Riot Material

Art. Word. Thought.

The View Into Your Already Awakened Mind

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In his new book, Entering the Mind, C von Hassett takes us luminously into the life-affirming, heart-awakening, consciousness-altering terrains of mind in its natural state, where he shows us how to recognize this already Awakened state within ourselves, then realize it through holistic, wholly committed practice. Below is a chapter excerpt from Entering the Mind.

Entering the Mind
by C von Hassett
Waterside Productions, 173pp., $12.95

The View

There is a road leading into the Grand Canyon, Highway 64, that takes you straight into the heart of some of the most magnificent views on the planet. They are literally breathtaking, these views, looking out as they do on both space and split plateaus that plunge deep through the earth and through stratas of time into the Río Colorado below. One could say these views are to die for, for they deliver you headlong into the contemplation of your own imminent death. This contemplation isn’t necessarily a philosophical one, though it can certainly be that as well. Rather, it is one which is immediate and visceral and borne entirely of a fall, for you cannot look over the edge of the Grand Canyon without considering your own fall into that great abyss of emptiness. It is this very abyss which gives rise to the canyon’s ineffable beauty, as well as highlighting by way of counterpoint the sheer sanctity of the riven land. [Read more…]

The Boundary Stone

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The Boundary Stone
by C von Hassett

PURCHASE
.

Nothing of you but breakage,
scattered bone, a length of which
I lift.

Black, charred, one with all else, 

its drippings run with light,
its marrows the fats of luminous night…
.

And so begins The Boundary Stone.

The Boundary Stone, by C von Hassett (Front cover)

[Read more…]

Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo

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Fifty years after the publication of Fear and Loathing in Las Vegas, and more than a decade after his death, Hunter S. Thompson’s celebrity continues to obscure his literary achievement. Savage Journey refocuses our understanding of that achievement by mapping Thompson’s influences, probing the development of his signature style, and tracing the reception of his major works. It concludes that Thompson was not only a gifted journalist, satirist, and media critic, but also the most distinctive American voice in the second half of the twentieth century. —The University of California Press 

Below is an excerpt from Savage Journey.

Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo
by Peter Richardson
University of California Press, 296pp., $27.95

During the mid-1970s, Hunter S. Thompson was a central figure at Rolling Stone magazine. Although he did not write about music, he was its most popular contributor, and Abe Peck observed his primacy at close range. After editing an underground newspaper in Chicago, Peck worked for Rolling Stone in the mid-1970s and later taught journalism at Northwestern University. In his estimation, Rolling Stone was one of the most important American magazines of its era, and Thompson defined its nonmusical voice during the 1970s. In particular, Thompson linked readers to their youthful iconoclasm even as their tastes changed. “He kept the sparks flying when the readership was starting to settle down,” Peck said. As he did so, Thompson turned his growing renown to advantage. He began to lecture on college campuses, and though the work was easy and lucrative, he never enjoyed it. Rather than delivering speeches, Thompson limited himself to answering questions, which were often submitted in advance. Sensing that audiences were drawn to his alter ego, Raoul Duke, he played that role onstage. That approach, one of his friends noted, had the added benefit of masking Thompson’s shyness in public. [Read more…]

“The Opposite of Literature:” Mary McCarthy’s Feb. ’63 Review of Naked Lunch

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From the inaugural print edition of The New York Review of Books
In remembrance of Jason Epstein, originator and co-founder of NYRB
RIP 1928-2022

by Mary McCarthy

Naked Lunch 
by William S. Burroughs
Grove Press, 304pp., $14.49

“You can cut into The Naked Lunch at any intersection point,” says Burroughs, suiting the action to the word, in “an atrophied preface” he appends as a tail-piece. His book, he means, is like a neighborhood movie with continuous showings that you can drop into whenever you please—you don’t have to wait for the beginning of the feature picture. Or like a worm that you can chop up into sections each of which wriggles off as an independent worm. Or a nine-lived cat. Or a cancer. He is fond of the word “mosaic,” especially in its scientific sense of a plant-mottling caused by a virus, and his Muse (see etymology of “mosaic”) is interested in organic processes of multiplication and duplication. [Read more…]

Remembered and Remade: James Castle’s Conjurings of Mind

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James Castle at David Zwirner, NYC (through 12 February 2022)
by Andrew Martin

James Castle: Memory Palace
John Beardsley
Yale University Press, 280pp., $65.00
NYR

