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Archives for November 2017

Jim Nabors, TV’s Gomer Pyle, Dead At 87

November 30, 2017 By Riot Material Leave a Comment

1930 | 2017

Filed Under: Artist

If The World Were Created By A God Then We’d Be Helpless

November 30, 2017 By Riot Material 1 Comment

If the world were created by a god then we’d be helpless. It would not be within our power to do much about our own situation. However, some deity has not created the world, so we have the power to do something about our situation. That is because the situation we are in is the fruition of our own actions; our actions are a cause that has created this particular effect. Therefore it is within our power to abandon the causes of suffering and, likewise, to prevent the experience of suffering. In that same way, it is within our power to do what we want to do. If we want to achieve the higher realms of existence or the state of having crossed beyond all suffering, then we simply begin to engage in the causes that lead to those very realms. [Read more…]

Filed Under: Mind

Brilliant Work From Leikeli47: “Miss Me”

November 30, 2017 By Cvon Leave a Comment

From her new release, Wash & Set

Filed Under: Riot Sounds, Video

Guillermo del Toro Delivers An Enchanting, Exquisite Fairy Tale With The Shape of Water

November 30, 2017 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

Visionary filmmaker Guillermo del Toro has long been enchanted by monsters. From chilling yet tender films like The Devil’s Backbone to Pan’s Labyrinth, and Crimson Peak, he’s offered creatures terrifying, yet uniquely beautiful. In Hellboy he made his monsters unabashed heroes. With his latest, del Toro turns an aquatic “affront” into a swoon-inducing romantic lead. The Shape of Water is a positively enchanting fairy tale that celebrates misfits, and reveals true monsters. [Read more…]

Filed Under: Film, The Line

Vulnerability: The Space Between

November 30, 2017 By Shana Nys Dambrot Leave a Comment

Young Projects Gallery, Los Angeles (through December 29, 2017)
By Shana Nys Dambrot

The show starts quietly with an historical video program of classics that set a tone and context for what comes after. Works by Marina Abramovic, Bas Jan Ader, Sam Taylor Wood, Yoko Ono, and others who explicitly offered physical and emotional intimacy, created art experiences that were intense and dangerous and made people very uncomfortable. They made themselves vulnerable, their bodies were sites and spectacles of potential transgression and trauma. This was done in order to deconstruct basics of Post-Modern human behavior. As with so many other art historical tropes, versions of this dynamic inquiry exist in an updated public sphere — the digital world of technology and social media. And that’s where Vulnerability: The Space Between picks up the thread and takes it to increasingly inventive, uncanny, and strangely familiar places. [Read more…]

Filed Under: Art, The Line

Eugen Gabritschevsky: 1893–1979

November 30, 2017 By Riot Material Leave a Comment

at La Maison Rouge, Paris
Reviewed by Sanford Schwartz

An extract from “The Master of Eglfing-Haar” in the October 16 Issue of The New York Review of Books

It is possible that the people who run the American Folk Art Museum have wondered in recent years about the name of their institution. Works by American folk artists make up the majority of its exhibitions, it is true. In the last decade or more, however, the museum has become an invaluable part of New York’s cultural life because it has produced a little stream of full-fledged introductions to figures who are much the opposite of folk artists and frequently are not American. The term “folk art” implies an art for a wide, popular, and perhaps not overly discriminating audience—ingenious and lovely as folk-art creations can be. But the day has passed when this kind of work, which was at its most vibrant in the early decades of the nineteenth century, was crowded with figures waiting to be discovered. [Read more…]

Filed Under: Art, Artist, The Line

The Oozing, Undulating Forms of Lynda Benglis

November 29, 2017 By Emily Nimptsch Leave a Comment

at Blum & Poe, Los Angeles (Through December 16, 2017)
Reviewed by Emily Nimptsch

As a legendary and enduring figure on the international art stage, Louisiana-born conceptual sculptor Lynda Benglis is renowned for crafting pained yet sensual anthropomorphic works out of melted bronze, latex, ceramics, polyurethane, and glass. Bursting into the public consciousness with her transgressive, fearless, and unforgettable nude advertisement in Artforum (the magazine refused to give her editorial space for the image) in 1974, the artist garnered much public praise and shock for posing with a dildo between her legs in order to subvert the male gaze, binary gender roles, and notions of bodily objectification. After decades of consistently producing arresting and audacious sculptures with themes of sexuality and mortality, Benglis is once again in the public eye with her current solo retrospective at Culver City’s prestigious Blum & Poe.  [Read more…]

