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Maiden Voyage at Tale’s End: Denis Johnson’s Final Masterwork

April 5, 2018 By John Biscello

The Largesse of the Sea Maiden
Reviewed by John Biscello

The Largesse of the Sea Maiden: Stories
Random House, 224 pp., $27.00

Picture the sibilant music of blood-red sand shifting from one bulbous half of the hourglass to the other. Or black-and-white film footage, bearing a scarred geography of squiggles and motes and hyphens, bleaching a darkened room in a ghostly light. Picture the slow and deliberate turning of calcified pages in a vinyl photo album, which provides evidence of the people you were, the friends you had, the family you loved, and hated and loved again. Any one of these notions, or those of a similar ilk, could serve as the tonal prelude, the lo-fi trailer, to Denis Johnson’s collection of stories, The Largesse of the Sea Maiden, completed just before his death. [Read more…]

Filed Under: Books, The Line

Strange Music Of Silence: Fernando Pessoa’s Book of Disquiet

February 1, 2018 By John Biscello

Reviewed by John Biscello

“I am me again, exactly as I am not.” — Bernardo Soares, a.k.a. Fernando Pessoa

“Abandon hope all ye who enter here.” — Dante

If the Portugese writer, Fernando Pessoa, would not have existed, he would have created himself, if only to negate and deconstruct the existence of a writer named Fernando Pessoa. As an invisible spokesperson for identity crisis, and forger of multiplicities, Pessoa had up to 136 alter-egos, what he called his “heteronyms,” about which he said, “They are beings with a sort-of-life-of-their-own, with feelings I do not have, and opinions I do not accept. While their writings are not mine, they do also happen to be mine.” These heteronyms existed in a Pessoa-spawned universe in which their lives sometimes overlapped, i.e., the criticism and translation of one-another’s work, and it wasn’t until 1982 that the bible of that universe, The Book of Disquiet, was first published. Originating as a fragmentary series of impressions, speculations, reveries, distillations and dream-speak, Pessoa’s unending work-in-progress was unified into the book he one day hoped it would become…forty-seven years after his death. Which makes a passage like this one all the more achingly poignant: “I sometimes think with sad pleasure that if, one day in a future to which I will not belong, these sentences I write should meet with praise, I will at last have found people who ‘understand’ me, my own people, a real family to be born into and to be loved by. But far from being born into that family, I will have been long dead by then. I will be understood only in effigy, and then affection can no longer compensate the dead person for the lack of love he felt when alive.” [Read more…]

Filed Under: Books, The Line

Charles Bukowski’s Storm for the Living and the Dead

December 7, 2017 By John Biscello

A New Volume Of Uncollected And Unpublished Poems
Reviewed by John Biscello

“Baby . . . I’m a genius but nobody knows it but me.” — Bukowski, Factotum

As a bottom-feeding, hardscrabble Walt Whitman, Bukowski sang of himself, incessantly, with a volcanic chip on his shoulder. He was determined to be heard, recognized, affirmed—Charles Bukowski Wuz Here stamped on Eternity’s forehead. He coerced you to see life as a cruel and dirty joke that he was in on, and often felt himself to be the butt of, and he would play the page like a blowsy stand-up comedian with too much acid in his diet. He was a living room Pulcinella with a beer-gut, a literary W.C. Fields tossing water balloons and Molotov cocktails with sardonic glee.  [Read more…]

Filed Under: Books, Fiction, The Line

Gathered Crumbs From A Lost Cake

September 21, 2017 By John Biscello

A Review of Elizabeth Ellen’s Person/a
by John Biscello

I

In the 2004 film, The Libertine, Johnny Depp, playing the Earl of Rochester, delivers an acidic opening monologue, which begins, “Allow me to be frank at the commencement, you will not like me. The gentlemen will be envious and the ladies will be repelled. You will not like me now and you will like me a good deal less as you go on.”

The ego, as a mouthpiece for rebellion, as an exiled priest dispatching its sermon-of-self from a rogue pulpit, creates itself through voice. In the “Letter from the Editor” section of Elizabeth Ellen’s new novel, Person/a, the author states: “… I write this letter to you, dear reader, as both editor and author of this novel, with full awareness and with full admission that if there is a ‘Monster at the End of this Book,’ that monster is I. I am that monster. Let this then serve as an introduction.” [Read more…]

Filed Under: Books, The Line

The Bruises and Bloodletting Of A Hard-Boiled Romantic

August 17, 2017 By John Biscello

Ernest Hemingway: A Biography
by Mary V. Dearborn
Reviewed by John Biscello

Can I believe myself as others believe me to be? Here is where these lines become a confession in the presence of my unknown and unknowable to me, unknown and unknowable for myself. Here is where I create the legend wherein I must bury myself.  — Miguel de Unamuno.

