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Archives for December 2017

New Work From Chloé: Androgyne

December 31, 2017 By Cvon Leave a Comment

Featuring Alain Chamfort

Filed Under: Riot Sounds

New Work From Yaeji: “Feel It Out”

December 30, 2017 By Cvon Leave a Comment

Nick Godmode Remix

Filed Under: Riot Sounds

New Work From Moby: “Like A Motherless Child”

December 30, 2017 By Cvon Leave a Comment

From his forthcoming release, Everything Was Beautiful, and Nothing Hurt, due out in March.

Filed Under: Riot Sounds, Video

New Work From Tee Mango: “Confused”

December 30, 2017 By Cvon Leave a Comment

From the Losing Control EP

Filed Under: Riot Sounds

On I, Tonya And Playing By The Rules

December 30, 2017 By Seren Sensei Leave a Comment

by Seren Sensei

There is a scene in the film I, Tonya where Tonya Harding, played by Margot Robbie, has just skated a stellar performance. It is clear she possesses more athleticism and raw talent than the skaters before her, yet she receives low marks across the board. She approaches the judge’s table in anger. Admitting to the strength of her routine, they then criticize her nail polish (blue) and her choice of music (Zeppelin). She is told her scores would improve if she worked harder to fit in. Her response? “Suck my dick.” She then fires the well-dressed coach who sided with the judges and advises her to “lose the nail polish.” [Read more…]

Filed Under: The Line, Thought

Radical Melodies: From The French Revolution To Star Wars

December 28, 2017 By Alci Rengifo Leave a Comment

by Alci Rengifo

There are links between eras so subtle we barely detect them in the fabric of the times. We enter the movie theater and are swept away by the images and the aural force of the music score. But in the films we see we can also find the interesting threads that bind us to past histories. Listen closely to the harmonies propelling a scene forward, and the ear will catch the whisper of a previous era aflame with powerful ideals. At the closure of the film season, audiences have recently flocked to the polarizing new Star Wars film, The Last Jedi, the latest, bombastic addition to the canon. In addition to Mark Hamill and Carrie Fisher, there was another returning marquee name essential to the identity of this franchise, or better put, the pop mythology of the times. I mean, of course, composer John Williams. Audiences may have little way of realizing as they are experiencing a film that they are participating in one of the last stands of the great Romantic period. If we are at the dawn of new revolutions, then in the cinema we find traces of one of the grandest revolutions to have re-shaped culture. [Read more…]

Filed Under: Film, The Line, Thought

Andy Robert: LAKOU: One Two Five

December 22, 2017 By Emily Nimptsch Leave a Comment

At Hannah Hoffman Gallery, Los Angeles (Through February 17, 2018)
By Emily Nimptsch

Hailing from the picturesque seaside town of Les Cayes, Haiti, conceptual painter Andy Robert has built a career on exploring notions of community. As a graduate of the prestigious Whitney Independent Study Studio Program, this assemblage and found object artist has depicted the human side of such monumental and important issues as the Flint Water crisis and poverty in exhibitions past. His latest series, Lakou: One Two Five currently on display at one of Hollywood’s avant-garde art meccas, Hannah Hoffman Gallery, this poignant collection delves into the ideas of heritage, society, and place. These intimate, heartfelt cityscapes and portraits connect the viewer to the Caribbean and its culture, people, and its tragic history. [Read more…]

Filed Under: Art, Artist, The Line

Molly’s Game Is An Exhilarating Watch, But Ultimately Fails

December 22, 2017 By Kristy Puchko Leave a Comment

Review by Kristy Puchko

After decades of winning praise as a screenwriter, Aaron Sorkin makes his directorial debut with Molly’s Game, a bold biopic about a resilient and notorious poker entrepreneur. Electric with Sorkin’s signature wit and fronted by Jessica Chastain in a powerhouse performance, the film has a sharp and undeniable charm. Then Sorkin gambles away audience good will with a stupid, ham-fisted ice rink sequence. [Read more…]

