Reviewed by Robert Sullivan
NYRB Online
Blood Quantum is an old-school zombie film, as opposed to the recent onslaught of AMC Walking Dead wannabes. Like George Romero’s 1968 classic, Night of the Living Dead—which ends when a Black man emerges unscathed after a night fighting off the undead, only to be shot by an all-white militia—the blood and guts add up to a social critique. What makes Blood Quantum a credit to its genre is the way it honors indigenous filmmaking, in particular the work of Alanis Obomsawin, the renowned eighty-eight-year-old Abenaki filmmaker who has, in more than fifty films, chronicled the modern liberal governments of the US and Canada laying siege to North American indigenous communities. [Read more…]