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Archives for February 2020

Deadeye Through The Fist: King Krule’s “Cellular”

February 29, 2020 By Cvon Leave a Comment

from Man Alive!

on now XL Recordings/Matador Records

Filed Under: Riot Sounds, Video

Lemon Honey’s Bitter Lucky In King Krule’s “Stoned Again”

February 28, 2020 By Cvon Leave a Comment

from Man Alive!

https://www.riotmaterial.com/wp-content/uploads/2020/02/03-Stoned-Again.m4a

on XL Recordings/Matador Records

Filed Under: Riot Sounds

The Gaslamp Killer’s Yamaya-esque “Nissim” (with Amir Yaghmai)

February 28, 2020 By Cvon Leave a Comment

from Breakthrough

https://www.riotmaterial.com/wp-content/uploads/2020/02/14-Nissim-with-Amir-Yaghmai.m4a

on Brainfeeder

Filed Under: Riot Sounds

Plagued by Fire: The Dreams and Furies of Frank Lloyd Wright

February 28, 2020 By Riot Material Leave a Comment

Reviewed by Christopher Benfey

Plagued by Fire: The Dreams and Furies of Frank Lloyd Wright
Paul Hendrickson
Knopf, 624 pp., $35.00
Harper’s Magazine

Frank Lloyd Wright isn’t just the greatest of all American architects. He has so eclipsed the competition that he can sometimes seem the only one. Who are his potential rivals? Henry Hobson Richardson, that Gilded Age starchitect in monumental stone? Louis Sullivan, lyric poet of the office building and Wright’s own Chicago mentor, best known for his dictum that form follows function? “Yes,” Wright corrected him with typical one-upmanship, “but more important now, form and function are one.” For architects with the misfortune to follow him, Wright is seen as having created the standards by which they are judged. If we know the name Frank Gehry, it’s probably because he designed the Guggenheim Museum in Bilbao, Spain, in 1997. And Gehry’s deconstructed ship of titanium and glass would be unimaginable if Wright hadn’t built his own astonishing Guggenheim Museum on Fifth Avenue some forty years earlier. [Read more…]

Filed Under: Architecture, Books, The Line

The Slave Trade

February 24, 2020 By Riot Material Leave a Comment

by Iman Mersal 
translated from the Arabic by Robyn Creswell
.
            I went down the narrow passage, wide enough for one slave at a time, to the harbor.
            An Englishman inspects the line of those leaving the fort—maybe he has unloaded his cargo of missionaries and guns and now waits for a ship to carry him over the ocean to the cane fields. A handsome man, in fact. Why is he smiling at me?
            Piles of gold beneath the palms, piles of salt under the sun.
            When will a sailor come unfasten the iron ball from my feet? I want to make sure the pencil and Moleskin notebook are still in my backpack, since I plan to turn whatever happens to me into heart-wrenching prose.

[Read more…]

Filed Under: The New Word

Kiyoshi Yamaya’s Mesmeric “Osorezan (Ghost Mountain)”

February 24, 2020 By Cvon Leave a Comment

from Ryukyu 琉球

https://www.riotmaterial.com/wp-content/uploads/2020/02/05-Osorezan-Ghost-Mountain.m4a

on Nippon Columbia

Filed Under: Riot Sounds

Dust My Broom: Southern Vernacular From The Permanent Collection

February 24, 2020 By Seren Sensei 1 Comment

at California African American Museum, Los Angeles (through 15 March)
Reviewed by Seren Sensei

Folk art and folk artists tend to be an underserved discipline in the contemporary American art world. We gravitate towards fine artists with prestigious arts degrees over the more commonplace culture of folk art, and when we do discuss the importance of art born out of folk tradition, as in most artistic disciplines, we tend to highlight white artists. From the music of Bob Dylan to the exultation of Grandma Moses, when we talk about folk art as something born out of Americana or something inherently American, we very rarely talk about Black artists. Yet folk art is historically important as an archive of culture encapsulated within creative expression, and creation by Black American artists is nestled at the center of Americana. [Read more…]

Filed Under: Art, The Line

The Haunting, Half-Lit World Of Yelena Moskovich’s Virtuoso

February 21, 2020 By John Biscello Leave a Comment

Reviewed by John Biscello

Virtuoso
by Yelena Moskovich

Two Dollar Radio, 272 pp., $12.74

“But I see my mind’s asleep.
Were it to remain wide awake from this point on, we should quickly arrive at the truth, which may well be all around us now (its angels weeping)!” — Arthur Rimbaud, A Season in Hell

