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Organized Anarchy in OOIOO’s Nijimusi

March 10, 2020 By John Payne Leave a Comment

on Thrill Jockey
Reviewed by John Payne

What are we looking for when we listen to new music? What is most important? It’s not so much that each and every musical experience has to be formally groundbreaking and utterly unlike anything that has come before, though that rare occurrence certainly does help. Really, we’re talking about the same thing we ask of pop music or jazz or anything else, which is the element of surprise — surprise at how our assumptions about what music is and ought to be get a hefty boot in the booty; surprise at how our own pretensions toward being in whatever kind of vanguard get challenged, how we are forced to question our own orthodoxies, our own ways of breaking the rules. [Read more…]

Filed Under: Records, The Line

Gathering No Moss, Toh-Kichi’s Baikamo Wanders Freely If Not Ferally Through The Avant-Garde

February 7, 2020 By John Payne Leave a Comment

on Libra Records
Reviewed by John Payne

Since her 1996 duo set with Paul Bley on Something About Water (Libra), pianist-composer Satoko Fujii has led numerous groups in widely varied formats ranging from free jazz to avant-rock to new-music chamber works. The possessor of a most formidable set of playing chops, Fujii is an intellectually engaged and refreshingly progressive-minded musician whose idiosyncratically shaped and harmonized compositions have seen upwards of 80-plus releases on her and partner Natsuki Tamura’s Libra label (Tamura, who also goes by the name Kappa Maki, is on his own a beautifully unclichéd tone-warper with an equally brazen disregard for the hollow holys of his instrument). If you want a reference point for the kind of beyond-jazz musical freedom Fujii represents, you might think Carla Bley and Michael Mantler’s Jazz Composers Orchestra stuff of the early ‘70s. [Read more…]

Filed Under: Jazz, Records, The Line

Excerpt from Jaki Liebezeit: The Life, Theory and Practice of a Master Drummer

February 5, 2020 By John Payne Leave a Comment

by John Payne

Jaki Liebezeit: The Life, Theory and Practice of a Master Drummer
edited by Jono Podmore

Unbound, 320 pp., $16.94

The drum master Jaki Liebezeit pursued over a decades-long career an enduring fascination with the core truths of time as expressed via rhythm. Not just a musician who wished to perfect a technique or expand his range of drumming styles, Liebezeit took his fascination deeper, to realms in which the very whys and wherefores of rhythm’s true place in any musical mode were of paramount importance – as was by extension its metaphorical relationship to the human being’s role in larger collective society. [Read more…]

Filed Under: Books, The Line

David S. Ware New Quartet’s Théâtre Garonne, 2008

November 4, 2019 By John Payne Leave a Comment

Out November 15 on Aum Fidelity
Reviewed by John Payne

When David S. Ware passed away in October of 2012, the world lost a sound it’s never getting back again. That sound was revolutionary, it was a tough sound, a punk-jazz sound that asks a lot of questions and can’t wait around for answers. Ware’s sax tone was a raspy, ragged, haaard-blowing, Ayler-ish thing that frequently produced a kind of fear ­­– fear that the man was gonna explode, he’s blowing so hard. That concern is palpable on this live concert recording, Théâtre Garonne, 2008, the latest issue from the David S. Ware Archive Series on the ever-righteous Aum Fidelity label. The set showcases the fact that Ware had already been suffering the strains of the illness that eventually killed him. [Read more…]

Filed Under: Jazz, Records, The Line

CUP’s Hydra-Headed Spinning Creature

October 24, 2019 By John Payne Leave a Comment

on Northern Spy
Reviewed by John Payne

Wherein the husband and wife team up to rinse and shine the aural punchbowl, no squabbling. Nels Cline & Yuka Honda are Cup, co-cookers of rich, musically nutritious stuff packed with savory, skewed nuance that reflects their artistic differences and affinities. Guitar visionary Cline’s scope, skills and, yes, taste, are renowned of late. His fiercely inventive rock/jazz/other playing with Wilco has boosted his fame-o-meter quite a bit, as have his numerous collaborations with the multifarious likes of Medeski Martin & Wood, Deerhoof, Charlie Haden, Julius Hemphill and Mike Watt, and his own all-instrumental Nels Cline Singers. Keyboardist/electronicist/producer Honda of the late avant-pop duo Cibo Matto has played a vital role in Yoko Ono and Sean Lennon’s bands and is a crucial presence on the downtown NYC new-thing/non-genre/performance-art scene. [Read more…]

