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Entering the Mind

About Riot Material

Enter Here

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Riot Material : 2016-2023

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a few from our ‘most read’

David Lynch's The Grandmother is part of Riot Material’s Cinema Disordinaire, a unique selection of films showcasing the singular in all of cinema.

The Horror Of Our Seed: Revisiting David Lynch’s The Grandmother

By Alci Rengifo

If there is ever a core idea behind our modern-day celebration of Halloween it is the need to escape. We run from ourselves into masks and costumes, for one night becoming that which we wish we had been. Sometimes we choose the face of a monster, only because we as mere humans are the most monstrous creations of all. Fear of oneself is essentially fear of your seed, of your origins. No filmmaker has captured the very psychology of America like David Lynch, and even in his early student and short film work, one finds an artist digging into the depths of his psychic plane, and our own. [Read More…]

Illustration courtesy of Shaun Lowndes. Lowndes is a freelance illustrator living in the UK: https://shaunlowndes.portfoliobox.net

James Dickey’s Black Mask: Deliverance as a Runaway Slave Narrative

by James McWilliams

When Burt Reynolds died last August, the obits recounted the strange life of an iconic American actor. Particularly weird was how Reynolds often lied about where he was born. He said he was born in Waycross, Georgia. Why anyone born in Lansing Michigan would want to be from Waycross Georgia is a baffling question. What we do know is that Reynolds, who always identified as Southern, and even affected a twang to fit the image, was, with this odd fib, participating in a cultural practice with roots dating back to nineteenth-century plantation culture. Burt Reynolds was “storying.” [Read More…]

Entering the Mind through profound Dzogchen Instruction.

The Mind-Slicing Wisdoms of Dzogchen

A chapter excerpt from Entering the Mind, by C von Hassett
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The Great Perfection

Dzogchen is like the highest point of a monastery, the golden top-ornament: above it, there is nothing but sky.
–Tulku Urgyen Rinpoche

Dzogchen, or atiyoga, is a profound body of teachings that point us directly toward the recognition of our own mind in its natural state. This state, what in the Tibetan tradition is known as rigpa, is naturally pure and nakedly aware. It is, in other words, awakened, and this already awakened state is present within each of us, is always accessible to us, and through clear instruction it is also easy to identify. In seeing it, we are literally in witness of our own luminous path to liberation, this with one subtle though skillful shift in perspective.

The teachings as a philosophy are radical, if not wholly revolutionary. As a practice, they are transformational, moving one from concept-based being to awareness being; from contrived, dualistic thinking to a mind unbound by mundane thought. This is the wisdom mind, enlightened mind, and our arrival here means there is no turning back. There simply cannot be, for conventional mind has been sliced clean through. [Read More…]

John Coltrane and his Classic Quartet. Coltrane's Blue World is reviewed at Riot Material, LA's premier magazine for Art and Jazz.

John Coltrane’s Cat In The Bag: Blue World

on Impulse!
Reviewed by Henry Cherry

John Coltrane died from liver cancer 52 years ago. Nevertheless, in the last two years, he has released two new recordings. Both were lost: one forgotten in the attack of a relative, the other hidden in a Canadian film archive, protected from the devastating Universal Studios Fire of 2008 that destroyed more than 100,000 master tapes, some Coltrane recordings among them.

This year’s release, Blue World, is the only soundtrack the musician recorded across his entire career. It dates from his most fertile period, recorded in the lead-up to the creation of A Love Supreme, his landmark work. [Read More…]

Riot Material looks at the Revolutionary Art of Protest, from Paris 1968

The Walls Speak: Art And The Revolution In May ’68

by Alci Rengifo

The streets have always been where the masses bring their voices and grievances. It is a practice as old as Ancient Rome. It is when the city rises and a sense of social war penetrates the air that even art itself cannot help but be transformed. This year marks a half century since the great convulsions of 1968, when art itself became the vehicle of capturing and giving voice to the emerging, clashing ideals of that heroic generation. The tail-end of the sixties featured much of the imagery, cultural shifts and pop evolution that define the decade in the world consciousness. Acid rock was in, fashion was taking leaps so colorful and free that trends were established which have not gone out of style. But an aesthetic not readily discussed in the mainstream is the aesthetic of revolution. [Read More…]

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image

Igor Posner, from his new book Cargó. Read the review of Cargó at Riot Material Magazine.