Perhaps no other 20th century writer has invited more scorn, worship, lampooning, lionization, and soapbox scrutiny than Ernest Hemingway. Or rather the “legend” of Ernest Hemingway. His name became not only synonymous with American literature, and a laconic style of writing, but also with a specific he-man persona that wore its balls on its torn sleeve. [Read more…]

Filed Under: Books, The Line

Immune to Extinction: Meridel Le Sueur’s The Girl

July 6, 2017 By John Biscello

Reviewed by John Biscello

Meridel Le Sueur’s The Girl, written in 1939—the year in which World War II began, the Manhattan Project got underway, and The Wizard of Oz and Gone with the Wind premiered—had to wait nearly forty years before its publication date in 1978. If it hadn’t been for John Crawford, the founder and publisher of West End Press, whose goal was to “print works by American writers neglected by publishers in the ‘mainstream,’” this small masterwork may have remained an unknown treasure collecting dust in Le Sueur’s basement. [Read more…]

Filed Under: Books, The Line

All the Lonely People: Haruki Murakami’s Men Without Women

June 6, 2017 By John Biscello

Reviewed by John Biscello

Was it all a dream—
I mean those old bygone days—
Were they all what they seemed?
All night long I lie awake
listening to autumn rain.

This poem from the Zen monk, Ryokan, could serve as an emblematic preface to Haruki Murakami’s Men Without Women. Claustrophobic poignancy and stringent wistfulness, shot through with quirky humor, characterize the autumn-flavored tone of the seven stories comprising the collection. [Read more…]

Filed Under: Books, The Line

Displaced Debutantes and Soluble Entities: The Vision of Linda Stojak

April 21, 2017 By John Biscello

Silent Voices
at LewAllen Galleries, Santa Fe NM
Reviewed by John Biscello

During a recent visit to Santa Fe, I chanced upon the artwork of Linda Stojak. Her show, Silent Voices, was being featured at LewAllen Galleries, and entering the shrine-like atmosphere of the nine-painting exhibition, I immediately felt as if I were holding sacred vigil or bearing witness to metamorphic elegies.

The female subjects comprising Silent Voices seem to exist in a haunted chrysalis state, or embryonic purgatory. Their faces, ashen swabs which are kin to Di Chirico’s faceless enigmas, suggest not only the tragic obliteration of identity but also the potential for rebirth, i.e., a Bardo makeover.  [Read more…]

Filed Under: Art, Artist, The Line

The Haunting Of One’s Self: Paul Auster’s 4 3 2 1

March 14, 2017 By John Biscello

Reviewed by John Biscello

“He believed in an infinite series of times, in a growing, dizzying net of divergent, convergent and parallel times. This network of times which approached one another, forked, broke off, or were unaware of one another for centuries, embraces all of possibilities of time.” — Jorge Luis Borges, “The Garden of Forking Paths”

One could imagine Borges, who declared that the basic devices of fantastic literature are four-fold—the work within the work, the contamination of reality by dream, the voyage in time, and the double—as personal timekeeper and Virgil-visioned guide to Paul Auster, who for the past half a century has trafficked in existential loops and slipknots, identity crises and vanishing acts. Auster, whether writing fiction or non-fiction, writing in the first person or third person, has always haunted his own writings, sort of as the negative imprint of a splitting point. [Read more…]

Filed Under: Books, The Line

The Downwind Smell Of Teen Spirit

January 29, 2017 By John Biscello

Henry Miller’s The Time of the Assassins
Reviewed by John Biscello

“This time we have him: we know where Arthur Rimbaud, the great Rimbaud, the real Rimbaud, the Rimbaud of Illuminations is. This is not a decadent hoax. We are declaring that we know the real hiding place of the famous missing poet” —La France moderne, Feb 19-March 4, 1891 [Read more…]

Filed Under: Books, The Line

Through a Lighted Glass Darkly: Ann Nietzke’s Windowlight

January 3, 2017 By John Biscello

Reviewed by John Biscello

In many respects a window is a writer’s best friend. It can give the unrelenting “I” a break from inner-space-gazing, extend depth and perspective, offer slice-of-life unscripted cinema, frame the world in manageable portions. It is also the voyeur’s privileged peephole, and this is the spy-glass through which Ann Nietzke covers the whirligig waterfront of Venice, California. [Read more…]

Filed Under: Books, The Line

Fugitive Effects of Light: Erin Currier’s Carnet d’AmeriKa

November 15, 2016 By John Biscello

Reviewed by John Biscello

“To be human is to transform; to be human is to name, then name anew. I must remember the inseparable nature of word and action.” Erin Currier, 6 November, 2004 [Read more…]

Filed Under: Books, The Line

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The Line

A poetic interpretation of Anselm Kiefer's Exodus, at Los Angeles Marciano Art Foundation, is at Riot Material.