Filed Under: Records, The Line

Sound Itself As The Only Way Forward In Swans’ Leaving Meaning

October 11, 2019 By John Payne Leave a Comment

out October 25 on Young God Records
Reviewed by John Payne

Michael Gira founded/guiding-lighted the sort of no-wave / noise / spiritual-purification band Swans in NYC 35 some odd years ago, and, roughly, he’s made a career out of trying musically to express the inexpressible ever since. After a hiatus of a few years, during which he formed Angels of Light, Gira re-formed Swans in 2010 and proceeded to release a series of exceedingly, brutally beautiful double-CDs of mental mayhem-catharsis. [Read more…]

Filed Under: Records, The Line

Wounds Of Desire In Pedro Almodóvar’s Pain And Glory

October 4, 2019 By John Payne Leave a Comment

Reviewed by John Payne

Were you looking for such a thing, you’d be hard-pressed to find a more humanizing film than Pedro Almodóvar’s latest little miracle. The Spanish director/writer’s Pain and Glory is a story about an artist, who suffers, and remembers, and relives. This tale is only somewhat the story of people in general, though it’s easy and quite wrenching to project ourselves onto the life of Salvador Mallo (Antonio Banderas), a veteran film director afflicted by several physical maladies. His bodily decline brings him great pain, physical and mental. Of course he can’t work, can’t create, in this deteriorating state. He spends his days mostly prostrate in bed, having gobbled a vast regimen of pills and yogurts, and just recently has dabbled in heroin. [Read more…]

Filed Under: Film, The Line

Anthony Braxton’s Accessibly Antithetical Quartet (New Haven) 2014

July 12, 2019 By John Payne Leave a Comment

on Firehouse 12 Records
Reviewed by John Payne

This monumental four-CD box set photographs the one-time meeting of an avant all-star and super-like-minded foursome: The infamously abstruse saxophonist and conceptualist Anthony Braxton partnered with Nels Cline (guitar), Greg Saunier (drums) and Taylor Ho Bynum (brass). It is music that, because of the heavily theoretical predilections of its “bandleader,” might suggest a sound that reeks of a dry formality. It doesn’t. It does present a number of issues and questions. [Read more…]

Filed Under: Jazz, Records, The Line

Amon Tobin’s Fear in a Handful of Dust

May 17, 2019 By John Payne Leave a Comment

on Nomark

Reviewed by John Payne

On the occasions when he drops a new platter, the veteran producer/DJ-composer Amon Tobin can always be counted on to raise the sonic-magic bar several notches. From his early found-sounds ‘n’ beats productions such as Bricolage (1997), Permutation (1998), the magnificent Supermodified (2000) and Out From Out Where (2002), he progressed to things like Foley Room (2007), which explored the role of sound design and field recordings, and ISAM (2011), the titular acronym referring to “Invented Sound Applied to Music” and in which Tobin utilized advanced synthesis processing and production techniques traditionally reserved for sound design in film.  [Read more…]

Filed Under: Records, The Line

Matthew Shipp Trio’s Signature

April 12, 2019 By John Payne Leave a Comment

on ESP-Disk’

Reviewed by John Payne

The rather prolific Matthew Shipp is the most relevant jazz pianist of the last few decades. With more than 85 releases of bold ‘n’ brave music as a solo performer and in duo/ trio/quartet formats alongside the avantish jazz likes of the David S. Ware Quartet, Ivo Perelman, Sabir Mateen, Darius Jones, Joe Morris, Jemeel Moondoc, Mat Walerian and two tons of others, he hasn’t had time to take a vacation. Several years ago Shipp told me he was thinking of retiring from recording, because, he said, there was just too much music out there in consumer land. I’m glad he didn’t, because his recorded output since spouting such balderdash has only grown more profound — and truly electrifying. [Read more…]

Filed Under: Jazz, Records, The Line

The Literal Sounds Of Plastic On Matmos’s Plastic Anniversary

March 31, 2019 By John Payne Leave a Comment

Thrill Jockey
Reviewed by John Payne

In music, in general, combining high conceptual aims with what we call accessibility (a troublesome concept on its own) is not an easy thing to pull off. My no doubt annoyingly subjective list of musicians who’ve achieved a balancing in this equation (ear-friendliness + modernity) would include, say, Robert Wyatt, Lee “Scratch” Perry, Jon Hassell, Holger Czukay, Ryuichi Sakamoto, Terje Rypdal, Annette Peacock, Diamanda Galás, Coil and the Velvet Underground. This varied bunch shares the notion of basing the work on musical or thematic ideas, and in so doing not skimping on the soul; the goal is a kind of beauty. [Read more…]

