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Archives for February 2017

The Babies: I

February 26, 2017 By Riot Material Leave a Comment

by Chitra Banerjee Divakaruni

Again last night as we slept,
the babies,
were falling from the sky.
So many of them–
eyes wide as darkness,
glowing lifeless palms. [Read more…]

Filed Under: Fiction, From The Shelf, The Line, The New Word

Ren Hang: Selections

February 25, 2017 By Riot Material Leave a Comment

RIP
Ren Hang  | 1987 – 2017

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

_     _     _

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

Ren Hang

Filed Under: Artist, Image, The Line

No Light, But Rather Darkness Visible: The Broad’s Creature

February 24, 2017 By Nancy Kay Turner Leave a Comment

The Broad, Los Angeles
Reviewed by Nancy Kay Turner

“Man is the only creature that refuses to be what he is.”  —Albert Camus

“Creature,” at The Broad Museum, brings together 55 diverse artists whose engaging work, according to the curatorial statement, demonstrates a “representation of the self.” This vague description states the obvious, as art is always crafted of its maker’s fears, obsessions, thoughts, attitudes, neuroses and beliefs. However, let’s examine the word creature. What does the word “creature” conjure? If you are of a certain age, you might automatically think of the cheesy fifties B movies such as, “Creature of the Black Lagoon” or “Godzilla,” our favorite irradiated lizard mutating into a rampaging gigantic freak of nature. Creatures can inspire fear, dread or curiosity. They can be small and terrifying (tarantulas, snakes), or unknown and unknowable like aliens. They can even be invisible like ghosts, goblins or spirits. Real or invented, they populate our imagination and our nightmares. [Read more…]

Filed Under: Art, Artist, The Line

On The Art Of Scott Burton

February 23, 2017 By Riot Material 1 Comment

By Megan M. Garwood

No one said anything, or even guessed. Everyone waited for it, what could come after abstract expressionism, which had died alongside Jackson Pollock in a senseless, drunken car crash on August 11, 1956. There weren’t any theories on how artists could further the surface of a canvas with paint and tool. The growing meaninglessness of abstract painting merely ramified after numerous aesthetic dead ends. Unquestionably, no American painter could replace Pollock. However, what would come next didn’t need a spokesman, or a macho flâneur with an anger problem for that matter. The art world was about to explode with an androgynous art wave imbued with the spirit of Duchamp, who said: “The whole trend of painting was something I didn’t care to continue” (Tomkins, 2014, p. 100). Many artists of the next generation excoriated the canvas, turned away from the emotive and toward the cerebral. For them, experience became the creator and the artwork. [Read more…]

Filed Under: Artist, The Line

Desert X And Beyond: A Photo Essay

February 22, 2017 By Riot Material Leave a Comment

Photography by Steve Seleska

Desert X


[Read more…]

Filed Under: Image, The Line

An Interview With Neville Wakefield, Curator Of Desert X

February 22, 2017 By C von Hassett Leave a Comment

Neville Wakefield is the Curator and Artistic Director of Desert X, a site-specific contemporary art exhibition
 ongoing throughout the Coachella Valley from February 25 to April 30, 2017. RIOT MATERIAL spoke with Neville on the eve of Desert X’s launch. 

CHRISTOPHER HASSETT: What is it about these artists you’ve selected for Desert X that speak to you personally, or speak to a greater vision you’re trying to articulate through the exhibition, and I refer to them more as an inter-connective group as opposed to distinct individuals?  [Read more…]

Filed Under: Art, Artist, Interview, The Line

Riot Material Talks With Desert X Artists Jennifer Bolande, Glenn Kaino, Phillip K. Smith III and Tavares Strachan

February 22, 2017 By Rachel Reid Wilkie 1 Comment

Desert X, a site-specific contemporary art exhibition
 in the Coachella Valley, curated by Artistic Director Neville Wakefield, will become the sweeping canvas for work by established and emerging artists, whose projects will amplify and articulate global and local issues ranging from climate change to Tribal culture, immigration to tourism, gaming to golf. The exhibition, which opens to the public this weekend, 25 February, will focus attention on, and create a conversation about, environmental, social and cultural conditions of the 21st century as reflected in the greater Palm Springs area.  