Filed Under: Film, The Line

Ken Burns And Lynn Novick’s The Vietnam War

December 20, 2017 By Riot Material 1 Comment

Reviewed by Frances FitzGerald
An extract from “The Pity of It All,” courtesy of the New York Review of Books

Ken Burns achieved renown with lengthy film histories of the Civil War, World War II, jazz, and baseball, but he describes his documentary The Vietnam War, made in close collaboration with his codirector and coproducer Lynn Novick, as “the most ambitious project we’ve ever undertaken.” Ten years in the making, it tells the story of the war in ten parts and over eighteen hours. Burns and Novick have made a film that conveys the realities of the war with extraordinary footage of battles in Vietnam and antiwar demonstrations in the United States. [Read more…]

Filed Under: Film, The Line, Thought

The Will to Deceive: On Robert B. Pippin’s The Philosophical Hitchcock

December 18, 2017 By Riot Material Leave a Comment

The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness
(Chicago: University of Chicago Press, 2017)
Reviewed by Martin Woessner

One of the benefits of living in New York City is that on any night of the week you can find a decent film to see on something other than the tiny screen of your laptop and in something other than a sprawling, suburban multiplex. Thanks, in part, to longstanding institutions, such as Anthology Film Archives and Film Forum, or upstarts, such as Metrograph and the newly remodeled Quad Cinema, cinematic culture survives, even thrives, here in a way that is increasingly impossible to find anywhere else. And it is a good thing, too, because the apartments are small and overpriced, the subways are irregular and overcrowded, and the pizza, dare I say it, is overrated. Something has to make up for the daily struggle. [Read more…]

Filed Under: Books, The Line

Rising (SHADED’s Realized Dreams Remix)

December 16, 2017 By Cvon Leave a Comment

Anabel Englund, Matt Ossentjuk, Human Life & Mont Blvck

Filed Under: Riot Sounds

New Work From Nabihah Iqbal: “Zone 1 to 6000”

December 16, 2017 By Cvon Leave a Comment

From her release, Weighing Of The Heart.

Filed Under: Riot Sounds, Video

New Work From Total Control: “Vanity”

December 14, 2017 By Cvon Leave a Comment

From their recently released EP, Laughing At The System

Filed Under: Riot Sounds

Michelangelo: Divine Draftsman and Designer

December 14, 2017 By Arabella Hutter von Arx 3 Comments

at The Metropolitan Museum of Art, NYC
Reviewed by Arabella Hutter von Arx

While individual galleries throughout this fine exhibition at The Met lie hushed in low-light to preserve these truly masterful drawings—their nuanced hatchings, their delicate shadings, their refined, ephemeral colorings—the pièce de résistance of Michelangelo: Divine Draftsman and Designer will stun the visitor: The Sistine chapel’s ceiling frescos projected on an upside down screen. The flawless, backlit surfaces convey most effectively the colossal composition, and reproduce with accuracy the gaudiness of the original. This technological marvel might be perceived as preposterous by the more discerning modern visitor, but is likely to have been applauded by Michelangelo and the public of the Renaissance.  [Read more…]

Filed Under: Art, Artist, The Line

Monstrosity Of Love: The Shape Of Water And Cinema As Romantic Subversion

December 12, 2017 By Alci Rengifo Leave a Comment

By Alci Rengifo

Dvorák: Symphony No.9 In E Minor, Op.95, B. 178 “From the New World” – 1. Adagio – Allegro molto, by Wiener Philharmoniker, Herbert von Karajan. 1985

One sits in the dead of night, listening to Dvorak, while attempting to form thoughts on a strange, beautiful film. Guillermo Del Toro’s sensuous new film, The Shape of Water, is love as monstrosity, as a distortion of a conformist view of love. Del Toro could not have known how timely his parable would become. If the arts can interpret the psyche and the mood of a time, then Del Toro is but one of several artists and filmmakers who is producing art that responds to our predicament with a radical heart, but a radicalism based on the revolutionary act of seeing the other beyond their veils. [Read more…]

Filed Under: Film, The Line, Thought

Roque Dalton’s “Toward a Better Love”

December 11, 2017 By Riot Material Leave a Comment

“Sex is a political condition.” — Kate Millet

No one disputes that sex
is a condition in the world of the couple:
from there, tenderness and its wild branches.

