Riot Material

Art. Word. Thought.

In Conversation: Andrej Dubravsky and Sam Trioli

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Andrej Dubravsky, Aggressive Slav + Friendly Slav, at LAUNCH F18, NYC
by Sam Trioli

Andrej Dubravsky speaks to Sam Trioli about his new paintings for his current dual exhibition at LAUNCH F18, Aggressive Slav and  Friendly Slav. Created from his countryside home in rural Slovakia, Andrej shares the effects on his work and life with returning to nature.

SAM TRIOLI: This exhibition highlights a new series of paintings for you. How did the Aggressive Slav/Friendly Slav series first begin?

ANDREJ DUBRAVSKY: I don’t even know if it’s a particular “series” with an exact start and end, to be honest. I just keep working all year long on various subjects in parallel, no matter if there’s any show coming up next month or in the next six months. Sometime before the works had to be shipped to New York City, I lined up many paintings outside in my garden and I picked from all of these paintings and sort of curated them in a way that would make a sense. This show makes it my first solo show in New York City.  [Read more…]

Jacob Lawrence: The American Struggle

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at the Metropolitan Museum of Art, NYC (ended 1 November 2020)
Reviewed by Sanford Schwartz

Jacob Lawrence: The American Struggle
an exhibition at the Birmingham Museum of Art,
November 20, 2020–February 7, 2021;
the Seattle Art Museum,
February 25–May 23, 2021;
and the Phillips Collection, Washington, D.C.,
June 26–September 19, 2021.
Catalog of the exhibition edited
by Elizabeth Hutton Turner and Austen Barron Bailly.
Peabody Essex Museum/University of Washington Press,
188 pp., $45.00
NYRB

As we were waiting on line at the Metropolitan Museum to get into the exhibition Jacob Lawrence: The American Struggle, I told my friend that one reason why Lawrence, though long an esteemed name in American art, has a rather modest presence in our museums may derive from his not having made oil paintings. In a long career that stretched from the late 1930s, when he was barely in his twenties, through the late 1990s—he died in 2000, at eighty-two—he primarily used gouache (which is sometimes referred to as poster paint) or tempera. [Read more…]

Hauntings in the Imagination: New Books on Bluesman Robert Johnson

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by Greil Marcus

Up Jumped the Devil: The Real Life of Robert Johnson
by Bruce Conforth and Gayle Dean Wardlow.
Chicago Review, 326 pp., $20.05

Brother Robert: Growing Up with Robert Johnson
by Annye C. Anderson, with Preston Lauterbach,
and with a foreword by Elijah Wald.
Hachette, 203 pp., $24.99

Love in Vain: Robert Johnson, 1911–1938
by Mezzo and J.M. Dupont
translated from the French by Ivanka Hahnenberger.
London: Faber and Faber, 56 pp., $24.05
NYRB

There’s an old blues metaphor. You know, Robert Johnson found his sound at the crossroad when he made a deal with the devil. It seems to me that the country is at a crossroad, whether we are going to continue to invest and double down on the ugliness of our racist commitments, or [we’ll] finally leave this behind. —Eddie S. Glaude Jr.

The blues singer and guitarist Robert Johnson was born in Hazlehurst, Mississippi, in 1911, grew up in Memphis, and was fatally poisoned by a jealous husband during a performance at a juke joint near Greenwood, Mississippi, in 1938. He recorded twenty-nine of his own songs for the Vocalion label in San Antonio in 1936 and in Dallas in 1937. In 1938, with the blues musician Johnny Shines, he traversed most of the eastern part of the country, playing from St. Louis to Chicago to Detroit to Harlem. Later that year the producer John Hammond, who had celebrated his recordings in New Masses, knew Johnson had to perform at his historic “Spirituals to Swing” concert at Carnegie Hall; learning of his death, Hammond played two of his songs on a phonograph on the stage. [Read more…]

Vida Americana: Mexican Muralists Remake American Art

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at the Whitney Museum of American Art, NYC (through 31 January 2021)
Reviewed by Anna Shapiro
NYRB

The Whitney’s show, Vida Americana: Mexican Muralists Remake American Art, is a study in revisionism, recasting the standard story so that those formerly disregarded and excluded from the canon of modern American art are instead given a place in it. Exhibitions in recent years have been doing that rewriting in accord with values newly freed from stigma, discovering or rediscovering artists who are female or non-European-American, or who simply didn’t fit the strictures of formalist Modernism. The artists in this show, however, were truly avant-garde in their social values, championing the underdogs of history when it was deeply unfashionable to do so. [Read more…]

Lockdown Be Damned! Raffaello 1520–1483: An Exhibition in Rome

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at the Scuderie del Quirinale
Reviewed by Ingrid D. Rowland

Raffaello 1520–1483
Catalog of the exhibition edited by Marzia Faietti and Matteo Lafranconi, with Francesco P. Di Teodoro and Vincenzo Farinella Skira
543 pp., €46.00 (paper) (in Italian; an English translation will be published in October 2020)
The New York Review of Books

