by Amadour
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Artist Naama Tsabar is like a scribe reauthoring the hypermasculine skit of the rockstar breaking the guitar. Instead of continuing this canon of destruction, she pieces together broken instruments to interact with others and develop new sounds. In line with her recent exhibition, Breaks and Suspensions, at Shulamit Nazarian Gallery in Los Angeles, Tsabar reveals the motive behind her prescient sonic projects and the foundations that led to her sculptural direction. At Dvir Gallery in Paris, the artist is also opening an exhibition, titled Layers and Formations, which will begin with a new performance written on the works for her Los Angeles show.