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From Trauma to Transcendence in The Naked Mind

November 19, 2020 By Genie Davis Leave a Comment

at Track 16, Los Angeles (through December 12)
Reviewed by Genie Davis 

Curated by Georganne Deen, the group show at Track 16 Gallery is perhaps the ultimate exhibition for pandemic times. Titled The Naked Mind, the show features the art of eleven artists including Deen, Liz Young, Eve Wood, Cathy Ward, Samantha Harrison, Christine Wertheim, Laurie Steelink, Rhonda Saboff / Parker Pine, and Lara Allen. The exhibition focuses on the uncovering and understanding of trauma on the human mind. Running through December 12 and available for both virtual viewing on the gallery website and in-person at the Bendix Building, the show also serves as a dazzling tour de force for the artists.

[Read more…]

Filed Under: Art, The Line

In This Moment Of Collective Anxiety, New Images of Man Ponders The Human Condition, And Further Disquiets The Sense

March 10, 2020 By Genie Davis Leave a Comment

at Blum & Poe, Los Angeles
Reviewed by Genie Davis

Curated by Alison M. Gingeras, the expansive exhibition New Images of Man is a both a revisiting of and expansion on a 1959 exhibition of the same name at MoMA in New York City. A tribute and comment on the human condition, the original exhibition, curated by Peter Selz, focused on new figurative work following WWII. As such, it included a wide range of artists, from de Kooning to Giacometti, working in both sculptural forms and painted images. The Blum & Poe iteration offers its own view of figurative human depiction in a vast variety of genres, from pigment prints to acrylic and oil-on-canvas, fabric, paper-mache and other mixed media, as well as sculptural figures in bronze, plaster, and even created from a mixture of fabric and human hair. [Read more…]

Filed Under: Art, The Line

Myth-Making, Storytelling, In The Conversive Contemporary Identities

February 4, 2020 By Genie Davis Leave a Comment

at LAUNCH LA, Los Angeles (through February 8)
Reviewed by Genie Davis

Shula Singer Arbel, Carla Jay Harris and Christina Ramos each offer gorgeous, personal, figurative work in Contemporary Identities, now at Launch LA. Each artist explores personal and universal identities through contemporary figurative work. [Read more…]

Filed Under: Art, The Line

Giving Voice To The Voiceless In Christopher Myers’ Drapetomania

December 27, 2019 By Genie Davis Leave a Comment

at Fort Gansevoort, Los Angeles (through February 8)
Reviewed by Genie Davis

Opening an outpost in Los Angeles, the well-known New York-based gallery, Fort Gansevoort, chose artist, author, and play-write Christopher Myers’ Drapetomania as its inaugural exhibition in this city. Myers’ large-scale, mural-sized textile works and powerfully bleak sculptures create a stirring initial show. [Read more…]

Filed Under: Art, Artist, The Line

Coyote Leaves The Res: The Art Of Harry Fonseca

November 20, 2019 By Genie Davis Leave a Comment

at Autry Museum of the American West, Los Angeles (through January 5, 2020)
Reviewed by Genie Davis

I looked a coyote right in the face
On the road to Baljennie near my old hometown
He went running thru the whisker wheat
Chasing some prize down
And a hawk was playing with him
Coyote was jumping straight up and making passes
He had those same eyes just like yours
Under your dark glasses
 ……………………………………….– Joni Mitchell, “Coyote”

Joni Mitchell’s song, “Coyote,” about a lover she describes as a shape-shifting trickster, seems a fitting soundtrack to the Autry Museum of the American West’s Coyote Leaves the Res: The Art of Harry Fonseca. The beautiful exhibition is the inaugural presentation of Fonseca’s work taken from the museum’s acquisition of the artist’s vast estate. In it, viewers meet an evolving humanization of the artist’s character of Coyote, an elusive figure who could very well have slipped into Mitchell’s heart and music. [Read more…]

