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film

Birds of Passage (2018), reviewed at Riot Material Magazine

Birds of Passage Is A Haunting And Outstanding Gangster Drama

Reviewed by Kristy Puchko

In 2015, Colombian filmmaker Ciro Guerra won the world’s attention with his Oscar-nominated Embrace The Serpent, a bold black-and-white drama that followed an Amazonian tribesman as he leads white scientists into the wild in search of a curative plant. Culture clash also plays at the heart of his much-anticipated follow-up, Birds of Passage (A.K.A. Pájaros de verano), which was Columbia’s submission for the Best Foreign-Language Academy Award this year. In the 1970s, the Wayúu community of northern Colombia’s Guajira Desert was dedicated to its traditions, observant of omens, and suspicious of outsiders. But as an emerging drug trade gave them access to wealth and power, their community became less isolated and less united. [Read More…]

records

Xiu Xiu's Girl with Basket of Fruit, reviewed at Riot Material magazine.

Xiu Xiu’s Girl With Basket of Fruit

Reviewed by John Payne

This all by way of passing comment on the challenging Xiu Xiu, never an easy thing to do. A couple of years ago I talked to the band’s main male Jamie Stewart. He was forthcoming and amenable, not a difficult artiste, and he talked about what he does with a seriousness that I liked very much. He thinks he’s a cranky, pretentious arsehole, but I don’t. Anyway, I do think it’s interesting that Stewart’s openly human persona doesn’t always reconcile with the often sonically and lyrically traumatized music he makes. There is some backstory: He told me about his father, a drug addict who died by suicide. It’s hard for me now to not project a lot of liteweight pop psychology upon Stewart’s musical madness. Like, a-ha [Read More…]

artist

Jeff Koons At The Ashmolean Museum, Oxford, reviewed at Riot Material Magazine

Jeff Koons At The Ashmolean

Ashmolean Museum of Art and Archaeology, University of Oxford UK (through 9 Jun 2019)
Reviewed by Christopher P Jones

To say that a work of art holds up a mirror to the world is to recognise an attempt by the artist at portraying the truth. “See what the world really looks like” is the message. Art like this – that seeks to show us the reality of things – does so by parodying, exposing, lampooning and taunting. It invites you to peer into the fracture it has opened up, and when you do so, it’s like standing beside the artist and peering in together. With Jeff Koons it’s always a bit trickier. You sense that he too is holding up a mirror, but what kind of fracture is he asking you to peer into? One that, when the light reaches the depths, you see Koons’ own smile gleaming back at you? [Read More…]

film

Memories of Underdevelopment, reviewed at Riot Material magazine

Alone Within the Revolution: Tomas Gutierrez Alea’s Memories of Underdevelopment

by Alci Rengifo

The writer wanders the seaside of a great island lost in his own thoughts, lovesick and grappling with a changing world. Such is the enduring image of Tomas Gutierrez Alea’s masterpiece Memories of Underdevelopment, which remains the greatest jewel of Cuban cinema. First released in that fevered year of 1968 to worldwide acclaim, it remained largely unavailable in the United States for decades, eternally referenced in film scholarship yet not easy to actually view. Now thanks to the Criterion Collection, it has returned to us, beautifully remastered and stunningly relevant. Made when the Cuban Revolution was merely a decade old and still enflaming passions in the hemisphere, it now speaks to us in a restless yet post-revolutionary moment, when its audience sees it from a the vantage point of dashed dreams and uncertain hopes. When Alea first made this movie his protagonist was an intellectual questioning himself within a society determined to inaugurate a Marxist future, today he would feel at home in a world where nobody can say what is coming. [Read More…]

image

La Raza, at the Autry Museum, reviewed at Riot Material Magazine

La Raza And The Onetime Voice Of Chicano Activism

at the Autry Museum, Los Angeles (through February 10)
Reviewed by Nancy Kay Turner

You know something is happening but you don’t know what it is. Do you, Mr. Jones?
–Bob Dylan, “Ballad Of A Thin Man”

