If there is ever a core idea behind our modern-day celebration of Halloween it is the need to escape. We run from ourselves into masks and costumes, for one night becoming that which we wish we had been. Sometimes we choose the face of a monster, only because we as mere humans are the most monstrous creations of all. Fear of oneself is essentially fear of your seed, of your origins. No filmmaker has captured the very psychology of America like David Lynch, and even in his early student and short film work, one finds an artist digging into the depths of his psychic plane, and our own. [Read more…]
Archives for October 2018
Adrian Piper: Concepts And Intuitions, 1965-2016
at the Hammer Museum, Los Angeles (Through January 6, 2019)
Reviewed by Emily Nimptsch
Societal stereotypes and divisions are unfortunately ubiquitous in our culture. Which begs the question, how should we go about demolishing them? With the nearly 300 photographs, paintings, drawings, videos, and installations currently comprising her blockbuster Hammer Museum retrospective, Adrian Piper: Concepts and Intuitions, 1965-2016, this New York-born, Berlin-based conceptual artist and former philosophy professor obliterates these harmful ideas via self-expression and scholarly inquisition. This comprehensive, almost encyclopedic presentation not only documents fifty years of Piper’s experimental oeuvre but also investigates the genesis of prejudice and embraces a much looser, more liberated sense of self. [Read more…]
You’re Not Prepared For The Genre-Bending Romance In Border
You might think yourself a savvy cinephile. Perhaps you’ve heard that Border won Un Certain Regard at the Cannes Film Festival and is Sweden’s submission for Best Foreign-Language Film for the upcoming Academy Awards. So you hear the premise of a customs officer who forms an unexpected bond with a stranger she investigates, and assume you have a solid idea of the drama and romance that will unfurl. You’re wrong. Even if you know Border is adapted from a short story from Let The Right One In author and screenwriter John Ajvide Lindqvist, you can’t possibly conceive of the wild, disturbing yet beautiful story that’s lies within. And better yet, its unnerving surprises are just part of what makes this movie absolutely marvelous. [Read more…]
Dear Evan Hansen Delivers Formula But Little Else
The Tony-award winning musical from the composer/lyricist team of Benj Pasek and Justin Paul, which is playing at the Ahmanson Theatre in Los Angeles, continues the trend towards darker and more internal stories in contemporary musical theater. Pasek and Paul, who wrote the music for the film La-La Land and the Broadway musical A Christmas Story, are following in the footsteps of Next to Normal, which chronicled the story of a dysfunctional American family. [Read more…]
Border
You might think yourself a savvy cinephile. Perhaps you’ve heard that Border (2018) won Un Certain Regard at the Cannes Film Festival and is Sweden’s submission for Best Foreign-Language Film for the upcoming Academy Awards. So you hear the premise of a customs officer who forms an unexpected bond with a stranger she investigates, and assume you have a solid idea of the drama and romance that will unfurl. You’re wrong. Even if you know Border is adapted from a short story from Let The Right One In author and screenwriter John Ajvide Lindqvist, you can’t possibly conceive of the wild, disturbing yet beautiful story that’s lies within. And better yet, its unnerving surprises are just part of what makes this movie absolutely marvelous. [Read more…]
A Time of Monsters: An Updated Suspiria For Our Dark Age
There are several ways of remembering a nightmare. Interpreting a classic work always requires a true sense of daring. When literature has become canon or a film a cultural staple, updating a story for a new age will bring with it the baggage of decades. For our new era of ghouls and menacing shadows, director Luca Guadagnino has decided to conjure his own interpretation of Dario Argento’s 1977 Suspiria. This new version, nearly 3 hours in length, is not worthy of the label “remake.” Guadagnino has taken Argento’s pulpy, color-strewn cult object and transformed it into a work of an almost occult power. It is a film set in the very decade of the original, but it seems to be channeling our own, present sense that dark forces at work in the world. To compare the two versions is to compare two eras and mindsets, two interpretations of the extreme and satanic. [Read more…]
Suspiria