And so, let us start by imagining those angels, weeping. Their tears, tiny silver scalpels. Their wings, mangled. Their faces, featureless and orphaned to pools of light. They are everywhere, traceless repositories for unheard screams and unheld children who grow fitfully into adults (housing mutated unheld children in the attics of their guts, the sacral basements of their anuses). Everywhere, innocents locked in metaphysical orphanages, everywhere, angels slashing at air with turquoise tears.  [Read more…]

Filed Under: Books, The Line

Tales Of The Unconfined: Alison Saar’s Defiant Women Warriors

February 19, 2020 By Lita Barrie Leave a Comment

Syncopation, at L.A Louver, Los Angeles (through 29 February)
Chaos in the Kitchen, at Frieze Los Angeles
Reviewed by Lita Barrie

Alison Saar’s work combines the raw power of tribal art with the postmodern sophistication of complex cultural subtexts. Her work is made in a near devotional way, which infuses a rare emotional intensity into her new narratives on upturning gender and racial hierarchies. Few artists can use visual materials as skillfully to create such powerful political statements. Fewer still can combine aesthetic technique and conceptual acuity in artwork that is so heartfelt it resonates with the viewer viscerally, a sensation akin to listening to a Nina Simone song. This is a rare feat only an exceptional artist can accomplish, which makes her concurrent exhibitions, Syncopation, at L.A Louver, and Chaos in the Kitchen, at Frieze Los Angeles, stand out even amidst the art fair frenzy. [Read more…]

Filed Under: Art, Artist, The Line

Documents Of Love

February 15, 2020 By Cvon 1 Comment

by C von Hassett & Rachel Reid Wilkie

From Documents of Love, an exhibition of solo and collaborative works by C von Hassett and Rachel Reid Wilkie at Hosfelt Gallery, NYC.

Here, the short film “Documents of Love,” which showed alongside the couple’s languorous wall of poetry, rooms of paintings and their combined photography. The short captures a prodigious and productive moment in the East Village, NYC, bookended by a transformative journey through the Amazon and an eventual migration West: to Los Angeles; the small village of Olancha, California, which sits high in the Northern Mojave, just below the Eastern Sierras; and Rimrock/Pioneertown, the glowing third point in the now Golden Triangle of the Hassett-Wilkie clan.

Filed Under: Film, Video

The Shaman’s Bride Lifts Her Veil In Lezley Saar’s A Conjuring of Conjurors

February 12, 2020 By Nancy Kay Turner Leave a Comment

at Walter Maciel Gallery, Los Angeles (through 22 February)
Reviewed by Nancy Kay Turner

 

Born under a bad sign

Been down since I began to crawl

If it wasn’t for bad luck

You know, I wouldn’t have no luck at all


In the magical exhibition, A Conjuring of Conjurors, artist Lezley Saar herself becomes the master shaman as she explores the role of mysticism, spiritualism and religious rituals in the human quest for safety, survival and certainty. Known for her earlier works that examine those who dwell in the interstices of identity, Saar here creates fantastically invented narratives of soothsayers and seers who use amulets, bones and tinctures to fix what is broken, find what is lost, or cure all manner of maladies.  [Read more…]

Filed Under: Art, Artist, The Line

The Swirling Claustrophobias Of Félix Vallotton: Painter of Disquiet

February 9, 2020 By Lisa Zeiger 1 Comment

at Met Fifth Avenue, NYC
Reviewed by Lisa Zeiger

“…the deepest and earliest secret of all: that just as we watch other life, other life watches us.”
—
Toni Morrison, “Memory, Creation, and Fiction”

The superlative Félix Vallotton exhibition recently at the Metropolitan Museum, titled Painter of Disquiet, was an enthralling view of the tension between Vallotton’s early anarchist political engagement and the abiding, rather staid (though always darkling) character of his oeuvre over his 44-year career. [Read more…]

Filed Under: Art, Artist, The Line

Triangulations Of The Black Cat: Otis Kwame Kye Quaicoe Black Like Me

February 8, 2020 By Eve Wood 1 Comment

at Roberts Projects, Los Angeles (through March 7)
Reviewed by Eve Wood

Ghanian artist Otis Kwame Kye Quaicoe’s gorgeously rendered oil paintings, on view at Roberts Projects, are stunning both in terms of their visual content and the literal application of the paint. One can make obvious allusions to artists like Kehinde Wiley or Wangechi Mutu, but these would only represent fleeting similarities as Quaicoe’s vision is very much his own. These paintings could be described as straightforward portraits, yet that would not account for their profound luminescence and the verifiable presence of Quaicoe in seemingly every brushstroke. [Read more…]