On Wing With Word Through Anselm Kiefer’s Exodus

Gagosian at Marciano Art Foundation, Los Angeles (through 25 March 2023) by Rachel Reid Wilkie Los Angeles poet Rachel Reid Wilkie was given the task of walking into Anselm Kiefer’s Exodus — a literally monumental exhibition, in that each of these paintings are upwards of 30’ tall — and addressing the colossal artworks “cold,” as in […]

Detail of Henry Taylor, "Warning shots not required," 2011. At Riot Material magazine.

Henry Taylor’s B Side: Where Mind Shapes Itself to Canvas

Henry Taylor: B Side at MOCA Grand, Los Angeles (through 30 April 2023) Reviewed by Eve Wood Ages ago when there were LP records and 45s, the B side of a popular single made allowances for experimentation and could be counted on as an alternative vision to the more mainstream and compulsory hit single. B […]

Songbook of a Bygone Dead: Bob Dylan’s The Philosophy of Modern Song

Reviewed by Dan Chiasson The Philosophy of Modern Song by Bob Dylan Simon & Schuster, 352pp., $28.93 NYR Bob Dylan’s new book, The Philosophy of Modern Song, is a kind of music-appreciation course open to auditors and members of the general public. It is best savored one chapter, one song, at a time, while listening to the […]

Smoking the Bible by Chris Abani

Words To Wrap Around A Dying Brother

Smoking the Bible Reviewed by Rhony Bhopla Smoking the Bible by Chris Abani Copper Canyon Press, 96pp., $15.99 HR Chris Abani’s autobiographical book of poems, Smoking the Bible, centers on the relationship of two brothers growing up in Nigeria with an Igbo father and an English mother. The poems, which incorporate the Igbo language along […]

Grant Wallace, “Through Evolution Comes Revelation.” at Riot Material magazine.

Communication Breakdown: Grant Wallace, His Heirs & the Legacy of a Forgotten Genius

Grant Wallace: Over the Psychic Radio at Ricco/Maresca Gallery, NYC (through 3 December 2022) By Michael Bonesteel Freelance writer and editor Deborah Coffin of Albany, California, was in graduate school at the University of California, Berkeley in 1997 when she first encountered street musician Brian Wallace at a party. “I had a friend who knew Brian,” […]

The Joshua Tree Talk

A Conversation on Dzogchen C von Hassett & Rachel Reid Wilkie at Joshua Tree Retreat Center 

Louise Bourgeois: What Is The Shape of This Problem?

at University of Southern California, Fisher Museum of Art. (through 3 December 3, 2022) Reviewed by Margaret Lazzari Louise Bourgeois is widely recognized for her sculptures and installations, but Louise Bourgeois: What is The Shape of This Problem is a wonderful opportunity to immerse yourself in her perhaps-lesser-known prints, fabric work and writings. This exhibit contains over […]

Moonage Daydream Conveys More Myth Than Man

Moonage Daydream Dir. Brett Morgan Reviewed by Nicholas Goldwin As one of the greatest shapeshifters in the expansive history of rock music, it seems only fitting that the documentary with David Bowie as its subject never seems content to express the trials, tribulations and artistic triumphs of Bowie in any one fixed way. This is […]

Carnación di Rocío Molina, at Riot Material Magazine.

On Binding: Notes from Venice

Bienalle Arte and Bienalle Danza, Venice 2022 By Allyn Aglaïa Chest bound, lips sealed, I walked through Venice alone, quiet, and: thought about narratives that bind us to erotic binds

Mohammad Barrangi's Guardians of Eden (Dreamscape #8), at Riot Material magazine.

