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From Trauma to Transcendence in The Naked Mind

November 19, 2020 By Genie Davis Leave a Comment

at Track 16, Los Angeles (through December 12)
Reviewed by Genie Davis 

Curated by Georganne Deen, the group show at Track 16 Gallery is perhaps the ultimate exhibition for pandemic times. Titled The Naked Mind, the show features the art of eleven artists including Deen, Liz Young, Eve Wood, Cathy Ward, Samantha Harrison, Christine Wertheim, Laurie Steelink, Rhonda Saboff / Parker Pine, and Lara Allen. The exhibition focuses on the uncovering and understanding of trauma on the human mind. Running through December 12 and available for both virtual viewing on the gallery website and in-person at the Bendix Building, the show also serves as a dazzling tour de force for the artists.

[Read more…]

Filed Under: Art, The Line

In This Moment Of Collective Anxiety, New Images of Man Ponders The Human Condition, And Further Disquiets The Sense

March 10, 2020 By Genie Davis Leave a Comment

at Blum & Poe, Los Angeles
Reviewed by Genie Davis

Curated by Alison M. Gingeras, the expansive exhibition New Images of Man is a both a revisiting of and expansion on a 1959 exhibition of the same name at MoMA in New York City. A tribute and comment on the human condition, the original exhibition, curated by Peter Selz, focused on new figurative work following WWII. As such, it included a wide range of artists, from de Kooning to Giacometti, working in both sculptural forms and painted images. The Blum & Poe iteration offers its own view of figurative human depiction in a vast variety of genres, from pigment prints to acrylic and oil-on-canvas, fabric, paper-mache and other mixed media, as well as sculptural figures in bronze, plaster, and even created from a mixture of fabric and human hair. [Read more…]

Filed Under: Art, The Line

Myth-Making, Storytelling, In The Conversive Contemporary Identities

February 4, 2020 By Genie Davis Leave a Comment

at LAUNCH LA, Los Angeles (through February 8)
Reviewed by Genie Davis

Shula Singer Arbel, Carla Jay Harris and Christina Ramos each offer gorgeous, personal, figurative work in Contemporary Identities, now at Launch LA. Each artist explores personal and universal identities through contemporary figurative work. [Read more…]

Filed Under: Art, The Line

Giving Voice To The Voiceless In Christopher Myers’ Drapetomania

December 27, 2019 By Genie Davis Leave a Comment

at Fort Gansevoort, Los Angeles (through February 8)
Reviewed by Genie Davis

Opening an outpost in Los Angeles, the well-known New York-based gallery, Fort Gansevoort, chose artist, author, and play-write Christopher Myers’ Drapetomania as its inaugural exhibition in this city. Myers’ large-scale, mural-sized textile works and powerfully bleak sculptures create a stirring initial show. [Read more…]

Filed Under: Art, Artist, The Line

Coyote Leaves The Res: The Art Of Harry Fonseca

November 20, 2019 By Genie Davis Leave a Comment

at Autry Museum of the American West, Los Angeles (through January 5, 2020)
Reviewed by Genie Davis

I looked a coyote right in the face
On the road to Baljennie near my old hometown
He went running thru the whisker wheat
Chasing some prize down
And a hawk was playing with him
Coyote was jumping straight up and making passes
He had those same eyes just like yours
Under your dark glasses
 ……………………………………….– Joni Mitchell, “Coyote”

Joni Mitchell’s song, “Coyote,” about a lover she describes as a shape-shifting trickster, seems a fitting soundtrack to the Autry Museum of the American West’s Coyote Leaves the Res: The Art of Harry Fonseca. The beautiful exhibition is the inaugural presentation of Fonseca’s work taken from the museum’s acquisition of the artist’s vast estate. In it, viewers meet an evolving humanization of the artist’s character of Coyote, an elusive figure who could very well have slipped into Mitchell’s heart and music. [Read more…]

Filed Under: Art, Artist, The Line

MORPH: Transformation In Technicolor

November 18, 2019 By Genie Davis Leave a Comment

at Mash Gallery, Los Angeles (through December 21)
Reviewed by Genie Davis

The group exhibition MORPH is thematically about transformation, boundary pushing, and serves as an exhilarating tour de force by the artists as they explore edgy, surreal and transitory forms. But more striking perhaps than its theme is its color. Vibrant, dazzling, surprising and strange, mixed with heightened, dimensional textural elements or purely 2D ink and paint. It is that technicolor vividness that grabs the viewer first, almost daring the eye to enter thrillingly into its radiant, reality-bending dimension. [Read more…]

