Riot Material

Art. Word. Thought.

Minoru Yamasaki: Humanist Architecture for a Modernist World

By

Reviewed by Martin Filler

Minoru Yamasaki: Humanist Architecture for a Modernist World
by Dale Allen Gyure
Yale University Press, 283 pp., $65.00
Courtesy of The New York Review of Books

Minoru Yamasaki: Humanist Architecture for a Modernist World

Now that I’m about to turn seventy I finally feel able to reveal a shameful secret: I was a teenage Yamasaki addict. I have no good excuse for why I got hooked, but Minoru Yamasaki was the first contemporary architect who entranced me. I had already begun my architectural self-education with the early writings of Ada Louise Huxtable in The New York Times, where in 1962 she praised the plans for Yamasaki’s Robertson Hall of 1961–1965 (home of Princeton University’s Woodrow Wilson School of Public and International Affairs) for the way in which “Greco-Roman and Far Eastern influences blend in a series of slender classic columns of Oriental lightness, in a top floor suggesting the cornice of a temple, and in a reflecting pool” and for how “the undertones of the past emerge subtly in a quite advanced and experimental construction.” I thought it was wonderful, too. So much so that as editor-in-chief of my high school yearbook, I dragged the baffled members of the National Honor Society fifty miles northeast from our unphotogenic hometown of Camden, New Jersey, to have a group picture taken with us lined up along the white quartzite colonnade of Yamasaki’s newly completed Princeton Parthenon. [Read more…]

Twelve Ways Of Looking At Frank Lloyd Wright

By

by Martin Filler

In his New York Review of Books commentary, excerpted below, Martin Filler speaks to the wealth of new material out on Frank Lloyd Wright, including two current exhibitions and four new books. You can read the full review in the August 17 issue, or read it on site at nybooks.com

1.

Few things are more satisfying in the arts than unjustly forgotten figures at last accorded a rightful place in the canon, as has happened in recent decades with such neglected but worthy twentieth-century architects as the Slovenian Jože Plečnik, the Austrian Margarete Schütte-Lihotzky, the Austrian-Swedish Josef Frank, and the Italian-Brazilian Lina Bo Bardi, among others. Then there are the perennially celebrated artists who are so important that they must be presented anew to each successive generation, a daunting task for museums, especially encyclopedic ones that are expected to revisit the major masters over and over again while finding fresh reasons for their relevance. [Read more…]

The World Trade Center’s Grand Architectural Failure

By

In his commentary preceding a review of three new books in The New York Review of Books, excerpted below, Martin Filler speaks to a failure of imagination and architecture at Manhattan’s Ground Zero. You can read the full review in the March 9 issue, or read it on site at nybooks.com

by Martin Filler

No urban design project in modern American experience has aroused such high expectations and intense scrutiny as the rebuilding of the World Trade Center site in New York City. It has taken fifteen years since the terrorist assault of September 11, 2001, for the principal structures of this sixteen-acre parcel in Lower Manhattan to be completed. In a field where time is money in a very direct sense (because of interest payments on the vast sums borrowed to finance big construction schemes), such a long gestation period usually signifies not judicious deliberation on the part of planners, developers, designers, engineers, and contractors, but rather economic, political, or bureaucratic problems that can impede a speedy and cost-efficient conclusion. [Read more…]