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Archives for July 2018

John Coltrane’s Propulsive “Nature Boy”

July 31, 2018 By Cvon Leave a Comment

from Both Directions at Once

https://www.riotmaterial.com/wp-content/uploads/2018/07/02-Nature-Boy.m4a

on Impluse!

Hank Cherry calls “Nature Boy” the standout track on BDaO. Read his review of Both Directions at Once here

Filed Under: Riot Sounds

Swimming in the River Coltrane: Both Directions at Once

July 31, 2018 By Henry Cherry 6 Comments

on Impulse!
Reviewed by Henry Cherry

While much of John Coltrane’s posthumously issued work filters the mysticism of his live performances, those mystic shadows do spread into Both Directions at Once, the newly released studio recording from March 6th 1963. At the time, Coltrane was working out transformative sounds while trying to retain a marketable presence. He wanted to sell more records, but he also wanted to explore the parameters of his band, his horn, and his mind. The two co-led sessions that bookend this album on Coltrane’s studio timeline certify his urge to remain in demand, while live outings like Newport ‘63 and Live in Stockholm 1963 validate his experimental needs. [Read more…]

Filed Under: Artist, Jazz, The Line

Spotlight—Selections from Kehinde Wiley’s The World Stage: Israel

July 31, 2018 By Emily Nimptsch Leave a Comment

at Skirball Cultural Center (Through 2 September 2018)
Reviewed by Emily Nimptsch

Replete with royal, religious, and luscious floral imagery, Los Angeles-born painter Kehinde Wiley’s Old Master-inspired portraits not only subvert art historical tradition but also notions of power and cultural identity. Renowned for depicting traditionally underrepresented figures, typically African and African-American men, the artist envelopes these empowered subjects in Eurocentric symbols of status and wealth. With the unveiling of Wiley’s noble yet vibrant portrait of former President Barack Obama earlier this year, the timing of the Skirball Center’s Spotlight—Selections from Kehinde Wiley’s The World Stage: Israel could not feel more apropos. This intimate presentation delves into the artist’s photorealistic oeuvre through two monumental paintings, each depicting young Ethiopian men living in Israel. [Read more…]

Filed Under: Art, Artist, The Line

Musical Mayhem in LOUDER! Can’t Hear What You’re Singin,’ Wimp!

July 31, 2018 By Kristy Puchko 1 Comment

Review by Kristy Puchko

Imagine Marilyn Manson going on a madcap adventure with Carly Rae Jepson and the Three Stooges. That is the astonishing blend in the Japanese musical-comedy LOUDER! Can’t Hear What You’re Singin,’ Wimp!, which made its world premiere at the Fantasia International Film Festival. Vocal-chord scouring rock music collides with toe-tapping pop and gleefully silly slapstick to make a movie that’s wonderfully bonkers and totally unpredictable. [Read more…]

Filed Under: Film, The Line

David Leggett and Ryan Richey: Mixed Emotions

July 31, 2018 By Emily Nimptsch Leave a Comment

at Various Small Fires (Through August 25, 2018)
Reviewed by Emily Nimptsch

What is the role of humor in art? For most of human history, both fine and folk art firmly resided in the realm of the serious. It is only in the past century that artists have begun to experiment with the idea of comedy in their work. We can trace this revolutionary notion back to Dadaist Marcel Duchamp’s landmark creation, Fountain (1917). Rather than sculpt a whimsical, enchanting depiction of some goddess or river nymph, the artist simply displayed a mass-produced porcelain urinal and labeled it art. Two years later, this celebrated conceptual artist further flirted with this facetious tone in L.H.O.O.Q., a reproduction of Leonardo da Vinci’s Mona Lisa (1503) complete with a penciled-on mustache. [Read more…]

Filed Under: Art, Artist, The Line

The Internet’s “Roll (Burbank Funk)”

July 28, 2018 By Cvon Leave a Comment

From Hive Mind

on Columbia Records

Filed Under: Riot Sounds

House-Pop From Ian Poolely: “Kids Play”