Filed Under: Art, The Line

A Love Letter to LA Offers a Haunting Magic

October 28, 2019 By Genie Davis Leave a Comment

at Launch Gallery, Los Angeles (through November 16)
Reviewed by Genie Davis

Magic is the word that first comes to mind when describing the two-artist exhibition currently at Launch Gallery. A Love Letter is an exhibition of landscapes — quintessentially Los Angeles landscapes — that serve as landmarks for both the city’s, and the artists’, zeitgeist. [Read more…]

Filed Under: Art, The Line

Process And Fierce Redemption In Betye Saar’s Call and Response

October 7, 2019 By Genie Davis 1 Comment

at LACMA (through April 5, 2020)
Reviewed by Genie Davis

Betye Saar’s riveting, 40-object exhibition currently at LACMA offers a fascinating insight into the artist’s process. It’s strong focus on the power of redemptive faith and personal strength in the face of adversity is passionate and compelling – which can be frankly said of all Saar’s work. The exhibition also aches with possibility: Saar is a prolific artist, and as extensive as this exhibition is in terms of an insightful view of her sketchbooks, the longing remains to see more of her finished works, of which there are fewer than 20 exhibited here. [Read more…]

Filed Under: Art, Artist, The Line

Samuelle Richardson And Joy Ray In Beyond/Within

September 24, 2019 By Genie Davis Leave a Comment

at Launch Gallery, Los Angeles (through September 28)
Reviewed by Genie Davis

The two-person exhibition now at Launch LA on La Brea literally and figuratively soars. Curated by MOAH’s Andi Campognone, Beyond/Within features the work of artists Samuelle Richardson and Joy Ray. The exhibition is uniquely paired. Both have utilized paint and fabric, create textile art, and rely on painterly technique. Richardson, whose fabric sculptural work here depicts primarily birds – but also human heads – some with bared teeth, is also a highly skilled artist when working in paint. The grace and fluidity of her sculpture, and its elegant refinement in what is traditionally considered “craft” materials, evokes her background. Using, embracing, and even accentuating the rougher aspects of her fabrics, the pieces recall the fact that they are created, not actual, living birds, while revealing themselves simultaneously to be delicately alive and transcendent. They could fly, if you let their magic in. [Read more…]

Filed Under: Art, Artist, The Line

Punch Surveys Sex, Celebrity, Religion And Self-Image

August 4, 2019 By Genie Davis Leave a Comment

at Jeffrey Deitch, Los Angeles (through August 17)
Reviewed by Genie Davis

Curated by artist Nina Chanel Abney, Punch, at Jeffrey Deitch in mid-city, beautifully assaults the viewer with color, exciting shapes, and vibrant figuration. The current exhibition is an expansion of one presented at Deitch’s New York outpost last year; here the focus is primarily on LA-based artists, thirty-three in all — contemporary artists creating figurative and abstract connections with culture, society, and humanity. [Read more…]

Filed Under: Art, The Line

The Disorienting, Confounding And Enthralling New Work Of Guillermo Kuitca

June 6, 2019 By Genie Davis Leave a Comment

at Hauser & Wirth, Los Angeles (through August 11)
Reviewed by Genie Davis

As if dreams of buildings, rooms, floor plans, and landscape had landed within his abstract works, Guillermo Kuitca’s often mysterious images take viewers into a world entirely different from our own. At LA’s Hauser & Wirth, Kuitca’s works collapse, repeat, and spatially shift the spaces they represent, weaving a visual language that is both surreal and yet recognizable, evoking both past and future and an impossible present. The exhibition offers viewers a robust variety of the Argentinian artist’s  work, including lustrous mixed media on paper images that represent performance spaces such as the Hollywood Bowl, Staples Center, and the Sydney Opera House, among others. [Read more…]

Filed Under: Art, Artist, The Line

Dreaming Toward Redemption In A Great Lamp

May 28, 2019 By Genie Davis Leave a Comment

Festival Winner at the Mammoth Lakes Film Festival
Opens July 8 at the Arclight
by Genie Davis

