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The Best Jazz Guitar is Jeff Parker’s Jazz Guitar

December 15, 2022 By Henry Cherry Leave a Comment

Best Jazz Record of 2022
Mondays at the Enfield Tennis Academy
Eremite Records

Reviewed by Henry Cherry

Four selections of sets from Jeff Parker’s Monday evening live performances with his quartet are the basis of his most recent release, Mondays at the Enfield Tennis Academy. There is no actual tennis involved. ETA is a small restaurant venue in the Highland Park neighborhood of Los Angeles. The extended name is a nod to late writer David Foster Wallace. It’s that sort of place, oranges in a bowl on the bar, oysters on the half-shell, and Jeff Parker working his way through the situational complications of jazz in the digital era. [Read more…]

Filed Under: Artist, Jazz, Records, The Line

Ten Songs to Inspire the Weary Holiday Curtain Grasper In Us All

December 3, 2022 By Henry Cherry Leave a Comment

by Henry Cherry

1. Christmas at Kmart – Root Boy Slim

Foster Mackenzie, aka Root Boy Slim, heckled George Bush in their Yale fraternity. Here, then, is the sound of that heckling delivered as a depraved Christmas carol. A dose of mid 70s proto-incorrigibility. Always good for a curl of the lip. [Read more…]

Filed Under: sound

Songs in the Key of Consciousness: XI’s Extrasensory Dance Poetry

September 23, 2021 By Henry Cherry Leave a Comment

Reviewed by Henry Cherry

In the year of the pandemic, at-home bread baking was king. There’s no denying that. Why would you want to? A nice sour dough loaf can go a long way to knocking down the depression of living in lockdown. But as the endless binge of streaming media went on and on and on, people also returned to poetry, those most tenacious and misunderstood mountains of the written arts range. And so poetry, now, is ready to redeem its seat atop of the great Mount Writing, thriving as theaters and music halls and museums and ballet companies all have been shuttered by the pandemic rampaging across planet. Sometimes a cool couplet of Anne Sexton, Ted Berrigan or Percy Bysshe Shelley is just what the doctor ordered. [Read more…]

Filed Under: Records, The Line

The Unbound Promise Of The Full Five-Hour Masterwork Until The End Of The World

April 17, 2020 By Henry Cherry Leave a Comment

by Henry Cherry

Until the End of the World is a film, like the best of them, that stands outside of genre. Part sci-fi epoch, part love story, part road movie, it begins and ends with an image of the Earth’s curvature. Made by director Wim Wenders, it is the culmination of his most successful period as a filmmaker, a truth made all the more striking in that upon its initial release, Until the End of the World was a failure.
[Read more…]

Filed Under: Film, The Line

The Exploratory Instincts Of Shabaka And The Ancestors’ We Are Sent Here By History

April 13, 2020 By Henry Cherry Leave a Comment

on Impulse! Records
Reviewed by Henry Cherry

Shabaka Hutchings, the London based musician behind The Comet is Coming and Sons of Kemet, had just  released a second recording with his South African based project, Shabaka & the Ancestors when Covid-19 canceled the promotional tour along with everything else in the world. Hutchings spoke with NPR about the illness, its impact on touring musicians and the financial hit the quarantine has put on those musicians. “Literally, all my gigs in the next two months have been canceled. And everyone I know is in the same boat.” Questions surround the entire world as markets crash, people lose jobs across every sector, and the illness continues to mount. Hutchings isn’t a doomsayer. “We have to make the best of the situation, or the situation will just be tragic. And all situations have the potential to be tragic, or the potential to be tragic and transformative.” [Read more…]

Filed Under: Jazz, Records, The Line, Video

Abandoned To The Voice In My Head: King Krule’s Man Alive!