In an online roundtable discussion, RIOT MATERIAL spoke with Desert X artists Jennifer Bolande, Glenn Kaino, Phillip K. Smith III, Tavares Strachan about the desert, their driving visions, and their particular installations.  [Read more…]

Filed Under: Art, Artist, Interview, The Line

Prodigious History: On Julius Obsequens’ Liber Prodigiorum

February 21, 2017 By Riot Material Leave a Comment

by Colin Dickey

My friend Joseph Howley, who teaches classics at Columbia University, leans over to me at a bar and asks, “Have you ever heard of Julius Obsequens?” At some point I became known among some friends and acquaintances as someone who collects strange and interesting information, which means I’m now passed all manner of strange tidbit and interesting factoid: over the Internet, at bars, over coffee. This is how Julius Obsequens came into my life—a writer whose story is also about the strange way knowledge is transmitted. [Read more…]

Filed Under: The Line, Thought

 I Am the Pretty Thing That Lives in the House

February 20, 2017 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by Joe Lipsett 

I’m still disappointed that I missed out on Osgood Perkins’ directorial debut February (now retitled The Blackcoat’s Daughter) at last year’s TIFF.  Bloody Disgusting raved about the Emma Roberts film, naming it one of the best films of the year. So I knew that this year I had to check out Perkins’ sophomore effort, I Am the Pretty Thing That Lives in the House (2016).

The new film is a slow-burn haunted house story that’s a little reminiscent of The Others. Unlike other recent ghost films, Perkins eschews CGI completely, opting to use lingering off-centered static shots, silence and an unsettling soundtrack to create a moody, atmospheric tone. To suggest that the film is languid is an understatement. Perkins is less interested in a conventional narrative than he is in enveloping the audience in the timeless world filled with mystery novels, endless routine and constant ethereal banging on the walls. [Read more…]

Filed Under: Cinema Disordinaire

The World Trade Center’s Grand Architectural Failure

February 18, 2017 By Riot Material 1 Comment

In his commentary preceding a review of three new books in The New York Review of Books, excerpted below, Martin Filler speaks to a failure of imagination and architecture at Manhattan’s Ground Zero. You can read the full review in the March 9 issue, or read it on site at nybooks.com

by Martin Filler

No urban design project in modern American experience has aroused such high expectations and intense scrutiny as the rebuilding of the World Trade Center site in New York City. It has taken fifteen years since the terrorist assault of September 11, 2001, for the principal structures of this sixteen-acre parcel in Lower Manhattan to be completed. In a field where time is money in a very direct sense (because of interest payments on the vast sums borrowed to finance big construction schemes), such a long gestation period usually signifies not judicious deliberation on the part of planners, developers, designers, engineers, and contractors, but rather economic, political, or bureaucratic problems that can impede a speedy and cost-efficient conclusion. [Read more…]

Filed Under: Architecture, The Line

The Primitive, Expressive Figurations Of David Lynch

February 14, 2017 By Christopher Michno 2 Comments

Works On Paper And Sculpture
Art Los Angeles Contemporary / Kayne Griffin Corcoran
By Christopher Michno

At this year’s Art Los Angeles Contemporary, the international contemporary art fair of the West Coast, the Los Angeles gallery Kayne Griffin Corcoran devoted its booth to a display of 46 works on paper and two mixed media sculptures by David Lynch. The four day affair, running January 26-29, 2017, offered a dense sampling of the 70 year old artist’s drawings and watercolors, the majority of which were dated from 2008 through 2014. Though most of these works have been previously exhibited, it was a welcome reprise, and Lynch’s works on paper addressed threads that also repeatedly emerge in the auteur’s better known film oeuvre—the desire to probe the unconscious mind, the sense of the uncanny, the need to stare directly into the murky depths of humanity’s darkness. But as is the nature of small works on paper, they are quieter than his film work, and more reflective. [Read more…]

Filed Under: Art, Artist, The Line

Doron Langberg, Now And Memory

February 13, 2017 By Phoebe Hoban Leave a Comment

at 1969 Gallery, LES
Reviewed by Phoebe Hoban

Elizabeth Peyton’s portraits of both her friends and members of the cultural elite of her era, (Kurt Cobain comes to mind), first gained celebrity in the mid-to-late 90s. Since then, there has been what one might informally call a Peyton school of portraiture, particularly among young or emerging artists. Peyton herself owes a debt to the great portrait painter Alice Neel, known for her incisive psychological studies, and in fact paid homage to Neel with a nude image of the artist (referencing Neel’s own famous nude self-portrait at age 80.) [Read more…]

Filed Under: Art, Artist, The Line

Patti Smith And David Lynch Speak Of Film, Music, And The Creative Impulse

February 13, 2017 By Riot Material 1 Comment

Filed Under: Interview, The Line, Video

A Visitor

February 4, 2017 By Riot Material Leave a Comment

by Nicholas Christopher

Who are you and what do you want here?
Upon your arrival, birds swooped into the trees,
dogs cowered in the bushes,
and the one cat stepped through her own shadow
on a wall and disappeared.