The Psyche of Migration in Igor Posner’s Cargó

Reviewed by Justin Herfst

In the opening sequence of Igor Posner’s Cargó, two images are stacked on top of each other. In the top image is a green thicket, and in the bottom a black and white image of an elderly gentleman dressed in a long coat walking in the dark. The man appears deep in thought, the very top of his head cut out by the frame almost as though his head were filled with the imaginations of the thicket. The sequence is pure intuition, an inner movement that has been refined over the ten years Posner worked on Cargó. Like two disparate sounds brought together into harmony, the sequence intuitively makes sense. On the following page are two black and white images, one of a women’s legs on a bed and the other a boy looking on into the camera. In the low light, the shutter speed is slowed and both images are blurred. Black space in both photographs reach across the page so no border separates the images and there is no frame save for the rectangle of the page. Gone are any presuppositions of tradition and bookmaking. In its edit and its subject, Cargó is loosed from the material present and handed over to the subliminal.    [Read More…]

interview

An interview with Julian Lennon, at Riot Material Magazine. Lennon's latest exhibition, Atmospheria, is at William Turner Gallery in Santa Monica.

The Julian Lennon Interview

by Amadour

In this conversation, I speak to Julian Lennon from his home in Monaco about his recent exhibition, ATMOSPHERIA, at William Turner Gallery in Santa Monica. These works capture magnificent aerial landscapes from the vantage point of an airplane. A fascinating, multi-hyphenate creator, Lennon shares his insights on photography, the curiosity behind his painterly images, and the world travels that cultivate his passion for humanity and the natural environment. [Read More…]

art

Kourosh Beigpour at Riot Material

Meditations on the Mystical Sublime: Kourosh Beigpour’s Mandal

at Advocartsy, Los Angeles (through 4 February 2023)
Reviewed by Christopher Ian Lutz

The human mind seeks connectivity. The writing of letters and numbers, and the drawing of lines in a painting, are acts of connecting points. Furthermore, geometry, language, narration, astrology, and philosophy are intellectual means to connect points that align with our thoughts and emotions. This symmetry of our subjective experience with the objective physical world and universal phenomenon provides us with a sense of completeness. Our nature is complete, but we do not always have a sense of fullness. We design and search for wholeness in things outside ourselves to understand our identity. Even with such a sense of self-realization in our minute incarnation, there is a need for absolute truth to understand our relationship with the greater wholeness of the universe. Therefore, we extend a connection to all things to conceive of a divine form. However we conceive of divinity, whether spiritually or materially, the source of creation is pertinent to our sense of self. It is fundamental to our conception of perfection, for which we shape morals and law. The letter, the number, and the shape are not merely instrumental marks but are philosophical arguments that are elemental to our religious, political, and social ideologies. [Read More…]

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art

Ibrahim El-Salahi’s Pain Relief Drawings, reviewed at Riot Material.

Ibrahim El-Salahi Pain Relief Drawings

at The Drawing Center, NYC (through 15 January)
Reviewed by Robyn Creswell

Pain Relief Drawings
by Ibrahim El-Salahi
Contributors: Laura Hoptman, Hassan Musa
Exhibition Catalogue, 157pp, $35.00
NYR

The face is a mask, vaguely leonine, narrowing from its enormous eyes to a snout of flared nostrils and a small mouth, twisted into what might be a grimace or a grin. The contours of the nose branch up into a network of wrinkles around the eyes, then extend out into fiddlehead ferns sprouting from the temples. The gaze is so insistent that it is easy to ignore the virtuosity of all the little lines: the sagging pouches of the eyes, the subdued yet prickly whiskers along the jaws, the dots of stubble on the upper lip and double creases at the knuckles, the striped upholstery of the chair. Strikingly, the sitter’s left arm seems to reach out beyond the frame, which crops the arm at its wrist. Is he holding up a mirror to himself (or a phone)? It is a self-portrait of the artist in an armchair, examining himself—and us—through a screen. [Read More…]

art

Glenn Hardy's "Long Time. No See", at Riot Material magazine.