March 10, 2020 By Henry Cherry Leave a Comment

on XL Recordings/Matador Records
Reviewed by Henry Cherry

Archy Ivan Marshall is a 25-year-old musician who performs under the nom de guerre King Krule. As Krule, he has delivered a stunning portrait of demonic exorcism across three full length releases and as many extended plays. As Archy Marshall, he’s added a book and another album, both featuring his brother, Jack.

In a universe devoid of the weary and multitudinous musical classification system, people would immediately recognize the emotional content of the Krule/Marshall output and stamp it as such. Within the varied categorization that has been embraced by those seeking to brand themselves with the musical ideologies of others as a lifestyle choice, defining King Krule as Emo is still a contextual misstep. His is the sound of an ambling internal, but revolutionary discord. [Read more…]

Filed Under: Records, The Line, Video

McCoy Tyner, Greatest Jazz Pianist Of All Time, Is Dead at 81

March 6, 2020 By Henry Cherry 1 Comment

by Henry Cherry

McCoy Tyner’s death was announced on his Facebook page earlier today. Tyner, most famously linked to John Coltrane, was a gale force of rhythmic complexity and ingenuity on the piano. Joining with Coltrane while still a teen, his double-barreled approach to the aural intricacies of modern jazz cannot be fully appreciated. The genius of Tyner’s musicality is still being deciphered. [Read more…]

Filed Under: Jazz, Video

The Danceable Política of Andy Gill’s Gang of Four

February 6, 2020 By Henry Cherry Leave a Comment

Andy Gill
1956 – 2020
RIP

by Henry Cherry

When Andy Gill died at 64 on Saturday, the sound of revolution was momentarily stalled. Gill was the co-founder of the UK’s Gang of Four, an avant-funk off shoot of that country’s monumentally impactful punk movement of the late 70s.  Across ten albums and a barrage of EPs and singles, Gang of Four is best known for their bouncing ecstatic protestations like “To Hell with Poverty” and “Damaged Goods” and their big break on American radio, “I Love a Man in Uniform.” Gill’s sawing guitar, songwriting and production lay at the heart of the band’s dramatically seductive sound. As such, the power of his death resides in the music Gill is responsible for, and luckily, that music remains. Even as Gill lay in the hospital, suffering from pneumonia, the musician continued to work on new music, editing and annotating mixes for a yet to be released Gang of Four recording. [Read more…]

Filed Under: Profile, The Line, Thought

Jimmy Heath, aka Little Bird, Takes Soul’s Serenading Flight

January 20, 2020 By Henry Cherry Leave a Comment

Jimmy “Little Bird” Heath
1926 – 2020
RIP

by Henry Cherry

When saxophonist Jimmy Heath died at 93 from undisclosed causes on Sunday, January 19, 2020, he left younger brother Albert as the last of the Heath brothers, a remarkable trio of musicians who worked collectively and individually to help craft the pillars of jazz music. With Albert on drums, Percy on bass and middle brother Jimmy, nicknamed Little Bird because of the early influence of Charlie Parker on his playing, on saxophone, the Heaths played on hundreds of recordings with legends and under known greats of the musical idiom. Without the Heaths musical input, jazz would not be what it is today. [Read more…]

Filed Under: Jazz, The Line

The ’10s: Best Jazz Releases Of The Decade

December 19, 2019 By Henry Cherry Leave a Comment

by Henry Cherry

In the last decade of his life, Duke Ellington, probably America’s greatest composer, had a resurgence. Jazz was in turmoil, expanding and contracting at the same time, not unlike a star going supernova. In Ellington’s case, he was reincorporating various musical influences. He returned to the sacred music of his early life, to New Orleans, to the songbook of his musical foil, Billy Strayhorn, after Strayhorn died in 1967. But it is the sacred music that truly reinvigorated what would be the master’s last era. [Read more…]