Those who cannot remember the past are condemned to repeat it.
–George Santayana

The sixties was a tumultuous decade, filled with assassinations, race, student and antiwar riots. This traumatic and dangerous time, when the social fabric was being torn apart, also gave birth to many civil rights movements for marginalized people such as women, gay/lesbian/transgender and people of color. This exhibition at The Autry Museum focuses on the Chicano movement specifically and on La Raza, a newspaper/zine that was crucial to exposing, through text and image, the Chicano movements struggle for social justice from 1967-77. [Read More…]

The Line –>

Hunting in the Dark, by Kika Dorsey

Hunting in the Dark

by Kika Dorsey

Joan was convinced she had cancer. Sometimes it was a dull ache in her side, sometimes a cut that didn’t heal. She knew of a woman with Crohn’s Disease and just recently an old friend of hers died of pancreatic cancer. It was just a matter of time before those alien cells took over her body. Her body was on the edge of a cliff, ready to fall. When she got out her Tarot deck, she always drew the Fool. Once she saw the Hermit in a dream. He dropped his lantern and the light tumbled down into a rocky canyon, glowing on the silver cliffs as it fell. It was winter, with pockets of snow on the peaks. [Read More…]

James Siena: Painting

at Pace Gallery, NYC (through February 9) Reviewed by Phoebe Hoban James Siena has had what might be called a linear career. Whether painted, drawn … [Read More...]

The Line

Jim and Vincent Van Patten's Walk to Vegas, reviewed at Riot Material Magazine

Walk to Vegas Has Legs, And Is A Sure-Footed Comedy To Boot

Reviewed by Erin Currier

In the character-driven lineage of such classics as Goodfellas, Big Lebowski, and True Romance; Walk to Vegas (written by Vincent Van Patten and Steve Alper; directed by Eric Balfour) features a brotherhood that operates on an informal black-market economy impervious to the rules of law, other than the innate sense of honor established through direct eye contact, firm handshakes, and camaraderie. It is a den of high-stakes Hollywood gamblers continuously engaging one another in ever-more outrageous ante-upping, dares and bets that culminate in our protagonist, Vincent VanPatten, attempting a walk from LA to Vegas in seven days in a suit. The characters of this instant classic — played by such greats as Eileen Davidson, Jennifer Tilly, Danny Pardo, Paul Walter Hauser, and James VanPatten, are straight out of Cervantes. The result: pure comic genius. [Read More…]

Brian Tyree Henry and Stephan James in If Beale Street Could Talk, reviewed at Riot Material magazine

If Beale Street Could Talk, Where Love Is Not Enough

Reviewed by Seren Sensei

There is a scene in Barry Jenkins film adaptation of If Beale Street Could Talk, a novel by visionary James Baldwin, that details American racism without a word. Tish, the protagonist and narrator of the story, is working behind a perfume counter at a department store. She is visibly pregnant. Her job is not one typically given to ‘Negro’ girls, but this store considers itself progressive, and so she is allowed to offer the newest fragrance by spraying it on the back of the hands of passers by. A white man approaches and wordlessly grabs her hand instead, bringing it to his nose and lips where he sniffs her skin intimately. Tish, portrayed in a luminescent tour de force performance by 19-year-old newcomer Kiki Layne, is visibly uncomfortable but cannot recoil: not only is it her job, but this is early 1970s New York, where the Civil Rights Movement is over yet legalized racism remains right around the corner. Her discomfort is written all over her face, tinged with fear. Silently, he grips her wrist in a display of ownership – mimicking that of slavery, when white people did claim ownership of Black bodies, before releasing her and walking away.   [Read More…]

Atsuko Tanaka wearing Electric Dress 1956

Atsuko Tanaka And The Performance Of Light

by Christopher P Jones

Atsuko Tanaka was a pioneering Japanese artist. She was born in Osaka in 1932, and lived until the age of 74. She died in 2005 in the historic city of Nara.

Tanaka may claim a place among the forerunners of performance art. Before Alan Kaprow organized any “happenings” in New York, Tanaka was taking part in the Gutai group, an experimental postwar Japanese art movement founded by a group of young artists in Ashiya in 1954. The aims of the Gutai group were to reinvent the art-scene in post-war Japan, seeking new and radical means to sever links with the recent past. The art historian Yve-Alain Bois has said that “the activities of the Gutai group in the mid 1950s constitute one of the most important moments of post-war Japanese culture”. [Read More…]