Transcendence Beyond Erasure in Mohammad Barrangi’s Dreamscape

at Advocartsy, Los Angeles (thru 5 November 2022) Reviewed by Christopher Ian Lutz Fantasy requires a symbolic vehicle to transport a character from the real world into the imaginary realm, where the laws of reality are subverted or obscured to justify an otherwise absurd event. The artist might depict the vehicle as a real object […]

Soul Crash: Our Slow, Inexorable Release Into the Metaverse

by Sue Halpern The Metaverse: And How It Will Revolutionize Everything by Matthew Ball Liveright 352pp., $18.89 NYR In October 2021, when Mark Zuckerberg announced that Facebook would now be called Meta and its business interests would be pivoting to the metaverse, there was almost universal confusion: most observers had no idea what he was […]

green tara

Pointing the Staff at the Old Man

A wisdom transmission by Samaneri Jayasāra Excerpted from —  Advice from the Lotus Born  from the chapter “Pointing the Staff at the Old Man” Translated by Eric Pema Kunsang Rangjung Yeshe Publications, 184pp., $21.95 . .

Margaret Lazzari’s "Shimmer." From the exhibition "Breathing Space."

Margaret Lazzari’s Luminous Breathing Space

at George Billis Gallery, Los Angeles (through 8 October 2022) Reviewed by Nancy Kay Turner “Things are not what they seem: nor are they otherwise.” –Buddha Margaret Lazzari’s luminous solo exhibition of paintings, entitled Breathing Space, were painted during the pandemic, and the exhibition title is indeed significant. It’s defined as a respite, a hiatus, or an […]

From Phil Tippet's Mad God, reviewed at Riot Material magazine.

Nihilism Births Its Own Interminable Hell

Mad God Dir. Phil Tippett Reviewed by Nicholas Goldwin Technically astonishing and immersive to a fault, director Phil Tippett successfully demonstrates that thirty years of relentless dedication to your craft can lead to cinematic innovations even his old stomping grounds – the sets of Star Wars and Jurassic Park – have yet to catch up. […]

A Look Back on an Iconoclast: Art Critic Dave Hickey

by Jarrett Earnest Far From Respectable: Dave Hickey and His Art by Daniel Oppenheimer University of Texas Press, 141 pp., $24.95 The Invisible Dragon: Essays on Beauty, Revised and Expanded by Dave Hickey University of Chicago Press, 123 pp., $15.00 (paper) Air Guitar: Essays on Art and Democracy by Dave Hickey Art Issues Press, 215 […]

John Lurie’s The History of Bones

Reviewed by Cintra Wilson The History of Bones: A Memoir by John Lurie Random House, 435 pp., $28.00 NYRB It was 1989 when I saw John Lurie on TV in a late-night advertisement for the new Lounge Lizards album, Voice of Chunk, which was “not available in stores” and selling exclusively through an 800 number. Operators were standing […]

Marlene Dumas, "Losing (Her Meaning)," 1988. At Riot Material magazine.

Marlene Dumas’ Masks of Inborn Gods

open-end, at Palazzo Grassi, Venice (through 8 January 2023) Reviewed by Arabella Hutter von Arx Four relatively small artworks greet the visitor in the first room of the Marlene Dumas exhibit, open-end, at Palazzo Grassi. D-rection shows a young man contemplating his rather large and purple erection. A bluish white face and a brown face unite […]

Clarice Lispector

Baffling the Sphinx: The Enigmatic World of Clarice Lispector

Reviewed by John Biscello Água Viva by Clarice Lispector New Directions Publishing 88pp., $14.95 Too Much of Life: The Complete Crônicas by Clarice Lispector New Directions Publishing 864pp., $29.95 The word is my fourth dimension –Clarice Lispector And on the eighth and endless day, where the bottomless hallelujah meets Ouroboros, God created Clarice Lispector. Maybe. […]

Donna Ferrato "Diamond, Minneapolis, MN 1987." At Riot Material magazine

Donna Ferrato’s Magnificent Holy

at Daniel Cooney Fine Art, NYC (through July 29 2022) Reviewed by Phoebe Hoban The small scale of Donna Ferrato’s snapshot-like black-and-white photographs belies their personal and political power. Whether they document the medical sinks and shelves in a now-shuttered Texas abortion clinic, or hone in on the badly bruised face of a domestic violence […]

Darcilio Lima Unknown Lithograph, 1972. At Riot Material magazine.

Magia Protetora: The Art of Luciana Lupe Vasconcelos and Darcilio Lima

at the Buckland Museum of Witchcraft and Magick, Cleveland OH (through 30 September 2022) Curated by Stephen Romano Gallery Reviewed by Christopher Ian Lutz The extension of a lineage occurs not merely by the repetition of form, but by the intersection of conservation and revolution. Transformation is fundamental to preserving the essence of a given tradition’s rituals and […]

Eve Wood's A Cadence for Redemption, written in the fictive voice of Abraham Lincoln, is excerpted at Riot Material magazine.