Filed Under: Art, Artist, The Line

MORPH: Transformation In Technicolor

November 18, 2019 By Genie Davis Leave a Comment

at Mash Gallery, Los Angeles (through December 21)
Reviewed by Genie Davis

The group exhibition MORPH is thematically about transformation, boundary pushing, and serves as an exhilarating tour de force by the artists as they explore edgy, surreal and transitory forms. But more striking perhaps than its theme is its color. Vibrant, dazzling, surprising and strange, mixed with heightened, dimensional textural elements or purely 2D ink and paint. It is that technicolor vividness that grabs the viewer first, almost daring the eye to enter thrillingly into its radiant, reality-bending dimension. [Read more…]

Filed Under: Art, The Line

A Love Letter to LA Offers a Haunting Magic

October 28, 2019 By Genie Davis Leave a Comment

at Launch Gallery, Los Angeles (through November 16)
Reviewed by Genie Davis

Magic is the word that first comes to mind when describing the two-artist exhibition currently at Launch Gallery. A Love Letter is an exhibition of landscapes — quintessentially Los Angeles landscapes — that serve as landmarks for both the city’s, and the artists’, zeitgeist. [Read more…]

Filed Under: Art, The Line

Process And Fierce Redemption In Betye Saar’s Call and Response

October 7, 2019 By Genie Davis 1 Comment

at LACMA (through April 5, 2020)
Reviewed by Genie Davis

Betye Saar’s riveting, 40-object exhibition currently at LACMA offers a fascinating insight into the artist’s process. It’s strong focus on the power of redemptive faith and personal strength in the face of adversity is passionate and compelling – which can be frankly said of all Saar’s work. The exhibition also aches with possibility: Saar is a prolific artist, and as extensive as this exhibition is in terms of an insightful view of her sketchbooks, the longing remains to see more of her finished works, of which there are fewer than 20 exhibited here. [Read more…]

Filed Under: Art, Artist, The Line

Samuelle Richardson And Joy Ray In Beyond/Within

September 24, 2019 By Genie Davis Leave a Comment

at Launch Gallery, Los Angeles (through September 28)
Reviewed by Genie Davis

The two-person exhibition now at Launch LA on La Brea literally and figuratively soars. Curated by MOAH’s Andi Campognone, Beyond/Within features the work of artists Samuelle Richardson and Joy Ray. The exhibition is uniquely paired. Both have utilized paint and fabric, create textile art, and rely on painterly technique. Richardson, whose fabric sculptural work here depicts primarily birds – but also human heads – some with bared teeth, is also a highly skilled artist when working in paint. The grace and fluidity of her sculpture, and its elegant refinement in what is traditionally considered “craft” materials, evokes her background. Using, embracing, and even accentuating the rougher aspects of her fabrics, the pieces recall the fact that they are created, not actual, living birds, while revealing themselves simultaneously to be delicately alive and transcendent. They could fly, if you let their magic in. [Read more…]

Filed Under: Art, Artist, The Line

Punch Surveys Sex, Celebrity, Religion And Self-Image

August 4, 2019 By Genie Davis Leave a Comment

at Jeffrey Deitch, Los Angeles (through August 17)
Reviewed by Genie Davis

Curated by artist Nina Chanel Abney, Punch, at Jeffrey Deitch in mid-city, beautifully assaults the viewer with color, exciting shapes, and vibrant figuration. The current exhibition is an expansion of one presented at Deitch’s New York outpost last year; here the focus is primarily on LA-based artists, thirty-three in all — contemporary artists creating figurative and abstract connections with culture, society, and humanity. [Read more…]

Filed Under: Art, The Line

The Disorienting, Confounding And Enthralling New Work Of Guillermo Kuitca

June 6, 2019 By Genie Davis Leave a Comment

at Hauser & Wirth, Los Angeles (through August 11)
Reviewed by Genie Davis

As if dreams of buildings, rooms, floor plans, and landscape had landed within his abstract works, Guillermo Kuitca’s often mysterious images take viewers into a world entirely different from our own. At LA’s Hauser & Wirth, Kuitca’s works collapse, repeat, and spatially shift the spaces they represent, weaving a visual language that is both surreal and yet recognizable, evoking both past and future and an impossible present. The exhibition offers viewers a robust variety of the Argentinian artist’s  work, including lustrous mixed media on paper images that represent performance spaces such as the Hollywood Bowl, Staples Center, and the Sydney Opera House, among others. [Read more…]

