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Archives for June 2019

Michael Ajerman’s Possessions And Marty Schnapf’s Loves and Lovers

June 30, 2019 By Riot Material 2 Comments

at Diane Rosenstein Gallery, Los Angeles (through August 17)
Reviewed by Genie Davis

Michael Ajerman and Marty Schnapf each offer their own elegant and sensual images in two strong solo shows at Diane Rosenstein Gallery. While Ajerman works with vivid colors in his figurative oil paintings, Schnapf’s current body of work is in nearly-life-size black and white. Both offer deeply intimate expressions that are filled with energy and pulsing with life. There is a physicality to both artists’ work that makes them ideally paired, although the outward appearance of each exhibition is visually diverse in palette and style. [Read more…]

Filed Under: Art, Artist, The Line

The Formidable And Innovative Lee Krasner

June 28, 2019 By Christopher P Jones 1 Comment

Lee Krasner: Living Colour, at the Barbican Centre, London (through 1 September)
Reviewed by Christopher P Jones

Sometimes a retrospective can abbreviate an artistic life into a series of airless high-peaks without taking notice of the lower-lying ground. Lee Krasner’s exceptional exhibition, Living Colour, at the Barbican Centre in London, achieves the exact opposite. The 100 or so works on display flesh out a life with all the territory – high and low – accounted for, so that every piece lends itself towards a greater whole. In doing so, the exhibition reveals why Krasner is rightly regarded as an artist of pioneering significance, whose development from cubist collage to expressionistic vigour accounts for an important story in 20th century American art. [Read more…]

Filed Under: Art, Artist, The Line

3.14

June 28, 2019 By Riot Material 2 Comments

That Evening Sun is a photo-journal of life, love and interminable lasting on LA’s Skid Row
by Suitcase Joe

Suitcase Joe. "That Evening Sun," a photo-journal of life, love and interminable lasting on LA’s Skid Row, is at Riot Material Magazine.

I usually see Jerry a couple times a week hanging around the corner of 6th and Los Angeles. Last time I spoke with him he was having some trouble with his lungs. Recently he told me he now visits a hospital twice a week where they hook him up to a respiratory machine to help with his breathing. They’re also giving him steroids in the form of an inhaler. Like always, Jerry was in high spirits. For those unfamiliar with Jerry, his deformity comes from being shot in the face with a shotgun at point blank range. Jerry is lucky to have lived through the incident. [Read more…]

Filed Under: That Evening Sun

The Incidental Orifice In Sarah Lucas’s Au Naturel

June 27, 2019 By Eve Wood Leave a Comment

At UCLA’s Hammer Museum, Los Angeles (through September 1)
Reviewed by Eve Wood

It’s been said that all great artists have only a few “real” subjects and those subjects nearly always reference love, sex or death. In fact, these pivotal subjects could arguably be the holy trinity when it comes to the imagination and the deeper impulses that drive the creative process. So, Picasso had his underage lovers, his bull testicles and his minotaur. Magritte his pipe, umbrellas and top hats and Cezanne his monumental, sacred mountain.  [Read more…]

Filed Under: Art, Artist, The Line

3.13

June 26, 2019 By Riot Material Leave a Comment

That Evening Sun is a photo-journal of life, love and interminable lasting on LA’s Skid Row
by Suitcase Joe

So many dogs in Skid Row. This girl was just checking me out. She tried to hide when I crouched down to pet her. [Read more…]

Filed Under: That Evening Sun

Against Our Will: Sexual Trauma In American Art Since 1970

June 24, 2019 By Riot Material Leave a Comment

Reviewed by Coco Fusco

Against Our Will: Sexual Trauma in American Art Since 1970
by Vivien Green Fryd

Pennsylvania State University Press, 349 pp., $49.95
Review courtesy of The New York Review of Books

In 1974 the performance artist Marina Abramovic stood naked and immobile in a Naples gallery. Next to her was a table with seventy-two objects, including a loaded gun. Beside the objects was a document absolving the audience of responsibility for whatever they might choose to do to her with those objects.  [Read more…]

Filed Under: Books, The Line

3.11

June 24, 2019 By Riot Material Leave a Comment

That Evening Sun is a photo-journal of life, love and interminable lasting on LA’s Skid Row
by Suitcase Joe

Suitcase Joe. "That Evening Sun," a photo-journal of life, love and interminable lasting on LA’s Skid Row, is at Riot Material Magazine.

