Riot Material

Art. Word. Thought.

Simon Van Booy’s The Sadness of Beautiful Things

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Reviewed by John Biscello

The Sadness of Beautiful Things
by Simon Van Booy
Penguin Books, 208 pp., $16.00

“O Lord, give us each our own death. Grant us
the dying that comes forth from that life in which
we knew love, grappled with meaning, felt need.”
— Rainer Maria Rilke, The Book of Hours

Simon Van Booy is a collector of stories, a distiller of them. He is the ear suctioned to the glass pressed against the door, the man scribbling on the back of matchbooks while seated in a hotel lobby, the sensual rover making his way through the patchwork euphony of voices in a diner. He is, in paraphrasing Anais Nin, a consummate spy in the house of love. Love, in all its splintered fragmentation, in all its rubbed shine, is always at the punchdrunk heart of Van Booy’s work, a dreamworn kernel in the grist of his tender elegies. His latest collection, The Sadness of Beautiful Things, inspired by true stories he was told during his travels, holds the power of love up to the light, in soft focus, while moving through a world of ache, sorrow and longing. [Read more…]

Capturing a Dark Star: Susanna Nicchiarelli on the Making of Nico, 1988

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By Alci Rengifo

Many of the great pop culture icons survive through the imagery of their youth, and the photos of their prime. Seldom do we reflect on the final chapters or the later years. That fleeting goddess Fama can favor an individual, but immortality is usually granted through the memories and artworks left after death. Nico, real name Christa Päffgen, was one of the stranger and at the same time most alluring visages to appear in the 1960s. Model, actress, singer, she appeared ever so briefly in Federico Fellini’s La Dolce Vita before transforming into the underworld muse of The Velvet Underground. Andy Warhol, too, adored her and delighted in photographing her Nordic profile. Among her reputed lovers were fellow luminaries like Jim Morrison, who encouraged her to write her own songs. But for Italian writer and director Susanna Nicchiarelli, the more interesting chapter in Nico’s long journey is the end, when the looks have faded, the blonde hair is dyed black and what remains are painful reflections and haunted memories. [Read more…]

Immersive Forays Into Klimt, Schiele and Hundertwasser

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at Atelier des Lumières, Paris (through 11 November 2018)
Reviewed by Arabella Hutter von Arx

Gustav Klimt, Egon Schiele, Friedensreich Hundertwasser

Imagine entering a large raw space plunged in darkness. A few structures barely emerge out of the gloom, adding complexity to the basic box: a cube, a rectangular cuboid, and a cylinder. Images start fading in or flaring up on theblack surfaces. Hugely enlarged photographs of people, buildings, bridges, paintings by super famous artists such as Van Gogh and Picasso and Michelangelo fill sequentially the vertical planes. Decorative or architectural elements from every period — balustrades, cornices, columns, metal arches, clockworks are projected on the smaller structures and on the floor. The photographic or graphic elements or details from the paintings duplicate, triplicate, multiply, creating a rhythmic composition. Blown-up out of all proportions, they are then shrunk back to flash, strobe, fade-out, zoom-by at high speed, making it all the more surprising that warnings for epileptics are not issued at the entrance. The experience is not unlike standing at Times Square at night, but the honks of the city are replaced by a classical music track, and fewer people mull around gaping at the bright spectacle. In fact, there is no need to even move, as the show takes place all around, and people do sit or even lie down. [Read more…]

Rick Bartow: Things You Know But Cannot Explain

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at The Autry Museum, Los Angeles
Reviewed by Nancy Kay Turner

“For now we see through a glass darkly; but then face to face…” — I Corinthians
“In today’s world, love, art and magic are greatly needed” — Fritz Scholder

Things You Know But Cannot Explain is the poetic title of the exquisite Rick Bartow retrospective at The Autry Museum. A heady brew of neo-expressionist drawing, painting and sculpture with lashings of Bacon, Basquiat, Kitaj, Scholder and even Nathan Olivera, this is a show not to be missed. Beautifully installed, with small videos strategically placed around with the artist candidly talking of his life in illuminating ways that enhance the viewer’s understanding of his work. No art jargon here. Just plainspoken words by the artist himself, who had struggled with alcoholism, PTSD and, towards the end of his life, two strokes (from which he would recover). It seems, upon further examination, that the title of the exhibit is more specific than poetic. After his strokes, Bartow knew “things” that he could not explain. [Read more…]

Ferocity And Longing In The Chimerical Madeline’s Madeline

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Reviewed by Kristy Puchko

There are films that reject your cozy thirst to love them. Films that want not to comfort you, but to crawl under your skin and make it itch. They make you feel a deep, drowning unease. They submerge you in their story through sensation and leave you begging for release, for salvation. They leave your nerves raw and your mind rattled. Josephine Decker’s coming-of-age drama, Madeline’s Madeline, is such a film. [Read more…]