Filed Under: Art, Artist, The Line

The Diminished Value Of Human Life In A Capitalist Society

November 28, 2017 By Seren Sensei 4 Comments

by Seren Sensei

The flowery language of the United States Declaration of Independence would have you believe that human life has an inherent value, one that includes inalienable rights such as “life, liberty, and the pursuit of happiness.” But in America, a major indicator of value is actually placed on being a productive member of society, which typically means working a job that creates monetary revenue (especially if the end result is accumulated wealth and suffering was inherently involved in the process). “Pulling yourself up by your bootstraps,” being a “self-made” man or woman, and “rags to riches” stories permeate our collective consciousness, creating an overarching culture that links work, jobs and money to morality and value. The system of higher education has also been tied to this toxic concept, as we have equated more education to being better qualified for said jobs. And so the equation becomes: more education leads to more jobs, which leads to more earned and accumulated revenue, which leads to more “value.” [Read more…]

Filed Under: The Line, Thought

Kukuli Velarde’s Plunder Me, Baby

November 24, 2017 By Christopher Michno Leave a Comment

Reviewed by Christopher Michno

Plunder Me, Baby—sounds like an invitation, but an invitation to what? There’s irony aplenty in that title and it leaves a sickening aftertaste, as it’s meant. Kukuli Velarde’s trenchant and caustically humorous ceramic sculptures fix within their sights the conquest—both cultural and corporeal—of Latin America. This widely exhibited series, now in a PST: LA/LA exhibition at the American Museum of Ceramic Art (AMOCA), is fashioned after traditional pre-Columbian ceramic objects, but Velarde, who brings a distinctive lens to themes of identity and cultural appropriation, creates each object as a kind of self portrait. Each sculpture bears her visage and expresses a reaction to the realities of conquest: defiance, anger, mockery, subversion, and the like. [Read more…]

Filed Under: Art, Artist, The Line

Darkest Chambers: Wormwood And The Underground Of American History

November 22, 2017 By Alci Rengifo 1 Comment

by Alci Rengifo

As the year reaches its twilight, it is becoming clear that 2017 was the year of iconoclasm. The wave of scandals and shocking revelations (shocking to those unaware of the habits of the elite) has cracked the great marble edifices of many a celebrity or political persona. For a population as addicted to social media and the religion of fads as ours, it is very telling that it has taken sex to shock the public consciousness into the realization that fame is a mask, popularity a vulgar makeup. But the current, lurid headlines still distract from a truth everyone knows but would prefer to whisper: There are darker ceremonies taking place in the deepest, darkest chambers of the American halls of power.

[Read more…]

Filed Under: Film, The Line, Thought

Poem With Orpheus

November 22, 2017 By Riot Material Leave a Comment

by Emily Skillings

Every word in this poem is a dead body.
Each word dies as you read it
and floats behind in a wooden canoe
that covers itself with itself
to make a coffin. A white, historical plane
knits above the dead word to shroud
and replace it. The poem before (this) point
is streaming and invisible. The rivulets
on which the coffin boats float
move backward forever. That last word (word)
and then (last) (that) (forever) (backward)
(move)—you killed those words.  [Read more…]

Filed Under: The New Word

The Exterminating Angel: An Opera In Three Acts

November 21, 2017 By Donald Lindeman 2 Comments

at Metropolitan Opera, New York City
Reviewed by Donald Lindeman

Hailing from Salzburg and London, Thomas Adès’ opera The Exterminating Angel made its much anticipated New York debut on October 26th at the Metropolitan Opera. Adès himself conducted, and the opening night audience greeted him, the opera, and its superlative vocalists with considerable enthusiasm. The opera is based on the 1962 surrealist film by Luis Buñuel of the same name, featuring an elegant after-opera dinner party attended by upper-crust denizens of Francisco Franco’s Spain. It should be noted that Adès and director Tom Cairns eschew the deeply ironic and grim conclusion found in Luis Buñuel’s film in their opera. Instead they opt for a more ambiguous outcome and fate for their characters. This marks a significant alteration to the filmic source, and it invites alternative interpretations to the original tale. [Read more…]

Filed Under: Opera, The Line

Adrián Villar Rojas: The Theater of Disappearance

November 20, 2017 By Emily Nimptsch Leave a Comment

At the Geffen Contemporary at MOCA (Through May 13, 2018)
Reviewed by Emily Nimptsch

