Moonage Daydream
Dir. Brett Morgan
Reviewed by Nicholas Goldwin
As one of the greatest shapeshifters in the expansive history of rock music, it seems only fitting that the documentary with David Bowie as its subject never seems content to express the trials, tribulations and artistic triumphs of Bowie in any one fixed way. This is expressed through the film in its alternations between rare footage of early concerts and interviews, expressive animated renderings of the science-fiction imagery laden throughout Bowie’s oeuvre and various examples of Bowie’s own artwork, both visual and musical. In doing this, Morgen allows the true scope of Bowie’s career as an artist and innovator to be appreciated by the audience in a truly all-encompassing way. Yet despite the astounding variety of ways in which Bowie is portrayed in Moonage Daydream, there is nonetheless a disarming absence of any significant insight or depth given to Bowie as an individual. This makes the film’s attempt to give Bowie himself — the man, the individual — the spotlight seem lacklustre in execution, in that Morgen can’t seem to help but identify him as anything other than an icon. [Read more…]