Filed Under: Jazz, Records, The Line

The Overlooked Ten From 2019’s Jazz Bin

December 14, 2019 By Henry Cherry Leave a Comment

by Henry Cherry

Choosing music outside of the constraints of marketing and modishness is a difficult practice that for some is an absolute chore. In this technocratic age of curated playlists, there is less exploration among individuals. While online encyclopedias continue to define and annotate the music of the past along with current releases, it is sometimes easier to plug into the mindless algorithmic bliss provided by streaming services. That is NOT wrong. Everybody wants some simplification in these complicated times. [Read more…]

Filed Under: Jazz, Records, The Line

The Breathless Charm Of Tina Brooks’s Minor Move

November 24, 2019 By Henry Cherry Leave a Comment

on Blue Note Records
Reviewed by Henry Cherry

Soulster James Brown was known as the godfather of soul for a reason. His syncopated music had the sound of a crisp, rehearsed band that could stop on a dime. In live shows, the singer demanded that same precision found on his studio recordings. Brown regularly fined bandmembers onstage for miscues and dropped notes, dancing his way over toward the offending bandmember in mid-song and flashing with his hand the amount of the fine. It’s been lauded as part of his perfectionism, a backbone of his “hardest working man in show business.” But to be clear, that is business, not music. [Read more…]

Filed Under: Jazz, Records, The Line

John Coltrane’s Cat In The Bag: Blue World

November 18, 2019 By Henry Cherry Leave a Comment

on Impulse!
Reviewed by Henry Cherry

John Coltrane died from liver cancer 52 years ago. Nevertheless, in the last two years, he has released two new recordings. Both were lost, one forgotten in the attack of a relative, the other hidden in a Canadian film archive, protected from the devastating Universal Studios Fire of 2008 that destroyed more than 100,000 master tapes, some Coltrane recordings among them. [Read more…]

Filed Under: Jazz, Records, The Line

Old Smoke Fuels The Sound Fury Of Theoretical Spontaneity

June 9, 2019 By Henry Cherry Leave a Comment

Baczkowski/Lopez/Corzano’s Old Smoke
on Relative Pitch Records
Reviewed by Henry Cherry

Because of his self-anointed position as the ambassador of all jazz, Wynton Marsalis served as musical advisor on Ken Burns’s episodic documentary on the genre for PBS. By deleting any real discussion of the music’s experimental arm, it was understood to be a death blow for avant-garde jazz. At that point, the entirety of jazz was atrophying, despite Marsalis’s acclaim. He attempted to cut off what he deemed an unneeded appendage to save the body he loved. Marsalis has further slashed at free jazz in the ensuing years, perhaps unable to believe his initial assault did not mortally wound the sound. [Read more…]

Filed Under: Jazz, Records, The Line

Mythological Jazz Asteroids in the Afro Futurist Space Belt

May 17, 2019 By Henry Cherry Leave a Comment

Trust In The Lifeforce Of The Deep Mystery: The Comet is Coming
on Impulse!

Reviewed by Henry Cherry

Experience by itself, the phenomenological philosopher Edmund Husserl said, is not science. In the hands of London band The Comet is Coming, experience is a strict adherence to improvisation and exploration that filters the scientific process into a musical call and response. It has purified their sound. So perhaps Husserl is only part right. Maybe some experience is scientific. Maybe some music is science. [Read more…]

Filed Under: Jazz, Records, The Line

London’s Jazz Scene Is Burning

May 12, 2019 By Henry Cherry Leave a Comment

Theon Cross’s Fyah
on Gearbox Records

Reviewed by Henry Cherry

Theon Cross’s new album, Fyah, is a monument to the importance of the London Jazz Scene and, by proxy, that scene’s reliance on Tomorrow’s Warriors. Tomorrow’s Warriors is a musical education program Cross took part in that primarily focuses on youth of the city’s African Diaspora community, bringing them into music instrument by instrument, note by note. On Fyah, Cross delivers a hybrid of jazz influenced by electronic music, funk and reggae. The music is driven by the tuba, an oft over looked instrument, which Cross has mastered and which gives the songs within a fresh coat of innovation. [Read more…]