The narrative feature A Great Lamp is a beautiful black and white film from director Saad Qureshi and his highly collaborative cast and crew. The film has a real heart as well as a beautifully defined artistic aesthetic. It’s the meandering story of three almost-lost souls seeking redemption: not from others, but from themselves, or the spiritual glow of that riverfront street lamp they hover under. There’s Max, an open-hearted, non-binary street kid posting flyers as a tribute to his late, much loved grandmother throughout the town; Gene, a drop-out from his job as an insurance processor – something he hated, but he still hides the fact that he left from his father; and Howie, an out of towner who fears a recurring dream, and whose mother may or may not have died, and who above all else hopes to view a rocket launch through binoculars. [Read more…]

Filed Under: Film, The Line

Remembrance IncARnaTe In Inherited Memories

May 28, 2019 By Genie Davis 1 Comment

at Castelli Art Space, Los Angeles
Reviewed by Genie Davis

Inherited Memories, at Castelli Art Space in Culver City, is a graceful, poignant, intensely moving exhibition from Shula Singer Arbel, Dwora Fried, and Malka Nedivi. Each of the three artists has created powerful, transcendent work that deals with the fact their mothers survived the Holocaust. They acknowledge their mothers’ traumas and the way in which their mothers’ memories have affected their own work, and their own lives. [Read more…]

Filed Under: Art, The Line

Beauty and the Beast Both Defines And Defies The Figurative

May 27, 2019 By Genie Davis Leave a Comment

at Launch Gallery, Los Angeles (through June 8)
Reviewed by Genie Davis

Beauty and the Beast is a compelling two-person show that both upends and celebrates formal figurative tradition. It is an exhibition of contrasts: the personal and the political, the interior and the external. The two artists, Jorg Dubin and Andrea Patrie, are disparate in style and subject, but their works speak to each other here, a kind of call and response between the most defined and the more evocative articulation of the physical body. [Read more…]

Filed Under: Art, Artist, The Line

Running Toward Nothing: A Journey Through The Evocatively Feminine

May 23, 2019 By Genie Davis Leave a Comment

Reviewed by Genie Davis

Closing May 25th at Night Gallery, U.K.-based artist Laura Lancaster’s Running Toward Nothing is absolutely heading toward a highly fluid “something.” Perhaps it is the passage into a void we cannot control or fathom, perhaps it is the way through or into a dream, or just possibly, it is the outcome of memory and a passage through this life. [Read more…]

Filed Under: Art, Artist, The Line

Awakening the Spirit in Motion: Christina Quarles

April 17, 2019 By Genie Davis Leave a Comment

But I Woke Jus’ Tha Same, at Regen Projects, Los Angeles (through May 9)
Reviewed by Genie Davis

Christina Quarles’ dazzling But I Woke Jus’ Tha Same transports viewers into a lush and seductive world, a world that takes viewers on a brilliantly motion filled ride with contorted figures that veer between narrative and abstract. We struggle to understand the image, yet we intuitively know the seemingly impossible, terrible and wonderful positions relationships thrust us into. [Read more…]

Filed Under: Art, Artist, The Line

Stuck Together Repurposes And Becomes Richly Subversive

April 8, 2019 By Genie Davis Leave a Comment

at Track 16 (through May 11)
Reviewed by Genie Davis

Stuck Together is a conjoining of images, all fascinating, most anthropomorphic. The visually rich exhibition re-purposes images through collage, assemblage, and a sometimes-surreal approach to turning the ordinary into extraordinary. There’s a touch of whimsy, however dark, in the work of all three LA-based artists exhibiting: Marsian De Lellis, Simone Gad, and Debra Broz. Each artist is reinventing the objects and images they present, bringing them new life, renewal, and a gloriously subversive yet redemptive turn. [Read more…]

Filed Under: Art, The Line

Future Gaze And The Dystopically Rendered Face

April 3, 2019 By Genie Davis Leave a Comment

at Coagular Curatorial, Los Angeles (through March 30)
Reviewed by Genie Davis

Time keeps on slippin’, slippin’ into the future…
House the people / Livin’ in the street / oh, oh there’s a solution…
–Steve Miller Band

What do you see when you look into the future’s face? That is the question posited and replied-to at Future Gaze, a two-person exhibition at Coagula Curatorial. [Read more…]

Filed Under: Art, The Line

Paradox California: Two Artists, One State of Mind

March 3, 2019 By Genie Davis Leave a Comment

at Launch LA (through March 23)
Reviewed by Genie Davis

If California is in many ways a state of mind, as well as a state in the western continental U.S., Paradox California exemplifies its mystique. The California dream depicted in this lush and burnished exhibition from photographic artist Osceola Refetoff and mixed-media artist Chelsea Dean is desiccated by desert heat, burnished gold and amber and brown by desert sun, and crested by dry blue skies as vivid as a Mojave wildflower. [Read more…]

