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Archives for February 2017

The Babies: I

February 26, 2017 By Riot Material Leave a Comment

by Chitra Banerjee Divakaruni

Again last night as we slept,
the babies,
were falling from the sky.
So many of them–
eyes wide as darkness,
glowing lifeless palms. [Read more…]

Filed Under: Fiction, From The Shelf, The Line, The New Word

Ren Hang: Selections

February 25, 2017 By Riot Material Leave a Comment

RIP
Ren Hang  | 1987 – 2017

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.
RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

_     _     _

RIP: Ren Hang | 1987 - 2017. A photo essay of his greatest work is at Riot Material magazine.

Ren Hang

Filed Under: Artist, Image, The Line

No Light, But Rather Darkness Visible: The Broad’s Creature

February 24, 2017 By Nancy Kay Turner Leave a Comment

The Broad, Los Angeles
Reviewed by Nancy Kay Turner

“Man is the only creature that refuses to be what he is.”  —Albert Camus

“Creature,” at The Broad Museum, brings together 55 diverse artists whose engaging work, according to the curatorial statement, demonstrates a “representation of the self.” This vague description states the obvious, as art is always crafted of its maker’s fears, obsessions, thoughts, attitudes, neuroses and beliefs. However, let’s examine the word creature. What does the word “creature” conjure? If you are of a certain age, you might automatically think of the cheesy fifties B movies such as, “Creature of the Black Lagoon” or “Godzilla,” our favorite irradiated lizard mutating into a rampaging gigantic freak of nature. Creatures can inspire fear, dread or curiosity. They can be small and terrifying (tarantulas, snakes), or unknown and unknowable like aliens. They can even be invisible like ghosts, goblins or spirits. Real or invented, they populate our imagination and our nightmares. [Read more…]

Filed Under: Art, Artist, The Line

On The Art Of Scott Burton

February 23, 2017 By Riot Material 1 Comment

By Megan M. Garwood

No one said anything, or even guessed. Everyone waited for it, what could come after abstract expressionism, which had died alongside Jackson Pollock in a senseless, drunken car crash on August 11, 1956. There weren’t any theories on how artists could further the surface of a canvas with paint and tool. The growing meaninglessness of abstract painting merely ramified after numerous aesthetic dead ends. Unquestionably, no American painter could replace Pollock. However, what would come next didn’t need a spokesman, or a macho flâneur with an anger problem for that matter. The art world was about to explode with an androgynous art wave imbued with the spirit of Duchamp, who said: “The whole trend of painting was something I didn’t care to continue” (Tomkins, 2014, p. 100). Many artists of the next generation excoriated the canvas, turned away from the emotive and toward the cerebral. For them, experience became the creator and the artwork. [Read more…]

Filed Under: Artist, The Line

Desert X And Beyond: A Photo Essay

February 22, 2017 By Riot Material Leave a Comment

Photography by Steve Seleska

Desert X


[Read more…]

Filed Under: Image, The Line

An Interview With Neville Wakefield, Curator Of Desert X

February 22, 2017 By C von Hassett Leave a Comment

Neville Wakefield is the Curator and Artistic Director of Desert X, a site-specific contemporary art exhibition
 ongoing throughout the Coachella Valley from February 25 to April 30, 2017. RIOT MATERIAL spoke with Neville on the eve of Desert X’s launch. 

CHRISTOPHER HASSETT: What is it about these artists you’ve selected for Desert X that speak to you personally, or speak to a greater vision you’re trying to articulate through the exhibition, and I refer to them more as an inter-connective group as opposed to distinct individuals?  [Read more…]

Filed Under: Art, Artist, Interview, The Line

Riot Material Talks With Desert X Artists Jennifer Bolande, Glenn Kaino, Phillip K. Smith III and Tavares Strachan

February 22, 2017 By Rachel Reid Wilkie Leave a Comment

Desert X, a site-specific contemporary art exhibition
 in the Coachella Valley, curated by Artistic Director Neville Wakefield, will become the sweeping canvas for work by established and emerging artists, whose projects will amplify and articulate global and local issues ranging from climate change to Tribal culture, immigration to tourism, gaming to golf. The exhibition, which opens to the public this weekend, 25 February, will focus attention on, and create a conversation about, environmental, social and cultural conditions of the 21st century as reflected in the greater Palm Springs area.  