July 27, 2018 By Cvon Leave a Comment

from What I Do

https://www.riotmaterial.com/wp-content/uploads/2018/07/05-Kids-Play-Original-Mix.mp3

on Pooledmusic

Filed Under: Riot Sounds

Lifechanger Is A Sophisticated And Richly-Disturbing Shapeshifter-Horror

July 27, 2018 By Kristy Puchko Leave a Comment

at Fantasia International Film
Reviewed by Kristy Puchko

Making its world premiere at the Fantasia International Film Festival, Lifechanger is a lean, mean, and intense dose of shapeshifter horror with a chilling message perfectly suited to the complex conversations of the Me Too era. Written and directed by Canadian filmmaker Justin McConnell, Lifechanger follows a mysterious “skin-walker” who steals the form, memories, and lives of his victims, leaving behind a withered husk of a corpse. This creepy crime premise might have you expecting the movie would follow a cagey detective who is on this cruel creature’s trail. But McConnell offers something far more surprising, sophisticated, and richly disturbing.  [Read more…]

Filed Under: Film, The Line

Gleaming New Work From Wild Nothing: “Letting Go”

July 26, 2018 By Cvon Leave a Comment

from the forthcoming release, Indigo (due out 31 August)

https://www.riotmaterial.com/wp-content/uploads/2018/07/Wild-Nothing-Letting-Go.mp3

on Captured Tracks

Filed Under: Riot Sounds

An Illuminating Word With Dark Money Director Kimberly Reed

July 26, 2018 By Cynthia Biret Leave a Comment

by Cynthia Biret

Dark Money is a political thriller documenting the influence of corrupt money on the elections in a state, Montana, that is a microcosm of America as a nation.

Directed by Kimberly Reed, who is known for Prodigal Sons, an introspective film about the impact of her gender transition on her family and friends, the film takes a meticulous approach at tracing the hidden players involved in swaying our political future.  [Read more…]

Filed Under: Interview, The Line

Amazon To Arctic, Part II: When Forests Tip Over

July 24, 2018 By Barrett Martin Leave a Comment

by Barrett Martin

As a musician, I’ve always felt a connection with the natural landscape, and this is especially true being that I was born in the Pacific Northwest where we take particular pride in our environment. I was born in Olympia, Washington, the literal end of the Oregon Trail and the most western extremity of the Wild West. I learned about Crazy Horse and his Lakota warriors defeating the US Cavalry when my family took a road trip to the Dakotas. This is where Custer and his mercenaries got their karmic return, and where indigenous warriors stand up to the big oil bullies on the Dakota Access Pipeline. [Read more…]

Filed Under: The Line, The Natural World

A Short Gem Out Of Santa Monica College: Like a Rolling Stone

July 23, 2018 By Alci Rengifo 1 Comment

by Alci Rengifo

In the rapidly changing landscape of modern cinema, where streaming, the internet and television are fast becoming the dominant mediums, the art of the short film is becoming more than a mere calling card for aspiring filmmakers. Like collections of short stories, short films are as powerful and satisfying these days as full features, if only because media is making time itself feel as if it is hurtling forward. A short music video such as This is America, by Childish Gambino, will ignite passions about race relations in America faster than any feature film. Yet this is not a particularly new phenomenon to storytelling. With few exceptions, the great literary minds of the last two centuries have flourished in the art of the short story. From Roberto Bolano to William Faulkner, smaller narratives have encapsulated powerful ideas. [Read more…]

Filed Under: Film, The Line

Home Of The Porno Burrito

July 23, 2018 By Riot Material Leave a Comment

by Jonathan Gold
July 19, 2006

One of the reviews that won Jonathan Gold his 2007 Pulitzer Prize in Criticism

Today’s subject: the potato taco or, to be more specific, the wonderment of civilization that is the potato taco at El Atacor #11, a taquería chain’s grungy outpost on the fringes of Glassell Park. You have, no doubt, tasted a potato taco, perhaps the basic model of the starch bomb tricked out with chopped onion and a bit of salsa, or perhaps one of the fancy examples of the breed, cooked with the roasted-chile mixture called rajas or embellished with all manner of sautéed vegetables. [Read more…]

Filed Under: The Line

The Year I Ate Pico Boulevard

July 23, 2018 By Riot Material Leave a Comment

by Jonathan Gold
September 23, 1998

Jonathan gold famously ate his way down Pico Boulevard and wrote about it in this 1998 story for L.A. Weekly.