Filed Under: Art, Artist, The Line

Dreaming Toward Redemption In A Great Lamp

May 28, 2019 By Genie Davis Leave a Comment

Festival Winner at the Mammoth Lakes Film Festival
Opens July 8 at the Arclight
by Genie Davis

The narrative feature A Great Lamp is a beautiful black and white film from director Saad Qureshi and his highly collaborative cast and crew. The film has a real heart as well as a beautifully defined artistic aesthetic. It’s the meandering story of three almost-lost souls seeking redemption: not from others, but from themselves, or the spiritual glow of that riverfront street lamp they hover under. There’s Max, an open-hearted, non-binary street kid posting flyers as a tribute to his late, much loved grandmother throughout the town; Gene, a drop-out from his job as an insurance processor – something he hated, but he still hides the fact that he left from his father; and Howie, an out of towner who fears a recurring dream, and whose mother may or may not have died, and who above all else hopes to view a rocket launch through binoculars. [Read more…]

Filed Under: Film, The Line

Remembrance IncARnaTe In Inherited Memories

May 28, 2019 By Genie Davis 1 Comment

at Castelli Art Space, Los Angeles
Reviewed by Genie Davis

Inherited Memories, at Castelli Art Space in Culver City, is a graceful, poignant, intensely moving exhibition from Shula Singer Arbel, Dwora Fried, and Malka Nedivi. Each of the three artists has created powerful, transcendent work that deals with the fact their mothers survived the Holocaust. They acknowledge their mothers’ traumas and the way in which their mothers’ memories have affected their own work, and their own lives. [Read more…]

Filed Under: Art, The Line

Beauty and the Beast Both Defines And Defies The Figurative

May 27, 2019 By Genie Davis Leave a Comment

at Launch Gallery, Los Angeles (through June 8)
Reviewed by Genie Davis

Beauty and the Beast is a compelling two-person show that both upends and celebrates formal figurative tradition. It is an exhibition of contrasts: the personal and the political, the interior and the external. The two artists, Jorg Dubin and Andrea Patrie, are disparate in style and subject, but their works speak to each other here, a kind of call and response between the most defined and the more evocative articulation of the physical body. [Read more…]

Filed Under: Art, Artist, The Line

Running Toward Nothing: A Journey Through The Evocatively Feminine

May 23, 2019 By Genie Davis Leave a Comment

Reviewed by Genie Davis

Closing May 25th at Night Gallery, U.K.-based artist Laura Lancaster’s Running Toward Nothing is absolutely heading toward a highly fluid “something.” Perhaps it is the passage into a void we cannot control or fathom, perhaps it is the way through or into a dream, or just possibly, it is the outcome of memory and a passage through this life. [Read more…]

Filed Under: Art, Artist, The Line

Awakening the Spirit in Motion: Christina Quarles

April 17, 2019 By Genie Davis Leave a Comment

But I Woke Jus’ Tha Same, at Regen Projects, Los Angeles (through May 9)
Reviewed by Genie Davis

Christina Quarles’ dazzling But I Woke Jus’ Tha Same transports viewers into a lush and seductive world, a world that takes viewers on a brilliantly motion filled ride with contorted figures that veer between narrative and abstract. We struggle to understand the image, yet we intuitively know the seemingly impossible, terrible and wonderful positions relationships thrust us into. [Read more…]

Filed Under: Art, Artist, The Line

Stuck Together Repurposes And Becomes Richly Subversive

April 8, 2019 By Genie Davis Leave a Comment

at Track 16 (through May 11)
Reviewed by Genie Davis

Stuck Together is a conjoining of images, all fascinating, most anthropomorphic. The visually rich exhibition re-purposes images through collage, assemblage, and a sometimes-surreal approach to turning the ordinary into extraordinary. There’s a touch of whimsy, however dark, in the work of all three LA-based artists exhibiting: Marsian De Lellis, Simone Gad, and Debra Broz. Each artist is reinventing the objects and images they present, bringing them new life, renewal, and a gloriously subversive yet redemptive turn. [Read more…]

Filed Under: Art, The Line

Future Gaze And The Dystopically Rendered Face

April 3, 2019 By Genie Davis Leave a Comment

at Coagular Curatorial, Los Angeles (through March 30)
Reviewed by Genie Davis

Time keeps on slippin’, slippin’ into the future…
House the people / Livin’ in the street / oh, oh there’s a solution…
–Steve Miller Band