Filed Under: Jazz, Records, The Line

Radiant Poetic Shadows And The Timeless Framings Of Roy DeCarava

May 2, 2019 By Henry Cherry Leave a Comment

Roy DeCarava: The Work of Art, at The Underground Museum, Los Angeles (through June 30)
Reviewed by Henry Cherry

Despite a couple of career retrospectives and a small handful of books, the late photographer Roy DeCarava is one of the most overlooked photographers of his era. His photos are among the few photographic equivalents to sound. Somehow, in spite of this majesty, his obscurity persists. But this spring, across Los Angeles, his work is being well served. DeCarava is represented by 21 photographs in the Broad Museum’s Soul of a Nation show, where the late photographer is one of many voices. While several of his disciples are part of the Annenberg Space for Photography’s Contact High show dedicated to the documentation of hip hop, it is the Underground Museum’s Roy DeCarava: The Work of Art, on view until June 30th 2019, where DeCarava gets the best chance to imprint his genius upon the next generation. [Read more…]

Filed Under: Art, Artist, Image, The Line

Adventures In Abstract Sound: The Music Of Eric Dolphy

February 24, 2019 By Henry Cherry Leave a Comment

Musical Prophet: The Expanded New York Studio Sessions (1963)
on Resonance Records

Reviewed Henry Cherry

The music collected on Eric Dolphy’s Musical Prophet: The Expanded New York Studio Sessions (1963) is so unyielding and so open, it’s hard to accept the musician would be dead in just under a year. After rejoining former band leader Charles Mingus for a tour of Europe, Dolphy died from diabetic shock on June 29th1964. Having suffered stinging criticism back home in the United States, the musician hoped to leave the disparagement behind and become a musical ex-pat. Unaware he had diabetes, Dolphy slipped into a coma and expired in a Berlin hospital. He was 36 years old. Equally skilled across three instruments — flute, bass clarinet and alto saxophone — Dolphy put out eight albums as a leader in his lifetime. More than 22 others were released after his demise. Most recent among those posthumous releases, Musical Prophet is perhaps the most remarkable, as it includes among its three discs nine previously unissued tracks, making a complete album of unheard music. [Read more…]

Filed Under: Jazz, Records, The Line

Fuck The Game If It Ain’t Saying Nothing

January 17, 2019 By Henry Cherry Leave a Comment

Chuck D: Artmageddon
at Subliminal Projects, Los Angeles (through January 26)
Reviewed by Henry Cherry

While Subliminal Projects, owned by the artist Shepard Fairey, is a small space, it resembles a Philadelphia graffiti crew’s warehouse loft with brick flooring in one room and sheets of plywood serving as support in all other parts of the gallery.  A nonsensical line delay outside (I waited 85 minutes) frustrated everyone, including the doorman at the front entrance. “I haven’t worked in L.A. for nine months, and this is why,” he told those awaiting their moment with Chuck D. [Read more…]

Filed Under: Art, Artist, The Line

Playing the Truth: Charles Mingus’s Jazz in Detroit/ Strata Concert Gallery/ 46 Selden

January 6, 2019 By Henry Cherry 5 Comments

on BBE

Reviewed by Henry Cherry

In January of 1979, two extraordinary losses occurred in Mexico. 56 sperm whales beached themselves on the country’s coast line. Reportedly on the same day, fabled jazz composer and bassist Charles Mingus died of heart failure related to ALS (Lou Gehrig’s disease). He was 56. Mingus had gone to Mexico in the late stages of his disease to seek alternative treatment.  He was cremated and his ashes were poured into the Ganges, the sacred river that runs through India and Bangladesh. The whales were also burned, their ashes disposed in a dump. [Read more…]

Filed Under: Jazz, Records, The Line

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riot sounds

Into the Triangular Warp, Without Tether

New from Mandy, Indiana
“Injury Detail”

on Fire Talk Records

The Line

Louise Bourgeois: What Is The Shape of This Problem?