For a while in my early 20s, I had only one clearly articulated ambition: to eat at least once at every restaurant on Pico Boulevard, starting with the fried yucca dish served at a pupuseria near the downtown end and working methodically westward toward the chili fries at Tom’s No. 5 near the beach. It seemed a reasonable enough alternative to graduate school. [Read more…]

Filed Under: The Line

Jonathan Gold, On Art

July 23, 2018 By Riot Material 1 Comment

Perhaps Jonathan Gold’s final contribution to criticism was not on food, but art. Check out this wonderful piece in Artillery Magazine, where Gold and Artillery’s Editor-in-Chief, Tulsa Kinney, walk the streets of LA exploring galleries — and food, naturally. Gold does indeed compare food to art, and amongst other small but resonant gems, when asked by Kinney “if he sees a correlation between food and art, he pauses, ‘They both turn to shit the next day?’ Then more seriously, again, a question to an answer, “They are both ways of looking at the world?’”

Thank you, Artillery, for this last glimpse into the heart and mind of a most soulful and truly beautiful man.

Jonathan Gold | Artillery

[Read more…]

Filed Under: The Line

On The Beloved Jonathan Gold

July 23, 2018 By Riot Material Leave a Comment

by Ruth Reichl

Courtesy of the Los Angeles Times

Jonathan reveled in flouting the rules. In the ’80s, when I first met him, he cheerfully drove around without a driver’s license. He wore what he wanted — in the early years his constant costume was a slightly too small black motorcycle jacket — lived where he wanted, and spent his time indulging in the pursuits that interested him. Those included music of all kinds, a voracious appetite for books, and a deep interest in art of the weirdest sort. (If you haven’t heard the chicken story, ask me some time.) [Read more…]

Filed Under: The Line

Los Angeles Loses Its Greatest Living Writer, Jonathan Gold

July 22, 2018 By Riot Material Leave a Comment

by Andrea Chang

Courtesy of the Los Angeles Times

Jonathan Gold, the Pulitzer Prize-winning Los Angeles Times restaurant critic who richly chronicled the city’s vast culinary landscape and made its food understandable and approachable to legions of fans, has died. He was 57.

Gold died of pancreatic cancer at St. Vincent Medical Center on Saturday evening, according to his wife, Times arts and entertainment editor Laurie Ochoa. The disease was diagnosed in early July. [Read more…]

Filed Under: The Line

Jenny Saville Still Manages To Amaze With Ancestors

July 20, 2018 By Phoebe Hoban 1 Comment

at Gagosian, NYC
Reviewed by Phoebe Hoban

Jenny Saville has always reveled in rendering flesh. Her earliest show at Gagosian, at the tail end of the 90s, established her ambitious scope: big, generously impasto’d gestural nudes that flew in the face of current painting trends. Lucian Freud once famously said that he wanted his “paint to work as flesh.” Saville also focuses on “paint as flesh,” but not in the  service of a heightened form of portraiture that physically embodies the sitter. Rather, Saville is interested in using paint to, as it were, flay the flesh she depicts, deconstructing her subject matter while simultaneously layering it with art historical references. [Read more…]

Filed Under: Art, Artist, The Line

Jim James Gets His Crazy Horse On With “No Secrets”

