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Archives for March 2019

Lupita Nyong’o Slays Comedy, And Zombies, In Little Monsters

March 14, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

All hail Lupita Nyong’o, the Scream Queen of SXSW! On Opening Night, the Academy-Award winning actress shocked and awed the packed house at the Paramount Theater with Us. In dueling roles, she gracefully and ruthlessly filled the audience with tension and terror. The following day, she returned to the Paramount for a victory lap, fronting the outrageous zombie-comedy Little Monsters. It was a one-two punch that deftly establishes Nyong’o’s range as well as her status as modern-horror royalty.

[Read more…]

Filed Under: Film, The Line

No Fuck Heart! Bow To “Boss.” Kiss Finger. No You Die!

March 14, 2019 By Cvon Leave a Comment

From Little Simz’s Grey Area

on Age 101 / AWOL

Filed Under: Riot Sounds, Video

Riot At The Astor Place Opera House

March 13, 2019 By Riot Material Leave a Comment

by Steven Rosenthal

My first historical theater experience was at 16, when my mom took me to see Jason Robards star as Hickey in The Iceman Cometh, by Eugene O’Neil. The dialogue was deep, fast-paced, dramatic, the characters themselves characteristically downmarket. The play, in brief, revolves around a classic crew of bottom-of-the-barrel drunks, has-beens who never were, pimps who claimed they were bartenders and their sleazy whores in a bar at the bottom of a flophouse in lower Manhattan in 1907. Harry Hope, the benevolent proprietor of the Greenwich Village Saloon, had not been outside the establishment in the years since his sainted wife had met her maker. [Read more…]

Filed Under: Opera, The Line, Theater

4.13.19

March 13, 2019 By Riot Material Leave a Comment

That Evening Sun is a photo-journal of life, love and interminable lasting on LA’s Skid Row
by Suitcase Joe

Suitcase Joe, Skid Row Photographer. Check out his column, "That Evening Sun," at Riot Material Magazine.

“You can take pictures of him, but don’t pet him. He’s not here to be friendly.” The owner of this pit bull told me the dog listens well, but warned me not to get too close to him, either. This dog, like many of the dogs that live in Skid Row, has been trained to be a guard dog and to protect his owner. [Read more…]

Filed Under: That Evening Sun

Fresh Throwback Funk In Bibio’s “Old Graffiti”

March 11, 2019 By Cvon Leave a Comment

From the recent Ribbons

https://www.riotmaterial.com/wp-content/uploads/2019/05/12-Old-Graffiti.m4a

on Warp 

Filed Under: Riot Sounds

Jordan Peele’s Us Is a Bold And Brilliant Follow-Up To Get Out

March 11, 2019 By Kristy Puchko Leave a Comment

Reviewed by Kristy Puchko

Jordan Peele has done it again. In 2017, the comedian turned filmmaker with a blisteringly funny and soul-rattlingly scary directorial debut Get Out. The horror film was universally praised, instantly iconic, and went on to win Peele an Academy Award for Best Original Screenplay. So, anticipation has been through the roof for his follow-up, Us. As SXSW’s Opening Night film, Us drew crowds that wrapped around the city blocks of downtown Austin. People lined up for 2 to 6 hours just in the hopes they’d get to be in the room for its world premiere. After over two hours in line, this critic barely made the cut. I was number 21 of the last 75 people who would gain entrance. As soon as I walked through the doors of the Paramount, the excitement in the air was electric. The whole theater throbbed with anticipation. When Peele took to the stage to introduce the film, the audience erupted in cheers and applause. Over the next two hours, we would gasp, scream, laugh, and pulse together with tension as Us barreled into a mind-bending third act. Which is to say, it was a huge hit with us. [Read more…]

Filed Under: Film, The Line

Honeyed Strings And Sanguine Pop To Boot: “In The Capital”

