Contributors

Milton’s Quotidian Paradise, Lost

By Catherine Nicholson Katie Kadue: Domestic Georgic: Labors of Preservation from Rabelais to Milton Timothy M. Harrison: Coming To: Consciousness and Natality in Early Modern England Nicholas McDowell: Poet of Revolution: The Making of John Milton Joe Moshenska: Making Darkness Light: A Life of John Milton NYRB Of the many liberties John Milton took in writing Paradise Lost, his 1667 epic […]

Riot Material Speaks with Artist Joeun Kim Aatchim

JOEUN KIM AATCHIM 사자굴 [SAJAGUL] — THEN, OUT OF THE DEN at MAKE ROOM LOS ANGELES (through June 4th 2022) Rachel Reid Wilkie: There seems to be a shamanistic quality to your work. You summon your family members into the architectural space of your paintings and beckon them to dream with you, as a collective consciousness, as […]

Foucault in Warsaw and the Shapeless, Shaping Gaze of the Surveillance State

Reviewed by Marcel Radosław Garboś Foucault in Warsaw by Remigiusz Ryziński translated by Sean Gasper Bye Open Letter Books, 220pp., $15.95 Harvard Review Since Poland’s state socialist system collapsed in 1989, the records of its police agencies and security services have gone to a government commission entrusted with the “prosecution of crimes against the Polish […]

In Full Surrender to the Wylie Eye

Rose Wylie: Which One, at David Zwirner, NYC (through 12 June) Reviewed by David Salle Rose Wylie: Which One by Rose Wylie; with Barry Schwabsky, Judith Bernstein, and Hans Ulrich Obrist David Zwirner Books, 196pp., $75.00 NYRB Rose Wylie, who is now eighty-seven, has been painting in the same rural studio in Kent, England, since […]

The Supremely Humanistic Hand of Julian Schnabel

For Esmé – With Love and Squalor, at Pace Gallery, Los Angeles (through 21 May 2022) Reviewed by Eve Wood How does one represent, let alone quantify hope, hate, grief, love, joy, tragedy, or anything, for that matter, which stands in opposition to something else? Throughout his illustrious career, Julian Schnabel has always been one to […]

Beyond the Canonical Cube: Whitney Biennial’s Quiet As It’s Kept Sings

at Whitney Museum of American Art, Curated by David Breslin and Adrienne Edwards (6 April – 5 September 2022) Reviewed by Jill Conner Throughout Quiet As It’s Kept, the Whitney Museum of American Art has finally reached beyond the limitations of the white cube in order to bring 63 artists and collectives together in what has resulted […]

In Studio With Pavel Kraus

by Jill Conner There is usually nothing to say in the wake of violent conflict. The history of forms is bound to the dynamic of time, as a rendering of thoughts on survival. Perceptions create and deconstruct what one sees and experiences before them. Sometimes essence is all that we are left with, because words […]

Presence as Abstraction, as Beguiling Obfuscation, in the Works of Leon Kossoff

Leon Kossoff: A Life in Painting, at Mitchell-Innes & Nash, NYC (with concurrent exhibitions at LA Louver in Los Angeles, through 9 April 2022, and Annely Juda Fine Art in London) Reviewed by Arabella Hutter von Arx The first painting greeting us in the Mitchell-Innes & Nash exhibition is, aptly, a self portrait. Smaller than […]

The Haunt of One Yet Faintly Present: Noah Davis, Still at Home

Noah Davis, at the Underground Museum, Los Angeles Reviewed by Ricky Amadour Directly across from the entrance, an opening statement to Noah Davis, at the Underground Museum, reads “many of the paintings you are about to see were painted in this space.” Smudges, dribbles, and droplets on the floor embody the physical notion of Davis […]

“Skunk Hour,” by Robert Lowell: A Reflection

by James McWilliams Robert Lowell Life Studies / From the Union Dead Farrar, Straus and Giroux, 176pp In 1958, The Partisan Review published Robert Lowell’s poem “Skunk Hour.” This was a notable moment in American literary history. The poem was closely linked to Lowell’s friendship with Elizabeth Bishop. Reading and re-reading Bishop’s work allowed Lowell […]

The Ephemeral Palace: Alexey Titarenko’s City of Shadows

at Nailya Alexander Gallery Booth, Paris Photo 2021 by Allyn Aglaïa Aumand The Ephemeral Palace . I walked across Paris to the Palais Éphémère to go to Paris Photo. I walked Across Paris, Dense with ghosts. I walked between selves. I walked to the future. I walk. I walked.