Filed Under: Records, The Line

Xiu Xiu’s Girl With Basket of Fruit

February 15, 2019 By John Payne Leave a Comment

on Polyvinyl
Reviewed by John Payne

This all by way of passing comment on the challenging Xiu Xiu, never an easy thing to do. A couple of years ago I talked to the band’s main male Jamie Stewart. He was forthcoming and amenable, not a difficult artiste, and he talked about what he does with a seriousness that I liked very much. He thinks he’s a cranky, pretentious arsehole, but I don’t. Anyway, I do think it’s interesting that Stewart’s openly human persona doesn’t always reconcile with the often sonically and lyrically traumatized music he makes. There is some backstory: He told me about his father, a drug addict who died by suicide. It’s hard for me now to not project a lot of liteweight pop psychology upon Stewart’s musical madness. Like, a-ha [Read more…]

Filed Under: Records, The Line

Expansive New Work From The Necks: Body

November 4, 2018 By John Payne Leave a Comment

on Northern Spy Records

Reviewed by John Payne

The Necks: Body (reviewed at Riot Material magazine)How to better classify an improvisational unit such as the Necks? Since the Australian trio perform their music on instruments associated with jazz — acoustic piano, double bass and drums — they tease us with whether or not they ought to be aligned with the severely rule-bound world of jazz at all. Whatever the case, it is hugely satisfying to hear the group’s lack of reverence for the form’s many hallowed conventions. With a healthy, punky boredom about all that, the Necks poke all ye olde shopworn swinging jazz a certifiably new bumhole. [Read more…]

Filed Under: Jazz, Records, The Line

Yoko Ono’s Incomparable Warzone

October 4, 2018 By John Payne Leave a Comment

Reviewed by John Payne

A sort of a disclaimer here: I’ve known Yoko Ono for many years, or at least had the pleasure of interviewing her several times, as I have her son Sean. I like both of them very much. I’ve checked them out on different levels, tried to cut through any of the potential typical self-self-self-hyping showbiz bullshit or what have you, and they passed the tests with flying colors. They are real people, with good hearts and minds. (You’ll just have to trust me on that.) Thus my understanding of and sympathy for Yoko Ono colors my critical soul a little bit, I don’t mind saying it. I want to approve and feel enthusiasm about her music; this means I’m open to it. And I do feel that Ono’s latest and, one hopes, not final record,Warzone — a collection of 13 songs from her past work, spanning 1970-2009 — is the best album of her career. It is deep, and moving, unlike anything I’ve heard in a long time, and perhaps never have heard before. [Read more…]

Filed Under: Records, The Line

Jon Hassell’s Listening to Pictures (Pentimento Volume 1)

June 22, 2018 By John Payne Leave a Comment

Reviewed by John Payne

One perhaps unusual compliment we ought to pay to Jon Hassell’s new Listening to Pictures (Pentimento Volume 1) is that, like all of his music, one grows impatient having to write about it while listening to it. This music — which I want to never end when I put it on — is too seductive to be looking at a computer screen while trying to come to terms with its intriguing charms. [Read more…]

Filed Under: Records, The Line

Wajatta’s Wickedly Funky (And Fun!) Casual High Technology

May 24, 2018 By John Payne 1 Comment

on Comedy Dynamics
Reviewed by John Payne

As a way of potentially creating something genuinely new, or at least surprising, the time-honored but perhaps neglected artistic scheme of melding or juxtaposing multiple dissimilar aesthetic beliefs or conceptual visions in order to birth a third entity, independent of its parents’ genetics, might be the best way to describe the resonant thrills encoded within the grooves of Wajatta’s debut album. [Read more…]

Filed Under: Records, The Line

The Line

An interview with Alison Saar, at Riot Material magazine.

An Interview with Alison Saar

By Ricky Amadour As an indefatigable voice for women of color and the greater human spirit, Alison Saar recomposes fractured histories into multivalent sculptures. Saar curated SeenUNseen, a group exhibition at L.A. Louver Gallery, with a focus on spirit portraiture. Throughout human existence there has been a predilection to the allure of the unseen. Hidden […]

William S. Burroughs on a bed, smoking a cigarette.

