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Archives for October 2017

America’s First White President: An Audio Essay

October 31, 2017 By Riot Material Leave a Comment

by Ta-Nehisi Coates

“It is insufficient to state the obvious of Donald Trump: that he is a white man who would not be president were it not for this fact. With one immediate exception, Trump’s predecessors made their way to high office through the passive power of whiteness—that bloody heirloom which cannot ensure mastery of all events but can conjure a tailwind for most of them. Land theft and human plunder cleared the grounds for Trump’s forefathers and barred others from it. Once upon the field, these men became soldiers, statesmen, and scholars; held court in Paris; presided at Princeton; advanced into the Wilderness and then into the White House. Their individual triumphs made this exclusive party seem above America’s founding sins, and it was forgotten that the former was in fact bound to the latter, that all their victories had transpired on cleared grounds. No such elegant detachment can be attributed to Donald Trump—a president who, more than any other, has made the awful inheritance explicit…”

Listen to Coates’ full essay below:

[Read more…]

Filed Under: The Line, Thought

Slowdive’s “Star Roving”

October 30, 2017 By Cvon Leave a Comment

From their self-titled release, Slowdive

Filed Under: Riot Sounds, Video

An Interview With Molly Larkey

October 30, 2017 By Riot Material Leave a Comment

by Christopher Michno

Molly Larkey’s recent exhibition at Ochi Projects, a shape made through its unraveling, reflects her interest in the invisible conceptual structures that shape society and structure ways of thinking. Her sculpture alludes to the ideals of utopian concepts as novel possibilities on a distant horizon, but with this exhibit Larkey also focused on identifying and adopting practices that solve seemingly intractable societal problems. [Read more…]

Filed Under: Artist, Interview, The Line

Yayoi Kusama: Infinity Mirrors

October 27, 2017 By Emily Nimptsch Leave a Comment

at the Broad, Los Angeles (through January 1, 2018)
Reviewed by Emily Nimptsch

My desire was to predict and measure the infinity of the unbound universe, from my own position in it, with dots. 
–Yayoi Kusama

Stitching together six of eccentric Japanese conceptual artist Yayoi Kusama’s signature infinity mirror chambers as well a meticulously curated selection of paintings, historical photographs, posters, and videos documenting her prolific sixty-year career, Yayoi Kusama: Infinity Mirrors, currently on display at downtown Los Angeles’ celebrated Broad Museum, celebrates Kusama’s vibrant maximalist style. This visiting special exhibition is surprisingly the first comprehensive museum survey highlighting the artist’s beloved infinity mirror rooms. So far, these shed-sized chambers filled with immersive lights and mirrors have garnered much attention in the city, sparking 90,000 advance tickets to sell out in mere hours. Due to lengthy lineups, guests are limited to 30 seconds inside each room. [Read more…]

Filed Under: Art, Artist, The Line

Behind The Scenes Of Loving Vincent

October 27, 2017 By Riot Material Leave a Comment

A presentation by Director/Producer Hugh Welchman, describing the behind the scenes production process of the world’s first most eagerly awaited hand painted, animated feature film:

Filed Under: The Line, Video

The Mesmerizing, Enrapturing Aesthetic Of Loving Vincent

October 27, 2017 By Alci Rengifo Leave a Comment

Reviewed by Alci Rengifo

Cinema in our time is almost completely dominated by aesthetic. This has curiously been the case with both Hollywood mastodons and lower budget fare. The look of a film now supersedes its narrative, as evident in much of this year’s offerings ranging from Blade Runner 2049 to Wonderstruck. But Loving Vincent, an elegant and enrapturing film experience, proves that when approaching the life of a great artist, aesthetic is key — the trick is how to fuse the gesture with an engaging narrative. The film is an exploration of the cryptic life of Vincent van Gogh, his dark aura and wondrous talent, brought to life through his own visions. Here is a film worth seeking out in whichever local arthouse lucky enough to be showing it. I am grateful I accepted an invitation to see it from a dear friend who had just returned from those burning lands in the Middle East, who confessed Van Gogh was her muse and so was drawn to this film like a moth to flame. [Read more…]

Filed Under: Film, The Line

New Work From ShitKid: “Sugar Town”