In an online roundtable discussion, RIOT MATERIAL spoke with Desert X artists Jennifer Bolande, Glenn Kaino, Phillip K. Smith III, Tavares Strachan about the desert, their driving visions, and their particular installations.  [Read more…]

Filed Under: Art, Artist, Interview, The Line

Prodigious History: On Julius Obsequens’ Liber Prodigiorum

February 21, 2017 By Riot Material Leave a Comment

by Colin Dickey

My friend Joseph Howley, who teaches classics at Columbia University, leans over to me at a bar and asks, “Have you ever heard of Julius Obsequens?” At some point I became known among some friends and acquaintances as someone who collects strange and interesting information, which means I’m now passed all manner of strange tidbit and interesting factoid: over the Internet, at bars, over coffee. This is how Julius Obsequens came into my life—a writer whose story is also about the strange way knowledge is transmitted. [Read more…]

Filed Under: The Line, Thought

 I Am the Pretty Thing That Lives in the House

February 20, 2017 By Cvon Leave a Comment

CINEMA DISORDINAIRE

Reviewed by Joe Lipsett 

I’m still disappointed that I missed out on Osgood Perkins’ directorial debut February (now retitled The Blackcoat’s Daughter) at last year’s TIFF.  Bloody Disgusting raved about the Emma Roberts film, naming it one of the best films of the year. So I knew that this year I had to check out Perkins’ sophomore effort, I Am the Pretty Thing That Lives in the House (2016).

The new film is a slow-burn haunted house story that’s a little reminiscent of The Others. Unlike other recent ghost films, Perkins eschews CGI completely, opting to use lingering off-centered static shots, silence and an unsettling soundtrack to create a moody, atmospheric tone. To suggest that the film is languid is an understatement. Perkins is less interested in a conventional narrative than he is in enveloping the audience in the timeless world filled with mystery novels, endless routine and constant ethereal banging on the walls. [Read more…]

Filed Under: Cinema Disordinaire

The World Trade Center’s Grand Architectural Failure

February 18, 2017 By Riot Material 1 Comment

In his commentary preceding a review of three new books in The New York Review of Books, excerpted below, Martin Filler speaks to a failure of imagination and architecture at Manhattan’s Ground Zero. You can read the full review in the March 9 issue, or read it on site at nybooks.com

by Martin Filler

No urban design project in modern American experience has aroused such high expectations and intense scrutiny as the rebuilding of the World Trade Center site in New York City. It has taken fifteen years since the terrorist assault of September 11, 2001, for the principal structures of this sixteen-acre parcel in Lower Manhattan to be completed. In a field where time is money in a very direct sense (because of interest payments on the vast sums borrowed to finance big construction schemes), such a long gestation period usually signifies not judicious deliberation on the part of planners, developers, designers, engineers, and contractors, but rather economic, political, or bureaucratic problems that can impede a speedy and cost-efficient conclusion. [Read more…]

Filed Under: Architecture, The Line

The Primitive, Expressive Figurations Of David Lynch

February 14, 2017 By Christopher Michno 2 Comments

Works On Paper And Sculpture
Art Los Angeles Contemporary / Kayne Griffin Corcoran
By Christopher Michno

At this year’s Art Los Angeles Contemporary, the international contemporary art fair of the West Coast, the Los Angeles gallery Kayne Griffin Corcoran devoted its booth to a display of 46 works on paper and two mixed media sculptures by David Lynch. The four day affair, running January 26-29, 2017, offered a dense sampling of the 70 year old artist’s drawings and watercolors, the majority of which were dated from 2008 through 2014. Though most of these works have been previously exhibited, it was a welcome reprise, and Lynch’s works on paper addressed threads that also repeatedly emerge in the auteur’s better known film oeuvre—the desire to probe the unconscious mind, the sense of the uncanny, the need to stare directly into the murky depths of humanity’s darkness. But as is the nature of small works on paper, they are quieter than his film work, and more reflective. [Read more…]