July 20, 2018 By Cvon Leave a Comment

from Uniform Distortion

https://www.riotmaterial.com/wp-content/uploads/2018/07/05-No-Secrets.m4a

on ATO Records

Filed Under: Riot Sounds

Under The Silver Lake Is A Twisted Love Letter To Hollywood

July 20, 2018 By Kristy Puchko 1 Comment

Reviewed by Kristy Puchko

“Jesus and the Brides of Dracula. Hipster pirate. Topless bird-lover. Paddleboat stalking. Literally barking mad women. Hobo king with a cardboard crown.” The notes that I scrawled while watching Under The Silver Lake at its North American Premiere at Montreal’s Fantasia International Film Festival look like the scribbles of a madman. That madman is writer/director David Robert Mitchell, who won wild praise for his art-house horror hit It Follows, and now has returned with a wildly ambitious, unapologetically bizarre, and intriguingly polarizing stoner-noir. [Read more…]

Filed Under: Film, The Line

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The Line

A review of Mark Lynas's new book, "Our Final Warning: Six Degrees of Climate Emergency," is at Riot Material Magazine.

The Earth Commences Her Retalitory Roar

Reviewed by Bill McKibben  Our Final Warning: Six Degrees of Climate Emergency by Mark Lynas London: 4th Estate, 372 pp., $27.99 The New York Review of Books So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, […]

Oliver Stone in Vietnam. A review of his new book, Chasing the Light, is at Riot Material

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

Reviewed by Alci Rengifo Chasing the Light by Oliver Stone Houghton Mifflin Harcourt, 352 pp., $25.20 If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our […]

Toyin Ojih Odutola's wonderful exhibition, A Countervailing Theory, at Barbican Centre, London, is reviewed at Riot Material Magazine

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

at The Barbican, London (through 24 Jan 2021) Reviewed by Christopher P Jones Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and […]

Driving Whle Black, two books reviewed at Riot Material

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

by Sarah A. Seo Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Liveright, 332 pp., $28.95 Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy Taylor Abrams, 360 pp., $35.00 The New York Review of Books In 1963, after Sam Cooke was […]

A review of Sontag: Here Life and Work is at Riot Material

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

Reviewed by Michael Gorra Sontag: Her Life and Work by Benjamin Moser Ecco, 816 pp., $39.99 New York Review of Books Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald […]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

Reviewed by John Biscello The Deeper the Water the Uglier the Fish by Katya Apekina Two Dollar Radio, 353pp., $12.74 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again In the name of nursery rhyme remixology, first let us […]

Heads of the Colored People, by Nafissa Thompson-Spires, is reviewed at Riot Material

Histories of Trauma in Heads of the Colored People

Reviewed by Patrick Lohier Heads of the Colored People by Nafissa Thompson-Spires Thorndike Press, 293pp., $32.99 Harvard Review In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” […]

Lord Krishna speaks to Prince Arjuna about the Gita

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

The Bhagavad Gita Translated by Eknath Easwaran Vintage Books, 122pp., $15.00 Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked […]

A review of Kevin Young's Brown is at Riot Material

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

Reviewed by Kevin T. O’Connor Brown: Poems by Kevin Young Knopf, 176pp., $19.29 Harvard Review In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” […]

Dispatch: Poems, by Cameron Awkward-Rich

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

Reviewed by Flora Field Dispatch by Cameron Awkward-Rich Persea, 80pp., $12.69 Columbia Journal In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the […]

The Monument to Joe Louis, aka "The Fist," as sculpted by Robert Graham

Relic as Horrific Remembrance in the Monument to Joe Louis

by Max King Cap “My father was a little headstrong, my mother was a little armstrong. The Headstrongs married the Armstrongs, and that’s why darkies were born.” — Rufus T. Firefly, Duck Soup, 1933 He had done it before. One can readily find the photographs of his handiwork; two human torsos, headless, the legs amputated just below […]

Cornel West and his 2001 Preface to Race Matters: "Democracy Matters in Race Matters." At Riot Material.