October 26, 2017 By Cvon Leave a Comment

From the debut LP, Fish

Filed Under: Riot Sounds, Video

In The Cul-De-Sac Of Tedium: Suburbicon

October 26, 2017 By Riot Material 1 Comment

Reviewed by Kristy Puchko

After starring in several Coen Brothers comedies, actor/writer-director George Clooney strives to make one of his very own, helming Suburbicon. The crime-comedy began as a Coen Brother’s script nearly 20 years ago. Then Clooney and his writing partner, Grant Heslov, gave the draft a makeover, working in a true story of suburban racism they’d hoped to spin into a compelling biopic. But the result is a jarring combination that goes together as well as peanut butter and poison. [Read more…]

Filed Under: Film, The Line

The Consequences, by Niña Weijers

October 25, 2017 By Christopher Michno Leave a Comment

Translated into English by Hester Velmans
Reviewed by Christopher Michno

In Dutch writer Niña Weijers’ debut novel, The Consequences, the story of a young conceptual artist and rising star in the rarified world of international art fairs and blue chip galleries, a portrait emerges of a person who has been on the verge of disappearing into herself from the earliest moments of her life. Through various turns, Weijers explores the question of what it means to be–both as an artist and, in an even more basic sense, as a person–present in one’s skin and one’s own life. [Read more…]

Filed Under: Books, The Line

Anne Mourier’s Elevation

October 24, 2017 By Riot Material Leave a Comment

at the Invisible Dog Art Center, Brooklyn
Reviewed by Robin Scher

The concept of toxic masculinity is not a difficult one to grasp. Just last week it was evinced throughout social media, as millions of women testified to the regular abuse they suffer at the hands of misogyny and the patriarchal structures that shape power relations in society. At the Invisible Dog Art Center in Brooklyn, French-born Brooklyn-based artist Anne Mourier was staging her own subtle stand in the form of a solo exhibition she titled Elevation. [Read more…]

Filed Under: Art, Artist, The Line

The Distortion Of Memory And Identity Through Isolation

October 24, 2017 By Emily Nimptsch Leave a Comment

Mike Kelley: Kandors 1999 – 2011
at Hauser & Wirth, Los Angeles (through January 21, 2018)
Reviewed by Emily Nimptsch

Oozing avant-garde, post-industrial gravitas, Hauser & Wirth’s ultra-trendy Los Angeles Arts District location is currently housing Mike Kelley: Kandors 1999 – 2011, an exhaustive survey of internationally-renowned late sculpture and performance artist Mike Kelley’s rarely-seen Kandors. These miniature cityscapes encased in variously-colored glass bell jars offer a truly unique and poignant emotional viewing experience, revealing how it would feel to be a superhuman, omnipotent being gazing upon a civilization below. Exploring themes of memory, loneliness and desperation, Kelley’s titular Kandors are inspired by legendary comic book hero Superman’s home city of Kandor on the planet Krypton.  [Read more…]

Filed Under: Art, Artist, The Line

VoX LoW: “It’s 1940 In This Room”

October 23, 2017 By Cvon Leave a Comment

It is and it ain’t

https://www.riotmaterial.com/wp-content/uploads/2017/10/04-It_s-1940-In-This-Room.m4a

Filed Under: Riot Sounds

Reckless Daughter: A Portrait of Joni Mitchell

October 22, 2017 By Riot Material 4 Comments

A New Biography by David Yaffe
Reviewed by Dan Chiasson
An extract from “Joni Mitchell’s Openhearted Heroism,” in the October 9 issue of The New Yorker.

In 1969, Cary Raditz, a recent graduate of the University of North Carolina, quit his job in advertising and headed to Europe to bum around with his girlfriend. They ended up in Matala, on the island of Crete, where they found a bunch of hippies living in a network of caves. Raditz soon decamped for Afghanistan in a VW bus; when he returned, his girlfriend had bailed, but there was word that a new girl was headed to Matala. Raditz didn’t know much about Joni Mitchell, but “there was buzz” among the hippies, and, soon enough, he found himself watching the sunset with one of the most extraordinary people alive. Raditz and Mitchell shared a cave for a couple of months, travelled around Greece together, and parted ways. That’s where you and I come in, because Mitchell wrote two songs, among her greatest works, about her “redneck on a Grecian isle”: “California” and “Carey.” I’ve been singing along to those songs, or trying to, since I was fifteen. I learned from them what you learn from all of Mitchell’s music, that love is a form of reciprocity, at times even a barter economy: “He gave me back my smile / but he kept my camera to sell.” Mitchell’s songs were the final, clinching trade.

