Riot Material

Art. Word. Thought.

Henry Taylor’s B Side: Where Mind Shapes Itself to Canvas

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Henry Taylor: B Side
at MOCA Grand, Los Angeles (through 30 April 2023)
Reviewed by Eve Wood

Ages ago when there were LP records and 45s, the B side of a popular single made allowances for experimentation and could be counted on as an alternative vision to the more mainstream and compulsory hit single. B sides were not the reason you bought the album, but they were perhaps a more authentic representation of the artist’s vision, and every so often a great B side would feel akin to unearthing gold. Henry Taylor’s thirty-year retrospective at MOCA Grand pays homage to the unexpected, the visceral, and the odd man out, and like any successful B side, you want to keep listening. [Read more…]

On Wing With Word Through Anselm Kiefer’s Exodus

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Gagosian at Marciano Art Foundation, Los Angeles (through 25 March 2023)
by Rachel Reid Wilkie

Los Angeles poet Rachel Reid Wilkie was given the task of walking into Anselm Kiefer’s Exodus — a literally monumental exhibition, in that each of these paintings are upwards of 30’ tall — and addressing the colossal artworks “cold,” as in spontaneously on the spot. Below is her 7-part response, with each video speaking to one painting as Wilkie circles through the cavernous, faintly-lit room: [Read more…]

Songbook of a Bygone Dead: Bob Dylan’s The Philosophy of Modern Song

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Reviewed by Dan Chiasson

The Philosophy of Modern Song
by Bob Dylan
Simon & Schuster, 352pp., $28.93
NYR

Bob Dylan’s new book, The Philosophy of Modern Song, is a kind of music-appreciation course open to auditors and members of the general public. It is best savored one chapter, one song, at a time, while listening to the accompanying playlists, which its readers have assembled on music-streaming platforms. Professor Dylan lectures a little, then you press play. [Read more…]

Yehonatan Koenig’s Subversion of the Ordinary

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Knowing Not Knowing, at Matt Drey Arts (presenting with the Kava Collective)
by Mat Gleason

The art of Yehonatan Koenig is a subatomic soiree, every mark-making molecule involved in contributing to a higher purpose along the way.

There is form and structure revealed here, an elegant point in the digressions of a thousand or more marks, each its own act of lending to the whole. [Read more…]

Communication Breakdown: Grant Wallace, His Heirs & the Legacy of a Forgotten Genius

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Grant Wallace: Over the Psychic Radio
at Ricco/Maresca Gallery, NYC (through 3 December 2022)

By Michael Bonesteel

Freelance writer and editor Deborah Coffin of Albany, California, was in graduate school at the University of California, Berkeley in 1997 when she first encountered street musician Brian Wallace at a party. “I had a friend who knew Brian,” she recalled. “Brian was obsessing about my friend because her red hair reminded him of this drawing by his grandfather, and he wanted her to see it.”

That may sound like a rather lame variation on the old pick-up line “come up and see my etchings,” but Brian was specifically thinking about his grandfather Grant Wallace’s portrait of the ravishing celestial goddess “Zu La Zu Lé.” [Read more…]

Words To Wrap Around A Dying Brother

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Smoking the Bible
Reviewed by Rhony Bhopla

Smoking the Bible
by Chris Abani
Copper Canyon Press, 96pp., $15.99
HR

Chris Abani’s autobiographical book of poems, Smoking the Bible, centers on the relationship of two brothers growing up in Nigeria with an Igbo father and an English mother. The poems, which incorporate the Igbo language along with references to West African rituals, reveals the devotion of a sibling who has become his brother’s keeper as he succumbs to cancer. Displacement, violence at home, civil unrest, and neocolonial forms of subjugation are all running themes in this accomplished, elegiac collection. [Read more…]

Louise Bourgeois: What Is The Shape of This Problem?

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at University of Southern California, Fisher Museum of Art. (through 3 December 3, 2022)
Reviewed by Margaret Lazzari

Louise Bourgeois is widely recognized for her sculptures and installations, but Louise Bourgeois: What is The Shape of This Problem is a wonderful opportunity to immerse yourself in her perhaps-lesser-known prints, fabric work and writings. This exhibit contains over 100 works that are personal, experimental, and revealing. The installation is dense and full of relatively small works, mostly hung salon style. It takes patience to go through the exhibit, but it is rewarding for its psychological complexity and conceptual richness. [Read more…]

Moonage Daydream Conveys More Myth Than Man

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Moonage Daydream
Dir. Brett Morgan