March 10, 2019 By Cvon Leave a Comment

The flavorful new single from Rolling Blackouts Coastal Fever

https://www.riotmaterial.com/wp-content/uploads/2019/03/01-In-the-Capital.m4a

on Sub Pop 

Filed Under: Riot Sounds

The Kids Are Not Alright In Yoko Tawada’s The Emissary

March 8, 2019 By John Biscello Leave a Comment

Reviewed by John Biscello

The Emissary, by Yoko Tawada
Translated by Margaret Mitsutani

New Directions Publishing, 128 pps. $14.95

I have seen the future and it’s murder — Leonard Cohen, “The Future”

Stop me if you’ve heard this one before. Death walks into a bar, wielding a scythe, which he intends to use in shaving God’s face. Death, in his wanderings, has been hearing rumors about the wooly burning bush that covers God’s face like topographical phenomena, and he has made it his self-directed duty and obligation to give God a clean shave. The thing is, Death doesn’t find God in the bar, so he begins using his scythe on all the people he encounters in the bar, and then continues his bloody shave-fest out in the real world, as he continues searching for God’s hairy, burning beast of a face. In the end, Death is a misguided barber, and God an absentee with bigtime street cred. To dance the razor’s edge between vaudeville and nightmare requires a certain sense of marvel and precision, a certain joie de vivre to keep one company while suspended over an abyss, and this is the sensibility that Yoko Tawada exacts with finesse and fluency in her satirical timebomb, The Emissary. [Read more…]

Filed Under: Books, The Line

Shining Light On Luchita Hurtado’s Dark Years

March 7, 2019 By Ellen C. Caldwell Leave a Comment

at Hauser & Wirth, 69th Street, NYC (through April 9)
Reviewed by Ellen C. Caldwell

Hauser & Wirth’s exhibit, Dark Years, features three gallery floors of work from painter Luchita Hurtado. Venezuelan-born and Los Angeles-based, Hurtado is 98 years old and beyond deserving of the show and recognition. This is a real celebration story of a life-long artist finally getting her due, with many solo shows in the works for the coming years, including her upcoming exhibit at the Serpentine Gallery in London. [Read more…]

Filed Under: Art, Artist, The Line

Jan Švankmajer’s Insects: On Meaning in Surrealist Film

March 6, 2019 By Riot Material Leave a Comment

by Timofei Gerber

Last year, Jan Švankmajer, the great master of surrealist cinema, returned to his roots with another stop-motion film mixed with live footage in the same vein as his classics Alice (1988) and Faust (1994). Yet there is something that is immediately striking in Insects (2018), namely that it keeps breaking the fourth wall and working with meta-levels. There is, first, an introduction where Švankmajer speaks directly to the audience, offering cues to how the movie is supposed to be understood. Then, throughout the film we see how the practical and stop-motion effects were created; we witness various stage directions to the actors, who each talk about their dreams to the camera. Finally, as Insects is somewhat of an adaptation of a play by the brothers Čapek, we ourselves witness an amateur theatre group working on its adaptation. [Read more…]

Filed Under: Film, The Line, Thought

The Variant Hands Of Lynette Yiadom-Boakye And Wilmer Wilson IV

March 5, 2019 By Arabella Hutter von Arx Leave a Comment

Lynette Yiadom-Boakye, In Lieu of A Louder Love 
at Jack Shainman Gallery, NYC
&
Wilmer Wilson IV, Slim…you don’t got the juice
at Susan Inglett Gallery, NYC (through March 16)

Reviewed by Arabella Hutter von Arx

Lynette Yiadom-Boakye follows in the steps of late 19th century European masters, and makes no mystery about it. They favored the wet-on-wet application of paint, more poetically known as Alla Prima, that demands quick work in one sitting, or one day. When Dutch painters first invented it in the 1600s, the impossibility to render small, time consuming details such as luxurious fabrics and jewels, veered the focus to the sitter’s interior life. Instead of stressing status (rich, powerful, respectable), the protestant artists questioned what it means to be a human being. Manet reintroduced it to his followers in the late 19th century by using the technique to great effect. His work is also instantly recognizable for its deep, unctuous blacks. [Read more…]

Filed Under: Art, Artist, The Line

Who Holds The Stag’s Head Gets to Speak

March 4, 2019 By Riot Material Leave a Comment

by Gabrielle Calvocoressi

Dear God who lives inside the stag’s head
even after the stag’s shot and lies slumped and abashed
on the forest floor. Protect him.

