It’s easy enough to slap the #MeToo label on Nina Wu (2019) and call it a day. Yes, its titular heroine (a remarkable Wu Ke-Xi, also a co-writer) is an actress brutalized and exploited by a misogynist film industry, and the Taiwanese director, Midi Z, never pulls his punches. Yet this startlingly evocative, complex and confrontational new film is not interested in justice or didacticism. [Read more…]