Filed Under: Art, Artist, The Line

Gathering No Moss, Toh-Kichi’s Baikamo Wanders Freely If Not Ferally Through The Avant-Garde

February 7, 2020 By John Payne Leave a Comment

on Libra Records
Reviewed by John Payne

Since her 1996 duo set with Paul Bley on Something About Water (Libra), pianist-composer Satoko Fujii has led numerous groups in widely varied formats ranging from free jazz to avant-rock to new-music chamber works. The possessor of a most formidable set of playing chops, Fujii is an intellectually engaged and refreshingly progressive-minded musician whose idiosyncratically shaped and harmonized compositions have seen upwards of 80-plus releases on her and partner Natsuki Tamura’s Libra label (Tamura, who also goes by the name Kappa Maki, is on his own a beautifully unclichéd tone-warper with an equally brazen disregard for the hollow holys of his instrument). If you want a reference point for the kind of beyond-jazz musical freedom Fujii represents, you might think Carla Bley and Michael Mantler’s Jazz Composers Orchestra stuff of the early ‘70s. [Read more…]

Filed Under: Jazz, Records, The Line

“1941,” When Everything Seemed Like Something Else

February 7, 2020 By Riot Material Leave a Comment

“1941”
by Fanny Howe

On a cold day near Lake Erie
I was in a double bind.
The snow was like a lamb
Shorn in the upper circle.

Someone pushed me over the ice and stones.
Someone else chattered behind.
A rubber nipple was pressed to my lips.
Gagged and spat until my tears were milk.  [Read more…]

Filed Under: The New Word

In Quiet Chorus: Mary Frank’s ¿Or Was It Like This? and Charles Burchfield’s Solitude

February 7, 2020 By John Haber 2 Comments

co-exhibiting at DC Moore Gallery, NYC (through February 8)
Reviewed by John Haber

Mary Frank is not just a visionary. Neither was Charles Burchfield, back when Modernism was just bringing art back to earth. Yet showing them together brings alive their most unearthly twentieth-century visions. Frank has always had an eye on planet earth. She studied with Max Beckmann, the artist who refused to look away from Germany in the 1930s, even after Beckmann’s exile in America. And then she studied life drawing in New York with Hans Hoffman, the teacher of Jackson Pollock and Lee Krasner. She has stood out among artists less than half her age in a 2009 group show of Natural Histories. She returns now to painting after a decade of photography with an eye to nature – her surroundings at home in the Catskills. That return, though, marks even her most naturalistic subjects as not altogether of this world. [Read more…]

Filed Under: Art, Artist, The Line

The Danceable Política of Andy Gill’s Gang of Four

February 6, 2020 By Henry Cherry Leave a Comment

Andy Gill
1956 – 2020
RIP

by Henry Cherry

When Andy Gill died at 64 on Saturday, the sound of revolution was momentarily stalled. Gill was the co-founder of the UK’s Gang of Four, an avant-funk off shoot of that country’s monumentally impactful punk movement of the late 70s.  Across ten albums and a barrage of EPs and singles, Gang of Four is best known for their bouncing ecstatic protestations like “To Hell with Poverty” and “Damaged Goods” and their big break on American radio, “I Love a Man in Uniform.” Gill’s sawing guitar, songwriting and production lay at the heart of the band’s dramatically seductive sound. As such, the power of his death resides in the music Gill is responsible for, and luckily, that music remains. Even as Gill lay in the hospital, suffering from pneumonia, the musician continued to work on new music, editing and annotating mixes for a yet to be released Gang of Four recording. [Read more…]

Filed Under: Profile, The Line, Thought

A Labyrinth Of Interlocking Lives In Jokha Alharthi’s Celestial Bodies

February 6, 2020 By Riot Material Leave a Comment

Reviewed by Ruth Franklin

Celestial Bodies
by Jokha Alharthi, translated from the Arabic by Marilyn Booth
Catapult, 243 pp., $16.95 (paper)
Review courtesy of The New York Review of Books