at University of Southern California, Fisher Museum of Art. (through 3 December 3, 2022) Reviewed by Margaret Lazzari Louise Bourgeois is widely recognized for her sculptures and installations, but Louise Bourgeois: What is The Shape of This Problem is a wonderful opportunity to immerse yourself in her perhaps-lesser-known prints, fabric work and writings. This exhibit contains over […]

Moonage Daydream Conveys More Myth Than Man

Moonage Daydream Dir. Brett Morgan Reviewed by Nicholas Goldwin As one of the greatest shapeshifters in the expansive history of rock music, it seems only fitting that the documentary with David Bowie as its subject never seems content to express the trials, tribulations and artistic triumphs of Bowie in any one fixed way. This is […]

The Artful Construction of The ‘I’

by Merve Emre NYR The essay form…bears some responsibility for the fact that bad essays tell stories about people instead of elucidating the matter at hand. —Theodor Adorno The personal essay is a genre that is difficult to define but easy to denounce. The offending element is rarely the essay as a form, but its […]

Carnación di Rocío Molina, at Riot Material Magazine.

On Binding: Notes from Venice

Bienalle Arte and Bienalle Danza, Venice 2022 By Allyn Aglaïa Chest bound, lips sealed, I walked through Venice alone, quiet, and: thought about narratives that bind us to erotic binds

Mohammad Barrangi's Guardians of Eden (Dreamscape #8), at Riot Material magazine.

Transcendence Beyond Erasure in Mohammad Barrangi’s Dreamscape

at Advocartsy, Los Angeles (thru 5 November 2022) Reviewed by Christopher Ian Lutz Fantasy requires a symbolic vehicle to transport a character from the real world into the imaginary realm, where the laws of reality are subverted or obscured to justify an otherwise absurd event. The artist might depict the vehicle as a real object […]

Idris Khan's The Pattern of Landscape at Sean Kelly Gallery, Los Angeles. An interview with Idris is at Riot Material magazine.

An Interview with Idris Khan

The Pattern of Landscape, at Sean Kelly, Los Angeles (through 5 November 2022) by Ricky Amadour Opening on the corner of Highland and De Longpre Avenues in the heart of Hollywood, Idris Khan’s The Pattern of Landscape is the inaugural exhibition at Sean Kelly, Los Angeles. Khan investigates color theory, text, and musical concepts through […]

Soul Crash: Our Slow, Inexorable Release Into the Metaverse

by Sue Halpern The Metaverse: And How It Will Revolutionize Everything by Matthew Ball Liveright 352pp., $18.89 NYR In October 2021, when Mark Zuckerberg announced that Facebook would now be called Meta and its business interests would be pivoting to the metaverse, there was almost universal confusion: most observers had no idea what he was […]

green tara

Pointing the Staff at the Old Man

A wisdom transmission by Samaneri Jayasāra Excerpted from —  Advice from the Lotus Born  from the chapter “Pointing the Staff at the Old Man” Translated by Eric Pema Kunsang Rangjung Yeshe Publications, 184pp., $21.95 . .

Margaret Lazzari’s "Shimmer." From the exhibition "Breathing Space."

Margaret Lazzari’s Luminous Breathing Space

at George Billis Gallery, Los Angeles (through 8 October 2022) Reviewed by Nancy Kay Turner “Things are not what they seem: nor are they otherwise.” –Buddha Margaret Lazzari’s luminous solo exhibition of paintings, entitled Breathing Space, were painted during the pandemic, and the exhibition title is indeed significant. It’s defined as a respite, a hiatus, or an […]

A Look Back on an Iconoclast: Art Critic Dave Hickey

by Jarrett Earnest Far From Respectable: Dave Hickey and His Art by Daniel Oppenheimer University of Texas Press, 141 pp., $24.95 The Invisible Dragon: Essays on Beauty, Revised and Expanded by Dave Hickey University of Chicago Press, 123 pp., $15.00 (paper) Air Guitar: Essays on Art and Democracy by Dave Hickey Art Issues Press, 215 […]

From Phil Tippet's Mad God, reviewed at Riot Material magazine.