The woman on the left brought news that a man around the corner known as New York had just passed away in his tent. That’s how word travels in Skid Row. Fortunately it wasn’t anyone that Tiffany knew. Tiffany (photo right) is a heroin addict. While I was speaking with her, I noticed blood on her shirt and a bloody cloth wrapped around her arm that served as a crude bandage. She tells me, two years ago a couple of abscess’ formed on her arm caused by shooting up and they quickly became infected. The infection continued to grow and spread throughout her entire arm. From my observation her arm cannot be far off from needing to be amputated. However, the state of her arm does not keep her from continuing to use. Addiction is more powerful than some people understand. It’s not as easy as just getting clean and starting over. It’s something you will always have to deal with once it rears its ugly head into your life. [Read more…]

Filed Under: That Evening Sun

3.8

June 21, 2019 By Riot Material Leave a Comment

That Evening Sun is a photo-journal of life, love and interminable lasting on LA’s Skid Row
by Suitcase Joe

Suitcase Joe. "That Evening Sun," a photo-journal of life, love and interminable lasting on LA’s Skid Row, is at Riot Material Magazine.

Her name is Julie Pacheco. She doesn’t speak much English and regardless of the language barrier, I’m told she doesn’t speak much at all. She’s skittish and hides her eyes beneath her black beanie, but she seems very aware of her surroundings. Her body is covered in little scabs and scratches where she picks at herself and she moves with a nervous energy. Julie lives with a man who looks out for her and he is very fond of Julie. He tells me she was a sex slave in Mexico for 10 years, where she was kept in a cage, abused and mistreated. The man has also lived through his own personal trauma and it was evident to me that they have a connection founded in what they’ve been through. He tells me, he’d like to marry her someday, but she doesn’t have any papers. Regardless he is protective over her and takes care of her just the same. I’ll be following up with Julie in the near future after I bring an interpreter with me to help me translate our conversation. I’d like to learn more about her backstory and share it with you all. [Read more…]

Filed Under: That Evening Sun

Remembering Cassius Co-Collaborator And Producer-Extraordinaire Philippe Zdar

June 20, 2019 By Cvon Leave a Comment

RIP
1967 | 2019

https://www.riotmaterial.com/wp-content/uploads/2019/06/07-See-Me-Now.m4a

Cassius, “See Me Now” 

https://www.riotmaterial.com/wp-content/uploads/2019/04/05-Fame.m4a

Cassius, “Fame”

https://www.riotmaterial.com/wp-content/uploads/2019/06/02-Prix-choc.m4a

Etienne De Crecy, “Prix Choc”

https://www.riotmaterial.com/wp-content/uploads/2019/06/02-1901.mp3

Phoenix, “1901”

https://www.riotmaterial.com/wp-content/uploads/2019/06/08-Manhattan.m4a

Cat Power, “Manhattan”

https://www.riotmaterial.com/wp-content/uploads/2019/06/01-La-ritournelle.m4a

Sébastien Tellier, “La Ritournelle”

as mere impression, and fraction, of Zdar’s incredible body of work…

Philippe "Zdar" Cerboneschi, left, and Hubert Blanc-Francard (aka "Boom Bass") of Cassius. Zdar died today after accidentally falling through a high-rise window in Paris.

Philippe “Zdar” Cerboneschi, left, and Hubert Blanc-Francard (aka “Boom Bass”) of Cassius. Zdar died today after accidentally falling through a high-rise window in Paris.

Filed Under: Riot Sounds

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

June 19, 2019 By Alci Rengifo Leave a Comment

Reviewed by Alci Rengifo

Will we ever see the likes of Bob Dylan again? It is a question easily inspired by Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, a sprawling, indeed thundering chronicle, now streaming on Netflix, of one of the American bard’s most legendary travels across the United States. What made this particular venture unique was the transitional phase the country was enduring, emerging from the tumult of the 1960s, its self-trust scarred, possibly beyond repair. Fittingly, this tale is told by Martin Scorsese, not only a great filmmaker but an artist obsessed with the past.  [Read more…]

Filed Under: Film, The Line

Ari Aster’s Midsommar Is A Horrifying And Exhilarating Follow-Up To Hereditary

June 19, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

“I wrote this while going through a break-up,” Ari Aster said at the special advance screening of Midsommar. “I’m better now.”