Ian Bonhôte And Peter Ettedgui On Their New Film McQueen

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by Cynthia Biret

Raw talent. Sartorial splendor. Passion and rebellious spirit, breaker all the rules: words inevitably fail with Alexander McQueen, the brilliant British designer who revolutionized Fashion and its establishment. His life and complex persona is portrayed in the new documentary, McQueen. Directed by Ian Bonhôte and Peter Ettedgui, the film is an ode to the prodigal son from a modest family who dared uproot conservative dogmas and whose influence is just starting to be fully understood. [Read more…]

The Space Outside: Sculptures by Richard Pitts

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Reviewed by Jill Conner

Over the course of five decades Richard Pitts has migrated through the margins of New York City’s art world despite a flourishing career that began in the early 1970s and lasted until the late 1980s, when the popularity of the art market crashed. Once confidence fell, figurative art lost its elevated grace, became more human as a form, more literal and translatable, reflecting different degrees of self-doubt, loathing and inner shame. The weight of pluralism led to the loss of meaning. Painting was considered dead, a new cliché at the time. Richard Pitts stepped away from figurative art and entered into a long-term reflection that focused upon works he had made in the early 1960s while living in Germany, serving in the U.S. Army. [Read more…]

Tigers Are Not Afraid Is A Riveting Fantasy About A Real World Nightmare

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Reviewed by Kristy Puchko

When reality is too grim, fantasy can be a blessed escape. For the 11-year-old heroine at the heart of the modern fairy tale, Tigers Are Not Afraid, fantasy becomes her rocky path to salvation. It guides her through a Mexican city overrun by a merciless drug cartel that cages kids, pays off cops, and murders without consequence. When her mother goes missing, brave little Estrella (Paola Lara) goes on a quest to find her. Along the way, she’ll discover whispering phantoms, a tiny dragon, and a deep inner strength that might pull this spirited survivor through the most dangerous turns unscathed. [Read more…]

Swimming in the River Coltrane: Both Directions at Once

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Reviewed by Hank Cherry

While much of John Coltrane’s posthumously issued work filters the mysticism of his live performances, those mystic shadows do spread into Both Directions at Once, the newly released studio recording from March 6th1963. At the time, Coltrane was working out transformative sounds while trying to retain a marketable presence. He wanted to sell more records, but he also wanted to explore the parameters of his band, his horn, and his mind. The two co-led sessions that bookend this album on Coltrane’s studio timeline certify his urge to remain in demand, while live outings like Newport ‘63 and Live in Stockholm 1963 validate his experimental needs. [Read more…]

Spotlight—Selections from Kehinde Wiley’s The World Stage: Israel

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at Skirball Cultural Center (Through 2 September 2018)
Reviewed by Emily Nimptsch

Replete with royal, religious, and luscious floral imagery, Los Angeles-born painter Kehinde Wiley’s Old Master-inspired portraits not only subvert art historical tradition but also notions of power and cultural identity. Renowned for depicting traditionally underrepresented figures, typically African and African-American men, the artist envelopes these empowered subjects in Eurocentric symbols of status and wealth. With the unveiling of Wiley’s noble yet vibrant portrait of former President Barack Obama earlier this year, the timing of the Skirball Center’s Spotlight—Selections from Kehinde Wiley’s The World Stage: Israel could not feel more apropos. This intimate presentation delves into the artist’s photorealistic oeuvre through two monumental paintings, each depicting young Ethiopian men living in Israel. [Read more…]

Musical Mayhem in LOUDER! Can’t Hear What You’re Singin,’ Wimp!

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Review by Kristy Puchko

Imagine Marilyn Manson going on a madcap adventure with Carly Rae Jepson and the Three Stooges. That is the astonishing blend in the Japanese musical-comedy LOUDER! Can’t Hear What You’re Singin,’ Wimp!, which made its world premiere at the Fantasia International Film Festival. Vocal-chord scouring rock music collides with toe-tapping pop and gleefully silly slapstick to make a movie that’s wonderfully bonkers and totally unpredictable. [Read more…]

David Leggett and Ryan Richey: Mixed Emotions

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at Various Small Fires (Through August 25, 2018)
Reviewed by Emily Nimptsch

What is the role of humor in art? For most of human history, both fine and folk art firmly resided in the realm of the serious. It is only in the past century that artists have begun to experiment with the idea of comedy in their work. We can trace this revolutionary notion back to Dadaist Marcel Duchamp’s landmark creation, Fountain (1917). Rather than sculpt a whimsical, enchanting depiction of some goddess or river nymph, the artist simply displayed a mass-produced porcelain urinal and labeled it art. Two years later, this celebrated conceptual artist further flirted with this facetious tone in L.H.O.O.Q., a reproduction of Leonardo da Vinci’s Mona Lisa (1503) complete with a penciled-on mustache. [Read more…]

