You’ve never seen anything quite like Sorry to Bother You. The provocative feature debut of rapper-turned-writer/director Boots Riley tackles race and capitalism with a ferocious and fantastical sense of humor that will have audiences alternately gasping and scream-laughing. [Read more…]
Archives for April 2018
Recent Work From Mary Jane Coles: “Darkside”
Experimental Electronica From Ghost Culture: “Coma”
Elektra, An Opera In One Act
by Richard Strauss and Hugo von Hofmannsthal
at Metropolitan Opera, New York City
Reviewed by Donald Lindeman
Pity the legendary royal families of ancient Greece. Their stories, so incredibly complex, rarely end well. Blood feuds abound, and seldom are they fully resolved. Richard Strauss’ and Hugo von Hofmannsthal’s opera, Elektra, debuted in Dresden in 1909, bringing Sophocles’ account of the Argive house of Agamemnon to a modern iteration. In ancient Athens, everyone would have known the story of Electra before they’d even seen Sophocles’ telling of it. [Read more…]
Maiden Voyage at Tale’s End: Denis Johnson’s Final Masterwork
The Largesse of the Sea Maiden
Reviewed by John Biscello
The Largesse of the Sea Maiden: Stories
Random House, 224 pp., $27.00
Picture the sibilant music of blood-red sand shifting from one bulbous half of the hourglass to the other. Or black-and-white film footage, bearing a scarred geography of squiggles and motes and hyphens, bleaching a darkened room in a ghostly light. Picture the slow and deliberate turning of calcified pages in a vinyl photo album, which provides evidence of the people you were, the friends you had, the family you loved, and hated and loved again. Any one of these notions, or those of a similar ilk, could serve as the tonal prelude, the lo-fi trailer, to Denis Johnson’s collection of stories, The Largesse of the Sea Maiden, completed just before his death. [Read more…]
Though Flawed, The Field Guide To Evil Is A Must-See For True Horror Fans
Among my most anticipated films at the SXSW Conference was The Field Guide to Evil. The film festival section of SXSW tends to boast stellar horror in their Midnighters slate. But this title, in particular, stood out, packing together filmmakers responsible for some of the most inventive, darkly funny, and deeply twisted debuts in the past decade. Austrian writer/directors Veronika Franz and Severin Fiala teamed up for the electrifying Goodnight Mommy, a psychological thriller about twin boys who suspect their mother is not what she seems. Polish helmer Agnieszka Smoczynska directed the trippy and feral horror-musical The Lure, which centers on a pair of man-eating mermaids who become a cabaret sensation. And these were just three of the talents asked to make horror shorts for this tantalizing title! [Read more…]