I’m still disappointed that I missed out on Osgood Perkins’ directorial debut February (now retitled The Blackcoat’s Daughter) at last year’s TIFF. Bloody Disgusting raved about the Emma Roberts film, naming it one of the best films of the year. So I knew that this year I had to check out Perkins’ sophomore effort, I Am the Pretty Thing That Lives in the House (2016).
The new film is a slow-burn haunted house story that’s a little reminiscent of The Others. Unlike other recent ghost films, Perkins eschews CGI completely, opting to use lingering off-centered static shots, silence and an unsettling soundtrack to create a moody, atmospheric tone. To suggest that the film is languid is an understatement. Perkins is less interested in a conventional narrative than he is in enveloping the audience in the timeless world filled with mystery novels, endless routine and constant ethereal banging on the walls. [Read more…]