In an engrossing book published last spring called Meander, Spiral, Explode: Design and Pattern in Narrative, the Australian writer Jane Alison makes a trenchant observation about the “dramatic arc” long considered the foundation for plot. Swelling to a climax and then deflating, it resembles nothing so much as a phallus: “Bit masculo-sexual, no?” Alison’s book offers alternative possibilities for fiction based on patterns found in nature, such as the spirals of fiddlehead ferns, seashells, or whirlpools; the meandering path of a river; the radiating shape of a flower; the self-replication of trees or clouds; or the cells in a honeycomb. These structures aren’t necessarily feminine—as it happens, Alison’s investigation of them is inspired by her reading of W.G. Sebald’s The Emigrants, a work of fiction written by a man with predominantly male characters. But if the dramatic arc has often been associated with the “hero’s journey” model of fiction writing (a lone man goes off on a quest to conquer something), it stands to reason that a novel centered on the stories of women—often communal, connected, operating on many layers—might best be served by a different narrative form. [Read more…]

Filed Under: Books, The Line

Excerpt from Jaki Liebezeit: The Life, Theory and Practice of a Master Drummer

February 5, 2020 By John Payne Leave a Comment

by John Payne

Jaki Liebezeit: The Life, Theory and Practice of a Master Drummer
edited by Jono Podmore

Unbound, 320 pp., $16.94

The drum master Jaki Liebezeit pursued over a decades-long career an enduring fascination with the core truths of time as expressed via rhythm. Not just a musician who wished to perfect a technique or expand his range of drumming styles, Liebezeit took his fascination deeper, to realms in which the very whys and wherefores of rhythm’s true place in any musical mode were of paramount importance – as was by extension its metaphorical relationship to the human being’s role in larger collective society. [Read more…]

Filed Under: Books, The Line

Subversion As Transmission In klipschutz’s Premeditations

February 5, 2020 By James McWilliams 1 Comment

Reviewed by James McWilliams

Premeditations
by klipschutz

Hoot n Waddle, 120pp., $16.00

Premeditations is a poet’s ode to poets. With wry nostalgia, klipschutz (the name author Kurt Lipschutz goes by), a San Francisco poet and songwriter (who works closely with the musician Chuck Prophet), opens his paean to poetry by defending the increasingly endangered sacred space where one typically discovers words that fuel the spirit: a bookstore. “North Beach Threnody,” the volume’s opening poem, leads with this stanza:

A landmark, registered, and us inside it,
folded up in folding chairs, with
everything outside moving
fast in another direction.
[Read more…]

Filed Under: Books, The Line

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The Line

A review of Thelonious Monk's Palo Alto

Palo Alto Sees the Thelonious Monk Quartet at its “Final Creative High”

Reviewed by Marty Sartini Garner Palo Alto on Impulse! Pitchfork Thelonious Monk once said: “Weird means something you never heard before. It’s weird until people get around to it. Then it ceases to be weird.” By the time Monk and his quartet strode into the auditorium at Palo Alto High School on October 27, 1968, […]

Archie Shepp Quartet, Stadsteatern, Stockholm, September 1966. An interview with Archie Shepp, September 2020

Music for a Revolution: A Word with Jazz Great Archie Shepp

Interview by Accra Shepp NYRB My father, the saxophonist Archie Shepp, has recorded more than 110 albums since 1962, performed all over the world, and received numerous honors, including the 2016 Jazz Master’s Award from the National Endowment for the Arts. In the 1960s, he helped define “free jazz,” a new idiom in which the […]

Bobby Seale Checks Food Bags. March 31, 1972.

Food As Culture, Identity and an Enduring Form of Black Protest

By Amethyst Ganaway Food & Wine We are demanding, not asking, for “Land, Bread, Housing, Education, Clothing, Justice And Peace.” —Amethyst Ganaway Black people in America have used food as a means of resistance, rebellion, and revolution since being forcefully brought here in the late 1500s. Food has always been a part of the culture and […]

A Pandemic Q&A with David Lynch

Pandemic Musings: A From-The-Bag Q&A With David Lynch

 From David Lynch Theater Presents: “Do You Have a Question for David? Part 1”

Erin Currier, American Women (dismantling the border) II. Read the interview with Erin excerpted from Lisette Garcia's new book, Ponderosas, at Riot Material.

An Interview with Erin Currier: Artist, Writer & Activist

by Lisette García and Barrett Martin excerpted from Ponderosas: Conversations with Extraordinary, Ordinary Women  by Lisette García, Ph. D available November 20th Sunyata Books “You have to act as if it were possible to radically transform the world. And then you have to do it all the time.” –Angela Davis Barrett: I first met Erin Currier and her […]

A review of Mark Lynas's new book, "Our Final Warning: Six Degrees of Climate Emergency," is at Riot Material Magazine.

