45 years ago, Jackie Shane, a 1960’s transgender soulstress, walked away not only from her career but from the public spotlight, not to be heard from again. Until now. A reluctant Ms. Shane is back with a two-disc retrospective titled Any Other Way, set to be released on October 20. Below is the title track from the new release, as well as an electrifying performance of Shane singing “Walking the Dog,” from 1965:
King Krule’s (aka Archy Marshall) new single, Dum Surfer, “is about as demonic as [things] can get. [Krule’s] voice, especially, is so tart and poisonous, that it’ll surely pucker one’s face. It’s as if in preparation for The Ooz [Krule’s new album] he was eating a box of nails and puffing at a pack of cigarettes every single day to get his vocals just right. The violent, bodily imagery of his lyrics, perfectly match this acerbic mood: he sings about his brains resembling “potato mash” and puking on a sidewalk. His backing band adds a dash of color to this bleak picture, with slinky guitar riffs and wiggly saxophone. In spite of all the doom and gloom, Marshall and his band have an innate groove. The accompanying music video breathes life in the sickly world Marshall imagines.” — Pitchfork Magazine
by Aphrohead & Clarian
The legendary Glen Campbell died today at age 81 following a long battle with Alzheimer’s disease. He will be missed.
Here he is on an old TNN special with a room full of country music legends, including Waylon Jennings, Willie Nelson, Roy Clarke, Chet Aikins, Ray Stevens, Tammy Wynette and Crystal Gayle:
In their review of Happy Juice, all⋅about⋅jazz says “This album, once again, reminds us that Jon Davis remains one of the most important voices in the Posi-Tone stable and one of the most underappreciated pianists out there.” Audiophile Audition says “Davis’ compositions draw on rhythm complexities . . . the piano runs are intriguing, reminiscent of the unbridled freedom of the era of jazz explored on this album.” Listen to the title track below:
The Start Of Your Ending (41st Side)
Can’t Get Enough Of It
Though New York for years has had an inspiringly lively and progressive jazz scene, Kamasi Washington, approaching the American cultural front, is singlehandedly making the form relevant once more. His forthcoming EP, Harmony of Difference, currently (and exclusively heard) in its own room at the Whitney, will surely set the stage for the long in coming Jazz Renaissance.
Hands down the best collaborative work at this year’s Biennial, and in fact the single best piece in the exhibition (no diss on an otherwise excellent affair, particularly floor 6), is Washington’s stellar “Truth” and the equally affecting film in accompaniment, Harmony of Difference, written and directed by AG Rojas.