The View Into Your Already Awakened Mind

In his new book, Entering the Mind, C von Hassett takes us luminously into the life-affirming, heart-awakening, consciousness-altering terrains of mind in its natural state, where he shows us how to recognize it within ourselves, then realize it through holistic, wholly committed practice. “EtM is a singular accomplishment, remarkable for its clarity as well as its […]

Albert Pinkham Ryder: White Whale of American Art

by Christopher Benfey A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art at New Bedford Whaling Museum, MA NYR “American history is haunted by nightbirds in the nineteenth century,” Lewis Mumford wrote in The Brown Decades, his landmark 1931 study of Gilded Age culture. Chief among these nocturnal artists, for Mumford, was […]

Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo

Fifty years after the publication of Fear and Loathing in Las Vegas, and more than a decade after his death, Hunter S. Thompson’s celebrity continues to obscure his literary achievement. Savage Journey refocuses our understanding of that achievement by mapping Thompson’s influences, probing the development of his signature style, and tracing the reception of his major works. […]

An Interview with Alison Saar

By Ricky Amadour As an indefatigable voice for women of color and the greater human spirit, Alison Saar recomposes fractured histories into multivalent sculptures. Saar curated SeenUNseen, a group exhibition at L.A. Louver Gallery, with a focus on spirit portraiture. Throughout human existence there has been a predilection to the allure of the unseen. Hidden […]

“The Opposite of Literature:” Mary McCarthy’s Feb. ’63 Review of Naked Lunch

From the inaugural print edition of The New York Review of Books In remembrance of Jason Epstein, originator and co-founder of NYRB RIP 1928-2022 by Mary McCarthy Naked Lunch by William S. Burroughs Grove Press, 304pp., $14.49 “You can cut into The Naked Lunch at any intersection point,” says Burroughs, suiting the action to the […]

Remembered and Remade: James Castle’s Conjurings of Mind

James Castle at David Zwirner, NYC (through 12 February 2022) by Andrew Martin James Castle: Memory Palace John Beardsley Yale University Press, 280pp., $65.00 NYR Every James Castle picture seems to contain a secret. Approaching one of his works for the first time, you peer into pockets of shadow and smudge, examining the depopulated landscapes […]

I Am Not Your Cis

by Hypatia The verve of English is under house-arrest by the under-educated: the students of Ivy League universities. They are the standard-bearers — Premium Woke — of our freshly scoured language. Still hallowed as God’s little incubators of future elites, America’s most prestigious universities began their decline in the 1980s. The humanities became a forum for […]

Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction

An excerpt from a new book which examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. —The University of Chicago Press Vulgar Genres: Gay Pornographic Writing and Contemporary Fiction by Steven Ruszczycky University of Chicago Press, 216pp., $30.00 In the United […]

Darkness Made Visible in Hilary Brace’s Drawings and Tapestries

at Craig Krull Gallery, Bergamot Station (through 19 February 2022) Reviewed by Eve Wood The intricacies and inherent beauty of the natural world are rarely celebrated these days, and when artists do turn their attention to the surrounding landscape, the resulting images are usually ones of devastation and chaos — charting the movement of fires, […]

The Tragedy of Macbeth

A film written and directed by Joel Coen Reviewed by James Shapiro NYR Those who have long followed the Coen brothers and their cinematic universe of criminals, nihilists, and overreachers may see in Joel Coen’s The Tragedy of Macbeth (2021) a long-deferred reckoning with Shakespeare, who has been there before them. We don’t typically think of Shakespeare […]

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