Riot Material

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Archives for July 2018

D.A. Pennebaker And Chris Hegedus On Their New Doc, Unlocking The Cage

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by Cynthia Biret

Unlocking The Cage offers an intimate look at an unprecedented battle to obtain the status of legal personhood for animals. Co-directed by D.A. Pennebaker and Chris Hegedus, the film follows attorney Steven Wise and his legal team, The Non Human Rights Project, into the courtroom and behind the scenes of this truly historic crusade.

From Don’t Look Back to The War Room and Startup.com, the acclaimed filmmakers are famous for their unobtrusive documentary style. One of the pioneers of Direct Cinema, Pennebaker was honored with a Lifetime Academy Award and Oscar nominated Hegedus received the DGA Outstanding Directional Achievement award. [Read more…]

Passing Through Time, Memory, Decay: A Journey That Wasn’t

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at the Broad Museum (through February 2019)
Reviewed by Emily Nimptsch

Time. It can be both friend and foe. It eludes us, slips through our fingers and yet also seemingly extends ad infinitum. The fourth dimension in all of its frustratingly enigmatic glory serves as spellbinding subject matter for the Broad Museum’s current group showcase, A Journey That Wasn’t. Rather than focus on a particular artist, movement, or epoch, co-curators Ed Schad and Sarah Loyer instead chose to delve into this abstract, multifaceted concept. Comprised of 55 rarely seen works, all from the Broad’s vast collection, this sweeping exhibition acts as a philosophical treatise on the passage of time, memory, and decay. [Read more…]

Getting Lost On The High Ground Of Greater Than L.A.

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at Desert Center, Los Angeles (through 21 July 2018)
Reviewed by Shana Nys Dambrot 

There’s something about Los Angeles that makes people constantly wrestle with what it means and never tire of describing how life is lived here. No other place, not even Paris or New York, has sponsored such a compendium of self-reflexive art and literature, almost all somehow both obsessive and ambivalent at the same time. L.A. is the kind of place where people who’ve never been here have more passion and frequently more insight about its nature than natives, which is to say, Hollywood especially, is such an aspirational, archetypal place, that there’s almost more cultural currency in projection and fantasy than in a direct yet diffuse experience of it. [Read more…]

Bo Burnham’s Eighth Grade Is Exquisitely Excruciating

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Review by Kristy Puchko

I was not prepared for Eighth Grade. Since its rave-rousing Sundance premiere, stand-up comedian turned writer/director Bo Burnham’s debut feature has been gaining buzz as a great coming-of-age tale. I knew my peers thought it was “so good,” and I assumed that meant captivating and fun with occasional streaks of agonizing secondhand embarrassment. Basically, I imagined Lady Bird Jr. But Eighth Grade is not a bittersweet romp. It is not fun. It’s less a movie, and more a cringe-inducing, full-body flashback to the exquisite excruciation of being an adolescent.

[Read more…]

Sonic Dust Unhanded From The Gods: John Coletrane’s “Slow Blues”

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From Both Directions At Once: The Lost Album
Recorded in the Van Gelder Studio, New Jersey. March 6, 1963.

Featuring "The Classic Quartet"
John Coltrane — tenor saxophone / soprano saxophone
McCoy Tyner — piano
Jimmy Garrison — double bass
Elvin Jones — drums
♦
on Impulse! Records

A Conversation With Artist And Esteemed Butch Hero Ria Brodell

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by Ellen C. Caldwell

Painter Ria Brodell has gained fame in the way they disrupt and update both the artistic cannon and history itself. In their painted series “Butch Heroes,” Brodell takes the form of traditional Catholic Holy cards depicting saints and martyrs, and instead paints “butch heroes” on a reinterpretation of the cards. Brodell highlights queer heroes from across the world and ages, showcasing and celebrating lesser-known, “butch” (female assigned, but masculine presenting) historical figures.

