Celestial Bodies
by Jokha Alharthi, translated from the Arabic by Marilyn Booth
Catapult, 243 pp., $16.95 (paper)
Review courtesy of The New York Review of Books
In an engrossing book published last spring called Meander, Spiral, Explode: Design and Pattern in Narrative, the Australian writer Jane Alison makes a trenchant observation about the “dramatic arc” long considered the foundation for plot. Swelling to a climax and then deflating, it resembles nothing so much as a phallus: “Bit masculo-sexual, no?” Alison’s book offers alternative possibilities for fiction based on patterns found in nature, such as the spirals of fiddlehead ferns, seashells, or whirlpools; the meandering path of a river; the radiating shape of a flower; the self-replication of trees or clouds; or the cells in a honeycomb. These structures aren’t necessarily feminine—as it happens, Alison’s investigation of them is inspired by her reading of W.G. Sebald’s The Emigrants, a work of fiction written by a man with predominantly male characters. But if the dramatic arc has often been associated with the “hero’s journey” model of fiction writing (a lone man goes off on a quest to conquer something), it stands to reason that a novel centered on the stories of women—often communal, connected, operating on many layers—might best be served by a different narrative form. [Read more…]