Even after he’s been heaved onto the car’s dark roof.
Forest Green. Or Pacific Blue. Nowhere he can see.
His body stiffens like a trellis above the driver.
Help him. Hold him in your sight.
[Read more…]

Filed Under: The New Word

Norman Rockwell v. The State Of Public Art

March 4, 2019 By Riot Material Leave a Comment

Enduring Ideals: Rockwell, Roosevelt, & The Four Freedoms
A traveling exhibition, with Reimagining the Four Freedoms
currently at The George Washington University Museum and The Textile Museum, Washington, DC (through April 29)
Reviewed by Kevin Baker
Courtesy of Harper’s Magazine

The fight over which of our public monuments should remain where they are is as complicated as the American past they commemorate. For all the fighting over who and what we should not honor from our past, there is one vital element that has been missing from the argument: that is, what we should honor and aspire to now. [Read more…]

Filed Under: Art, Artist, The Line, Thought

Wyn Cooper’s Mars Poetica

March 4, 2019 By Riot Material Leave a Comment

Reviewed by Barrett Warner

Mars Poetica, by Wyn Cooper
White Pine Press, 76 pages, $16.00

Not everyone knows the sun moves around the Earth. To prove it, simply extend a line between the two largest stars in Orion. It will take you to another constellation, Pegasus. Draw another line between the winged horse’s brightest stars, and you’ll find another mythological tribute, and so forth. Find one constellation, and you can find them all. In this way, the hunter, the dog, the bear, the goat, and others can always guide us because Earth is the center.

From time to time, a random star appears which seems out of place. [Read more…]

Filed Under: Books, The Line

Caramelized Onion, Mushroom, Kale & Aged Gruyere Quiche

March 4, 2019 By Riot Material Leave a Comment

by Anuja Rane

1 Trader Joe’s pie crust
1 big or two small sweet yellow onions
4-5 leaves Tuscan kale
1 pack 3/4 oz Oyster mushrooms
1/2 pack 3/4 oz Shitake mushrooms
1 1/4 cup grated  Cave aged Gruyere cheese
2 sprigs fresh thyme
Butter, as needed for sautéing 
3/4 cup heavy cream
3/4 cup whole milk
4 eggs
Salt to taste 
Ground White pepper to taste
Fresh cracked Black pepper to taste
9-10” pie dish for baking

Remove pie curst and let sit at room temperature for an hour or hour and a half. Unroll pie crust without removing the plastic film on both sides. If you see cracks take a rolling pin and smooth out the cracks and the edges rolling over the plastic films. Remove one side of the plastic film and place the crust facing down in your pie dish. Remove the other side of the film and bake the pie crust as instructed on the Trader Joe’s pie crust package. Do not forget to prick holes in the crust before baking as suggested. After baking let cool at room temperature. [Read more…]

Filed Under: The Mother Tongue

Brain Mites On Sonic Move In Tamburi Neri: “Pechino (Original Mix)”

March 3, 2019 By Cvon Leave a Comment

from the Works #1 EP

https://www.riotmaterial.com/wp-content/uploads/2019/03/11518571_Pechino_Original_Mix.mp3

on Optimo Music

Filed Under: Riot Sounds

Paradox California: Two Artists, One State of Mind

March 3, 2019 By Genie Davis Leave a Comment

at Launch LA (through March 23)
Reviewed by Genie Davis

If California is in many ways a state of mind, as well as a state in the western continental U.S., Paradox California exemplifies its mystique. The California dream depicted in this lush and burnished exhibition from photographic artist Osceola Refetoff and mixed-media artist Chelsea Dean is desiccated by desert heat, burnished gold and amber and brown by desert sun, and crested by dry blue skies as vivid as a Mojave wildflower. [Read more…]