Because you could only have come from one direction– [Read more…]

Filed Under: Fiction, From The Shelf, The Line, The New Word

Michael Ackerman And The Current Mood

February 2, 2017 By Riot Material Leave a Comment

Michael Ackerman [Read more…]

Filed Under: Image, The Line

The Line

An interview with Alison Saar, at Riot Material magazine.

An Interview with Alison Saar

By Ricky Amadour As an indefatigable voice for women of color and the greater human spirit, Alison Saar recomposes fractured histories into multivalent sculptures. Saar curated SeenUNseen, a group exhibition at L.A. Louver Gallery, with a focus on spirit portraiture. Throughout human existence there has been a predilection to the allure of the unseen. Hidden […]

William S. Burroughs on a bed, smoking a cigarette.

“The Opposite of Literature:” Mary McCarthy’s Feb. ’63 Review of Naked Lunch

From the inaugural print edition of The New York Review of Books In remembrance of Jason Epstein, originator and co-founder of NYRB RIP 1928-2022 by Mary McCarthy Naked Lunch  by William S. Burroughs Grove Press, 304pp., $14.49 “You can cut into The Naked Lunch at any intersection point,” says Burroughs, suiting the action to the […]

Remembered and Remade: James Castle’s Conjurings of Mind

James Castle at David Zwirner, NYC (through 12 February 2022) by Andrew Martin James Castle: Memory Palace John Beardsley Yale University Press, 280pp., $65.00 NYR Every James Castle picture seems to contain a secret. Approaching one of his works for the first time, you peer into pockets of shadow and smudge, examining the depopulated landscapes […]

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

An excerpt from a new book which examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. —The University of Chicago Press Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction by Steven Ruszczycky University of Chicago Press, 216pp., $30.00 In the United […]

Hilary Brace, Drawings and Tapestries, is reviewed at Riot Material magazine.

Darkness Made Visible in Hilary Brace’s Drawings and Tapestries

at Craig Krull Gallery, Bergamot Station (through 19 February 2022) Reviewed by Eve Wood The intricacies and inherent beauty of the natural world are rarely celebrated these days, and when artists do turn their attention to the surrounding landscape, the resulting images are usually ones of devastation and chaos — charting the movement of fires, […]

The Tragedy of Macbeth 

A film written and directed by Joel Coen Reviewed by James Shapiro NYR Those who have long followed the Coen brothers and their cinematic universe of criminals, nihilists, and overreachers may see in Joel Coen’s The Tragedy of Macbeth (2021) a long-deferred reckoning with Shakespeare, who has been there before them. We don’t typically think of Shakespeare […]

John Divola, From Dogs Chasing My Car In The Desert,1996-98,

Illuminating Images: Liquid Light and Golden Hour and the Affective Force of Non-Didactic Art

at the Vincent Price Art Museum, Los Angeles (through 5 February 2022) Reviewed by Johanna Drucker What is the difference between a wall label and a work of art? The unrelenting didacticism that prevails in current gallery and museum exhibits of contemporary art makes it seem that many curators and artists cannot answer that question. […]

The Occult Works of Ray Robinson, with an essay by Christopher Ian Lutz, is at Riot Material Magazine.

The Brush as Luminous Torch: Ray Robinson’s Blazing Portals Into the Divine Feminine

The Third Door:Occult Works of Ray Robinson, at the Buckland Museum of Witchcraft and Magic (through 15 January) by Christopher Ian Lutz Burn the Sun The persecution of the witch is a war of the hours. The Inquisition that charged women with witchcraft was not just about controlling women’s bodies – it was a crusade to extinguish […]

An Interview with Artist Gala Porras-Kim is at Riot Material Magazine.

An Interview with Artist Gala Porras-Kim

by Ricky Amadour . Interdisciplinary artist Gala Porras-Kim frames her research to highlight and question the current institutional practices of conservation, acquisition, and deaccession. Acting as an investigator of cultural artifacts that correspond to institutional collections, Porras-Kim deep dives into the expansive histories, stories, and functions of those objects. The artist’s first solo exhibition in […]

Seizing the Snowmelt: Industrial Agriculture is Draining Our State Dry

by Mark Arax The Dreamt Land: Chasing Water and Dust Across California by Mark Arax Knopf, 576pp., $25.00 MITTR The wind finally blew the other way last night and kicked out the smoke from the burning Sierra. Down here in the flatland of California, we used to regard the granite mountain as a place apart, our […]

The Great Flood of 1862

The Looming Catastrophe Few in California Are Aware Of (or in Want to Address)

An excerpt from Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent it, by Tom Philpott. THE FLOOD NEXT TIME In November 1860, a young scientist from upstate New York named William Brewer disembarked in San Francisco after a long journey that took him from New York City through Panama and then […]

Precontact California Indians: Their Life Prior to Genocide

An excerpt from the first chapter of An American Genocide: The United States and the California Indian Catastrophe, by Benjamin Madley. CALIFORNIA INDIANS BEFORE 1846 Within a few days, eleven little babies of this mission, one after the other, took their flight to heaven. -Fray Junipero Serra, 1774 We were always trembling with fear of […]

Laurie Anderson's "The Weather," is reviewed at Riot Material magazine.