Filed Under: Art, Artist, The Line

Doron Langberg, Now And Memory

February 13, 2017 By Phoebe Hoban Leave a Comment

at 1969 Gallery, LES
Reviewed by Phoebe Hoban

Elizabeth Peyton’s portraits of both her friends and members of the cultural elite of her era, (Kurt Cobain comes to mind), first gained celebrity in the mid-to-late 90s. Since then, there has been what one might informally call a Peyton school of portraiture, particularly among young or emerging artists. Peyton herself owes a debt to the great portrait painter Alice Neel, known for her incisive psychological studies, and in fact paid homage to Neel with a nude image of the artist (referencing Neel’s own famous nude self-portrait at age 80.) [Read more…]

Filed Under: Art, Artist, The Line

Patti Smith And David Lynch Speak Of Film, Music, And The Creative Impulse

February 13, 2017 By Riot Material 1 Comment

Filed Under: Interview, The Line, Video

A Visitor

February 4, 2017 By Riot Material Leave a Comment

by Nicholas Christopher

Who are you and what do you want here?
Upon your arrival, birds swooped into the trees,
dogs cowered in the bushes,
and the one cat stepped through her own shadow
on a wall and disappeared.

Because you could only have come from one direction– [Read more…]

Filed Under: Fiction, From The Shelf, The Line, The New Word

Michael Ackerman And The Current Mood

February 2, 2017 By Riot Material Leave a Comment

Michael Ackerman [Read more…]

Filed Under: Image, The Line

The Line

A review of Thelonious Monk's Palo Alto

Palo Alto Sees the Thelonious Monk Quartet at its “Final Creative High”

Reviewed by Marty Sartini Garner Palo Alto on Impulse! Pitchfork Thelonious Monk once said: “Weird means something you never heard before. It’s weird until people get around to it. Then it ceases to be weird.” By the time Monk and his quartet strode into the auditorium at Palo Alto High School on October 27, 1968, […]

Archie Shepp Quartet, Stadsteatern, Stockholm, September 1966. An interview with Archie Shepp, September 2020

Music for a Revolution: A Word with Jazz Great Archie Shepp

Interview by Accra Shepp NYRB My father, the saxophonist Archie Shepp, has recorded more than 110 albums since 1962, performed all over the world, and received numerous honors, including the 2016 Jazz Master’s Award from the National Endowment for the Arts. In the 1960s, he helped define “free jazz,” a new idiom in which the […]

Bobby Seale Checks Food Bags. March 31, 1972.

Food As Culture, Identity and an Enduring Form of Black Protest

By Amethyst Ganaway Food & Wine We are demanding, not asking, for “Land, Bread, Housing, Education, Clothing, Justice And Peace.” —Amethyst Ganaway Black people in America have used food as a means of resistance, rebellion, and revolution since being forcefully brought here in the late 1500s. Food has always been a part of the culture and […]

A Pandemic Q&A with David Lynch

Pandemic Musings: A From-The-Bag Q&A With David Lynch

 From David Lynch Theater Presents: “Do You Have a Question for David? Part 1”

Erin Currier, American Women (dismantling the border) II. Read the interview with Erin excerpted from Lisette Garcia's new book, Ponderosas, at Riot Material.

An Interview with Erin Currier: Artist, Writer & Activist

by Lisette García and Barrett Martin excerpted from Ponderosas: Conversations with Extraordinary, Ordinary Women  by Lisette García, Ph. D available November 20th Sunyata Books “You have to act as if it were possible to radically transform the world. And then you have to do it all the time.” –Angela Davis Barrett: I first met Erin Currier and her […]

A review of Mark Lynas's new book, "Our Final Warning: Six Degrees of Climate Emergency," is at Riot Material Magazine.