Glenn Hardy’s Who Am I If I Don’t Represent?

at Charlie James Gallery, Los Angeles (through 11 February 2023)
Reviewed by Eve Wood

Glenn Hardy’s second solo exhibition, aptly title Who Am I If I Don’t Represent? — at Charlie James Gallery in LA’s Chinatown — comprises a visual investigation into the complex nature of black identity while also standing as positive visual documents of daily activities, personal victories, triumphs, and moments of deep introspection as well. Hardy is a master of the nuanced narrative, telling stories of seemingly ordinary occurrences, like playing basketball, for instance, or drinking Pina Coladas in the pool, or enjoying a day in the sun at a family reunion. Yet beneath the surface of these apparent innocuous actions is, on the part of the artist, an abiding commitment to social justice. Deeply affected by the barrage of negative images that horribly misrepresent the black experience within social media, Hardy has chosen to amplify the positive aspects of his own lived human experience, declaring a personal and communal commitment to reassert his personal identity and to “live unapologetically and without fear” within today’s troublingly present moment. [Read More…]

Riot Material Monthly Digest (tap here)

The Line

Installation View of Martin Puryear, at Matthew Marks.

Martin Puryear and the Volumes Voiced From Within

at Matthew Marks Gallery, Los Angeles (through 8 April 2023) Reviewed by Lorraine Heitzman In the midst of the frenzy of Frieze week, the quiet of Martin Puryear’s show at Matthew Marks Gallery was practically deafening. Admittedly, Puryear’s art has always been somewhat monastic, even restrained, and the sculptures in this show are no less hushed. Over the course of his career the world has only become louder and more vitriolic, and the stillness that is his stock-in-trade is amplified against the atmospheric noise that is now so prevalent. Like an admonished child, Puryear has learned to … [Read More...]

Susan Kaprov. "The Dense City: Magenta Sky." At Riot Material

Susan Kaprov: Conversations on Art, Technology and The Space Age

by Jill Conner       In some respects Susan Kaprov’s art has remained elusive, until now. Her experimental photomontages are included in the permanent collections of museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art and the Brooklyn Museum of Art. Susan Kaprov was born in 1946 and grew up in New York City when the verve of women’s liberation and the haze of the sexual revolution continued to circulate. Shortly before finishing high school, The Feminine Mystique, by Betty Friedan, and The Group, by Mary McCarthy, both appeared in 1963, … [Read More...]

American Agri-Giants Are Swallowing Us Whole

Reviewed by Ian Frazier Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent It by Tom Philpott Bloomsbury, 246 … [Read More...]

With a Fierceness Greater Than the Beast She Births: A Review of Chouette

Reviewed by Jennifer Kurdyla Chouette by Claire Oshetsky Ecco Press, 256pp., $13.29 HR If men are from Mars and women are from Venus, then Claire … [Read More...]

An Interview with Pae White

Slow Winter Sun, at Jessica Silverman Gallery, San Francisco (through 25 February 2023) by Amadour Artist Pae White captivates her audience with a … [Read More...]

Luminosities Beyond the Eye in Yehonatan Koenig’s Ink on Paper

at The BAG, Los Angeles (through 19 February) Reviewed by Eve Wood Yehonatan Koenig’s luminous ink drawings are studies in both absence and … [Read More...]

Dystopia Borne Alive in No Land in Sight

Reviewed by Jason Tandon No Land in Sight by Charles Simic Knopf, 96pp., $23.95 HR Charles Simic is not just one of the most celebrated and … [Read More...]

In Conversation with Artist Jim Shaw

Jim Shaw: Thinking the Unthinkable, at Gagosian, Beverly Hills (12 January – 25 February 2023) by Amadour Artist Jim Shaw captures the tantalizing … [Read More...]

Freedom and the Postwar Avant-Garde

Reviewed by Erik Hmiel

The Free World: Art and Thought in the Cold War
by Louis Menand
Farrar, Straus and Giroux, 880pp., $18.89