What do you see when you look into the future’s face? That is the question posited and replied-to at Future Gaze, a two-person exhibition at Coagula Curatorial. [Read more…]

Filed Under: Art, The Line

Paradox California: Two Artists, One State of Mind

March 3, 2019 By Genie Davis Leave a Comment

at Launch LA (through March 23)
Reviewed by Genie Davis

If California is in many ways a state of mind, as well as a state in the western continental U.S., Paradox California exemplifies its mystique. The California dream depicted in this lush and burnished exhibition from photographic artist Osceola Refetoff and mixed-media artist Chelsea Dean is desiccated by desert heat, burnished gold and amber and brown by desert sun, and crested by dry blue skies as vivid as a Mojave wildflower. [Read more…]

Filed Under: Art, Image, The Line

Suzanne Jackson: holding on to a sound

February 23, 2019 By Genie Davis Leave a Comment

at O-Town House, Los Angeles (through March 23)
Reviewed by Genie Davis

There are so many different elements that make Suzanne Jackson’s exhibition, holding on to a sound, aptly named. Regardless of the medium, her work has a kind of musical component to it, a lyricism that seems to radiate from the wall where they are hung, like a kind of cosmic tuning fork was at work. They are also hauntingly lovely images, and if you study them long enough, they evoke ideas of memory and mortality. There is a soft of netherworld quality to these works, vividly alive, yet floating in an ether between a dream-like state and waking, and between this world and the next. [Read more…]

Filed Under: Art, Artist, The Line

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The Line

A review of Thelonious Monk's Palo Alto

Palo Alto Sees the Thelonious Monk Quartet at its “Final Creative High”

Reviewed by Marty Sartini Garner Palo Alto on Impulse! Pitchfork Thelonious Monk once said: “Weird means something you never heard before. It’s weird until people get around to it. Then it ceases to be weird.” By the time Monk and his quartet strode into the auditorium at Palo Alto High School on October 27, 1968, […]

Archie Shepp Quartet, Stadsteatern, Stockholm, September 1966. An interview with Archie Shepp, September 2020

Music for a Revolution: A Word with Jazz Great Archie Shepp

Interview by Accra Shepp NYRB My father, the saxophonist Archie Shepp, has recorded more than 110 albums since 1962, performed all over the world, and received numerous honors, including the 2016 Jazz Master’s Award from the National Endowment for the Arts. In the 1960s, he helped define “free jazz,” a new idiom in which the […]

Bobby Seale Checks Food Bags. March 31, 1972.

Food As Culture, Identity and an Enduring Form of Black Protest

By Amethyst Ganaway Food & Wine We are demanding, not asking, for “Land, Bread, Housing, Education, Clothing, Justice And Peace.” —Amethyst Ganaway Black people in America have used food as a means of resistance, rebellion, and revolution since being forcefully brought here in the late 1500s. Food has always been a part of the culture and […]

A Pandemic Q&A with David Lynch

Pandemic Musings: A From-The-Bag Q&A With David Lynch

 From David Lynch Theater Presents: “Do You Have a Question for David? Part 1”

Erin Currier, American Women (dismantling the border) II. Read the interview with Erin excerpted from Lisette Garcia's new book, Ponderosas, at Riot Material.

An Interview with Erin Currier: Artist, Writer & Activist

by Lisette García and Barrett Martin excerpted from Ponderosas: Conversations with Extraordinary, Ordinary Women  by Lisette García, Ph. D available November 20th Sunyata Books “You have to act as if it were possible to radically transform the world. And then you have to do it all the time.” –Angela Davis Barrett: I first met Erin Currier and her […]

A review of Mark Lynas's new book, "Our Final Warning: Six Degrees of Climate Emergency," is at Riot Material Magazine.