Brodell’s process is research-based in terms of uncovering these buried histories. Brodell visits archives and libraries, writing textual descriptions of hero and ensuring that these always accompany the images so that this history is also brought to light. [Read more…]

Manifesta 12 Promises The World, And Delivers

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by Arabella Hutter von Arx

“I have pushed for the transformation of Manifesta . . . into a more inclusive, pragmatic and sustainable format that turns signals into substance.” – Hedwig Fijen, founding director of Manifesta

1. Opening Rites To Our Common Humanity

Buzz words fly around at the press conference launching Manifesta 12 in the breathtaking Renaissance Church of Santa Caterina: incubator, civic cooperation, testing ground, sustainability, interconnection, flowing networks. The 12th edition of the biennial took as guiding vision the “Planetary Garden,” a term coined by French gardening philosopher Gilles Clément. They add that Manifesta, the nomadic biennial, was created in the early 90s as a response to the erection of new partitions and borders in Europe after they had been felled in the previous decade. Manifesta 12 wants to shift perspectives, in order to imagine and promote caring for the world through collaboration, the second tier of its title, “Cultivating Coexistence.” This “cultivating,” a gardening of sorts, is to replace the existing paradigm of one species’ domination at all cost. The concept of cultivation is to be applied to the city of Palermo itself, with the ambition of bringing lasting change and empowering its citizens of all origins and classes. [Read more…]

Recoupment Through Roses: A Word With Artist and Activist Amitis Motevalli

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by Carrie Paterson

Amitis Motevalli’s Golestan Revisited project, now in its exhibition phase, has several aims. One is to perform a revisionist botanical history to “decolonize the roses.” Motevalli explained to me that the flowers originated in an area of the world now described partly as Iraq, Syria, Pakistan and Iran, where she was born. Ancient Persia’s flowers could be described as successful plant emissaries of cultural exchange during a period of trading along the Silk Road. But Motevalli questions the way these plants were collected, specifically during the era of The Crusades, and the reasons they were cultivated. She sees the flowers as having been forcibly taken, because in their journeys to Europe and widespread adoption as symbols in art, literature and culture, they were hybridized and their offspring renamed, their cultural histories and their poetries erased. [Read more…]

Judy Chicago’s Birth Project: Born Again

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at the Pasadena Museum of California Art
through October 7 (upon which time the museum will permanently close)
Reviewed by Emily Nimptsch

“If men had babies, there would be thousands of images of the crowning.” – Judy Chicago, 1982

Since 2002, East Union Street’s illustrious Pasadena Museum of California Art has reliably showcased some of the city’s most vibrant, eclectic, and socially-conscious exhibitions, including 2018’s The Feminine Sublime and Testament of the Spirit: Paintings by Eduardo Carrillo. As a modern and contemporary art hub renowned for presenting Southern California’s finest art and artists, this progressive artspace has undoubtedly elevated Los Angeles’s cultural discourse over the course of its 16-year run. With the recent news that the PMCA board has decided to close this beloved museum following the conclusion of its current exhibition, Judy Chicago’s Birth Project: Born Again, in October due to fundraising issues, witnessing this exquisite collection of Chicago’s rarely-seen feminist tapestries from the early 1980s in this transcendent, sublime location is now all the more important. [Read more…]

The Color Purple Is A Joyous Affair

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at the Pantages Theatre, Hollywood
Reviewed by Seren Sensei

A limited two-week run of The Color Purple recently closed at the famed Pantages Theatre in Hollywood, and it was a spectacle to behold. Based on the Pulitzer Prize-winning novel by Alice Walker (that was later adapted into a landmark movie starring Whoopi Goldberg and directed by Steven Spielberg), the show follows the life of main character Celie and the lives of her family and friends in the 1930’s. The critique of the low status of Black Americans, and Black women in particular, in a society that is both racist and sexist is a major theme throughout. Yet the empowering messages of radical self-love and acceptance, faith and hope in a time of abuse and oppression, and the importance of woman empowerment feel even more current post-#MeToo. Already a brilliantly captivating work in print and on film, the musical manages to somehow be lighter in tone than both while not undermining the gravity of much of the subject matter. Black joy is conveyed the bright oranges, reds and greens of an account of Africa; the joyous yellow of a brand new pair of pants; and, of course, the color purple, which is deemed the color that “…pisses God off if you don’t stop to enjoy it.” [Read more…]