When I was in my late teens and early twenties, I played in punk-rock bands. Not just punk-rock bands, hardcore-punk-rock bands, bands you might even call post-punk. We played shows in basements and garages, record stores and art spaces, cafes and homeless shelters. We played to 100 people and to zero. We hated the radio and were enthralled by our involvement with a national network of young people who made music outside of the confines of a commercial ecosystem. I even came to disdain the calls of older independent musicians who–suddenly confronted with a loss of revenue from illegal downloading services like Napster and the bootleg copies offered by the CD-R—made genuine, heartfelt appeals to the connection between artistic labor and material compensation. Punk was “beyond” such an outdated way of thinking about art. What was truly radical and inspirational about punk-rock was that no one cared about money. We existed in our own ecosystem, played to each other, patronized specific record stores, and otherwise went on with our lives without the metaphysical baggage associated with being ‘Artists’. Without knowing it, we simultaneously embraced the abiding ideal of the historical avant-garde’s sense of radicality—art as oblique challenge to staid conventions—and what the German art historian Hans Belting, writing in 1987, called ‘The End of the History of Art.’[1] [Read More…]

Jeff Parker, "Mondays at the Enfield Tennis Academy," is reviewed at Riot Material magazine.

The Best Jazz Guitar is Jeff Parker’s Jazz Guitar

Best Jazz Record of 2022
Mondays at the Enfield Tennis Academy
Eremite Records

Reviewed by Henry Cherry

Four selections of sets from Jeff Parker’s Monday evening live performances with his quartet are the basis of his most recent release, Mondays at the Enfield Tennis Academy. There is no actual tennis involved. ETA is a small restaurant venue in the Highland Park neighborhood of Los Angeles. The extended name is a nod to late writer David Foster Wallace. It’s that sort of place, oranges in a bowl on the bar, oysters on the half-shell, and Jeff Parker working his way through the situational complications of jazz in the digital era. [Read More…]

Stalking the Atomic City

Stalking the Atomic City

Reviewed by Elizabeth T. Gray, Jr.

Stalking the Atomic City
by Markiyan Kamysh
translated by Hanna Leliv and Reilly Costigan-Humes
Astra House, 160pp., $13.59
HR

The disaster at the nuclear power plant at Chornobyl in April 1986 created, in real life, a geography people had only imagined. The Chornobyl Nuclear Power Plant Zone of Alienation is the size of Luxembourg, a thousand square miles of marsh, ponds, forest, villages, towns, and large-scale industrial ruins, frozen in time. We’ve seen the photos of swing sets and classrooms overrun with vines, the abandoned high-rises in Pripyat. We’ve heard the stories of boar and lynx and deer and birds reclaiming their ancestral wilderness and harboring who knows what genetic mutations. The Red Forest is the most toxic place on Earth. In a hospital basement is a pile of firefighters’ uniforms that will remain deadly to the touch for centuries. [Read More…]

Gerard & Kelly: Panorama. An interview with Gerard & Kelly is at Riot Material Magazine.

An Interview with Gerard & Kelly

by Amadour
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Artist duo Gerard & Kelly personify the collaborative nature of art making. Their exhibition, Panorama, at Marian Goodman Gallery in New York, displays a dynamic video with three dancers questioning the colonialist narratives on the ceiling mural of the Bourse de Commerce in Paris, now the Pinault Collection. The artists also work with silkscreening in their Glyphs series, which explores notions of  “orientation” and the multilayered works of composer Julius Eastman. In this conversation, we discuss the duo’s many collaborators and influences, how they articulate their vision for performance, and their time in art school. [Read More…]

It Begins with a Corpse: New Work from Cormac McCarthy

Reviewed by Michael Gorra
The Passenger
by Cormac McCarthy
Knopf, 383 pp., $20.22
Stella Maris
by Cormac McCarthy
Knopf, 190 pp., $19.99
NYR

No regular reader of Cormac McCarthy will be surprised to find that The Passenger begins with a corpse. Or two corpses, really, one of which has gone missing. The one we see, in the italicized, single-page prologue with which the book begins, is of a frozen golden-haired girl found hanging “among the bare gray poles of the winter trees.” Her name is Alicia Western, and she’s dressed in white, with a red sash that makes her easy to spot against the snow, a “bit of color in the scrupulous desolation.” It is Christmas 1972, a forest near the Wisconsin sanitarium where the twenty-year-old has checked herself in—a place she’s been before. [Read More…]

The Line

A poetic interpretation of Anselm Kiefer's Exodus, at Los Angeles Marciano Art Foundation, is at Riot Material.