https://www.riotmaterial.com/wp-content/uploads/2017/10/04-Carey.m4a

Carey, from Blue

[Read more…]

Filed Under: Artist, Books, The Line

New Work From The Magnificent Denis Johnson: “Strangler Bob”

October 20, 2017 By Riot Material Leave a Comment

“Strangler Bob” is one of five stories from Denis Johnson’s forthcoming collection, The Largesse of the Sea Maiden, which was completed just before his death in May of this year. See Riot Material’s earlier tributes to Denis Johnson here.

Strangler Bob
By Denis Johnson

You hop into a car, race off in no particular direction, and, blam, hit a power pole. Then it’s off to jail. I remember a monstrous tangle of arms and legs and fists, with me at the bottom, gouging at eyes and doing my utmost to mangle throats, but I arrived at the facility without a scratch or a bruise. I must have been easy to subdue. The following Monday, I pled guilty to disturbing the peace and malicious mischief, reduced from felony vehicular theft and resisting arrest because—well, because all this occurs on another planet, the planet of Thanksgiving, 1967. I was eighteen and hadn’t been in too much trouble. I was sentenced to forty-one days. [Read more…]

Filed Under: Artist, Books, Fiction, The Line

Silence & Sound: Wonderstruck and the Post-Modern Gaze

October 20, 2017 By Riot Material Leave a Comment

by Alci Rengifo

There is a strange sense in modern cinema that to be avant-garde means to be vague, whereas pop entertainment wears its idealisms or opinions on its sleeve. A look at this year’s offerings offers a startling set of comparisons to make this point. Early in the year the surprise box office hit Get Out offered a vicious B-movie critique of race relations in contemporary America, while the arthouse darling It Comes at Night was a somewhat sluggish bore about people in the woods, trapped in some vague post-apocalyptic future without much of a point (or coherent plot). Even Ridley Scott’s latest rehash of the Alien franchise, Alien: Covenant, had more to say about the rise of Fascism in the modern world than anything else released in the season. [Read more…]

Filed Under: Film, The Line

Chambers Of Privilege And The Collapse Of Intellectual, Interregional Thought

October 20, 2017 By Seren Sensei Leave a Comment

by Seren Sensei

Echo chambers are considered by many to be the bane of intellectual thought. They dominated the news cycle after the 2016 United States presidential elections, with headline after headline blaring that echo chambers (along with fake news and Russian intervention) were partly responsible for costing Democrats the vote. Leftists, liberals, and millennials alike were blamed for the creation of “safe spaces” in polls, magazines and Internet comment sections, blinding themselves to the popularity of Donald Trump against opponent Hilary Clinton. They were blindsided because they’d secluded themselves away in worlds of their own making, left bewildered to the idea of huge swaths of the population identifying with, and voting for, a racist, sexist demagogue like Donald Trump. [Read more…]

Filed Under: The Line, Thought

Incoherent From The Go,The Snowman Is All Sickly Melt

October 19, 2017 By Kristy Puchko Leave a Comment

by Kristy Puchko

The Snowman had all the makings of a great horror crime-thriller in the vein of Silence of the Lambs. It too was based on a provocative mystery novel, Jo Nesbø’s acclaimed international bestseller. It was helmed by an esteemed director, Tomas Alfredson. The Swedish filmmaker chiseled a reputation for crafting compelling adaptations of tricky novels with his celebrated vampire tale Let the Right One In, and the Oscar-nominated espionage drama Tinker Tailor Soldier Spy. With a cast that boasts such critically heralded stars as Michael Fassbender, Rebecca Ferguson, Charlotte Gainsbourg, and J.K. Simmons, Alfredson seemed destined for a three-peat success with his latest. So perhaps the greatest mystery of The Snowman is not the identity of its merciless murderer, but just how all this promise came together in an incoherent and tone-deaf mess. [Read more…]