Every James Castle picture seems to contain a secret. Approaching one of his works for the first time, you peer into pockets of shadow and smudge, examining the depopulated landscapes and interiors for explanations. Here, an empty rural road, with telephone poles standing like sentries at precise intervals, stretching to the drawing’s vanishing point; there, a cryptic attic space with a yawning doorway, captured on disintegrating paper that is then stitched to cardboard backing with red string. A series of drawings from multiple angles depicts the walls of an unloved upstairs bedroom, which seem to be shadowed by cage-like patterns hovering behind the brooding furniture arranged haphazardly around the space. Another piece shows two empty blue coats standing upright in front of a farmhouse next to an overturned bottle, a spiritual cousin of American Gothic. Even after repeated viewings and an immersion in Castle’s sprawling, insular oeuvre, these works refuse to yield their intentions. Their power lies in their ability to remain in one’s mind like half-remembered dreams. [Read more…]

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

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An excerpt from a new book which examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. —The University of Chicago Press

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction
by Steven Ruszczycky
University of Chicago Press, 216pp., $30.00

In the United States in the mid-1960s, a case came before the Supreme Court, one intended to settle the question of obscenity addressed by the famous Roth decision of 1957. The nine quarrelsome old men now came to the conclusion that obscenity required a work to be utterly without any redeeming social value. Whammo! There was a thoughtful pause whilst the country digested that—and came to the conclusion that of course there was a revelatory and redeeming social value to even the lousiest suckee-fuckee books. The gates were opened. The flood began. Suddenly all the old four-letter words (and some new ones) appeared in print, almost overnight. Publishers no longer had to write prefatory notes condemning what they were printing; they could merely suggest the social significance of erotica, and lo! all was satisfied. The court’s decision had more holes in it than a colander, and publishing houses sprang up like mushrooms after rain.

In the passage above, pornographer, tattoo artist, and erstwhile literature professor Samuel Steward reflects on a moment whose import for our understanding of gay literary fiction, pornography, and print culture has been largely underappreciated. Steward has in mind the rapid attenuation of US obscenity law at midcentury, when the state’s waning interest in censoring sexually explicit media led to a remarkable change in the kinds of texts available to a general readership.  [Read more…]

Seizing the Snowmelt: Industrial Agriculture is Draining Our State Dry

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by Mark Arax

The Dreamt Land: Chasing Water and Dust Across California
by Mark Arax
Knopf, 576pp., $25.00
MITTR

The wind finally blew the other way last night and kicked out the smoke from the burning Sierra. Down here in the flatland of California, we used to regard the granite mountain as a place apart, our getaway. But the distance is no more. With all those dead pine trees in thrall to wildfire, the Sierra, transmuted into ash, is right outside our door. 

We have learned to watch the sky with an uncanny eye. We measure its peril. Some days, we breathe the worst air in the world. On those few days when we can walk outside without risking harm to our lungs and brains, we greet each other with new benedictions. May the shift in winds prevail, I tell my neighbor. May there be only the dust clouds from the almond harvest to contend with. In the meantime, I don’t dare quiet the turbo on my HEPA filters, hum of this new life.  [Read more…]

The Looming Catastrophe Few in California Are Aware Of (or in Want to Address)

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An excerpt from Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent it, by Tom Philpott.

THE FLOOD NEXT TIME

In November 1860, a young scientist from upstate New York named William Brewer disembarked in San Francisco after a long journey that took him from New York City through Panama and then north along the Pacific coast. “The weather is perfectly heavenly,” he enthused in a letter to his brother back east. “They say this is a fair specimen of winter here, yet the weather is very like the finest of our Indian summer, only not so smoky-warm, balmy, not hot, clear, bracing.” The fast-growing metropolis was already revealing its charms: “large streets, magnificent buildings of brick, and many even of granite, built in a substantial manner, give a look of much greater age than the city has.” He described San Francisco as a kind of gorgeous urban garden, graced by “many flowers we [northeasterners] see only in house cultivations: various kinds of geraniums growing of immense size, dew plant growing like a weed, acacia, fuchsia, etc. growing in the open air.” [Read more…]

Precontact California Indians: Their Life Prior to Genocide

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An excerpt from the first chapter of An American Genocide: The United States and the California Indian Catastrophe, by Benjamin Madley.