Cornel West’s “Democracy Matters in Race Matters”

Preface to the 25th Anniversary Edition to Race Matters Race Matters by Cornel West Beacon Press, 110pp., $11.60 Black people in the United States differ from all other modern people owing to the unprecedented levels of unregulated and unrestrained violence directed at them. No other people have been taught systematically to hate themselves — psychic violence […]

Another Week in the Death of America

Samantha Fields, American Dreaming at LSH CoLab, Los Angeles Reviewed by Eve Wood The first verse of the Mamas and the Papas seminal 1960’s anthem California Dreamin’ begins with “all the leaves are brown, and the sky is grey,” at once establishing an atmosphere devoid of color, hope and youthful abandon, and certainly not a […]

Through the Lens of Race, and Jim Crow South, in Eudora Welty's photographs

Reckoning Race in Eudora Welty’s Photographs

by James McWilliams Two portraits; two men. Both are from 1930s Mississippi. The men are situated together, photos 22 and 23, both from Eudora Welty’s only published book of photographs, simply titled Photographs. If you could put a frame around both images it would be the Jim Crow South.

Kara Walker's Fons Americanus (2019) at Turbine Hall at the Tate Modern

A Gathering Of Ruins, And Simmering Consciousness, In Kara Walker’s Fons Americanus

in Turbine Hall at Tate Modern, London by Zadie Smith Kara Walker: Hyundai Commission edited by Clara Kim Tate Publishing, 144pp., $24.95 New York Review of Books Two women are bound at the waist, tied to each other. One is a slim, white woman, in antebellum underskirt and corset. A Scarlett O’Hara type. She is […]

Romare Bearden's Pittsburgh Memory, 1964. Two books on Romare Bearden, "An American Odyssey: The Life and Work of Romare Bearden" and "The Romare Bearden Reader" are reviewed at Riot Material Magazine

Romare Bearden And The Collapsing Of Worlds Into Fabulant Forms

Reviewed by Sarah Elizabeth Lewis An American Odyssey: The Life and Work of Romare Bearden by Mary Schmidt Campbell Oxford University Press, 443 pp., $34.95 . The Romare Bearden Reader edited by Robert G. O’Meally Duke University Press, 413 pp., $29.95 (paper) New York Review of Books Every year, Congressman John Lewis has made a […]

Donald Trump and the Corporate Fascist Takeover

Corporate Fascism And The Aesthetics of Politics

by Johanna Drucker Corporate fascism. We know the term. Now we will see the full ugly face of its wrath in the vengeful fury of Trump. Trump, like all opportunistic social phenomena, is an expression of a  trending wave of collective sentiment and will. He is neither sole cause (autonomous agent) nor simple effect (isolated […]

Wim Wenders Until The End Of The World Directors Cut. An in-depth review is at Riot Material Magazine.

The Unbound Promise Of The Full Five-Hour Masterwork Until The End Of The World

by Henry Cherry Until the End of the World is a film, like the best of them, that stands outside of genre. Part sci-fi epoch, part love story, part road movie, it begins and ends with an image of the Earth’s curvature. Made by director Wim Wenders, it is the culmination of his most successful […]

Shabaka and the Ancestors, We Are Sent Here by History, is reviewed at Riot Material Magazine

The Exploratory Instincts Of Shabaka And The Ancestors’ We Are Sent Here By History

on Impulse! Records Reviewed by Henry Cherry Shabaka Hutchings, the London based musician behind The Comet is Coming and Sons of Kemet, had just  released a second recording with his South African based project, Shabaka & the Ancestors when Covid-19 canceled the promotional tour along with everything else in the world. Hutchings spoke with NPR […]

The Coronation, by Charles Eisenstein, can be read at Riot Material Magazine.

The Coronation, The Relinquishing Of Fear And The Way As A Species Forward

The Coronation by Charles Eisenstein For years, normality has been stretched nearly to its breaking point, a rope pulled tighter and tighter, waiting for a nip of the black swan’s beak to snap it in two. Now that the rope has snapped, do we tie its ends back together, or shall we undo its dangling […]

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