The filmmaker’s darkly humorous confession played well to the crowd at Brooklyn’s Alamo Drafthouse Cinema, where press and select members of the public gathered to see Aster’s hotly anticipated follow-up to his wildly praised debut, Hereditary. As the crowd chuckled at Aster’s softly spoken introduction, a mix of excitement and anxiety hung in the air. With his first film, Aster had offered a scorching exploration of family trauma with a unique brand of horror grounded by an impeccable performance from a riveting leading lady. Basically, Hereditary was so outstanding, how could Midsommar possibly compete? [Read more…]

Filed Under: Film, The Line

Semicolon: The Past, Present, and Future of a Misunderstood Mark

June 19, 2019 By Riot Material Leave a Comment

Reviewed by Christopher Tayler

Semicolon: The Past, Present, and Future of a Misunderstood Mark
by Cecelia Watson

Ecco. 224 pp. $19.99
Courtesy of Harper’s Magazine

Pietro Bembo, a Venetian poet and scholar, staked his first claim to fame in a short book he published in 1496, when he was in his mid-­twenties. De Aetna described, in Latin, a hike Bembo had made to the top of Mount Etna in Sicily. Even in summer, he observed, there was snow on the peak. An ancient Greek geographer, Strabo, had said that there wasn’t, but the evidence of one’s own eyes, Bembo wrote, was “no less an authority.” This was Renaissance humanism flexing its muscles—a few generations earlier, an ancient geographer might have carried more authority than a firsthand report—and it wasn’t the only instance of that in Bembo’s book. Various marks subdivided his text. One of them, which signaled both a medium-length pause and a semantic boundary inside a sentence, hadn’t been used for that particular function before. Between them, Bembo; his publisher, Aldus Manutius; and Manutius’s type maker, Francesco Griffo, were introducing the world to a new punctuation mark: the semicolon. [Read more…]

Filed Under: Books, The Line

3.7

June 19, 2019 By Riot Material Leave a Comment

That Evening Sun is a photo-journal of life, love and interminable lasting on LA’s Skid Row
by Suitcase Joe

Suitcase Joe. "That Evening Sun," a photo-journal of life, love and interminable lasting on LA’s Skid Row, is at Riot Material Magazine.

Theresa shooting up crystal methamphetamine on a public sidewalk near the outskirts of Skid Row. From my perspective the amount of hard drug users has only gotten worse over the last couple of years. The drug epidemic is real. [Read more…]

Filed Under: That Evening Sun

Night Falls On The Back Of The Neck In FKCLUB’s “Hypervictim”

June 17, 2019 By Cvon Leave a Comment

From Brutalism

https://www.riotmaterial.com/wp-content/uploads/2019/06/06-Hyper-Victim.mp3

on Astrolab Recordings

Filed Under: Riot Sounds

3.6

June 17, 2019 By Riot Material Leave a Comment

That Evening Sun is a photo-journal of life, love and interminable lasting on LA’s Skid Row
by Suitcase Joe

Suitcase Joe. "That Evening Sun," a photo-journal of life, love and interminable lasting on LA’s Skid Row, is at Riot Material Magazine.

While visiting Crushow, I was lucky to catch this moment of his daughter coming to see him. It was a moving day for him. Every two weeks the residents have to move their tents and belongings to a different location while the city comes and cleans the streets and sidewalks. Anything that is not removed is thrown away. Sometimes people lose invaluable possessions that cannot be replaced. But Crushow says the upside of the street cleaning is people don’t accumulate too much stuff, which in itself can drag you down. [Read more…]

Filed Under: That Evening Sun

Christina Quarles And The Aesthetics Of Ambiguity

June 14, 2019 By Lita Barrie 1 Comment

by Lita Barrie

Christina Quarles is at the forefront of a generation of millennial artists who are making ambiguity the aesthetic of our time. Few artists can incorporate as many painting styles as fluidly as Quarles does because few artists have the chops to paint and draw as well as she does. Even fewer have the philosophic rigor and intellectual muscle to upturn the cultural assumptions underlying the history of painting – and have such obvious pleasure doing it. [Read more…]