CALIFORNIA INDIANS BEFORE 1846

Within a few days, eleven little babies of this mission, one after the other, took their flight to heaven.
-Fray Junipero Serra, 1774

We were always trembling with fear of the lash.
– Lorenzo Asisara (Costanoan), 1890

In the centuries before Europeans arrived, California Indians inhabited a world different from the California we know today. Rivers ran undammed to the Pacific, man-made lakes like the Salton Sea and Lake Shasta had yet to be imagined, and vast wetlands bordered many rivers and bays. Other bodies of water were far larger than they are today. Eastern California’s now mostly dry Owens Lake covered more than 100 square miles, San Francisco Bay was almost a third larger, and the San Joaquin Valley’s now vanished Tulare Lake was the largest body of fresh water west of the Mississippi. [Read more…]

Maria Lassnig: The Paris Years, 1960–68

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at Petzel Gallery, New York City
Reviewed by James Quandt

Maria Lassnig: Film Works
edited by Eszter Kondor, Michael Loebenstein, Peter Pakesch, and Hans Werner Poschauko
FilmmuseumSynemaPublikationen, 189 pp., $35.00
NYRB

Many female artists — most recently Carmen Herrera, Faith Ringgold, and Lorraine O’Grady — have had to wait a lifetime to be accorded the recognition of a major museum retrospective. The Austrian painter and filmmaker Maria Lassnig abided many decades of curatorial slights and oversights before being granted one at the Serpentine Gallery in London in 2008, six years before her death at the age of ninety-four. Astonished by the revelation of Lassnig’s extreme paintings, with their sometimes bilious palettes and gleeful emphasis on aged, corpulent, and deliquescing flesh, The Guardian’s reviewer, Laura Cumming, proclaimed, “Maria Lassnig is the discovery of the year—of the century.” [Read more…]

A Grid Gone Wholly Off in My Monticello

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Reviewed by Bridgett M. Davis

My Monticello
By Jocelyn Nicole Johnson
Henry Holt & Company, 210 pp., $13.49
NYT

In the essay “The Site of Memory,” Toni Morrison described the crafting of her fictional worlds as a quest to access the interior lives of her ancestors. “It’s a kind of literary archeology,” she explained. “On the basis of some information and a little bit of guesswork you journey to a site to see what remains were left behind and to reconstruct the world that these remains imply.” [Read more…]

The Web of Mind Throughout Our Earth

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Reviewed by Zoë Schlanger

Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures
by Merlin Sheldrake
Random House, 352 pp., $28.00; $15.48
NYRB

Imagine that you are afloat on your back in the sea. You have some sense of its vast, unknowable depths—worlds of life are surely darting about beneath you. Now imagine lying in a field, or on the forest floor. The same applies, though we rarely think of it: the dirt beneath you, whether a mile or a foot deep, is teeming with more organisms than researchers can quantify. Their best guess is that there are as many as one billion microbes in a single teaspoon of soil. Plant roots plunge and swerve like superhighways with an infinite number of on-ramps. And everywhere there are probing fungi. [Read more…]

Drugs Amongst Other Adult Liberties

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Reviewed by Mike Jay

Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear
by Dr. Carl L. Hart
Penguin Press, 290 pp., $16.94
NYRB

The modern meaning of “drugs” is of surprisingly recent origin. Until the twentieth century, the word referred to all medications (as it still does in “drugstore”); it was only around 1900 that it developed a more specialized meaning, uniting what had previously been a disparate group of pharmaceutical products, chemicals used in medical research, and herbal intoxicants. Initially, this new usage of “drugs” referred to toxic and addictive substances that were to be taken only under the direction of a physician. Once the trade in these substances was criminalized in the early twentieth century, the word connoted illegality. [Read more…]

Against White Feminism: Notes on Disruption

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An excerpt from a new book W. W. Norton calls “a radically inclusive, intersectional, and transnational approach to the fight for women’s rights.” 

Against White Feminism: Notes on Disruption
by Rafia Zakaria
W. W. Norton, 256pp., $23.95

There is an important distinction between what Nancy Fraser calls “affirmative change” and actual transformational change. The former is perfunctory, form-filling, intended to silence and appease; the latter requires the dissolution of underlying structures and hierarchies for a complete reformulation. Whether it is the National Organization of Women or an organization like Amnesty International USA (AIUSA) or even the Women’s March, all require transformational change. This means reconsidering everything, from the way meetings are organized and conference calls are set up to the way public demonstrations are organized. The go-to for most organizations, sadly, is affirmative change: the installation of a Black woman at the top or the creation of a committee to look into “diversity” (AIUSA convened many of these, fostering the impression that something was being done, when all that was done was to establish another committee whose findings would not be available for months and sometimes years). [Read more…]

Howls of Grief for the Life Bleeding Out: Harrow, by Joy Williams

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Reviewed by Justin Taylor

Harrow: A Novel
by Joy Williams
Knopf, 224pp., $22.99
Bookforum

I drove across the Everglades in May. I had originally planned to take Alligator Alley, but someone tipped me off that, in the twenty years since I left South Florida, the historically wild and lonesome stretch of road had been fully incorporated into I-75, turned into a standard highway corridor with tall concrete walls on both sides, designed to keep the traffic noise in and the alligators out. So on the drive west from Boynton Beach, I took the northern route, skirting along the bottom of Lake Okeechobee through new subdivisions and past a succession of sugar plantations, the horizon pillared with smoke from the farmers burning cane. Small towns where the only signs of life are dollar stores. Roadside billboards sponsored by the US Sugar Corporation insist that “the air out here is cleaner than congested urban areas.” [Read more…]