As a meditation on the flexible nature of time and an ode to the objet trouvé readymades of French-born Dadaist Marcel Duchamp, Argentinian conceptual installation artist Adrián Villar Rojas’s current showing at Little Tokyo’s Geffen Contemporary at MOCA offers frozen cases of preserved organic and manmade materials, as well as layered, almost geological or landfill-like gallery floors infused with packed dirt, multicolored concrete, clay, old tennis shoes, and fruit peels. These modern and seemingly ancient items reveal Adrián Villar Rojas: The Theater of Disappearance be an excavation of sorts, or even perhaps a burial.  [Read more…]

Filed Under: Art, Artist, The Line

Charles Manson Dies

November 20, 2017 By Riot Material Leave a Comment

From 20 November New York Times
 

Filed Under: Video

Mowgan “Check This,” Feat. Capone Adama

November 17, 2017 By Cvon Leave a Comment

https://www.riotmaterial.com/wp-content/uploads/2017/11/06-Check-This-feat.-Capone-Adama.m4a

Filed Under: Riot Sounds

Through The Soundless Lens, Darkly

November 17, 2017 By Emily Nimptsch Leave a Comment

Diane Arbus, Nan Goldin & Peter Hujar
At Matthew Marks, Los Angeles (Through December 22, 2017)
Reviewed by Emily Nimptsch

As three supremely unconventional 20th century portrait photographers, Diane Arbus, Nan Goldin, and Peter Hujar are currently the subjects of an exhaustive, evocative and eponymous retrospective at Matthew Marks, Los Angeles. 

With twenty-two poignant prints spanning sixty years proudly on display here, the viewer can detect the overwhelming similarities and differences between these widely adored artists. Although all three chose the same medium and subject, each photographer approached the human form and spirit in a completely unique manner.  [Read more…]

Filed Under: Art, Artist, The Line

Nan Goldin Breathes Word Into Her Seminal Work, The Ballad Of Sexual Dependency

November 16, 2017 By C von Hassett Leave a Comment

On view at Matthew Marks, Los Angeles, are a selection of photographs from Nan Goldin’s hypnotic and haunting series, The Ballad of Sexual Dependency, which in its original format is a 48 minute slideshow documenting Goldin’s life in over 700 photographs and 30 songs, the text of which, those songs, acting as the narrative for the “film.”

In her introduction to the book, The Ballad of Sexual Dependency, Goldin writes:

I was eleven when my sister committed suicide. This was in 1965, when teenage suicide was a taboo subject. I was very close to my sister and aware of some of the forces that led her to choose suicide. I saw the role that her sexuality and its repression played in her destruction.  [Read more…]

Filed Under: Art, Artist, Books, Interview, The Line, Video

Dee Rees Delivers A Must-See Drama with Mudbound

November 16, 2017 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

Writer-director Dee Rees earned buzz out the gate in 2011, with the compelling coming-of-age drama Pariah. She followed this up with the bawdy and bold Bessie, a made-for-TV biopic that starred Queen Latifah as legendary blues siren Bessie Smith. Now, after months of touring film festivals, winning praise, and sparking Oscar speculation, Rees’ latest, Mudbound, is coming to select theaters and Netflix to offer a bittersweet period piece that’s ripe with political undertones. [Read more…]

Filed Under: Film, The Line

New Work From Destroyer: “Tinseltown Swimming in Blood”

November 15, 2017 By Cvon Leave a Comment

Filed Under: Riot Sounds, Video

Visionary Artist And Statesman Of The Street, William Hall

November 15, 2017 By Lorraine Heitzman 1 Comment

by Lorraine Heitzman

This is a sort of Cinderella story, if Cinderella was a 74 year-old man with a penchant for drawing fantastical landscapes, imaginary cars, trains and figures. William Hall may look like a character actor with Santa Claus on his resume, but he harbors an interior life that is far more unique than his appearance suggests. Outwardly there are no clues to imply the fullness of his imagination, nor his impressive talents, yet like the kernel of truth buried within any fable, his story reveals the strength of the human spirit in the face of adversity. [Read more…]

Filed Under: Art, Artist, Interview, The Line

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The Line

An interview with Alison Saar, at Riot Material magazine.