Filed Under: Artist, Interview, The Line

The Last Black Man In San Francisco

June 14, 2019 By Seren Sensei 1 Comment

Reviewed by Seren Sensei

Life is stranger than fiction. Things happen without rhyme or reason, and we, the living, are pulled along, anchoring ourselves to friends, family, lovers; people, places, and things in an effort to stay afloat, to make sense of it all. In The Last Black Man in San Francisco the protagonist, a Black American named Jimmie Fails (played by himself and loosely based on his real life), is anchored to a house. His grandfather built it, he insists, and he’s drawn to it, returning repeatedly despite the fact that his family lost it in a wave of gentrification and it has had new owners for the last 12 years. They’re well-meaning older white liberals that were clearly beatnik artists once, dropping “hey man” into their sentences and saying they don’t want to call the cops if they catch him on the property again — but they will. It’s a thinly veiled threat couched in the kind of casual racism that hovers throughout the film, even after said owners lose the house themselves in a serendipitous twist of fate. [Read more…]

Filed Under: Film, The Line

The Apocalypse Is Agreeably Upon Us In The Dead Don’t Die

June 14, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

It’s the end of the world as we know it, and we say, ‘Fine.’ That’s the criticism that cuts through Jim Jarmusch’s star-stuffed zombie-comedy The Dead Don’t Die, where the undead not only feast on human flesh but also gravitate toward the distractions they were obsessed with in life, be it coffee, cell phones, or Chardonaaaaaaay! It’s a strange journey that is savagely funny, sophisticated and unnerving.  [Read more…]

Filed Under: Film, The Line

3.5

June 14, 2019 By Riot Material Leave a Comment

That Evening Sun is a photo-journal of life, love and interminable lasting on LA’s Skid Row
by Suitcase Joe

Suitcase Joe. "That Evening Sun," a photo-journal of life, love and interminable lasting on LA’s Skid Row, is at Riot Material Magazine.

You meet all different types of people on Skid Row. Just because you live on the streets doesn’t mean you don’t care about what you wear. This man has style and he knows it. [Read more…]

Filed Under: That Evening Sun

Luchita Hurtado: I Live I Die I Will Be Reborn

June 13, 2019 By Christopher P Jones Leave a Comment

at Serpentine Sackler Gallery, London (through 20 October)
Reviewed by Christopher P Jones

There is something hypnotic about the work of Luchita Hurtado. She has mastered the art of suggestiveness, and much as dreams do, her works win our attention because of their peculiar logic. [Read more…]

Filed Under: Art, Artist, The Line

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The Line

A review of Thelonious Monk's Palo Alto

Palo Alto Sees the Thelonious Monk Quartet at its “Final Creative High”

Reviewed by Marty Sartini Garner Palo Alto on Impulse! Pitchfork Thelonious Monk once said: “Weird means something you never heard before. It’s weird until people get around to it. Then it ceases to be weird.” By the time Monk and his quartet strode into the auditorium at Palo Alto High School on October 27, 1968, […]

Archie Shepp Quartet, Stadsteatern, Stockholm, September 1966. An interview with Archie Shepp, September 2020

Music for a Revolution: A Word with Jazz Great Archie Shepp

Interview by Accra Shepp NYRB My father, the saxophonist Archie Shepp, has recorded more than 110 albums since 1962, performed all over the world, and received numerous honors, including the 2016 Jazz Master’s Award from the National Endowment for the Arts. In the 1960s, he helped define “free jazz,” a new idiom in which the […]

Bobby Seale Checks Food Bags. March 31, 1972.

Food As Culture, Identity and an Enduring Form of Black Protest

By Amethyst Ganaway Food & Wine We are demanding, not asking, for “Land, Bread, Housing, Education, Clothing, Justice And Peace.” —Amethyst Ganaway Black people in America have used food as a means of resistance, rebellion, and revolution since being forcefully brought here in the late 1500s. Food has always been a part of the culture and […]

A Pandemic Q&A with David Lynch

Pandemic Musings: A From-The-Bag Q&A With David Lynch

 From David Lynch Theater Presents: “Do You Have a Question for David? Part 1”

Erin Currier, American Women (dismantling the border) II. Read the interview with Erin excerpted from Lisette Garcia's new book, Ponderosas, at Riot Material.

An Interview with Erin Currier: Artist, Writer & Activist

by Lisette García and Barrett Martin excerpted from Ponderosas: Conversations with Extraordinary, Ordinary Women  by Lisette García, Ph. D available November 20th Sunyata Books “You have to act as if it were possible to radically transform the world. And then you have to do it all the time.” –Angela Davis Barrett: I first met Erin Currier and her […]

A review of Mark Lynas's new book, "Our Final Warning: Six Degrees of Climate Emergency," is at Riot Material Magazine.