Filed Under: Film, The Line

L.A. Witch Push The Pedal Through The Floor With “Drive Your Car”

October 19, 2017 By Cvon Leave a Comment

From 2014. The studio version of “Drive Your Car” is newly released on their excellent self-titled record, L.A. Witch:

Filed Under: Riot Sounds, Video

Tom of Finland

October 19, 2017 By Shana Nys Dambrot Leave a Comment

Reviewed by Shana Nys Dambrot

Tom of Finland might not be the movie you’re expecting it to be, but it’s the movie it needs to be. This quiet masterpiece of a biopic assumes that the viewer already knows how the story ends, with its eponymous protagonist becoming a living legend of progressive gay culture in the late 20th century, an artist whose critical and popular claim both celebrated and transcended its context. Tom’s art was boldly proud and beautiful in a specific way that demanded respect for his community, making sure as his partner says in the film, “that everyone knows we exist,” while at the same time, the work was also just so undeniably original and fresh and exuberant that no one could resist its charms. Based only on the art, one might anticipate more of a romp from this film — and there is romping; but its true power lies in its strange subtleties and in Tom himself, an unexpectedly unassuming army vet and urbane ad guy whose inherent sense of dignity and justice combines with his talent to make him exceptional. [Read more…]

Filed Under: Film, The Line

King Krule’s “Emergency Blimp”

Fuk Yah!!

October 18, 2017 By Cvon Leave a Comment

From his latest release, The Ooz

https://www.riotmaterial.com/wp-content/uploads/2017/10/10-Emergency-Blimp.m4a

Filed Under: Riot Sounds

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The Line

A review of Thelonious Monk's Palo Alto

Palo Alto Sees the Thelonious Monk Quartet at its “Final Creative High”

Reviewed by Marty Sartini Garner Palo Alto on Impulse! Pitchfork Thelonious Monk once said: “Weird means something you never heard before. It’s weird until people get around to it. Then it ceases to be weird.” By the time Monk and his quartet strode into the auditorium at Palo Alto High School on October 27, 1968, […]

Archie Shepp Quartet, Stadsteatern, Stockholm, September 1966. An interview with Archie Shepp, September 2020

Music for a Revolution: A Word with Jazz Great Archie Shepp

Interview by Accra Shepp NYRB My father, the saxophonist Archie Shepp, has recorded more than 110 albums since 1962, performed all over the world, and received numerous honors, including the 2016 Jazz Master’s Award from the National Endowment for the Arts. In the 1960s, he helped define “free jazz,” a new idiom in which the […]

Bobby Seale Checks Food Bags. March 31, 1972.

Food As Culture, Identity and an Enduring Form of Black Protest

By Amethyst Ganaway Food & Wine We are demanding, not asking, for “Land, Bread, Housing, Education, Clothing, Justice And Peace.” —Amethyst Ganaway Black people in America have used food as a means of resistance, rebellion, and revolution since being forcefully brought here in the late 1500s. Food has always been a part of the culture and […]

A Pandemic Q&A with David Lynch

Pandemic Musings: A From-The-Bag Q&A With David Lynch

 From David Lynch Theater Presents: “Do You Have a Question for David? Part 1”

Erin Currier, American Women (dismantling the border) II. Read the interview with Erin excerpted from Lisette Garcia's new book, Ponderosas, at Riot Material.

An Interview with Erin Currier: Artist, Writer & Activist

by Lisette García and Barrett Martin excerpted from Ponderosas: Conversations with Extraordinary, Ordinary Women  by Lisette García, Ph. D available November 20th Sunyata Books “You have to act as if it were possible to radically transform the world. And then you have to do it all the time.” –Angela Davis Barrett: I first met Erin Currier and her […]

A review of Mark Lynas's new book, "Our Final Warning: Six Degrees of Climate Emergency," is at Riot Material Magazine.