No one disputes that sex
is a domestic condition:
from there, kids,
nights in common
and days divided
(he, looking for bread in the street,
in offices or factories;
she, in the rear guard of domestic functions,
in the strategy and tactic of the kitchen
that allows survival in a common struggle
at least to the end of the month). [Read more…]

Filed Under: The New Word

New Work From Oneohtrix Point Never: “The Pure and the Damned”

December 11, 2017 By Cvon Leave a Comment

Featuring Iggy Pop
From the soundtrack to excellent film, Good Time

Filed Under: Riot Sounds, Video

Shadowman Is As Intense And Infuriating As Its Protagonist

December 8, 2017 By Shana Nys Dambrot Leave a Comment

By Shana Nys Dambrot

This movie is intense. But then again, Richard Hambleton was kind of intense. Also much like the artist, the documentary itself is infuriating at times, emotionally compelling, and a bit sad. As an early pioneer of the legendary Lower East Side art scene of the early 1980’s, Hambleton cut quite a figure. Stylish, handsome, brilliant, and troubled. He had demons and great ideas. He was friends with Basquiat and Haring. He basically invented a genre — conceptual graffiti. He was famous at home and abroad, in the galleries and the glossies. He had great clothes and gave extensive interviews. He had a slow-moving drug problem that eventually became unmanageable. He disappeared. He was homeless, addicted, evicted. He never stopped painting. “He followed his muse I guess,” says performance artist Penny Arcade at one point in the film. “But Richard’s muse was a cracked out junkie ho.” [Read more…]

Filed Under: Film, The Line

P.T. Anderson’s Phantom Thread Couldn’t Come At A Worse Time

December 7, 2017 By Kristy Puchko 7 Comments

Reviewed by Kristy Puchko

In the post-Weinstein era, we look around at the carnage of shattered lives and wonder how we got here. What a poor time for the release of Paul Thomas Anderson’s Phantom Thread, which pushes the narrative that geniuses are on some level allowed to be abusive. If your work is beautiful enough, your soul can be made of scabs and darkness. The world excuses so much if you’re talented and male. [Read more…]

Filed Under: Film, The Line

Charles Bukowski’s Storm for the Living and the Dead

December 7, 2017 By John Biscello Leave a Comment

A New Volume Of Uncollected And Unpublished Poems
Reviewed by John Biscello

“Baby . . . I’m a genius but nobody knows it but me.” — Bukowski, Factotum

As a bottom-feeding, hardscrabble Walt Whitman, Bukowski sang of himself, incessantly, with a volcanic chip on his shoulder. He was determined to be heard, recognized, affirmed—Charles Bukowski Wuz Here stamped on Eternity’s forehead. He coerced you to see life as a cruel and dirty joke that he was in on, and often felt himself to be the butt of, and he would play the page like a blowsy stand-up comedian with too much acid in his diet. He was a living room Pulcinella with a beer-gut, a literary W.C. Fields tossing water balloons and Molotov cocktails with sardonic glee.  [Read more…]

Filed Under: Books, Fiction, The Line

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The Line

An interview with Alison Saar, at Riot Material magazine.

An Interview with Alison Saar

By Ricky Amadour As an indefatigable voice for women of color and the greater human spirit, Alison Saar recomposes fractured histories into multivalent sculptures. Saar curated SeenUNseen, a group exhibition at L.A. Louver Gallery, with a focus on spirit portraiture. Throughout human existence there has been a predilection to the allure of the unseen. Hidden […]

William S. Burroughs on a bed, smoking a cigarette.