An Interview with Alison Saar

By Ricky Amadour As an indefatigable voice for women of color and the greater human spirit, Alison Saar recomposes fractured histories into multivalent sculptures. Saar curated SeenUNseen, a group exhibition at L.A. Louver Gallery, with a focus on spirit portraiture. Throughout human existence there has been a predilection to the allure of the unseen. Hidden […]

William S. Burroughs on a bed, smoking a cigarette.

“The Opposite of Literature:” Mary McCarthy’s Feb. ’63 Review of Naked Lunch

From the inaugural print edition of The New York Review of Books In remembrance of Jason Epstein, originator and co-founder of NYRB RIP 1928-2022 by Mary McCarthy Naked Lunch  by William S. Burroughs Grove Press, 304pp., $14.49 “You can cut into The Naked Lunch at any intersection point,” says Burroughs, suiting the action to the […]

Remembered and Remade: James Castle’s Conjurings of Mind

James Castle at David Zwirner, NYC (through 12 February 2022) by Andrew Martin James Castle: Memory Palace John Beardsley Yale University Press, 280pp., $65.00 NYR Every James Castle picture seems to contain a secret. Approaching one of his works for the first time, you peer into pockets of shadow and smudge, examining the depopulated landscapes […]

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

An excerpt from a new book which examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. —The University of Chicago Press Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction by Steven Ruszczycky University of Chicago Press, 216pp., $30.00 In the United […]

Hilary Brace, Drawings and Tapestries, is reviewed at Riot Material magazine.

Darkness Made Visible in Hilary Brace’s Drawings and Tapestries

at Craig Krull Gallery, Bergamot Station (through 19 February 2022) Reviewed by Eve Wood The intricacies and inherent beauty of the natural world are rarely celebrated these days, and when artists do turn their attention to the surrounding landscape, the resulting images are usually ones of devastation and chaos — charting the movement of fires, […]

The Tragedy of Macbeth 

A film written and directed by Joel Coen Reviewed by James Shapiro NYR Those who have long followed the Coen brothers and their cinematic universe of criminals, nihilists, and overreachers may see in Joel Coen’s The Tragedy of Macbeth (2021) a long-deferred reckoning with Shakespeare, who has been there before them. We don’t typically think of Shakespeare […]

John Divola, From Dogs Chasing My Car In The Desert,1996-98,

Illuminating Images: Liquid Light and Golden Hour and the Affective Force of Non-Didactic Art

at the Vincent Price Art Museum, Los Angeles (through 5 February 2022) Reviewed by Johanna Drucker What is the difference between a wall label and a work of art? The unrelenting didacticism that prevails in current gallery and museum exhibits of contemporary art makes it seem that many curators and artists cannot answer that question. […]

The Occult Works of Ray Robinson, with an essay by Christopher Ian Lutz, is at Riot Material Magazine.

The Brush as Luminous Torch: Ray Robinson’s Blazing Portals Into the Divine Feminine

The Third Door:Occult Works of Ray Robinson, at the Buckland Museum of Witchcraft and Magic (through 15 January) by Christopher Ian Lutz Burn the Sun The persecution of the witch is a war of the hours. The Inquisition that charged women with witchcraft was not just about controlling women’s bodies – it was a crusade to extinguish […]

An Interview with Artist Gala Porras-Kim is at Riot Material Magazine.

An Interview with Artist Gala Porras-Kim

by Ricky Amadour . Interdisciplinary artist Gala Porras-Kim frames her research to highlight and question the current institutional practices of conservation, acquisition, and deaccession. Acting as an investigator of cultural artifacts that correspond to institutional collections, Porras-Kim deep dives into the expansive histories, stories, and functions of those objects. The artist’s first solo exhibition in […]

Seizing the Snowmelt: Industrial Agriculture is Draining Our State Dry

by Mark Arax The Dreamt Land: Chasing Water and Dust Across California by Mark Arax Knopf, 576pp., $25.00 MITTR The wind finally blew the other way last night and kicked out the smoke from the burning Sierra. Down here in the flatland of California, we used to regard the granite mountain as a place apart, our […]

The Great Flood of 1862

The Looming Catastrophe Few in California Are Aware Of (or in Want to Address)

An excerpt from Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent it, by Tom Philpott. THE FLOOD NEXT TIME In November 1860, a young scientist from upstate New York named William Brewer disembarked in San Francisco after a long journey that took him from New York City through Panama and then […]

Precontact California Indians: Their Life Prior to Genocide

An excerpt from the first chapter of An American Genocide: The United States and the California Indian Catastrophe, by Benjamin Madley. CALIFORNIA INDIANS BEFORE 1846 Within a few days, eleven little babies of this mission, one after the other, took their flight to heaven. -Fray Junipero Serra, 1774 We were always trembling with fear of […]

Laurie Anderson's "The Weather," is reviewed at Riot Material magazine.