Lifechanger Is A Sophisticated And Richly-Disturbing Shapeshifter-Horror

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at Fantasia International Film
Reviewed by Kristy Puchko

Making its world premiere at the Fantasia International Film Festival, Lifechanger is a lean, mean, and intense dose of shapeshifter horror with a chilling message perfectly suited to the complex conversations of the Me Too era. Written and directed by Canadian filmmaker Justin McConnell, Lifechanger follows a mysterious “skin-walker” who steals the form, memories, and lives of his victims, leaving behind a withered husk of a corpse. This creepy crime premise might have you expecting the movie would follow a cagey detective who is on this cruel creature’s trail. But McConnell offers something far more surprising, sophisticated, and richly disturbing.  [Read more…]

An Illuminating Word With Dark Money Director Kimberly Reed

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by Cynthia Biret

Dark Money is a political thriller documenting the influence of corrupt money on the elections in a state, Montana, that is a microcosm of America as a nation.

Directed by Kimberly Reed, who is known for Prodigal Sons, an introspective film about the impact of her gender transition on her family and friends, the film takes a meticulous approach at tracing the hidden players involved in swaying our political future.  [Read more…]

Amazon To Arctic, Part II: When Forests Tip Over

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by Barrett Martin

As a musician, I’ve always felt a connection with the natural landscape, and this is especially true being that I was born in the Pacific Northwest where we take particular pride in our environment. I was born in Olympia, Washington, the literal end of the Oregon Trail and the most western extremity of the Wild West. I learned about Crazy Horse and his Lakota warriors defeating the US Cavalry when my family took a road trip to the Dakotas. This is where Custer and his mercenaries got their karmic return, and where indigenous warriors stand up to the big oil bullies on the Dakota Access Pipeline. [Read more…]

A Short Gem Out Of Santa Monica College: Like a Rolling Stone

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by Alci Rengifo

In the rapidly changing landscape of modern cinema, where streaming, the internet and television are fast becoming the dominant mediums, the art of the short film is becoming more than a mere calling card for aspiring filmmakers. Like collections of short stories, short films are as powerful and satisfying these days as full features, if only because media is making time itself feel as if it is hurtling forward. A short music video such as This is America, by Childish Gambino, will ignite passions about race relations in America faster than any feature film. Yet this is not a particularly new phenomenon to storytelling. With few exceptions, the great literary minds of the last two centuries have flourished in the art of the short story. From Roberto Bolano to William Faulkner, smaller narratives have encapsulated powerful ideas. [Read more…]

Home Of The Porno Burrito

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by Jonathan Gold
July 19, 2006

One of the reviews that won Jonathan Gold his 2007 Pulitzer Prize in Criticism

Today’s subject: the potato taco or, to be more specific, the wonderment of civilization that is the potato taco at El Atacor #11, a taquería chain’s grungy outpost on the fringes of Glassell Park. You have, no doubt, tasted a potato taco, perhaps the basic model of the starch bomb tricked out with chopped onion and a bit of salsa, or perhaps one of the fancy examples of the breed, cooked with the roasted-chile mixture called rajas or embellished with all manner of sautéed vegetables. [Read more…]

The Year I Ate Pico Boulevard

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by Jonathan Gold
September 23, 1998

Jonathan gold famously ate his way down Pico Boulevard and wrote about it in this 1998 story for L.A. Weekly.

For a while in my early 20s, I had only one clearly articulated ambition: to eat at least once at every restaurant on Pico Boulevard, starting with the fried yucca dish served at a pupuseria near the downtown end and working methodically westward toward the chili fries at Tom’s No. 5 near the beach. It seemed a reasonable enough alternative to graduate school. [Read more…]

Jonathan Gold, On Art

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Perhaps Jonathan Gold’s final contribution to criticism was not on food, but art. Check out this wonderful piece in Artillery Magazine, where Gold and Artillery’s Editor-in-Chief, Tulsa Kinney, walk the streets of LA exploring galleries — and food, naturally. Gold does indeed compare food to art, and amongst other small but resonant gems, when asked by Kinney “if he sees a correlation between food and art, he pauses, ‘They both turn to shit the next day?’ Then more seriously, again, a question to an answer, “They are both ways of looking at the world?’”

Thank you, Artillery, for this last glimpse into the heart and mind of a most soulful and truly beautiful man.

Jonathan Gold | Artillery

[Read more…]

On The Beloved Jonathan Gold

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by Ruth Reichl

Courtesy of the Los Angeles Times

Jonathan reveled in flouting the rules. In the ’80s, when I first met him, he cheerfully drove around without a driver’s license. He wore what he wanted — in the early years his constant costume was a slightly too small black motorcycle jacket — lived where he wanted, and spent his time indulging in the pursuits that interested him. Those included music of all kinds, a voracious appetite for books, and a deep interest in art of the weirdest sort. (If you haven’t heard the chicken story, ask me some time.) [Read more…]