The Earth Commences Her Retalitory Roar

Reviewed by Bill McKibben  Our Final Warning: Six Degrees of Climate Emergency by Mark Lynas London: 4th Estate, 372 pp., $27.99 The New York Review of Books So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, […]

Oliver Stone in Vietnam. A review of his new book, Chasing the Light, is at Riot Material

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

Reviewed by Alci Rengifo Chasing the Light by Oliver Stone Houghton Mifflin Harcourt, 352 pp., $25.20 If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our […]

Toyin Ojih Odutola's wonderful exhibition, A Countervailing Theory, at Barbican Centre, London, is reviewed at Riot Material Magazine

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

at The Barbican, London (through 24 Jan 2021) Reviewed by Christopher P Jones Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and […]

Driving Whle Black, two books reviewed at Riot Material

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

by Sarah A. Seo Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Liveright, 332 pp., $28.95 Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy Taylor Abrams, 360 pp., $35.00 The New York Review of Books In 1963, after Sam Cooke was […]

A review of Sontag: Here Life and Work is at Riot Material

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

Reviewed by Michael Gorra Sontag: Her Life and Work by Benjamin Moser Ecco, 816 pp., $39.99 New York Review of Books Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald […]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

Reviewed by John Biscello The Deeper the Water the Uglier the Fish by Katya Apekina Two Dollar Radio, 353pp., $12.74 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again In the name of nursery rhyme remixology, first let us […]

Heads of the Colored People, by Nafissa Thompson-Spires, is reviewed at Riot Material

Histories of Trauma in Heads of the Colored People

Reviewed by Patrick Lohier Heads of the Colored People by Nafissa Thompson-Spires Thorndike Press, 293pp., $32.99 Harvard Review In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” […]

Lord Krishna speaks to Prince Arjuna about the Gita

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

The Bhagavad Gita Translated by Eknath Easwaran Vintage Books, 122pp., $15.00 Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked […]

A review of Kevin Young's Brown is at Riot Material

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

Reviewed by Kevin T. O’Connor Brown: Poems by Kevin Young Knopf, 176pp., $19.29 Harvard Review In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” […]

Dispatch: Poems, by Cameron Awkward-Rich

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

Reviewed by Flora Field Dispatch by Cameron Awkward-Rich Persea, 80pp., $12.69 Columbia Journal In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the […]

The Monument to Joe Louis, aka "The Fist," as sculpted by Robert Graham

Relic as Horrific Remembrance in the Monument to Joe Louis

by Max King Cap “My father was a little headstrong, my mother was a little armstrong. The Headstrongs married the Armstrongs, and that’s why darkies were born.” — Rufus T. Firefly, Duck Soup, 1933 He had done it before. One can readily find the photographs of his handiwork; two human torsos, headless, the legs amputated just below […]

Cornel West and his 2001 Preface to Race Matters: "Democracy Matters in Race Matters." At Riot Material.

Cornel West’s “Democracy Matters in Race Matters”

Preface to the 25th Anniversary Edition to Race Matters Race Matters by Cornel West Beacon Press, 110pp., $11.60 Black people in the United States differ from all other modern people owing to the unprecedented levels of unregulated and unrestrained violence directed at them. No other people have been taught systematically to hate themselves — psychic violence […]

Another Week in the Death of America

Samantha Fields, American Dreaming at LSH CoLab, Los Angeles Reviewed by Eve Wood The first verse of the Mamas and the Papas seminal 1960’s anthem California Dreamin’ begins with “all the leaves are brown, and the sky is grey,” at once establishing an atmosphere devoid of color, hope and youthful abandon, and certainly not a […]

Through the Lens of Race, and Jim Crow South, in Eudora Welty's photographs

Reckoning Race in Eudora Welty’s Photographs

by James McWilliams Two portraits; two men. Both are from 1930s Mississippi. The men are situated together, photos 22 and 23, both from Eudora Welty’s only published book of photographs, simply titled Photographs. If you could put a frame around both images it would be the Jim Crow South.

Kara Walker's Fons Americanus (2019) at Turbine Hall at the Tate Modern

A Gathering Of Ruins, And Simmering Consciousness, In Kara Walker’s Fons Americanus

in Turbine Hall at Tate Modern, London by Zadie Smith Kara Walker: Hyundai Commission edited by Clara Kim Tate Publishing, 144pp., $24.95 New York Review of Books Two women are bound at the waist, tied to each other. One is a slim, white woman, in antebellum underskirt and corset. A Scarlett O’Hara type. She is […]

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