“The Opposite of Literature:” Mary McCarthy’s Feb. ’63 Review of Naked Lunch

From the inaugural print edition of The New York Review of Books In remembrance of Jason Epstein, originator and co-founder of NYRB RIP 1928-2022 by Mary McCarthy Naked Lunch  by William S. Burroughs Grove Press, 304pp., $14.49 “You can cut into The Naked Lunch at any intersection point,” says Burroughs, suiting the action to the […]

Remembered and Remade: James Castle’s Conjurings of Mind

James Castle at David Zwirner, NYC (through 12 February 2022) by Andrew Martin James Castle: Memory Palace John Beardsley Yale University Press, 280pp., $65.00 NYR Every James Castle picture seems to contain a secret. Approaching one of his works for the first time, you peer into pockets of shadow and smudge, examining the depopulated landscapes […]

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

An excerpt from a new book which examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. —The University of Chicago Press Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction by Steven Ruszczycky University of Chicago Press, 216pp., $30.00 In the United […]

Hilary Brace, Drawings and Tapestries, is reviewed at Riot Material magazine.

Darkness Made Visible in Hilary Brace’s Drawings and Tapestries

at Craig Krull Gallery, Bergamot Station (through 19 February 2022) Reviewed by Eve Wood The intricacies and inherent beauty of the natural world are rarely celebrated these days, and when artists do turn their attention to the surrounding landscape, the resulting images are usually ones of devastation and chaos — charting the movement of fires, […]

The Tragedy of Macbeth 

A film written and directed by Joel Coen Reviewed by James Shapiro NYR Those who have long followed the Coen brothers and their cinematic universe of criminals, nihilists, and overreachers may see in Joel Coen’s The Tragedy of Macbeth (2021) a long-deferred reckoning with Shakespeare, who has been there before them. We don’t typically think of Shakespeare […]

John Divola, From Dogs Chasing My Car In The Desert,1996-98,

Illuminating Images: Liquid Light and Golden Hour and the Affective Force of Non-Didactic Art

at the Vincent Price Art Museum, Los Angeles (through 5 February 2022) Reviewed by Johanna Drucker What is the difference between a wall label and a work of art? The unrelenting didacticism that prevails in current gallery and museum exhibits of contemporary art makes it seem that many curators and artists cannot answer that question. […]

The Occult Works of Ray Robinson, with an essay by Christopher Ian Lutz, is at Riot Material Magazine.

The Brush as Luminous Torch: Ray Robinson’s Blazing Portals Into the Divine Feminine

The Third Door:Occult Works of Ray Robinson, at the Buckland Museum of Witchcraft and Magic (through 15 January) by Christopher Ian Lutz Burn the Sun The persecution of the witch is a war of the hours. The Inquisition that charged women with witchcraft was not just about controlling women’s bodies – it was a crusade to extinguish […]

An Interview with Artist Gala Porras-Kim is at Riot Material Magazine.

An Interview with Artist Gala Porras-Kim

by Ricky Amadour . Interdisciplinary artist Gala Porras-Kim frames her research to highlight and question the current institutional practices of conservation, acquisition, and deaccession. Acting as an investigator of cultural artifacts that correspond to institutional collections, Porras-Kim deep dives into the expansive histories, stories, and functions of those objects. The artist’s first solo exhibition in […]

Seizing the Snowmelt: Industrial Agriculture is Draining Our State Dry

by Mark Arax The Dreamt Land: Chasing Water and Dust Across California by Mark Arax Knopf, 576pp., $25.00 MITTR The wind finally blew the other way last night and kicked out the smoke from the burning Sierra. Down here in the flatland of California, we used to regard the granite mountain as a place apart, our […]

The Great Flood of 1862

The Looming Catastrophe Few in California Are Aware Of (or in Want to Address)

An excerpt from Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent it, by Tom Philpott. THE FLOOD NEXT TIME In November 1860, a young scientist from upstate New York named William Brewer disembarked in San Francisco after a long journey that took him from New York City through Panama and then […]

Precontact California Indians: Their Life Prior to Genocide

An excerpt from the first chapter of An American Genocide: The United States and the California Indian Catastrophe, by Benjamin Madley. CALIFORNIA INDIANS BEFORE 1846 Within a few days, eleven little babies of this mission, one after the other, took their flight to heaven. -Fray Junipero Serra, 1774 We were always trembling with fear of […]

Laurie Anderson's "The Weather," is reviewed at Riot Material magazine.