There are several ways of remembering a nightmare. Interpreting a classic work always requires a true sense of daring. When literature has become canon or a film a cultural staple, updating a story for a new age will bring with it the baggage of decades. For our new era of ghouls and menacing shadows, director Luca Guadagnino has decided to conjure his own interpretation of Dario Argento’s 1977 Suspiria. This new version (2018), nearly 3 hours in length, is not worthy of the label “remake.” Guadagnino has taken Argento’s pulpy, color-strewn cult object and transformed it into a work of an almost occult power. It is a film set in the very decade of the original, but it seems to be channeling our own, present sense that dark forces at work in the world. To compare the two versions is to compare two eras and mindsets, two interpretations of the extreme and satanic. [Read more…]
One Day At A Time: Manny Farber And Termite Art
at The Museum of Contemporary Art (Through March 11, 2019)
Reviewed by Emily Nimptsch
Life is messy. Art should be, too. In One Day at a Time: Manny Farber and Termite Art, a sweeping group exhibition currently on view at the Museum of Contemporary Art (MOCA), curator Helen Molesworth, assembles Arizona-born carpenter, film critic, and painter Manny Farber’s most delightfully chaotic and cluttered still-lifes. Vibrantly colored and richly detailed, these monumental canvases elevate and celebrate the mundane through scattered flowers, ripe fruit, and handwritten notes. Presented alongside a slew of over 100 similarly-themed multimedia works from celebrated artists, including Josiah McElheny, Lorna Simpson, and Wolfgang Tillmans, these loose, jazz-like paintings reveal the anarchic yet alluring rhythm of daily life. [Read more…]
In A Western Desert Without Compass: Indian Wells’s “Closer”
From the Phantom Rising EP
on Friends of Friends
Yorgos Lanthimos’s The Favourite Is Ferociously Funny And Delightfully Subversive
With The Lobster and The Killing of a Sacred Deer, director Yorgos Lanthimos has chiseled out a reputation for crafting comedies out of the darkest corners of human experience. Loneliness, jealousy, betrayal and death are his pathways to startling hilarity. Thus, the laughs he earns burst forth as shocked guffaws and obscene barks, as if our joy in the face of such misery is a rude jolt to even ourselves. Admirers of Lanthimos’ twisted humor have new reason to revel. With his most captivating cast yet, he’s created The Favourite, a deranged look at sex and politics within the court of Queen Anne. [Read more…]
Ai Weiwei’s Fraught And Folkloric Life Cycle
at Marciano Art Foundation, Los Angeles (through March 3, 2019)
Reviewed by Emily Nimptsch
“Nationality is a Western concept. It was an invention of Western European scholars, who ever since have struggled to explain it.”
— Joseph Roth, The Wandering Jews, 1927
How do we hold on to hope and humanity in times of upheaval and hardship? Celebrated Chinese conceptual artist Ai Weiwei addresses this very question in his current Marciano Art Foundation installation, Life Cycle (2018). This haunting meditation on the global refugee crisis presents countless figures packed onto an inflatable raft. Resembling a Zodiac boat commonly used in shuttling emigrants to the West, this vessel bursts with human-animal hybrids inspired by the Chinese zodiac. As Ai crafts both of the passengers and the ship here out of bamboo, a building material synonymous with buoyancy and strength, he addresses themes of transition, compassion, and the resilience of the human spirit. [Read more…]
Heavenly Bodies: Fashion and the Catholic Imagination
at The Met Fifth Avenue and The Met Cloisters, NYC
Reviewed by Angelica Villa
The Met’s Heavenly Bodies is a dramatic turn in the museum’s history, a scene where fashion’s indulgence and religious gravity meet in resemblance. In the Costume Institute’s largest exhibition, set in three locations across the museum’s medieval wing, the Anna Wintour Costume Center and the Met Cloisters, darkly lit in stone austerity against opulent detail, walls and figures are adorned in iconic couture and religious relics. Placing modern design amid the Met’s collection of medieval and Byzantine reliquaries creates a variegation of sensory response. The resulting display is a prismatic concoction of the religious, the secular, and all of their conflictions and resonations. [Read more…]
The Active And Eloquent Stills In Out In The Street
at Muzeumm, Los Angeles (through October 21)
Reviewed by Genie Davis
We ain’t gonna take what they’re handing out
When I’m out in the street
I walk the way I want to walk
When I’m out in the street
I talk the way I want to talk
— Bruce Springsteen, “Out in the Street”