Reviewed by Nicholas Goldwin

As one of the greatest shapeshifters in the expansive history of rock music, it seems only fitting that the documentary with David Bowie as its subject never seems content to express the trials, tribulations and artistic triumphs of Bowie in any one fixed way. This is expressed through the film in its alternations between rare footage of early concerts and interviews, expressive animated renderings of the science-fiction imagery laden throughout Bowie’s oeuvre and various examples of Bowie’s own artwork, both visual and musical. In doing this, Morgen allows the true scope of Bowie’s career as an artist and innovator to be appreciated by the audience in a truly all-encompassing way. Yet despite the astounding variety of ways in which Bowie is portrayed in Moonage Daydream, there is nonetheless a disarming absence of any significant insight or depth given to Bowie as an individual. This makes the film’s attempt to give Bowie himself — the man, the individual — the spotlight seem lacklustre in execution, in that Morgen can’t seem to help but identify him as anything other than an icon. [Read more…]

The Artful Construction of The ‘I’

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by Merve Emre
NYR

The essay form…bears some responsibility for the fact that bad essays tell stories about people instead of elucidating the matter at hand.
—Theodor Adorno

The personal essay is a genre that is difficult to define but easy to denounce. The offending element is rarely the essay as a form, but its content, “the personal,” “a permanent temptation for a form whose suspiciousness of false profundity does not protect it from turning into slick superficiality,” writes Adorno. A list of counterparts to the personal essay might include more admirable imaginary genres such as the structural essay, the communal essay, the public essay, the critical essay, and the impersonal essay. Or, as Adorno insinuates, the good essay, which prioritizes “elucidating the matter at hand” instead of telling “stories about people,” as “bad essays” do. [Read more…]

Transcendence Beyond Erasure in Mohammad Barrangi’s Dreamscape

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at Advocartsy, Los Angeles (thru 5 November 2022)
Reviewed by Christopher Ian Lutz

Fantasy requires a symbolic vehicle to transport a character from the real world into the imaginary realm, where the laws of reality are subverted or obscured to justify an otherwise absurd event. The artist might depict the vehicle as a real object or an abstract phenomenon, but within the narrative context, a vehicle functionally serves as a symbol. The symbol is required because fantasy is not merely about the sensational physical immersion of the character but is more about the subjective experience the character undergoes while on their adventure. The otherworld represents the character’s unexplored subconscious mind and deeper emotional state. Furthermore, the entire narrative itself is symbolic for the audience. Within the narrative, the fictional “real” world and the fantastic world function as symbols to immerse the audience in their unmanifest subconscious. [Read more…]

An Interview with Idris Khan

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The Pattern of Landscape, at Sean Kelly, Los Angeles (through 5 November 2022)
by Ricky Amadour

Opening on the corner of Highland and De Longpre Avenues in the heart of Hollywood, Idris Khan’s The Pattern of Landscape is the inaugural exhibition at Sean Kelly, Los Angeles. Khan investigates color theory, text, and musical concepts through new large-scale paintings, bronze sculptures, watercolors on paper, and photography. Khan’s first Los Angeles presentation features music and text, fitting for an area predominantly known for legendary recording studios and music venues. Based in London, the artist speaks about his meticulous artistic process, lyrical expression, and affinity to architecture.

[Read more…]

Soul Crash: Our Slow, Inexorable Release Into the Metaverse

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by Sue Halpern

The Metaverse: And How It Will Revolutionize Everything
by Matthew Ball
Liveright 352pp., $18.89
NYR

In October 2021, when Mark Zuckerberg announced that Facebook would now be called Meta and its business interests would be pivoting to the metaverse, there was almost universal confusion: most observers had no idea what he was talking about, and for good reason. The metaverse does not exist. Born of science fiction and blending virtual reality into everyday activities, the idea is one that some tech executives like Zuckerberg believe will be the future of the Internet. In his case, it is a belief so resolute that he is willing to wager something like $10 billion a year and the fate of his company on it. [Read more…]

Inglewood Open Studios Art Walk 2022

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by Margaret Lazzari

The Inglewood Open Studios (IOS) Art Walk features over 75 artists working in all media and will tour artists’ studios as well as host film screenings and gallery exhibitions. The event will kick off with an opening reception featuring all participating artists at Residency Art Gallery in Downtown Inglewood on Friday, November 11th from 4-7 PM, followed by the self-guided art walk tour on Saturday, November 12th and Sunday, November 13th from 12-5 PM (both days).

