke

Last night at 3:00 a.m. President Kennedy had been killed. Seaman Houston and the other two recruits slept while the first reports traveled around the world. There was one small nightspot on the island, a dilapidated club with big revolv­ing fans in the ceiling and one bar and one pinball game; the two marines who ran the club had come by to wake them up and tell them what had happened to the President. The two marines sat with the three sailors on the bunks in the Quonset hut for transient enlisted men, watching the air conditioner drip water into a coffee can and drinking beer. The Armed Forces Network from Subic Bay stayed on through the night, broadcasting bulletins about the unfathomable murder. [Read more…]