An Atmospheric River of Wonder in Laurie Anderson’s The Weather

at the Hirshhorn Museum and Sculpture Garden, Washington D.C. (through 31 July 2022)  Reviewed by Nancy Kay Turner             “What are the days for? To put between the endless nights. What are the nights for? To slip through time into another world.”  –Laurie Anderson             “Stories are our weather”  –Laurie Anderson Laurie Anderson is a Renaissance polymath whose […]

Maria Lassnig Augenglaeser - Autoportraets (1965)

Maria Lassnig: The Paris Years, 1960–68

at Petzel Gallery, New York City Reviewed by James Quandt Maria Lassnig: Film Works edited by Eszter Kondor, Michael Loebenstein, Peter Pakesch, and Hans Werner Poschauko FilmmuseumSynemaPublikationen, 189 pp., $35.00 NYRB Many female artists — most recently Carmen Herrera, Faith Ringgold, and Lorraine O’Grady — have had to wait a lifetime to be accorded the recognition […]

Marcellina Akpojotor’s Sublime Matriarchy

Daughters of Esan at Rele Gallery, Los Angeles (through 4 December 2021) Reviewed by Eve Wood Marcellina Akpojotor’s second solo exhibition, Daughters of Esan, continues her exploration into notions of personal intimacy, drawing on her own relationships with her family and the tremendously powerful and transformational possibilities of education and love. Inspired by her great-grandmother’s […]

An interview with Rachael Tarravechia, at Riot Material

Fear and Self-Loathing in Rachael Tarravechia’s Wish You Were Here

at Launch F18, NYC (through 4 December 2021) by Danielle Dewar The horror genre is rooted in a desire for catharsis by means of dispelling fears and anxieties that live deep within a subconscious mind. Since we often crave a controlled release of such emotions, the use of the macabre within an artist’s practice allows […]

Umar Rashid, aka Frohawk Two Feathers, exhibition review of En Garde/On God is at Riot Material magazine

Histories Disembowled in Umar Rashid’s En Garde/On God

at Blum and Poe, Los Angeles (through 18 December 2021) Reviewed by Ellen C. Caldwell In En Garde/On God, Blum & Poe showcases the work of artist Umar Rashid (also known by the pen name Frohawk Two Feathers). Featuring thirteen large paintings and one sculpture in Rashid’s hallmark style, the exhibition highlights works that are bold […]

A Grid Gone Wholly Off in My Monticello

Reviewed by Bridgett M. Davis My Monticello By Jocelyn Nicole Johnson Henry Holt & Company, 210 pp., $13.49 NYT In the essay “The Site of Memory,” Toni Morrison described the crafting of her fictional worlds as a quest to access the interior lives of her ancestors. “It’s a kind of literary archeology,” she explained. “On the […]

The Web of Mind Throughout Our Earth

Reviewed by Zoë Schlanger Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures by Merlin Sheldrake Random House, 352 pp., $28.00; $15.48 NYRB Imagine that you are afloat on your back in the sea. You have some sense of its vast, unknowable depths—worlds of life are surely darting about beneath […]

Drugs Amongst Other Adult Liberties

Reviewed by Mike Jay Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear by Dr. Carl L. Hart Penguin Press, 290 pp., $16.94 NYRB The modern meaning of “drugs” is of surprisingly recent origin. Until the twentieth century, the word referred to all medications (as it still does in “drugstore”); it was only […]

Rashid Johnson, Anxious Red Painting August 20th. At Riot Material

Break//Breathe: Broken Men That Glitter

by Allyn Aglaïa Aumand On the coherence of fracture an essay in fragments on fragments * I had a lover once, who self described as a volcano, but fully encased. Make space to let it out sometimes, I told him. That’s why I wanted to see you today, he said.

Against White Feminism: Notes on Disruption

An excerpt from a new book W. W. Norton calls “a radically inclusive, intersectional, and transnational approach to the fight for women’s rights.”  Against White Feminism: Notes on Disruption by Rafia Zakaria W. W. Norton, 256pp., $23.95 There is an important distinction between what Nancy Fraser calls “affirmative change” and actual transformational change. The former is […]

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