The following is a conversation with artist and IOS Board Vice President Holly Tempo:  [Read more…]

Margaret Lazzari’s Luminous Breathing Space

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at George Billis Gallery, Los Angeles (through 8 October 2022)
Reviewed by Nancy Kay Turner

“Things are not what they seem: nor are they otherwise.”
–Buddha

Margaret Lazzari’s luminous solo exhibition of paintings, entitled Breathing Space, were painted during the pandemic, and the exhibition title is indeed significant. It’s defined as a respite, a hiatus, or an interval where one takes time to recover. The paintings themselves shift seamlessly between abstraction and figuration, observation and invention evoking both delight and anxiety. Her painting process informs this ever-changing perspective that intrigues, confounds and compels the viewer upon sustained investigation of the images. [Read more…]

A Look Back on an Iconoclast: Art Critic Dave Hickey

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by Jarrett Earnest

Far From Respectable: Dave Hickey and His Art
by Daniel Oppenheimer
University of Texas Press, 141 pp., $24.95

The Invisible Dragon: Essays on Beauty, Revised and Expanded
by Dave Hickey
University of Chicago Press, 123 pp., $15.00 (paper)

Air Guitar: Essays on Art and Democracy
by Dave Hickey
Art Issues Press, 215 pp., $19.95 (paper)
NYR

When Dave Hickey died last fall at the age of eighty-two, he left behind a singular contribution to the history of art writing, along with a badly bruised reputation, both routinely called “iconoclastic” for lack of anything more precise. The magazines he’d published in since the 1960s hardly took notice. The perfunctory obituaries that did appear treated him as a kind of Hunter S. Thompson of the contemporary art world, ensconced as he was in Las Vegas at the height of his fame. But alongside the bluster of “the bad boy of art criticism” was a neon Walter Pater of the Southwest who almost single-handedly remade the practice of art writing with his first two collections, The Invisible Dragon: Four Essays on Beauty (1993) and Air Guitar: Essays on Art and Democracy (1997). In Far From Respectable: Dave Hickey and His Art, Daniel Oppenheimer complicates the cartoon version of his life that continues to shadow his reputation as a writer. What remains is the difficult task of taking stock of Hickey’s literary achievement. [Read more…]

Nihilism Births Its Own Interminable Hell

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Mad God
Dir. Phil Tippett

Reviewed by Nicholas Goldwin

Technically astonishing and immersive to a fault, director Phil Tippett successfully demonstrates that thirty years of relentless dedication to your craft can lead to cinematic innovations even his old stomping grounds – the sets of Star Wars and Jurassic Park – have yet to catch up. Not to disparage either of those staples of cinema, but neither Tyrannosaurs nor Tatooine have anything on Tippett.

[Read more…]

An Interview with Artist Eve Wood

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Eve Wood: Hanging in There to Hang On
at Track 16 Gallery, Los Angeles (opening reception: Saturday, September 10, 7-10pm)

by Julie Adler

I met Eve Wood at Holly Matter, an art gallery on Heliotrope in East Hollywood, 22 years ago now. I recall she got up and read some of her poems. Incisive, cutting, direct, I thought, “wow, what a master,” and also “ouch,” but in a good way. We became friends there, and a few years later she brought out some drawings at a meal we were having, of people, animals with wide eyes, craggy lines. Sparse, comical and awkward, eyes staring back at you or away. Up until that point I had no idea Eve was also a visual artist. I had come from a performance art background but was also starting to get more engaged in 2 dimensions. She was eager to do a trade. It seemed we shared a similar concern for the human condition. And because we humans are funny in our grotesqueness, our derangement, our folly, we didn’t think it unusual to portray that. We also felt the comradery of being outsiders, even though we both grew up here in LA and went to art school here.

So, when Eve asked me to interview her for this publication, I did not hesitate. It’s been wonderful to burrow in with her on the ways and means of her process. She’s really not an outsider (nor am I.) She is as inside as it gets. [Read more…]

John Lurie’s The History of Bones

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Reviewed by Cintra Wilson

The History of Bones: A Memoir
by John Lurie
Random House, 435 pp., $28.00
NYRB

It was 1989 when I saw John Lurie on TV in a late-night advertisement for the new Lounge Lizards album, Voice of Chunk, which was “not available in stores” and selling exclusively through an 800 number. Operators were standing by. It was a charming, homemade ad, shot on grainy video, full of beautiful women dressed in international garb like they were animatronic dolls in Disneyland’s It’s a Small World ride. [Read more…]