An Atmospheric River of Wonder in Laurie Anderson’s The Weather

at the Hirshhorn Museum and Sculpture Garden, Washington D.C. (through 31 July 2022)  Reviewed by Nancy Kay Turner             “What are the days for? To put between the endless nights. What are the nights for? To slip through time into another world.”  –Laurie Anderson             “Stories are our weather”  –Laurie Anderson Laurie Anderson is a Renaissance polymath whose […]

Maria Lassnig Augenglaeser - Autoportraets (1965)

Maria Lassnig: The Paris Years, 1960–68

at Petzel Gallery, New York City Reviewed by James Quandt Maria Lassnig: Film Works edited by Eszter Kondor, Michael Loebenstein, Peter Pakesch, and Hans Werner Poschauko FilmmuseumSynemaPublikationen, 189 pp., $35.00 NYRB Many female artists — most recently Carmen Herrera, Faith Ringgold, and Lorraine O’Grady — have had to wait a lifetime to be accorded the recognition […]

Marcellina Akpojotor’s Sublime Matriarchy

Daughters of Esan at Rele Gallery, Los Angeles (through 4 December 2021) Reviewed by Eve Wood Marcellina Akpojotor’s second solo exhibition, Daughters of Esan, continues her exploration into notions of personal intimacy, drawing on her own relationships with her family and the tremendously powerful and transformational possibilities of education and love. Inspired by her great-grandmother’s […]

An interview with Rachael Tarravechia, at Riot Material

Fear and Self-Loathing in Rachael Tarravechia’s Wish You Were Here

at Launch F18, NYC (through 4 December 2021) by Danielle Dewar The horror genre is rooted in a desire for catharsis by means of dispelling fears and anxieties that live deep within a subconscious mind. Since we often crave a controlled release of such emotions, the use of the macabre within an artist’s practice allows […]

Umar Rashid, aka Frohawk Two Feathers, exhibition review of En Garde/On God is at Riot Material magazine

Histories Disembowled in Umar Rashid’s En Garde/On God

at Blum and Poe, Los Angeles (through 18 December 2021) Reviewed by Ellen C. Caldwell In En Garde/On God, Blum & Poe showcases the work of artist Umar Rashid (also known by the pen name Frohawk Two Feathers). Featuring thirteen large paintings and one sculpture in Rashid’s hallmark style, the exhibition highlights works that are bold […]

A Grid Gone Wholly Off in My Monticello

Reviewed by Bridgett M. Davis My Monticello By Jocelyn Nicole Johnson Henry Holt & Company, 210 pp., $13.49 NYT In the essay “The Site of Memory,” Toni Morrison described the crafting of her fictional worlds as a quest to access the interior lives of her ancestors. “It’s a kind of literary archeology,” she explained. “On the […]

The Web of Mind Throughout Our Earth

Reviewed by Zoë Schlanger Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures by Merlin Sheldrake Random House, 352 pp., $28.00; $15.48 NYRB Imagine that you are afloat on your back in the sea. You have some sense of its vast, unknowable depths—worlds of life are surely darting about beneath […]

Drugs Amongst Other Adult Liberties

Reviewed by Mike Jay Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear by Dr. Carl L. Hart Penguin Press, 290 pp., $16.94 NYRB The modern meaning of “drugs” is of surprisingly recent origin. Until the twentieth century, the word referred to all medications (as it still does in “drugstore”); it was only […]

Rashid Johnson, Anxious Red Painting August 20th. At Riot Material

Break//Breathe: Broken Men That Glitter

by Allyn Aglaïa Aumand On the coherence of fracture an essay in fragments on fragments * I had a lover once, who self described as a volcano, but fully encased. Make space to let it out sometimes, I told him. That’s why I wanted to see you today, he said.

Against White Feminism: Notes on Disruption

An excerpt from a new book W. W. Norton calls “a radically inclusive, intersectional, and transnational approach to the fight for women’s rights.”  Against White Feminism: Notes on Disruption by Rafia Zakaria W. W. Norton, 256pp., $23.95 There is an important distinction between what Nancy Fraser calls “affirmative change” and actual transformational change. The former is […]

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