‘Aliveness Made True of Blackness’ in Caleb Azumah Nelson’s Open Water

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Reviewed by Yagnishsing Dawoor

Open Water
by Caleb Azumah Nelson 
Grove Atlantic, 160pp., $12.10
ORB

The killing of George Floyd at the hands of Minneapolis police officers quickly spawned a soundscape dominated by grief, despair and anger. Song after song released by Black musicians all over the world thematised antiblack violence, indexing Blackness to death. “Black Parade,” Beyoncé’s joyous love letter to Black culture, stands out as an exception to this trend. Dropped on Juneteenth, the song came with a message addressed to Beyoncé’s Black fans that privileged not the terms of death, but of being alive. ‘Being Black is your activism,’ the singer wrote on her website, ‘Black excellence is a form of protest. Black joy is your right’. [Read more…]

Sting in the Tale: Art, Hoax and Provocation

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by Antoinette LaFarge

Sting in the Tale: Art, Hoax and Provocation
DoppelHouse Press, 432pp., $49.95

Introduction [excerpt]

It matters what stories we tell to tell other
 stories with.… It matters what stories
make worlds, what worlds make stories.
—Donna Haraway, “SF: Science Fiction, Speculative
Fabulation, String Figures, So Far”

It sometimes seems that we live in an era of ubiquitous fakery. Indeed, there is now an entire vocabulary to encompass shades of deception that leave the propaganda and disinformation of past generations in the dust. Now we live with fake memoirs and deepfake videos, catfishing and sockpuppetry on social networks, astroturfing (fake grassroots efforts), and an entire rainbow of washings: whitewashing, greenwashing, purple, red, pink. In the realm of film and video alone we find docufiction, docudrama, pseudo-documentary, fake-fiction, mockumentary, and reality-TV parsing out differences in the compounding of truth and fiction that sometimes seem almost too subtle to grasp. Accompanying this shift from the early information age to our current “infocalypse” era of rampant misinformation, a form of art has emerged that likewise traffics in deception, placing itself right at this potent junction where fiction and fact make contact. But instead of following the current pressure to choose sides—especially, to choose the moral high ground of fact and truth as a bulwark against a tide of “lying liars”—there is a group of artists who take a different path, one that confounds fact and fiction in complicated ways. One that indeed celebrates a state in which the two cannot be simply or securely separated into opposing camps. [Read more…]

The Sorcerer’s Apprentice Provokes an Imp

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Review by James McWilliams

Breath Like the Wind at Dawn
by Devin Jacobsen
Sagging Meniscus Press, 200 pp., $16.80

One doesn’t really enjoy a novel with a protagonist whose distinguishing feature is a passion for watching people take their last breath. And given that these last gasps are not gentle expirations after a life well lived but rather throat throttles at the hands of the protagonist, well, let’s just say Breath Like the Wind at Dawn is not what anyone would call a lyrical, feel-good novel. It’s safe to say it did not make any “summer must read” lists.  [Read more…]

The Beautiful and the Damned: Yelena Moskovich’s A Door Behind A Door

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Reviewed by John Biscello

A Door Behind A Door
by Yelena Moskovich
Two Dollar Radio, 188 pp., $16.99

In the afterlife
You could be headed for the serious strife
Now you make the scene all day
But tomorrow there’ll be Hell to pay
—The Squirrel Nut Zippers, “Hell”

Look out there. In the distance, toward the horizon. Can you see it? More importantly, can you feel it? A solitary rowboat adrift at sea, the waves like scallop-fringed wraiths from a Japanese woodblock beginning to gather around it, and the individual in that boat, brave and terrified and lost and found all at once, continues what has been called the “awful rowing toward God.” Here, now, comes the soundtrack, as if the silver linings in clouds host angels porcelain voices: Row row row your boat / Gently down the stream / Merrily merrily merrily merrily / Life is a but a dream. Or nightmare. Track #2 is is the remix of another cheery children’s tune: The wheels on the bus go round and round, round and round, round and round…. Will the wheels ever stop? What kind of bus is this? Is there a way to get off? Where is it going, really? And the bus driver, with the missing eye and wax-slicked moustache and non-existent lips, why doesn’t he ever say a word? Just leers into the rearview from time to time, where you can’t tell if his one good eye is full of malice or mischief or both. These, and other liminally hazardous forms of travel, constitute the transit inner-verse as constructed by Yelena Moskovich. [Read more…]