Nihilism Births Its Own Interminable Hell

Mad God Dir. Phil Tippett Reviewed by Nicholas Goldwin Technically astonishing and immersive to a fault, director Phil Tippett successfully demonstrates that thirty years of relentless dedication to your craft can lead to cinematic innovations even his old stomping grounds – the sets of Star Wars and Jurassic Park – have yet to catch up. […]

Eve Wood, "Ostrich Pretending To Be A Francis Bacon Painting." At Riot Material.

An Interview with Artist Eve Wood

Eve Wood: Hanging in There to Hang On at Track 16 Gallery, Los Angeles (opening reception: Saturday, September 10, 7-10pm) by Julie Adler I met Eve Wood at Holly Matter, an art gallery on Heliotrope in East Hollywood, 22 years ago now. I recall she got up and read some of her poems. Incisive, cutting, […]

John Lurie’s The History of Bones

Reviewed by Cintra Wilson The History of Bones: A Memoir by John Lurie Random House, 435 pp., $28.00 NYRB It was 1989 when I saw John Lurie on TV in a late-night advertisement for the new Lounge Lizards album, Voice of Chunk, which was “not available in stores” and selling exclusively through an 800 number. Operators were standing […]

Marlene Dumas, "Losing (Her Meaning)," 1988. At Riot Material magazine.

Marlene Dumas’ Masks of Inborn Gods

open-end, at Palazzo Grassi, Venice (through 8 January 2023) Reviewed by Arabella Hutter von Arx Four relatively small artworks greet the visitor in the first room of the Marlene Dumas exhibit, open-end, at Palazzo Grassi. D-rection shows a young man contemplating his rather large and purple erection. A bluish white face and a brown face unite […]

Clarice Lispector

Baffling the Sphinx: The Enigmatic World of Clarice Lispector

Reviewed by John Biscello Água Viva by Clarice Lispector New Directions Publishing 88pp., $14.95 Too Much of Life: The Complete Crônicas by Clarice Lispector New Directions Publishing 864pp., $29.95 The word is my fourth dimension –Clarice Lispector And on the eighth and endless day, where the bottomless hallelujah meets Ouroboros, God created Clarice Lispector. Maybe. […]

Donna Ferrato "Diamond, Minneapolis, MN 1987." At Riot Material magazine

Donna Ferrato’s Magnificent Holy

at Daniel Cooney Fine Art, NYC (through July 29 2022) Reviewed by Phoebe Hoban The small scale of Donna Ferrato’s snapshot-like black-and-white photographs belies their personal and political power. Whether they document the medical sinks and shelves in a now-shuttered Texas abortion clinic, or hone in on the badly bruised face of a domestic violence […]

Darcilio Lima Unknown Lithograph, 1972. At Riot Material magazine.

Magia Protetora: The Art of Luciana Lupe Vasconcelos and Darcilio Lima

at the Buckland Museum of Witchcraft and Magick, Cleveland OH (through 30 September 2022) Curated by Stephen Romano Gallery Reviewed by Christopher Ian Lutz The extension of a lineage occurs not merely by the repetition of form, but by the intersection of conservation and revolution. Transformation is fundamental to preserving the essence of a given tradition’s rituals and […]

Eve Wood's A Cadence for Redemption, written in the fictive voice of Abraham Lincoln, is excerpted at Riot Material magazine.

Songs For Our Higher Selves

A Cadence for Redemption: Conversations With Abraham Lincoln by Eve Wood Del Sol Press, 46pp., $5.99 Employing the fictive voice of a former president, Eve Wood shifts the perspective on the happenings of our times – where all indicators point to the slow, inexorable collapse of the American Experiment – to the one man who […]

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