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Fred W. McDarrah: New York Scenes

November 1, 2018 By Phoebe Hoban Leave a Comment

at Steven Kasher Gallery, NYC (through November 3)
Reviewed by Phoebe Hoban

The Village Voice is, sadly, now a hallowed memory of the past, but many of its iconic images live vividly on through the work of Fred W. McDarrah, the publication’s first picture editor and its sole staff photographer for decades.

McDarrah, who died in 2007, aimed a powerful lens at some of the most creative and turbulent times in New York City’s history. Eighty of his vintage black and white photographs are on display at the Steven Kasher gallery, in a show that coincides with the publication of the comprehensive Abrams book, Fred W. McDarrah: New York Scenes.

Spanning nearly two decades, from the late 1950s to the mid-1970s, the exhibit is a poignant countercultural time capsule—actually more like a time machine–guaranteed to rocket viewers back to a colorful political and cultural heyday, nostalgically oh-so-distant from the Instagram present, and yet all the more resonant because of parallel trends.

Arranged more or less chronologically, McDarrah’s photographs, shot in a spontaneous cinema verite style, dramatically capture the icons of the moment: the AbEx painters and Beat poets and writers of the 1950s, the Pop artists and folk singers of the 1960s, the activists and politicians of the 1960s and 70s: a virtual who’s who of visual, literary and sociopolitical giants. Their relatively modest size—the largest are 16 by 20 inches—belies their potent punch. Thanks to his 24/7 work habits, McDarrah always managed to be in the right place at the right time.

Fred W. McDarrah: Allen Ginsberg, his longtime companion Peter Orlovsky, and Orlovsky’s brother Lafcadio relax in their apartment at 170 East Second Street, January 9, 1960

Allen Ginsberg, his longtime companion Peter Orlovsky, and Orlovsky’s brother Lafcadio relax in their apartment at 170 East Second Street, January 9, 1960. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York

Here is a ravaged-looking Jack Kerouac leaving a New Year’s party at the legendary Artist’s Club in 1959. (Thronged by most of the Beats, the party also feted the release of Robert Frank and Alfred Leslie’s cult film “Pull My Daisy,” which featured Kerouac’s improvised narration.) There is Allen Ginsberg with his long-time partner Peter Orlovsky, lounging with Orlovsky’s brother in their Village apartment circa 1960. Here are artists Robert Rauschenberg and his partner at the time, Jasper Johns, at the Tibor de Nagy Gallery in December, 1958, at the start of each of their storied careers. Willem de Kooning stands on the stoop of his building at 88 East 10th Street in 1959, speaking with novelist Noel Clad.

Fred W. McDarrah: Leroi Jones, Diane di Prima in Cedar Tavern on University Place, April 5, 1960

Leroi Jones, Diane di Prima in Cedar Tavern on University Place, April 5, 1960. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York

LeRoi Jones (aka Amiri Baraka) and poet Diane di Prima occupy a cozy booth at the mythic Cedar Tavern in 1960. Artists Jim Dine performs Car Crash at Judson Memorial Church, 1960. Franz Kline poses in his studio in 1961. That same year, Lee Krasner stands in front of her huge AbEx painting; she acquired the photograph, now at the Pollock Krasner House. Alice Neel is shown in her Spanish Harlem studio in 1961 with one of her young neighborhood models and the finished portrait of the model and her sister; her double portrait of Milton Resnick and Pat Pasloff appears behind her. Andy Warhol stands among a stack of Brillo Boxes at the Stable gallery, 1964.

Fred W. McDarrah: Bob Dylan, sitting on a bench in Christopher Park (across the street from the offices of the Village Voice since 1960), either salutes or shields his eyes from the sun, January 22, 1965

Bob Dylan, sitting on a bench in Christopher Park (across the street from the offices of the Village Voice since 1960), either salutes or shields his eyes from the sun, January 22, 1965. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York

Bob Dylan strikes a classic pose—is he saluting or shading his eyes—on a Christopher Street bench in 1965. The Velvet Underground (Lou Reed, John Cale, Sterling Morrison and Maureen Tucker), appear with Nico at Filmmakers’ Cinematique in 1966. Jimi Hendrix performs at Madison Square Garden, in January, 1970; he died that September at age 27. 

Fred W. McDarrah: Short-story writer, poet, and antiwar activist Grace Paley is demonstrating against the Vietnam War, March 15, 1965

Short-story writer, poet, and antiwar activist Grace Paley is demonstrating against the Vietnam War, March 15, 1965. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York

Urban historian Jane Jacobs protests in Washington Square Park in 1963: a young Grace Paley marches in an anti-Vietnam War demonstration in 1965, carrying a McNamara sign (as in Secretary of Defense Robert McNamara, one of the architects of the war). Allen Ginsberg again, as an anti-war Poster boy wearing his “Uncle Sam” hat, in 1966. Susan Sontag, framed by police, as she is arrested during a 1967 draft protest. A searingly haunting image of Robert F. Kennedy descending a tenement staircase in 1967: on the wall above him, hanging askew, a picture of Christ in his crown of thorns.