An Atmospheric River of Wonder in Laurie Anderson’s The Weather

at the Hirshhorn Museum and Sculpture Garden, Washington D.C. (through 31 July 2022)  Reviewed by Nancy Kay Turner             “What are the days for? To put between the endless nights. What are the nights for? To slip through time into another world.”  –Laurie Anderson             “Stories are our weather”  –Laurie Anderson Laurie Anderson is a Renaissance polymath whose […]

Maria Lassnig Augenglaeser - Autoportraets (1965)

Maria Lassnig: The Paris Years, 1960–68

at Petzel Gallery, New York City Reviewed by James Quandt Maria Lassnig: Film Works edited by Eszter Kondor, Michael Loebenstein, Peter Pakesch, and Hans Werner Poschauko FilmmuseumSynemaPublikationen, 189 pp., $35.00 NYRB Many female artists — most recently Carmen Herrera, Faith Ringgold, and Lorraine O’Grady — have had to wait a lifetime to be accorded the recognition […]

Marcellina Akpojotor’s Sublime Matriarchy

Daughters of Esan at Rele Gallery, Los Angeles (through 4 December 2021) Reviewed by Eve Wood Marcellina Akpojotor’s second solo exhibition, Daughters of Esan, continues her exploration into notions of personal intimacy, drawing on her own relationships with her family and the tremendously powerful and transformational possibilities of education and love. Inspired by her great-grandmother’s […]

An interview with Rachael Tarravechia, at Riot Material

Fear and Self-Loathing in Rachael Tarravechia’s Wish You Were Here

at Launch F18, NYC (through 4 December 2021) by Danielle Dewar The horror genre is rooted in a desire for catharsis by means of dispelling fears and anxieties that live deep within a subconscious mind. Since we often crave a controlled release of such emotions, the use of the macabre within an artist’s practice allows […]

Umar Rashid, aka Frohawk Two Feathers, exhibition review of En Garde/On God is at Riot Material magazine

Histories Disembowled in Umar Rashid’s En Garde/On God

at Blum and Poe, Los Angeles (through 18 December 2021) Reviewed by Ellen C. Caldwell In En Garde/On God, Blum & Poe showcases the work of artist Umar Rashid (also known by the pen name Frohawk Two Feathers). Featuring thirteen large paintings and one sculpture in Rashid’s hallmark style, the exhibition highlights works that are bold […]

A Grid Gone Wholly Off in My Monticello

Reviewed by Bridgett M. Davis My Monticello By Jocelyn Nicole Johnson Henry Holt & Company, 210 pp., $13.49 NYT In the essay “The Site of Memory,” Toni Morrison described the crafting of her fictional worlds as a quest to access the interior lives of her ancestors. “It’s a kind of literary archeology,” she explained. “On the […]

The Web of Mind Throughout Our Earth

Reviewed by Zoë Schlanger Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures by Merlin Sheldrake Random House, 352 pp., $28.00; $15.48 NYRB Imagine that you are afloat on your back in the sea. You have some sense of its vast, unknowable depths—worlds of life are surely darting about beneath […]

Drugs Amongst Other Adult Liberties

Reviewed by Mike Jay Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear by Dr. Carl L. Hart Penguin Press, 290 pp., $16.94 NYRB The modern meaning of “drugs” is of surprisingly recent origin. Until the twentieth century, the word referred to all medications (as it still does in “drugstore”); it was only […]

Rashid Johnson, Anxious Red Painting August 20th. At Riot Material

Break//Breathe: Broken Men That Glitter

by Allyn Aglaïa Aumand On the coherence of fracture an essay in fragments on fragments * I had a lover once, who self described as a volcano, but fully encased. Make space to let it out sometimes, I told him. That’s why I wanted to see you today, he said.

Against White Feminism: Notes on Disruption

An excerpt from a new book W. W. Norton calls “a radically inclusive, intersectional, and transnational approach to the fight for women’s rights.”  Against White Feminism: Notes on Disruption by Rafia Zakaria W. W. Norton, 256pp., $23.95 There is an important distinction between what Nancy Fraser calls “affirmative change” and actual transformational change. The former is […]

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