Songs For Our Higher Selves

A Cadence for Redemption: Conversations With Abraham Lincoln by Eve Wood Del Sol Press, 46pp., $5.99 Employing the fictive voice of a former president, Eve Wood shifts the perspective on the happenings of our times – where all indicators point to the slow, inexorable collapse of the American Experiment – to the one man who […]

The Clear, Crisp Taste of Cronenberg

Crimes of the Future Reviewed by Anna Shechtman and D.A. Miller Neon NYRB A line from Crimes of the Future, David Cronenberg’s latest film, has been trailing it around with the campy insistence of an old-fashioned ad campaign: “Surgery is the new sex.” On receiving this information, a skeptical Saul Tenser, played by Viggo Mortensen, asks, “Does there have […]

Georganne Deen, How to prepare people for your weirdness (Painting for a gifted child) 2022

Conjuring a Divine Silence in Georganne Deen’s The Lyric Escape

at Rory Devine Fine Art, Los Angeles (through 6 August) Reviewed by Eve Wood Albert Camus once famously asked, “Should I kill myself, or have a cup of coffee?” One can only hope that this was a rhetorical question, yet however ironic, it is still a sentiment worth pondering, especially considering today’s current socio-political climate […]

Pesticides in our foods inevitably enter the body and will have the intended effect of killing the organism. Which is to say you are certain to become diseased and evenutally die from the longterm ingestion of industrial pesticides.

A Strictly Organic Diet is Good Enough to Save Your Life

A chapter excerpt from Entering the Mind, the new book from C von Hassett which speaks to an ageless way of resting the mind in meditation to both recognize and stabilize in its already Awakened state. Yet to do this successfully, we must first cleanse the body of its myriad mind-fogging toxins taken in through […]

Milton’s Quotidian Paradise, Lost

By Catherine Nicholson Katie Kadue: Domestic Georgic: Labors of Preservation from Rabelais to Milton Timothy M. Harrison: Coming To: Consciousness and Natality in Early Modern England Nicholas McDowell: Poet of Revolution: The Making of John Milton Joe Moshenska: Making Darkness Light: A Life of John Milton NYRB Of the many liberties John Milton took in writing Paradise Lost, his 1667 epic […]

Foucault in Warsaw and the Shapeless, Shaping Gaze of the Surveillance State

Reviewed by Marcel Radosław Garboś Foucault in Warsaw by Remigiusz Ryziński  translated by Sean Gasper Bye Open Letter Books, 220pp., $15.95 Harvard Review Since Poland’s state socialist system collapsed in 1989, the records of its police agencies and security services have gone to a government commission entrusted with the “prosecution of crimes against the Polish […]

Noah Davis, Untitled (2015)

The Haunt of One Yet Faintly Present: Noah Davis, Still at Home

Noah Davis, at the Underground Museum, Los Angeles Reviewed by Ricky Amadour Directly across from the entrance, an opening statement to Noah Davis, at the Underground Museum, reads “many of the paintings you are about to see were painted in this space.” Smudges, dribbles, and droplets on the floor embody the physical notion of Davis […]

Julian Schnabel, The Chimes of Freedom Flashing (detail), 2022

The Supremely Humanistic Hand of Julian Schnabel

For Esmé – With Love and Squalor, at Pace Gallery, Los Angeles (through 21 May 2022) Reviewed by Eve Wood How does one represent, let alone quantify hope, hate, grief, love, joy, tragedy, or anything, for that matter, which stands in opposition to something else? Throughout his illustrious career, Julian Schnabel has always been one to […]

Rose Wylie, "I Like To Be" (2020)

In Full Surrender to the Wylie Eye

Rose Wylie: Which One, at David Zwirner, NYC (through 12 June) Reviewed by David Salle Rose Wylie: Which One by Rose Wylie; with Barry Schwabsky, Judith Bernstein, and Hans Ulrich Obrist David Zwirner Books, 196pp., $75.00 NYRB Rose Wylie, who is now eighty-seven, has been painting in the same rural studio in Kent, England, since […]

The Artful Construction of The ‘I’

by Merve Emre NYR The essay form…bears some responsibility for the fact that bad essays tell stories about people instead of elucidating the matter at hand. —Theodor Adorno The personal essay is a genre that is difficult to define but easy to denounce. The offending element is rarely the essay as a form, but its […]

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