Fred W. McDarrah: Robert Kennedy in Stanton Street apartment once occupied by Senator Jacob Javits, May 8, 1967

Robert Kennedy in Stanton Street apartment once occupied by Senator Jacob Javits, May 8, 1967. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York

The RFK Jr. photograph is perhaps the strongest testament to the eerie perspicacity of McDarrah’s eagle eye. But there is scarcely a single shot in the show that isn’t worth mentioning. Take the lineup of primo Pop artists Tom Wesselmann, Roy Lictenstein, James Rosenquist, Andy Warhol and Claes Oldenburg at the Factory, circa 1967; Charlotte Moorman, topless, playing her cello in 1967; a contact sheet of a 1967 Yayoi Kusama performance piece, the repetition of the image echoing Kusama’s famously obsessive later work. And, of course: two of the Village Voice’s co-founders, Dan Wolf and Norman Mailer (a typewriter between them) at the Village Voice’s offices in 1964, a decade after editor Dan Wolf and the paper’s third co-founder, Ed Fancher, offered McDarrah the job of the newborn publication’s staff photographer.

The old adage, one picture is worth a thousand words, scarcely does justice to McDarrah’s classic work, a panoply of historically-loaded imagery.

Slideshow:

Fred W. McDarrah: Editor Dan Wolf with author and fellow Village Voice co- founder Norman Mailer in the Voice’s offices, 61 Christopher Street, New York City, April 14, 1964
Editor Dan Wolf with author and fellow Village Voice co- founder Norman Mailer in the Voice’s offices, 61 Christopher Street, New York City, April 14, 1964. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York
Fred W. McDarrah: Police arrest author and activist Susan Sontag during a draft protest at the Whitehall Army Induction Center, December 5, 1967
Police arrest author and activist Susan Sontag during a draft protest at the Whitehall Army Induction Center, December 5, 1967. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York
Fred W. McDarrah: Andy Warhol at the opening of his exhibition, “The Personality of the Artist,” at the Stable Gallery, 33 East 74th St., April 21, 1964
Andy Warhol at the opening of his exhibition, “The Personality of the Artist,” at the Stable Gallery, 33 East 74th St., April 21, 1964. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York

Fred W. McDarrah: Pop artists Tom Wesselmann, Roy Lichtenstein, James Rosenquist, Andy Warhol, and Claes Oldenburg at Warhol’s Factory, 231 East Forty‑Seventh Street (its first location, until 1967), April 21, 1964
Pop artists Tom Wesselmann, Roy Lichtenstein, James Rosenquist, Andy Warhol, and ClaesOldenburg at Warhol’s Factory, 231 East Forty‑Seventh Street (its first location, until 1967), April21, 1964. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York
Fred W. McDarrah: Abstract Expressionist artist Lee Krasner, who was married to Jackson Pollock, in front of one of her paintings, February 26, 1961
Abstract Expressionist artist Lee Krasner, who was married to Jackson Pollock, in front of one of her paintings, February 26, 1961. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York
Fred W. McDarrah: Alice Neel in Her Studio, East Harlem, with Milton Resnick, Pat Passlof and Frank O'Hara in Paintings, February 1, 1961
Alice Neel in Her Studio, East Harlem, with Milton Resnick, Pat Passlof and Frank O’Hara in Paintings, February 1, 1961. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York

Fred W. McDarrah: Jack Kerouac reads poetry at the Artist’s Studio, 48 East Third Street, February 15, 1959 Vintage gelatin silver print, printed ca. 1959
Jack Kerouac reads poetry at the Artist’s Studio, 48 East Third Street, February 15, 1959 Vintage gelatin silver print, printed ca. 1959. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York
Fred W. McDarrah: Allen Ginsberg on Central Park Bandstand, 5th Avenue Peace Demonstration to Stop the War in Vietnam, March 26, 1966
Allen Ginsberg on Central Park Bandstand, 5th Avenue Peace Demonstration to Stop the War in Vietnam, March 26, 1966. Copyright Fred W. McDarrah, Courtesy Steven Kasher Gallery, New York

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Phoebe Hoban has written about culture and the arts for a variety of publications, including The New York Times, New York Magazine, The Wall Street Journal, Vogue, Vanity Fair, GQ, Harper’s Bazaar, ARTnews, and The New York Observer, among others. She is the author of three artist biographies: Basquiat: A Quick Killing in Art (1998), Alice Neel: The Art of Not Sitting Pretty (2010) and Lucian Freud: Eyes Wide Open (2014).

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