Riot Material

Art. Word. Thought.

Riot Material Speaks with Artist Joeun Kim Aatchim

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JOEUN KIM AATCHIM
사자굴 [SAJAGUL] — THEN, OUT OF THE DEN
at MAKE ROOM LOS ANGELES (through June 4th 2022)

Rachel Reid Wilkie: There seems to be a shamanistic quality to your work. You summon your family members into the architectural space of your paintings and beckon them to dream with you, as a collective consciousness, as a collective dream-body. Did you journey together into the dreamscape? Or did you collect your family memories piece by piece?

Joeun Kim Aatchim: It was piece by piece, or more precisely, space by space, then object by object. [Read more…]

Transformative Expressions From The Ever-Transforming Jack Oliver

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Jack Oliver
@jackoliverx

Today, Jack Oliver is a Care Worker. During the current global pandemic, he offers his precious time to the elderly and those in need of assistance. But prior to the current health crisis, Jack Oliver invested over a decade of his life and passion to the Artistry of Make-up. His transformative, creative expression transgresses many fields of industry; art, drag, beauty, fashion and theatrical fantasy. “My work” he tells us, “ranges from rather simple constructs to more mind provoking images. I enjoy creating self-image as a way of expressing emotions of the Self. I previously titled a lot of my work SELFart.” [Read more…]

Moving Room To Room, Tentacle By Tentacle: Michael McCall’s Long Strange Trip

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By Peter Frank
Forward to:
Captain Squid & The Tentacle Room:
Adventures in Life, Love & Art
by Michael McCall
Fabrik Press, 260 pp., $35.00

Michael McCall came of age at a time when it was cool to live your art. That time may be coming back (no little thanks to McCall’s example, I’ll wager), but between coming of age and compiling this account, McCall’s lifestyle came to be regarded as more vagabond than renegade, more hippie than hip, more irresponsible than irreverent. Plenty of wannabe art-lifers gave the art-life a bad name. McCall – always an art maker, not just a goof, and always answering to aesthetic and ethical standards – wasn’t one of them, and he was brave enough to stick to his guns, keep on living his life as if it were an artwork, and keep on being committed to that life/art.  [Read more…]

Riot Material Talks With Desert X Artists Jennifer Bolande, Glenn Kaino, Phillip K. Smith III and Tavares Strachan

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Desert X, a site-specific contemporary art exhibition
 in the Coachella Valley, curated by Artistic Director Neville Wakefield, will become the sweeping canvas for work by established and emerging artists, whose projects will amplify and articulate global and local issues ranging from climate change to Tribal culture, immigration to tourism, gaming to golf. The exhibition, which opens to the public this weekend, 25 February, will focus attention on, and create a conversation about, environmental, social and cultural conditions of the 21st century as reflected in the greater Palm Springs area.  

In an online roundtable discussion, RIOT MATERIAL spoke with Desert X artists Jennifer Bolande, Glenn Kaino, Phillip K. Smith III, Tavares Strachan about the desert, their driving visions, and their particular installations.  [Read more…]

A Quiet, Cutting Torch Toward Activism

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An Interview With Jael Hoffmann
By Rachel Reid Wilkie

Jael Hoffmann is a metal sculpture artist living in the Northern Mojave Desert, just north of Los Angeles. Her rough, nearly primitive sculptures stand at highway’s edge like creatures in a mythic scene, their anointed god a sleepy chief who towers just west in the form of 12,132’ Olancha Peak. Large, wind-worn, lively on the land, they are in constant, animated banter with drivers who speed past, and all the more friendly and engaging for those who stop, stretch their legs, and stroll about the land. Rachel Reid Wilkie spoke with Jael on a gorgeous winter day following heavy snowfall in the Sierras. [Read more…]

Anselm Kiefer’s Walhalla Warns Of The Nightmare Of Nationalism

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at White Cube Bermondsey, London
Audio commentary by Rachel Reid Wilkie

Rachel Reid Wilkie examines Anselm Kiefer’s exceptional exhibition, Walhalla. The five audio tracks below address the five main rooms of Kiefer’s sprawling underworld. Press play and imaginatively amble through the halls of this dark yet deeply affecting show. [Read more…]