Thoughtfully, beautifully curated by Juri Koll, the group show Out in the Street, at Muzeumm through October 21st, is a presentation of both the gallery and The Venice Institute of Contemporary Art. The show features the photographic art of Asif Ahmed, Debe Arlook, Sunny Bak, Hasmik Bezirdzhyan, Nick Bradley, Rodrick Bradley, Larry Brownstein, Cosimo Cavallaro, Ray Carofano, Liz Chayes, Jeremiah Chechik, Diane Cockerill, Lynne Deutch, L. Aviva Diamond, Jenny Donaire, Doug Edge, Maureen Haldeman, Louis Jacinto, Josh “Bagel” Klassman, Juri Koll, Eric Kunsman, Stephen Levey, Lawrie Margrave, Leigh Marling, Alberto Mesirca, Stefanie Nafé, Ave Pildas, Osceola Refetoff, Dotan Saguy, Buku Sarkar, Lana Shmulevich, Carl Shubs, Jeffrey Sklan, Ted Soqui, Stephen Spiller, Stephanie Sydney, Edmund Teske, David Valera, and Jody Zellen. [Read more…]
Cloud Nine Soars at Torrance Art Museum
It would be difficult to imagine a more ethereal, haunting, and prescient exhibition than Cloud Nine. Danial Nord’s solo project contains elements that are both seemingly mystical and sci-fi; it’s wonderfully unique, a merging of technology and sculptural art that reflects both the exhibition’s meaning, and how it is shaped. [Read more…]
Nicole Kidman Slays In The Gritty Thriller Destroyer
There are secret shames we tuck away, bury deep into the darkest corners of our souls in hopes of forgetting them. But that shame doesn’t disintegrate. It festers. It poisons. It twists us into horrible things. That is the dark lesson lying within of Destroyer, a challenging crime-drama from director Karyn Kusama. [Read more…]
Summer Wheat: Catch and Release
at Shulamit Nazarian, Los Angeles (Through October 27, 2018)
Reviewed by Emily Nimptsch
Considering the disheartening, divisive nature of our current political reality, the mind often drifts, yearning for some feminist utopia teeming with independent, iron-willed women. This mythical matriarchy is precisely the type of society Oklahoma-born, Brooklyn-based figurative painter Summer Wheat presents in her delightful current Shulamit Nazarian exhibition, Catch and Release. Bathed in the age-old aesthetics of Ancient Egyptian relief sculptures and Native American textiles, Wheat’s idyllic, vibrant visions depict groups of modern women performing the traditionally male task of fishing. Through these ornate, arcadian paintings, the artist not only subverts traditional gender roles, but also rejects the male gaze, and elevates historically ignored “women’s crafts” to a position of power and prestige. [Read more…]
Urban Death at Zombie Joe’s Underground Theatre
Theme park horror nights are all the rage around Halloween. From Universal Studios to Knotts Berry Farm, the big corporate theme parks spare no expense to scare their customers, who flock to the events at this time of year. However, an underground theater company in North Hollywood has re-interpreted the “horror night” genre into an anti-theme park performance piece that has resonance far beyond simple scare tactics. [Read more…]
Too Soon Gone: The Late Richard Swift’s “Broken Finger Blues”
RIP
1977 – 2018
From Swift’s final release, The Hex
on Secretly Canadian
The Coen Brothers’ The Ballad of Buster Scruggs Offers Whimsy But No Risks
With No Country For Old Men, Joel and Ethan Coen brought the Western into a brutal, modern territory. With their remake of True Grit, they dusted off an American classic and polished it with star power, a dash of whimsy, and a mean sheen of menace. Now, the Coen Brothers revel in their love of the genre with the ambitious anthology The Ballad of Buster Scruggs. As a big admirer of both their previous Westerns, I anticipated I’d be an easy mark for loving their latest. But while it’s stuffed with charming stars, colorful characters, and tales of life in the Wild West, this cowboy collection is clunky, indulgent, and ultimately underwhelming. [Read more…]
Willard Hill: Untitled Works From 2016-2018
at The Good Luck Gallery, Los Angeles (through October 14)
Reviewed by Nancy Kay Turner
“Imagination is greater than knowledge.” –Albert Einstein
“Art is making something out of nothing and selling it.” –Frank Zappa
Willard Hill exhibits his exuberant mixed- media (mostly painted masking taped figures and animals) sculptures at The Good Luck Gallery. Hill was a sixty-two year old cook and avid fisherman who suddenly started making his objects as a way to rehabilitate himself after a hospital stay. He just grabbed whatever materials were around, such as masking tape, garbage bags and toothpicks. That was twenty years ago. Then two years ago, the 82 year-old Hill had his first solo art show at The Good Luck Gallery. [Read more…]