The Earth Commences Her Retalitory Roar

Reviewed by Bill McKibben  Our Final Warning: Six Degrees of Climate Emergency by Mark Lynas London: 4th Estate, 372 pp., $27.99 The New York Review of Books So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, […]

Oliver Stone in Vietnam. A review of his new book, Chasing the Light, is at Riot Material

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

Reviewed by Alci Rengifo Chasing the Light by Oliver Stone Houghton Mifflin Harcourt, 352 pp., $25.20 If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our […]

Toyin Ojih Odutola's wonderful exhibition, A Countervailing Theory, at Barbican Centre, London, is reviewed at Riot Material Magazine

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

at The Barbican, London (through 24 Jan 2021) Reviewed by Christopher P Jones Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and […]

Driving Whle Black, two books reviewed at Riot Material

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

by Sarah A. Seo Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Liveright, 332 pp., $28.95 Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy Taylor Abrams, 360 pp., $35.00 The New York Review of Books In 1963, after Sam Cooke was […]

A review of Sontag: Here Life and Work is at Riot Material

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

Reviewed by Michael Gorra Sontag: Her Life and Work by Benjamin Moser Ecco, 816 pp., $39.99 New York Review of Books Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald […]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

Reviewed by John Biscello The Deeper the Water the Uglier the Fish by Katya Apekina Two Dollar Radio, 353pp., $12.74 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again In the name of nursery rhyme remixology, first let us […]

Heads of the Colored People, by Nafissa Thompson-Spires, is reviewed at Riot Material

Histories of Trauma in Heads of the Colored People

Reviewed by Patrick Lohier Heads of the Colored People by Nafissa Thompson-Spires Thorndike Press, 293pp., $32.99 Harvard Review In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” […]

Lord Krishna speaks to Prince Arjuna about the Gita

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

The Bhagavad Gita Translated by Eknath Easwaran Vintage Books, 122pp., $15.00 Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked […]

A review of Kevin Young's Brown is at Riot Material

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

Reviewed by Kevin T. O’Connor Brown: Poems by Kevin Young Knopf, 176pp., $19.29 Harvard Review In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” […]

Dispatch: Poems, by Cameron Awkward-Rich

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

Reviewed by Flora Field Dispatch by Cameron Awkward-Rich Persea, 80pp., $12.69 Columbia Journal In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the […]

The Monument to Joe Louis, aka "The Fist," as sculpted by Robert Graham

Relic as Horrific Remembrance in the Monument to Joe Louis

by Max King Cap “My father was a little headstrong, my mother was a little armstrong. The Headstrongs married the Armstrongs, and that’s why darkies were born.” — Rufus T. Firefly, Duck Soup, 1933 He had done it before. One can readily find the photographs of his handiwork; two human torsos, headless, the legs amputated just below […]

Cornel West and his 2001 Preface to Race Matters: "Democracy Matters in Race Matters." At Riot Material.

Cornel West’s “Democracy Matters in Race Matters”

Preface to the 25th Anniversary Edition to Race Matters Race Matters by Cornel West Beacon Press, 110pp., $11.60 Black people in the United States differ from all other modern people owing to the unprecedented levels of unregulated and unrestrained violence directed at them. No other people have been taught systematically to hate themselves — psychic violence […]

Another Week in the Death of America

Samantha Fields, American Dreaming at LSH CoLab, Los Angeles Reviewed by Eve Wood The first verse of the Mamas and the Papas seminal 1960’s anthem California Dreamin’ begins with “all the leaves are brown, and the sky is grey,” at once establishing an atmosphere devoid of color, hope and youthful abandon, and certainly not a […]

Through the Lens of Race, and Jim Crow South, in Eudora Welty's photographs

Reckoning Race in Eudora Welty’s Photographs

by James McWilliams Two portraits; two men. Both are from 1930s Mississippi. The men are situated together, photos 22 and 23, both from Eudora Welty’s only published book of photographs, simply titled Photographs. If you could put a frame around both images it would be the Jim Crow South.

Kara Walker's Fons Americanus (2019) at Turbine Hall at the Tate Modern

A Gathering Of Ruins, And Simmering Consciousness, In Kara Walker’s Fons Americanus

in Turbine Hall at Tate Modern, London by Zadie Smith Kara Walker: Hyundai Commission edited by Clara Kim Tate Publishing, 144pp., $24.95 New York Review of Books Two women are bound at the waist, tied to each other. One is a slim, white woman, in antebellum underskirt and corset. A Scarlett O’Hara type. She is […]

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  • November 2016
RIOT MATERIAL
art. word. thought.