When a historical nightmare occurs it can distort every facet of society, in particular the arts. Artistic expression is molded by the tides of events. If a society goes completely mad, its artistic processes will be a reflection of the disease. This is ever so evident in the evolution of fascist societies. Rüdiger Suchsland’s brilliant, unnerving yet captivating new documentary, Hitler’s Hollywood, is a work of dark reverie and critical study. It challenges the viewer to ponder the very meaning of the word “beauty,” and to wonder in disturbed awe if fascism can indeed produce beautiful works. Moments in this documentary are indeed so luminous that the spectator cannot help but drink in the imagery, even if we are aware that it is all merely a veil for horrors. [Read more…]
The City as an Abyss of Dreams: Michael Chrisoulakis’s Los Angeles Overnight
Los Angeles. The city is damned and neon-lit, devourer of the modern-day wanderer in search of gold and social stability, like some hip reincarnation of the Conquistadors. Pauline Kael once wrote that L.A. is the city “where people have given in to the beauty that always looks unreal.” This is ever so true about those glassy-eyed souls who leave home to settle into this pitiless city to make a dream reality, or at least come close to touching it. Director Michael Chrisoulakis’s Los Angeles Overnight is a true and raw portrait of the spirit of LA, even if the film masquerades as an engaging dark comedy—which it no less is. Flirting with surrealism, this low-budget film moves with an immersive energy and a dark heart. It takes the romanticized image of the struggling artist trying to get a call back and twists it back into its true self, full of despair and willing to indulge in the criminal netherworld. [Read more…]
Night Falls On Caroline Walker’s Sunset
at Anat Ebgi, Los Angeles (Through March 10, 2018)
Reviewed by Emily Nimptsch
With its twinkling city lights in the distance, seductive glow of the illuminated swimming pool below, and sumptuous sheen of the satin nightgown worn by the seated woman in the foreground, the painting Tinseltown (2017) and all of the other works on display in Sunset — the debut exhibition from London-based figurative painter Caroline Walker’s at Anat Ebgi — delight the eye and highlight the lavish lifestyle of a chic, mature woman living in the Hollywood Hills. Through the twelve oil paintings and works on paper displayed here, she is depicted lounging in the pool, trying on clothes and brunching at the famed Beverly Hills Hotel. Although this David Hockney-esque realm of fantastical wealth and luxury is enviable, one cannot help but feel a twinge of sadness hanging in the air. Perhaps this melancholy stems from the fact that she is all alone. Ultimately, Sunset takes the viewer on a tour of the most glamourous haunts of Hollywood’s rich and famous while simultaneously revealing this woman’s most private thoughts and desires. [Read more…]
An Interview With Pirates of Somalia Director Bryan Buckley
Based on the writings and adventures of best selling journalist Jay Bahadur, Pirates of Somalia is an enthralling ride into the reality of Somalia’s pirates, seen from the shores of a nation pillaged by foreign corporations. This film is a far cry from the dichotomies of Captain Philips and the media’s ennobling of Americans in stark contrast to the barbarism of the Somalis. [Read more…]
Charles Garabedian and His Contemporaries
at LA LOUVER, Los Angeles
Reviewed by Nancy Kay Turner
Charles Garabedian and His Contemporaries brings together a veritable Who’s Who of Southern California art stars, including Ed Moses, John Altoon, William Brice, John Mc Cracken, Tony Berlant, Robert Heinecken, John Chamberlain, Robert Irwin, Richard Diebenkorn, John McLaughlin, Vija Celmins, Don Suggs, Larry Bell, Sam Francis and Tom Wudl. It’s the dizzying equivalent of an art world “Greatest Hits” album, with the “A” side all Charles Garabedian (who died in 2016). A dozen of his paintings on paper and canvas, all looking as fresh as the day they were painted, range from 1966-2012. Garabedian’s work, though often playful, is beguiling and challenging with its dense literary and mythological allusions. [Read more…]
Remarkable Banality: The Teasing Opacity of Jack Hoyer
May Be Seen Moskowitz Bayse Gallery, Los Angeles Reviewed by Christopher Michno
Loosely speaking, Jack Hoyer is a painter of landscapes. May Be Seen, his debut exhibition at Moskowitz Bayse in Hollywood, expresses the hallmarks of modern landscape painting, identified by some historians as beginning with Gustave Courbet: eschewing romanticism in favor of empiricism and the conveyance of inner states of mind. Strictly speaking, only three of his seven oil-on-linen paintings are landscapes; the other four are scenes – places in Los Angeles, or unremarkable locations chosen by the artist on lengthy road trips – that include concrete, buildings and infrastructure. [Read more…]