The Earth Commences Her Retalitory Roar

Reviewed by Bill McKibben  Our Final Warning: Six Degrees of Climate Emergency by Mark Lynas London: 4th Estate, 372 pp., $27.99 The New York Review of Books So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, […]

Oliver Stone in Vietnam. A review of his new book, Chasing the Light, is at Riot Material

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

Reviewed by Alci Rengifo Chasing the Light by Oliver Stone Houghton Mifflin Harcourt, 352 pp., $25.20 If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our […]

Toyin Ojih Odutola's wonderful exhibition, A Countervailing Theory, at Barbican Centre, London, is reviewed at Riot Material Magazine

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

at The Barbican, London (through 24 Jan 2021) Reviewed by Christopher P Jones Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and […]

Driving Whle Black, two books reviewed at Riot Material

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

by Sarah A. Seo Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Liveright, 332 pp., $28.95 Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy Taylor Abrams, 360 pp., $35.00 The New York Review of Books In 1963, after Sam Cooke was […]

A review of Sontag: Here Life and Work is at Riot Material

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

Reviewed by Michael Gorra Sontag: Her Life and Work by Benjamin Moser Ecco, 816 pp., $39.99 New York Review of Books Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald […]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

Reviewed by John Biscello The Deeper the Water the Uglier the Fish by Katya Apekina Two Dollar Radio, 353pp., $12.74 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again In the name of nursery rhyme remixology, first let us […]

Heads of the Colored People, by Nafissa Thompson-Spires, is reviewed at Riot Material

Histories of Trauma in Heads of the Colored People

Reviewed by Patrick Lohier Heads of the Colored People by Nafissa Thompson-Spires Thorndike Press, 293pp., $32.99 Harvard Review In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” […]

Lord Krishna speaks to Prince Arjuna about the Gita

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

The Bhagavad Gita Translated by Eknath Easwaran Vintage Books, 122pp., $15.00 Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked […]

A review of Kevin Young's Brown is at Riot Material

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

Reviewed by Kevin T. O’Connor Brown: Poems by Kevin Young Knopf, 176pp., $19.29 Harvard Review In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” […]

Dispatch: Poems, by Cameron Awkward-Rich

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

Reviewed by Flora Field Dispatch by Cameron Awkward-Rich Persea, 80pp., $12.69 Columbia Journal In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the […]

The Monument to Joe Louis, aka "The Fist," as sculpted by Robert Graham

Relic as Horrific Remembrance in the Monument to Joe Louis

by Max King Cap “My father was a little headstrong, my mother was a little armstrong. The Headstrongs married the Armstrongs, and that’s why darkies were born.” — Rufus T. Firefly, Duck Soup, 1933 He had done it before. One can readily find the photographs of his handiwork; two human torsos, headless, the legs amputated just below […]

Cornel West and his 2001 Preface to Race Matters: "Democracy Matters in Race Matters." At Riot Material.

Cornel West’s “Democracy Matters in Race Matters”

Preface to the 25th Anniversary Edition to Race Matters Race Matters by Cornel West Beacon Press, 110pp., $11.60 Black people in the United States differ from all other modern people owing to the unprecedented levels of unregulated and unrestrained violence directed at them. No other people have been taught systematically to hate themselves — psychic violence […]

Another Week in the Death of America

Samantha Fields, American Dreaming at LSH CoLab, Los Angeles Reviewed by Eve Wood The first verse of the Mamas and the Papas seminal 1960’s anthem California Dreamin’ begins with “all the leaves are brown, and the sky is grey,” at once establishing an atmosphere devoid of color, hope and youthful abandon, and certainly not a […]

Through the Lens of Race, and Jim Crow South, in Eudora Welty's photographs

Reckoning Race in Eudora Welty’s Photographs

by James McWilliams Two portraits; two men. Both are from 1930s Mississippi. The men are situated together, photos 22 and 23, both from Eudora Welty’s only published book of photographs, simply titled Photographs. If you could put a frame around both images it would be the Jim Crow South.

Kara Walker's Fons Americanus (2019) at Turbine Hall at the Tate Modern

A Gathering Of Ruins, And Simmering Consciousness, In Kara Walker’s Fons Americanus

in Turbine Hall at Tate Modern, London by Zadie Smith Kara Walker: Hyundai Commission edited by Clara Kim Tate Publishing, 144pp., $24.95 New York Review of Books Two women are bound at the waist, tied to each other. One is a slim, white woman, in antebellum underskirt and corset. A Scarlett O’Hara type. She is […]

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