Filed Under: Art, Image, The Line

Suzanne Jackson: holding on to a sound

February 23, 2019 By Genie Davis Leave a Comment

at O-Town House, Los Angeles (through March 23)
Reviewed by Genie Davis

There are so many different elements that make Suzanne Jackson’s exhibition, holding on to a sound, aptly named. Regardless of the medium, her work has a kind of musical component to it, a lyricism that seems to radiate from the wall where they are hung, like a kind of cosmic tuning fork was at work. They are also hauntingly lovely images, and if you study them long enough, they evoke ideas of memory and mortality. There is a soft of netherworld quality to these works, vividly alive, yet floating in an ether between a dream-like state and waking, and between this world and the next. [Read more…]

Filed Under: Art, Artist, The Line

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Riot Sounds

Sleaford Mods, "Force 10 From Navarone," featuring Florence Shaw, can be listened to at Riot Material magazine -- in the exclusive Riot Sounds.

New From the Mods: “Force 10 From Navarone”

Sleaford Mods
feat. Florence Shaw (of Dry Cleaning)
from UK Grim

on Rough Trade

Dean Blunt's "The Rot." Listen at Riot Material under the exclusive Riot Sounds.

“The Rot” — Though A Rose By Any Other Name

by Dean Blunt
feat. Joanne Robertson
from BLACK METAL 2

https://www.riotmaterial.com/wp-content/uploads/2023/03/10-the-rot.m4a

on Rough Trade

The Line

A poetic interpretation of Anselm Kiefer's Exodus, at Los Angeles Marciano Art Foundation, is at Riot Material.

On Wing With Word Through Anselm Kiefer’s Exodus

Gagosian at Marciano Art Foundation, Los Angeles (through 25 March 2023) by Rachel Reid Wilkie Los Angeles poet Rachel Reid Wilkie was given the task of walking into Anselm Kiefer’s Exodus — a literally monumental exhibition, in that each of these paintings are upwards of 30’ tall — and addressing the colossal artworks “cold,” as in […]

Songbook of a Bygone Dead: Bob Dylan’s The Philosophy of Modern Song

Reviewed by Dan Chiasson The Philosophy of Modern Song by Bob Dylan Simon & Schuster, 352pp., $28.93 NYR Bob Dylan’s new book, The Philosophy of Modern Song, is a kind of music-appreciation course open to auditors and members of the general public. It is best savored one chapter, one song, at a time, while listening to the […]

Grant Wallace, “Through Evolution Comes Revelation.” at Riot Material magazine.

Communication Breakdown: Grant Wallace, His Heirs & the Legacy of a Forgotten Genius

Grant Wallace: Over the Psychic Radio at Ricco/Maresca Gallery, NYC (through 3 December 2022) By Michael Bonesteel Freelance writer and editor Deborah Coffin of Albany, California, was in graduate school at the University of California, Berkeley in 1997 when she first encountered street musician Brian Wallace at a party. “I had a friend who knew Brian,” […]

Smoking the Bible by Chris Abani

Words To Wrap Around A Dying Brother

Smoking the Bible Reviewed by Rhony Bhopla Smoking the Bible by Chris Abani Copper Canyon Press, 96pp., $15.99 HR Chris Abani’s autobiographical book of poems, Smoking the Bible, centers on the relationship of two brothers growing up in Nigeria with an Igbo father and an English mother. The poems, which incorporate the Igbo language along […]

Yehonatan Koenig. "Shulamith" (2022). At Riot Material Magazine

Yehonatan Koenig’s Subversion of the Ordinary

Knowing Not Knowing, at Matt Drey Arts (presenting with the Kava Collective) by Mat Gleason The art of Yehonatan Koenig is a subatomic soiree, every mark-making molecule involved in contributing to a higher purpose along the way. There is form and structure revealed here, an elegant point in the digressions of a thousand or more […]

The Joshua Tree Talk

A Conversation on Dzogchen C von Hassett & Rachel Reid Wilkie at Joshua Tree Retreat Center 

Louise Bourgeois: What Is The Shape of This Problem?