On Wing With Word Through Anselm Kiefer’s Exodus

Gagosian at Marciano Art Foundation, Los Angeles (through 25 March 2023) by Rachel Reid Wilkie Los Angeles poet Rachel Reid Wilkie was given the task of walking into Anselm Kiefer’s Exodus — a literally monumental exhibition, in that each of these paintings are upwards of 30’ tall — and addressing the colossal artworks “cold,” as in […]

Detail of Henry Taylor, "Warning shots not required," 2011. At Riot Material magazine.

Henry Taylor’s B Side: Where Mind Shapes Itself to Canvas

Henry Taylor: B Side at MOCA Grand, Los Angeles (through 30 April 2023) Reviewed by Eve Wood Ages ago when there were LP records and 45s, the B side of a popular single made allowances for experimentation and could be counted on as an alternative vision to the more mainstream and compulsory hit single. B […]

Songbook of a Bygone Dead: Bob Dylan’s The Philosophy of Modern Song

Reviewed by Dan Chiasson The Philosophy of Modern Song by Bob Dylan Simon & Schuster, 352pp., $28.93 NYR Bob Dylan’s new book, The Philosophy of Modern Song, is a kind of music-appreciation course open to auditors and members of the general public. It is best savored one chapter, one song, at a time, while listening to the […]

Smoking the Bible by Chris Abani

Words To Wrap Around A Dying Brother

Smoking the Bible Reviewed by Rhony Bhopla Smoking the Bible by Chris Abani Copper Canyon Press, 96pp., $15.99 HR Chris Abani’s autobiographical book of poems, Smoking the Bible, centers on the relationship of two brothers growing up in Nigeria with an Igbo father and an English mother. The poems, which incorporate the Igbo language along […]

Grant Wallace, “Through Evolution Comes Revelation.” at Riot Material magazine.

Communication Breakdown: Grant Wallace, His Heirs & the Legacy of a Forgotten Genius

Grant Wallace: Over the Psychic Radio at Ricco/Maresca Gallery, NYC (through 3 December 2022) By Michael Bonesteel Freelance writer and editor Deborah Coffin of Albany, California, was in graduate school at the University of California, Berkeley in 1997 when she first encountered street musician Brian Wallace at a party. “I had a friend who knew Brian,” […]

The Joshua Tree Talk

A Conversation on Dzogchen C von Hassett & Rachel Reid Wilkie at Joshua Tree Retreat Center 

Louise Bourgeois: What Is The Shape of This Problem?

at University of Southern California, Fisher Museum of Art. (through 3 December 3, 2022) Reviewed by Margaret Lazzari Louise Bourgeois is widely recognized for her sculptures and installations, but Louise Bourgeois: What is The Shape of This Problem is a wonderful opportunity to immerse yourself in her perhaps-lesser-known prints, fabric work and writings. This exhibit contains over […]

Moonage Daydream Conveys More Myth Than Man

Moonage Daydream Dir. Brett Morgan Reviewed by Nicholas Goldwin As one of the greatest shapeshifters in the expansive history of rock music, it seems only fitting that the documentary with David Bowie as its subject never seems content to express the trials, tribulations and artistic triumphs of Bowie in any one fixed way. This is […]

Carnación di Rocío Molina, at Riot Material Magazine.

On Binding: Notes from Venice

Bienalle Arte and Bienalle Danza, Venice 2022 By Allyn Aglaïa Chest bound, lips sealed, I walked through Venice alone, quiet, and: thought about narratives that bind us to erotic binds

Mohammad Barrangi's Guardians of Eden (Dreamscape #8), at Riot Material magazine.

Transcendence Beyond Erasure in Mohammad Barrangi’s Dreamscape

at Advocartsy, Los Angeles (thru 5 November 2022) Reviewed by Christopher Ian Lutz Fantasy requires a symbolic vehicle to transport a character from the real world into the imaginary realm, where the laws of reality are subverted or obscured to justify an otherwise absurd event. The artist might depict the vehicle as a real object […]

Soul Crash: Our Slow, Inexorable Release Into the Metaverse

by Sue Halpern The Metaverse: And How It Will Revolutionize Everything by Matthew Ball Liveright 352pp., $18.89 NYR In October 2021, when Mark Zuckerberg announced that Facebook would now be called Meta and its business interests would be pivoting to the metaverse, there was almost universal confusion: most observers had no idea what he was […]

green tara

Pointing the Staff at the Old Man

A wisdom transmission by Samaneri Jayasāra Excerpted from —  Advice from the Lotus Born  from the chapter “Pointing the Staff at the Old Man” Translated by Eric Pema Kunsang Rangjung Yeshe Publications, 184pp., $21.95 . .