The Earth Commences Her Retalitory Roar

Reviewed by Bill McKibben  Our Final Warning: Six Degrees of Climate Emergency by Mark Lynas London: 4th Estate, 372 pp., $27.99 The New York Review of Books So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, […]

Oliver Stone in Vietnam. A review of his new book, Chasing the Light, is at Riot Material

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

Reviewed by Alci Rengifo Chasing the Light by Oliver Stone Houghton Mifflin Harcourt, 352 pp., $25.20 If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our […]

Toyin Ojih Odutola's wonderful exhibition, A Countervailing Theory, at Barbican Centre, London, is reviewed at Riot Material Magazine

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

at The Barbican, London (through 24 Jan 2021) Reviewed by Christopher P Jones Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and […]

Driving Whle Black, two books reviewed at Riot Material

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

by Sarah A. Seo Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Liveright, 332 pp., $28.95 Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy Taylor Abrams, 360 pp., $35.00 The New York Review of Books In 1963, after Sam Cooke was […]

A review of Sontag: Here Life and Work is at Riot Material

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

Reviewed by Michael Gorra Sontag: Her Life and Work by Benjamin Moser Ecco, 816 pp., $39.99 New York Review of Books Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald […]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

Reviewed by John Biscello The Deeper the Water the Uglier the Fish by Katya Apekina Two Dollar Radio, 353pp., $12.74 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again In the name of nursery rhyme remixology, first let us […]

Heads of the Colored People, by Nafissa Thompson-Spires, is reviewed at Riot Material

Histories of Trauma in Heads of the Colored People

Reviewed by Patrick Lohier Heads of the Colored People by Nafissa Thompson-Spires Thorndike Press, 293pp., $32.99 Harvard Review In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” […]

Lord Krishna speaks to Prince Arjuna about the Gita

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

The Bhagavad Gita Translated by Eknath Easwaran Vintage Books, 122pp., $15.00 Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked […]

A review of Kevin Young's Brown is at Riot Material

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

Reviewed by Kevin T. O’Connor Brown: Poems by Kevin Young Knopf, 176pp., $19.29 Harvard Review In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” […]

Dispatch: Poems, by Cameron Awkward-Rich

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

Reviewed by Flora Field Dispatch by Cameron Awkward-Rich Persea, 80pp., $12.69 Columbia Journal In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the […]

The Monument to Joe Louis, aka "The Fist," as sculpted by Robert Graham

Relic as Horrific Remembrance in the Monument to Joe Louis

by Max King Cap “My father was a little headstrong, my mother was a little armstrong. The Headstrongs married the Armstrongs, and that’s why darkies were born.” — Rufus T. Firefly, Duck Soup, 1933 He had done it before. One can readily find the photographs of his handiwork; two human torsos, headless, the legs amputated just below […]

Cornel West and his 2001 Preface to Race Matters: "Democracy Matters in Race Matters." At Riot Material.

Cornel West’s “Democracy Matters in Race Matters”

Preface to the 25th Anniversary Edition to Race Matters Race Matters by Cornel West Beacon Press, 110pp., $11.60 Black people in the United States differ from all other modern people owing to the unprecedented levels of unregulated and unrestrained violence directed at them. No other people have been taught systematically to hate themselves — psychic violence […]

Another Week in the Death of America

Samantha Fields, American Dreaming at LSH CoLab, Los Angeles Reviewed by Eve Wood The first verse of the Mamas and the Papas seminal 1960’s anthem California Dreamin’ begins with “all the leaves are brown, and the sky is grey,” at once establishing an atmosphere devoid of color, hope and youthful abandon, and certainly not a […]

Through the Lens of Race, and Jim Crow South, in Eudora Welty's photographs

Reckoning Race in Eudora Welty’s Photographs

by James McWilliams Two portraits; two men. Both are from 1930s Mississippi. The men are situated together, photos 22 and 23, both from Eudora Welty’s only published book of photographs, simply titled Photographs. If you could put a frame around both images it would be the Jim Crow South.

Kara Walker's Fons Americanus (2019) at Turbine Hall at the Tate Modern

A Gathering Of Ruins, And Simmering Consciousness, In Kara Walker’s Fons Americanus

in Turbine Hall at Tate Modern, London by Zadie Smith Kara Walker: Hyundai Commission edited by Clara Kim Tate Publishing, 144pp., $24.95 New York Review of Books Two women are bound at the waist, tied to each other. One is a slim, white woman, in antebellum underskirt and corset. A Scarlett O’Hara type. She is […]

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