at University of Southern California, Fisher Museum of Art. (through 3 December 3, 2022) Reviewed by Margaret Lazzari Louise Bourgeois is widely recognized for her sculptures and installations, but Louise Bourgeois: What is The Shape of This Problem is a wonderful opportunity to immerse yourself in her perhaps-lesser-known prints, fabric work and writings. This exhibit contains over […]

The Artful Construction of The ‘I’

by Merve Emre NYR The essay form…bears some responsibility for the fact that bad essays tell stories about people instead of elucidating the matter at hand. —Theodor Adorno The personal essay is a genre that is difficult to define but easy to denounce. The offending element is rarely the essay as a form, but its […]

Moonage Daydream Conveys More Myth Than Man

Moonage Daydream Dir. Brett Morgan Reviewed by Nicholas Goldwin As one of the greatest shapeshifters in the expansive history of rock music, it seems only fitting that the documentary with David Bowie as its subject never seems content to express the trials, tribulations and artistic triumphs of Bowie in any one fixed way. This is […]

Carnación di Rocío Molina, at Riot Material Magazine.

On Binding: Notes from Venice

Bienalle Arte and Bienalle Danza, Venice 2022 By Allyn Aglaïa Chest bound, lips sealed, I walked through Venice alone, quiet, and: thought about narratives that bind us to erotic binds

Mohammad Barrangi's Guardians of Eden (Dreamscape #8), at Riot Material magazine.

Transcendence Beyond Erasure in Mohammad Barrangi’s Dreamscape

at Advocartsy, Los Angeles (thru 5 November 2022) Reviewed by Christopher Ian Lutz Fantasy requires a symbolic vehicle to transport a character from the real world into the imaginary realm, where the laws of reality are subverted or obscured to justify an otherwise absurd event. The artist might depict the vehicle as a real object […]

Idris Khan's The Pattern of Landscape at Sean Kelly Gallery, Los Angeles. An interview with Idris is at Riot Material magazine.

An Interview with Idris Khan

The Pattern of Landscape, at Sean Kelly, Los Angeles (through 5 November 2022) by Ricky Amadour Opening on the corner of Highland and De Longpre Avenues in the heart of Hollywood, Idris Khan’s The Pattern of Landscape is the inaugural exhibition at Sean Kelly, Los Angeles. Khan investigates color theory, text, and musical concepts through […]

Soul Crash: Our Slow, Inexorable Release Into the Metaverse

by Sue Halpern The Metaverse: And How It Will Revolutionize Everything by Matthew Ball Liveright 352pp., $18.89 NYR In October 2021, when Mark Zuckerberg announced that Facebook would now be called Meta and its business interests would be pivoting to the metaverse, there was almost universal confusion: most observers had no idea what he was […]

green tara

Pointing the Staff at the Old Man

A wisdom transmission by Samaneri Jayasāra Excerpted from —  Advice from the Lotus Born  from the chapter “Pointing the Staff at the Old Man” Translated by Eric Pema Kunsang Rangjung Yeshe Publications, 184pp., $21.95 . .

Margaret Lazzari’s "Shimmer." From the exhibition "Breathing Space."

Margaret Lazzari’s Luminous Breathing Space

at George Billis Gallery, Los Angeles (through 8 October 2022) Reviewed by Nancy Kay Turner “Things are not what they seem: nor are they otherwise.” –Buddha Margaret Lazzari’s luminous solo exhibition of paintings, entitled Breathing Space, were painted during the pandemic, and the exhibition title is indeed significant. It’s defined as a respite, a hiatus, or an […]

A Look Back on an Iconoclast: Art Critic Dave Hickey

by Jarrett Earnest Far From Respectable: Dave Hickey and His Art by Daniel Oppenheimer University of Texas Press, 141 pp., $24.95 The Invisible Dragon: Essays on Beauty, Revised and Expanded by Dave Hickey University of Chicago Press, 123 pp., $15.00 (paper) Air Guitar: Essays on Art and Democracy by Dave Hickey Art Issues Press, 215 […]

From Phil Tippet's Mad God, reviewed at Riot Material magazine.

Nihilism Births Its Own Interminable Hell

Mad God Dir. Phil Tippett Reviewed by Nicholas Goldwin Technically astonishing and immersive to a fault, director Phil Tippett successfully demonstrates that thirty years of relentless dedication to your craft can lead to cinematic innovations even his old stomping grounds – the sets of Star Wars and Jurassic Park – have yet to catch up. […]

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