Like the artist himself, the long-anticipated Raphael exhibition that opened in Rome on March 5, 2020, was struck down by infectious disease. Raphael succumbed to a sudden fever on April 6, 1520, his thirty-seventh birthday. The exhibition that marked the five hundredth anniversary of his death lasted only four days. On March 9, the Italian government issued a decree prohibiting “every form of gathering in public places” to prevent the spread of the coronavirus, and every public institution in Italy shut its doors. Raphael’s birthday came and went with his legacy under lockdown. [Read more…]

Don DeLillo’s Engrossing Yet Oddly Frictionless New Novella, The Silence

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Reviewed by Dwight Garner

The Silence
by Don DeLillo
Scribner, 128pp., has $19.22
NY Times

Don DeLillo’s slim new novel, The Silence, is a pristine disaster novel with apocalyptic overtones. It’s a Stephen King novel scored by Philip Glass instead of Chuck Berry. A plane from Paris to Newark crash-lands. Two of the main characters are on this flight, and they survive. Power grids have gone down all over the world. Aliens? The Chinese? The Joker? QAnon? [Read more…]

Dismantling One of the Great Encyclopedic Museums in the Country: The Regrettable LACMA Redesign

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by Joseph Giovannini
NYRB Online

“This is a hostile takeover of the museum, and if the design succeeds in hijacking the institution, Los Angeles will be living for a long time with a wanton act of architecture, and the bitter memory of a very expensive betrayal of the public trust.”  —Joseph Giovannini

There are two demolitions going on at the Los Angeles County Museum of Art, the largest encyclopedic museum west of the Mississippi, with collections spanning many historical periods and cultures. Over the last several months, the museum has razed three of the four structures on the East Campus, the original core of the institution—themselves only sixty years old—and excavators are now polishing off the last and largest, the Ahmanson Building. The East Campus will soon be a bowl of dust. [Read more…]

Palo Alto Sees the Thelonious Monk Quartet at its “Final Creative High”

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Reviewed by Marty Sartini Garner

Palo Alto
on Impulse!
Pitchfork

Thelonious Monk once said: “Weird means something you never heard before. It’s weird until people get around to it. Then it ceases to be weird.” By the time Monk and his quartet strode into the auditorium at Palo Alto High School on October 27, 1968, people hadn’t just gotten around to his oblong, minimalist take on jazz—they’d left it behind. After decades of toiling in New York’s clubs to little outside recognition, Monk had briefly tasted superstardom, culminating in a 1964 Time magazine cover. Less than half a decade later, he’d slipped to No. 6 on DownBeat’s International Critics Poll ranking jazz’s best pianists, and writers routinely dismissed his playing as stale and uninspired. Still, he was Thelonious Sphere Monk: If he was no longer weird, and no longer a superstar, he was still a legend. A legend who couldn’t afford to miss a $500 payday at a high school. [Read more…]

Music for a Revolution: A Word with Jazz Great Archie Shepp

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Interview by Accra Shepp
NYRB

My father, the saxophonist Archie Shepp, has recorded more than 110 albums since 1962, performed all over the world, and received numerous honors, including the 2016 Jazz Master’s Award from the National Endowment for the Arts. In the 1960s, he helped define “free jazz,” a new idiom in which the details of melody, harmony, and rhythm are all improvised to create a grand conversation: voices rise and fall, sometimes echoing one another, sometimes dissonant and discordant. In the 1970s and 1980s he wove the blues into his music, extending our understanding of this tradition. His cultural influence reaches far beyond the realm of jazz, touching artists as diverse as Ntozake Shange and Chuck D. [Read more…]

Food As Culture, Identity and an Enduring Form of Black Protest

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By Amethyst Ganaway
Food & Wine

We are demanding, not asking, for “Land, Bread, Housing, Education, Clothing, Justice And Peace.” —Amethyst Ganaway

Black people in America have used food as a means of resistance, rebellion, and revolution since being forcefully brought here in the late 1500s. Food has always been a part of the culture and identity of Black communities and has played a role as a source of both comfort and strength for a people constantly subject to abuse, discrimination, and misunderstanding. [Read more…]

The Earth Commences Her Retalitory Roar

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Reviewed by Bill McKibben 

Our Final Warning: Six Degrees of Climate Emergency
by Mark Lynas
London: 4th Estate, 372 pp., $27.99
The New York Review of Books

So now we have some sense of what it’s like: a full-on global-scale crisis, one that disrupts everything. Normal life—shopping for food, holding a wedding, going to work, seeing your parents—shifts dramatically. The world feels different, with every assumption about safety and predictability upended. Will you have a job? Will you die? Will you ever ride a subway again, or take a plane? It’s unlike anything we’ve ever seen.