“The Opposite of Literature:” Mary McCarthy’s Feb. ’63 Review of Naked Lunch

From the inaugural print edition of The New York Review of Books In remembrance of Jason Epstein, originator and co-founder of NYRB RIP 1928-2022 by Mary McCarthy Naked Lunch  by William S. Burroughs Grove Press, 304pp., $14.49 “You can cut into The Naked Lunch at any intersection point,” says Burroughs, suiting the action to the […]

Remembered and Remade: James Castle’s Conjurings of Mind

James Castle at David Zwirner, NYC (through 12 February 2022) by Andrew Martin James Castle: Memory Palace John Beardsley Yale University Press, 280pp., $65.00 NYR Every James Castle picture seems to contain a secret. Approaching one of his works for the first time, you peer into pockets of shadow and smudge, examining the depopulated landscapes […]

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

An excerpt from a new book which examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. —The University of Chicago Press Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction by Steven Ruszczycky University of Chicago Press, 216pp., $30.00 In the United […]

Hilary Brace, Drawings and Tapestries, is reviewed at Riot Material magazine.

Darkness Made Visible in Hilary Brace’s Drawings and Tapestries

at Craig Krull Gallery, Bergamot Station (through 19 February 2022) Reviewed by Eve Wood The intricacies and inherent beauty of the natural world are rarely celebrated these days, and when artists do turn their attention to the surrounding landscape, the resulting images are usually ones of devastation and chaos — charting the movement of fires, […]

The Tragedy of Macbeth 

A film written and directed by Joel Coen Reviewed by James Shapiro NYR Those who have long followed the Coen brothers and their cinematic universe of criminals, nihilists, and overreachers may see in Joel Coen’s The Tragedy of Macbeth (2021) a long-deferred reckoning with Shakespeare, who has been there before them. We don’t typically think of Shakespeare […]

John Divola, From Dogs Chasing My Car In The Desert,1996-98,

Illuminating Images: Liquid Light and Golden Hour and the Affective Force of Non-Didactic Art

at the Vincent Price Art Museum, Los Angeles (through 5 February 2022) Reviewed by Johanna Drucker What is the difference between a wall label and a work of art? The unrelenting didacticism that prevails in current gallery and museum exhibits of contemporary art makes it seem that many curators and artists cannot answer that question. […]

The Occult Works of Ray Robinson, with an essay by Christopher Ian Lutz, is at Riot Material Magazine.

The Brush as Luminous Torch: Ray Robinson’s Blazing Portals Into the Divine Feminine

The Third Door:Occult Works of Ray Robinson, at the Buckland Museum of Witchcraft and Magic (through 15 January) by Christopher Ian Lutz Burn the Sun The persecution of the witch is a war of the hours. The Inquisition that charged women with witchcraft was not just about controlling women’s bodies – it was a crusade to extinguish […]

An Interview with Artist Gala Porras-Kim is at Riot Material Magazine.

An Interview with Artist Gala Porras-Kim

by Ricky Amadour . Interdisciplinary artist Gala Porras-Kim frames her research to highlight and question the current institutional practices of conservation, acquisition, and deaccession. Acting as an investigator of cultural artifacts that correspond to institutional collections, Porras-Kim deep dives into the expansive histories, stories, and functions of those objects. The artist’s first solo exhibition in […]

Seizing the Snowmelt: Industrial Agriculture is Draining Our State Dry

by Mark Arax The Dreamt Land: Chasing Water and Dust Across California by Mark Arax Knopf, 576pp., $25.00 MITTR The wind finally blew the other way last night and kicked out the smoke from the burning Sierra. Down here in the flatland of California, we used to regard the granite mountain as a place apart, our […]

The Great Flood of 1862

The Looming Catastrophe Few in California Are Aware Of (or in Want to Address)

An excerpt from Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent it, by Tom Philpott. THE FLOOD NEXT TIME In November 1860, a young scientist from upstate New York named William Brewer disembarked in San Francisco after a long journey that took him from New York City through Panama and then […]

Precontact California Indians: Their Life Prior to Genocide

An excerpt from the first chapter of An American Genocide: The United States and the California Indian Catastrophe, by Benjamin Madley. CALIFORNIA INDIANS BEFORE 1846 Within a few days, eleven little babies of this mission, one after the other, took their flight to heaven. -Fray Junipero Serra, 1774 We were always trembling with fear of […]

Laurie Anderson's "The Weather," is reviewed at Riot Material magazine.