The Earth Commences Her Retalitory Roar

Reviewed by Bill McKibben  Our Final Warning: Six Degrees of Climate Emergency by Mark Lynas London: 4th Estate, 372 pp., $27.99 The New York Review of Books So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, […]

Oliver Stone in Vietnam. A review of his new book, Chasing the Light, is at Riot Material

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

Reviewed by Alci Rengifo Chasing the Light by Oliver Stone Houghton Mifflin Harcourt, 352 pp., $25.20 If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our […]

Toyin Ojih Odutola's wonderful exhibition, A Countervailing Theory, at Barbican Centre, London, is reviewed at Riot Material Magazine

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

at The Barbican, London (through 24 Jan 2021) Reviewed by Christopher P Jones Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and […]

Driving Whle Black, two books reviewed at Riot Material

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

by Sarah A. Seo Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Liveright, 332 pp., $28.95 Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy Taylor Abrams, 360 pp., $35.00 The New York Review of Books In 1963, after Sam Cooke was […]

A review of Sontag: Here Life and Work is at Riot Material

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

Reviewed by Michael Gorra Sontag: Her Life and Work by Benjamin Moser Ecco, 816 pp., $39.99 New York Review of Books Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald […]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

Reviewed by John Biscello The Deeper the Water the Uglier the Fish by Katya Apekina Two Dollar Radio, 353pp., $12.74 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again In the name of nursery rhyme remixology, first let us […]

Heads of the Colored People, by Nafissa Thompson-Spires, is reviewed at Riot Material

Histories of Trauma in Heads of the Colored People

Reviewed by Patrick Lohier Heads of the Colored People by Nafissa Thompson-Spires Thorndike Press, 293pp., $32.99 Harvard Review In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” […]

Lord Krishna speaks to Prince Arjuna about the Gita

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

The Bhagavad Gita Translated by Eknath Easwaran Vintage Books, 122pp., $15.00 Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked […]

A review of Kevin Young's Brown is at Riot Material

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

Reviewed by Kevin T. O’Connor Brown: Poems by Kevin Young Knopf, 176pp., $19.29 Harvard Review In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” […]

Dispatch: Poems, by Cameron Awkward-Rich

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

Reviewed by Flora Field Dispatch by Cameron Awkward-Rich Persea, 80pp., $12.69 Columbia Journal In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the […]

The Monument to Joe Louis, aka "The Fist," as sculpted by Robert Graham

Relic as Horrific Remembrance in the Monument to Joe Louis

by Max King Cap “My father was a little headstrong, my mother was a little armstrong. The Headstrongs married the Armstrongs, and that’s why darkies were born.” — Rufus T. Firefly, Duck Soup, 1933 He had done it before. One can readily find the photographs of his handiwork; two human torsos, headless, the legs amputated just below […]

Cornel West and his 2001 Preface to Race Matters: "Democracy Matters in Race Matters." At Riot Material.

Cornel West’s “Democracy Matters in Race Matters”

Preface to the 25th Anniversary Edition to Race Matters Race Matters by Cornel West Beacon Press, 110pp., $11.60 Black people in the United States differ from all other modern people owing to the unprecedented levels of unregulated and unrestrained violence directed at them. No other people have been taught systematically to hate themselves — psychic violence […]

Another Week in the Death of America

Samantha Fields, American Dreaming at LSH CoLab, Los Angeles Reviewed by Eve Wood The first verse of the Mamas and the Papas seminal 1960’s anthem California Dreamin’ begins with “all the leaves are brown, and the sky is grey,” at once establishing an atmosphere devoid of color, hope and youthful abandon, and certainly not a […]

Through the Lens of Race, and Jim Crow South, in Eudora Welty's photographs

Reckoning Race in Eudora Welty’s Photographs

by James McWilliams Two portraits; two men. Both are from 1930s Mississippi. The men are situated together, photos 22 and 23, both from Eudora Welty’s only published book of photographs, simply titled Photographs. If you could put a frame around both images it would be the Jim Crow South.

Kara Walker's Fons Americanus (2019) at Turbine Hall at the Tate Modern

A Gathering Of Ruins, And Simmering Consciousness, In Kara Walker’s Fons Americanus

in Turbine Hall at Tate Modern, London by Zadie Smith Kara Walker: Hyundai Commission edited by Clara Kim Tate Publishing, 144pp., $24.95 New York Review of Books Two women are bound at the waist, tied to each other. One is a slim, white woman, in antebellum underskirt and corset. A Scarlett O’Hara type. She is […]

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