The upheaval that has been caused by Covid-19 is also very much a harbinger of global warming. Because humans have fundamentally altered the physical workings of planet Earth, this is going to be a century of crises, many of them more dangerous than what we’re living through now. The main question is whether we’ll be able to hold the rise in temperature to a point where we can, at great expense and suffering, deal with those crises coherently, or whether they will overwhelm the coping abilities of our civilization. The latter is a distinct possibility, as Mark Lynas’s new book, Our Final Warning, makes painfully clear. [Read more…]

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

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by Sarah A. Seo

Driving While Black: African American Travel and the Road to Civil Rights
by Gretchen Sorin
Liveright, 332 pp., $28.95

Overground Railroad: The Green Book and the Roots of Black Travel in America
by Candacy Taylor
Abrams, 360 pp., $35.00
The New York Review of Books

In 1963, after Sam Cooke was turned away from a hotel in Shreveport, Louisiana, because he was black, he wrote “A Change Is Gonna Come.” He was right. The next year, Congress passed the Civil Rights Act of 1964, which dismantled a cornerstone of the racial caste system known as “Jim Crow” by banning discrimination in employment and public accommodations. Change seemed to be coming in other areas of American law as well. Congress followed with the Voting Rights Act of 1965, and during the 1960s the Supreme Court waged a “Due Process Revolution” that established more criminal defense rights, such as the guarantee of state-funded counsel for indigent suspects and defendants. The decade seemed poised to bring about a more equal and just America. [Read more…]

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

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Reviewed by Michael Gorra

Sontag: Her Life and Work
by Benjamin Moser
Ecco, 816 pp., $39.99
New York Review of Books

Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald Spengler and Rudolf Steiner. She read Kenneth Burke, who would become her teacher at the University of Chicago, and of course many novels, Thomas Mann above all; an entry in her diary recalls getting caught stealing a copy of Doctor Faustus at a Los Angeles bookshop. One day at a newsstand she picked up Partisan Review and began to tremble as she read Lionel Trilling’s “Art and Fortune,” his 1948 attempt to determine if the novel remained a living form. That set her future. That was when she began to dream of New York, and even of writing for that very journal. And Trilling, a critic forever “talking about the things that mattered,” became a model for her own work.1 [Read more…]

Histories of Trauma in Heads of the Colored People

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Reviewed by Patrick Lohier

Heads of the Colored People
by Nafissa Thompson-Spires
Thorndike Press, 293pp., $32.99
Harvard Review

In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” The heart of this collection of twelve stories, the thing that Thompson-Spires communicates with great verve, humor, and empathy, is the answer to that question—a booming “Yes!”—especially as experienced by Black Americans. [Read more…]

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

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The Bhagavad Gita
Translated by Eknath Easwaran
Vintage Books, 122pp., $15.00

Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked the man next to me if something had happened. “Kurukshetra!” he replied. “The next stop is Kurukshetra!”

I could understand the excitement. Kurukshetra, “the field of the Kurus,” is the setting for the climactic battle of the Mahabharata, the vastest epic in any world literature, on which virtually every Hindu child in India is raised. Its characters, removed in time by some three thousand years, are as familiar to us as our relatives. The temper of the story is utterly contemporary; I can imagine it unfolding in the nuclear age as easily as in the dawn of Indian history.

The Mahabharata is literature at its greatest – in fact, it has been called a literature in itself, comparable in its breadth and depth and characterization to the whole of Greek literature or Shakespeare. But what makes it unique is that embedded in this literary masterpiece is one of the finest mystical documents the world has seen: the Bhagavad Gita. [Read more…]

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

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Reviewed by Kevin T. O’Connor

Brown: Poems
by Kevin Young
Knopf, 176pp., $19.29
Harvard Review

In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” shadowed recollections of boyhood, and culminating with “Field Recordings,” somber reflections on the recurring traumas of African American social history. In its progression toward a more experienced vision, this brilliant and moving collection is structured as a coming-of-age chronicle. Young’s poetry on social issues tempers a tragic sense of outrage with a blues-based ethos which, as Young points out in a recent review of Ta-Nehisi Coates’s We Were Eight Years in Power, is “embodied by the likes of the poet Lucille Clifton or Zora Neale Hurston … [and] sees black life as a secret pleasure, or at least sees joy, however hard-earned, as ‘an act of resistance.’” In these poems, the expression of “hard-earned joy” in the face of unspeakable injustice is an ennobling challenge. [Read more…]

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

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Reviewed by Flora Field

Dispatch
by Cameron Awkward-Rich
Persea, 80pp., $12.69
Columbia Journal

In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the intersection of so many systems of violence? How does that violence surround and move through the body? What does one do to try and move away from it, while not moving away from their communities? [Read more…]

The Lynching

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by Thylias Moss

They should have slept, would have
but had to fight the darkness, had
to build a fire and bathe a man in
flames. No

other soap’s as good when
the dirt is the skin. Black since
birth, burnt by birth. His father
is not in heaven. No parent

[Read more…]