An Atmospheric River of Wonder in Laurie Anderson’s The Weather

at the Hirshhorn Museum and Sculpture Garden, Washington D.C. (through 31 July 2022)  Reviewed by Nancy Kay Turner             “What are the days for? To put between the endless nights. What are the nights for? To slip through time into another world.”  –Laurie Anderson             “Stories are our weather”  –Laurie Anderson Laurie Anderson is a Renaissance polymath whose […]

Maria Lassnig Augenglaeser - Autoportraets (1965)

Maria Lassnig: The Paris Years, 1960–68

at Petzel Gallery, New York City Reviewed by James Quandt Maria Lassnig: Film Works edited by Eszter Kondor, Michael Loebenstein, Peter Pakesch, and Hans Werner Poschauko FilmmuseumSynemaPublikationen, 189 pp., $35.00 NYRB Many female artists — most recently Carmen Herrera, Faith Ringgold, and Lorraine O’Grady — have had to wait a lifetime to be accorded the recognition […]

Marcellina Akpojotor’s Sublime Matriarchy

Daughters of Esan at Rele Gallery, Los Angeles (through 4 December 2021) Reviewed by Eve Wood Marcellina Akpojotor’s second solo exhibition, Daughters of Esan, continues her exploration into notions of personal intimacy, drawing on her own relationships with her family and the tremendously powerful and transformational possibilities of education and love. Inspired by her great-grandmother’s […]

An interview with Rachael Tarravechia, at Riot Material

Fear and Self-Loathing in Rachael Tarravechia’s Wish You Were Here

at Launch F18, NYC (through 4 December 2021) by Danielle Dewar The horror genre is rooted in a desire for catharsis by means of dispelling fears and anxieties that live deep within a subconscious mind. Since we often crave a controlled release of such emotions, the use of the macabre within an artist’s practice allows […]

Umar Rashid, aka Frohawk Two Feathers, exhibition review of En Garde/On God is at Riot Material magazine

Histories Disembowled in Umar Rashid’s En Garde/On God

at Blum and Poe, Los Angeles (through 18 December 2021) Reviewed by Ellen C. Caldwell In En Garde/On God, Blum & Poe showcases the work of artist Umar Rashid (also known by the pen name Frohawk Two Feathers). Featuring thirteen large paintings and one sculpture in Rashid’s hallmark style, the exhibition highlights works that are bold […]

A Grid Gone Wholly Off in My Monticello

Reviewed by Bridgett M. Davis My Monticello By Jocelyn Nicole Johnson Henry Holt & Company, 210 pp., $13.49 NYT In the essay “The Site of Memory,” Toni Morrison described the crafting of her fictional worlds as a quest to access the interior lives of her ancestors. “It’s a kind of literary archeology,” she explained. “On the […]

The Web of Mind Throughout Our Earth

Reviewed by Zoë Schlanger Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures by Merlin Sheldrake Random House, 352 pp., $28.00; $15.48 NYRB Imagine that you are afloat on your back in the sea. You have some sense of its vast, unknowable depths—worlds of life are surely darting about beneath […]

Drugs Amongst Other Adult Liberties

Reviewed by Mike Jay Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear by Dr. Carl L. Hart Penguin Press, 290 pp., $16.94 NYRB The modern meaning of “drugs” is of surprisingly recent origin. Until the twentieth century, the word referred to all medications (as it still does in “drugstore”); it was only […]

Rashid Johnson, Anxious Red Painting August 20th. At Riot Material

Break//Breathe: Broken Men That Glitter

by Allyn Aglaïa Aumand On the coherence of fracture an essay in fragments on fragments * I had a lover once, who self described as a volcano, but fully encased. Make space to let it out sometimes, I told him. That’s why I wanted to see you today, he said.

Against White Feminism: Notes on Disruption

An excerpt from a new book W. W. Norton calls “a radically inclusive, intersectional, and transnational approach to the fight for women’s rights.”  Against White Feminism: Notes on Disruption by Rafia Zakaria W. W. Norton, 256pp., $23.95 There is an important distinction between what Nancy Fraser calls “affirmative change” and actual transformational change. The former is […]

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