Margaret Lazzari’s "Shimmer." From the exhibition "Breathing Space."

Margaret Lazzari’s Luminous Breathing Space

at George Billis Gallery, Los Angeles (through 8 October 2022) Reviewed by Nancy Kay Turner “Things are not what they seem: nor are they otherwise.” –Buddha Margaret Lazzari’s luminous solo exhibition of paintings, entitled Breathing Space, were painted during the pandemic, and the exhibition title is indeed significant. It’s defined as a respite, a hiatus, or an […]

From Phil Tippet's Mad God, reviewed at Riot Material magazine.

Nihilism Births Its Own Interminable Hell

Mad God Dir. Phil Tippett Reviewed by Nicholas Goldwin Technically astonishing and immersive to a fault, director Phil Tippett successfully demonstrates that thirty years of relentless dedication to your craft can lead to cinematic innovations even his old stomping grounds – the sets of Star Wars and Jurassic Park – have yet to catch up. […]

A Look Back on an Iconoclast: Art Critic Dave Hickey

by Jarrett Earnest Far From Respectable: Dave Hickey and His Art by Daniel Oppenheimer University of Texas Press, 141 pp., $24.95 The Invisible Dragon: Essays on Beauty, Revised and Expanded by Dave Hickey University of Chicago Press, 123 pp., $15.00 (paper) Air Guitar: Essays on Art and Democracy by Dave Hickey Art Issues Press, 215 […]

John Lurie’s The History of Bones

Reviewed by Cintra Wilson The History of Bones: A Memoir by John Lurie Random House, 435 pp., $28.00 NYRB It was 1989 when I saw John Lurie on TV in a late-night advertisement for the new Lounge Lizards album, Voice of Chunk, which was “not available in stores” and selling exclusively through an 800 number. Operators were standing […]

Marlene Dumas, "Losing (Her Meaning)," 1988. At Riot Material magazine.

Marlene Dumas’ Masks of Inborn Gods

open-end, at Palazzo Grassi, Venice (through 8 January 2023) Reviewed by Arabella Hutter von Arx Four relatively small artworks greet the visitor in the first room of the Marlene Dumas exhibit, open-end, at Palazzo Grassi. D-rection shows a young man contemplating his rather large and purple erection. A bluish white face and a brown face unite […]

Clarice Lispector

Baffling the Sphinx: The Enigmatic World of Clarice Lispector

Reviewed by John Biscello Água Viva by Clarice Lispector New Directions Publishing 88pp., $14.95 Too Much of Life: The Complete Crônicas by Clarice Lispector New Directions Publishing 864pp., $29.95 The word is my fourth dimension –Clarice Lispector And on the eighth and endless day, where the bottomless hallelujah meets Ouroboros, God created Clarice Lispector. Maybe. […]

Donna Ferrato "Diamond, Minneapolis, MN 1987." At Riot Material magazine

Donna Ferrato’s Magnificent Holy

at Daniel Cooney Fine Art, NYC (through July 29 2022) Reviewed by Phoebe Hoban The small scale of Donna Ferrato’s snapshot-like black-and-white photographs belies their personal and political power. Whether they document the medical sinks and shelves in a now-shuttered Texas abortion clinic, or hone in on the badly bruised face of a domestic violence […]

Darcilio Lima Unknown Lithograph, 1972. At Riot Material magazine.

Magia Protetora: The Art of Luciana Lupe Vasconcelos and Darcilio Lima

at the Buckland Museum of Witchcraft and Magick, Cleveland OH (through 30 September 2022) Curated by Stephen Romano Gallery Reviewed by Christopher Ian Lutz The extension of a lineage occurs not merely by the repetition of form, but by the intersection of conservation and revolution. Transformation is fundamental to preserving the essence of a given tradition’s rituals and […]

Eve Wood's A Cadence for Redemption, written in the fictive voice of Abraham Lincoln, is excerpted at Riot Material magazine.

Songs For Our Higher Selves

A Cadence for Redemption: Conversations With Abraham Lincoln by Eve Wood Del Sol Press, 46pp., $5.99 Employing the fictive voice of a former president, Eve Wood shifts the perspective on the happenings of our times – where all indicators point to the slow, inexorable collapse of the American Experiment – to the one man who […]

The Clear, Crisp Taste of Cronenberg

Crimes of the Future Reviewed by Anna Shechtman and D.A. Miller Neon NYRB A line from Crimes of the Future, David Cronenberg’s latest film, has been trailing it around with the campy insistence of an old-fashioned ad campaign: “Surgery is the new sex.” On receiving this information, a skeptical Saul Tenser, played by Viggo Mortensen, asks, “Does there have […]

Georganne Deen, How to prepare people for your weirdness (Painting for a gifted child) 2022

Conjuring a Divine Silence in Georganne Deen’s The Lyric Escape

at Rory Devine Fine Art, Los Angeles (through 6 August) Reviewed by Eve Wood Albert Camus once famously asked, “Should I kill myself, or have a cup of coffee?” One can only hope that this was a rhetorical question, yet however ironic, it is still a sentiment worth pondering, especially considering today’s current socio-political climate […]

Pesticides in our foods inevitably enter the body and will have the intended effect of killing the organism. Which is to say you are certain to become diseased and evenutally die from the longterm ingestion of industrial pesticides.

A Strictly Organic Diet is Good Enough to Save Your Life

A chapter excerpt from Entering the Mind, the new book from C von Hassett which speaks to an ageless way of resting the mind in meditation to both recognize and stabilize in its already Awakened state. Yet to do this successfully, we must first cleanse the body of its myriad mind-fogging toxins taken in through […]

Milton’s Quotidian Paradise, Lost

By Catherine Nicholson Katie Kadue: Domestic Georgic: Labors of Preservation from Rabelais to Milton Timothy M. Harrison: Coming To: Consciousness and Natality in Early Modern England Nicholas McDowell: Poet of Revolution: The Making of John Milton Joe Moshenska: Making Darkness Light: A Life of John Milton NYRB Of the many liberties John Milton took in writing Paradise Lost, his 1667 epic […]

Foucault in Warsaw and the Shapeless, Shaping Gaze of the Surveillance State

Reviewed by Marcel Radosław Garboś Foucault in Warsaw by Remigiusz Ryziński  translated by Sean Gasper Bye Open Letter Books, 220pp., $15.95 Harvard Review Since Poland’s state socialist system collapsed in 1989, the records of its police agencies and security services have gone to a government commission entrusted with the “prosecution of crimes against the Polish […]

Noah Davis, Untitled (2015)

The Haunt of One Yet Faintly Present: Noah Davis, Still at Home

Noah Davis, at the Underground Museum, Los Angeles Reviewed by Ricky Amadour Directly across from the entrance, an opening statement to Noah Davis, at the Underground Museum, reads “many of the paintings you are about to see were painted in this space.” Smudges, dribbles, and droplets on the floor embody the physical notion of Davis […]

Julian Schnabel, The Chimes of Freedom Flashing (detail), 2022

The Supremely Humanistic Hand of Julian Schnabel

For Esmé – With Love and Squalor, at Pace Gallery, Los Angeles (through 21 May 2022) Reviewed by Eve Wood How does one represent, let alone quantify hope, hate, grief, love, joy, tragedy, or anything, for that matter, which stands in opposition to something else? Throughout his illustrious career, Julian Schnabel has always been one to […]

Rose Wylie, "I Like To Be" (2020)

In Full Surrender to the Wylie Eye

Rose Wylie: Which One, at David Zwirner, NYC (through 12 June) Reviewed by David Salle Rose Wylie: Which One by Rose Wylie; with Barry Schwabsky, Judith Bernstein, and Hans Ulrich Obrist David Zwirner Books, 196pp., $75.00 NYRB Rose Wylie, who is now eighty-seven, has been painting in the same rural studio in Kent, England, since […]

The Artful Construction of The ‘I’

by Merve Emre NYR The essay form…bears some responsibility for the fact that bad essays tell stories about people instead of elucidating the matter at hand. —Theodor Adorno The personal essay is a genre that is difficult to define but easy to denounce. The offending element is rarely the essay as a form, but its […]

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Writers

  • Alci Rengifo
  • Allyn A. Aumand
  • Amadour
  • Ann Landi
  • Annabel Osberg
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