Filed Under: Art, Image, The Line

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The New Word

New Poems from John Biscello

Excerpted from Moonglow on Mercy Street
forthcoming on CSF Publishing

Birthing Pains

To see, everywhere,
brave little lights going up,
flares of hope and justice,
holding hands
to tip the scales
in a bond of solidarity,
a fire-chastened purge
and desire for change’s
holy golden grail,
the quest,
a blessed rhyme
and legacy,
with each and every
one of our hearts
breaking open
to scale the ribs of light
and become radical midwives
to a collective rebirth.

[Read More…]

The Line

Oliver Stone in Vietnam. A review of his new book, Chasing the Light, is at Riot Material

Oliver Stone’s Chasing the Light Chronicles the Great Director’s Journey Against a Raging Historical Backdrop

Reviewed by Alci Rengifo Chasing the Light by Oliver Stone Houghton Mifflin Harcourt, 352 pp., $25.20 If there is anything the year 2020 has shaken into the very fabric of our imperial society, it’s that nothing ever goes according to plan, rarely is anything absolutely assured. While a biological threat has upended not only our […]

Toyin Ojih Odutola's wonderful exhibition, A Countervailing Theory, at Barbican Centre, London, is reviewed at Riot Material Magazine

Stories of Creation, Stories For Our Time in Toyin Ojih Odutola’s A Countervailing Theory

at The Barbican, London (through 24 Jan 2021) Reviewed by Christopher P Jones Despite what intuition tells us, history is constantly changing. The revision of the past happens all around us and at all times, sometimes perniciously and sometimes for enlightened reasons. For her first exhibition in the UK, Toyin Ojih Odutola has done a brave and […]

Driving Whle Black, two books reviewed at Riot Material

Segregation on the Highways: A Review of Driving While Black and Overground Railroad

by Sarah A. Seo Driving While Black: African American Travel and the Road to Civil Rights by Gretchen Sorin Liveright, 332 pp., $28.95 Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy Taylor Abrams, 360 pp., $35.00 The New York Review of Books In 1963, after Sam Cooke was […]

A review of Sontag: Here Life and Work is at Riot Material

Losing the Writer in the Personality: A Review of Sontag: Her Life and Work

Reviewed by Michael Gorra Sontag: Her Life and Work by Benjamin Moser Ecco, 816 pp., $39.99 New York Review of Books Susan Sontag began to read philosophy and criticism as a teenager at North Hollywood High, when she still signed her editorials in the school newspaper as “Sue.” She read Kant and La Rochefoucauld, Oswald […]

Darkness Half Visible In Katya Apekina’s The Deeper the Water the Uglier the Fish

Reviewed by John Biscello The Deeper the Water the Uglier the Fish by Katya Apekina Two Dollar Radio, 353pp., $12.74 Humpty Dumpty sat on a wall Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again In the name of nursery rhyme remixology, first let us […]

Heads of the Colored People, by Nafissa Thompson-Spires, is reviewed at Riot Material

Histories of Trauma in Heads of the Colored People

Reviewed by Patrick Lohier Heads of the Colored People by Nafissa Thompson-Spires Thorndike Press, 293pp., $32.99 Harvard Review In Nafissa Thompson-Spires’s debut short story collection, Heads of the Colored People, a doctor suggests that an adolescent girl’s sudden and overwhelming bout of hyperhidrosis is caused by anxiety, and then asks, “Is there a history of trauma?” […]

Lord Krishna speaks to Prince Arjuna about the Gita

Eknath Easwaran’s Lucid, Scholarly and Ever-Timely Preface to the Bhagavad Gita

The Bhagavad Gita Translated by Eknath Easwaran Vintage Books, 122pp., $15.00 Many years ago, when I was still a graduate student, I traveled by train from central India to Simla, then the summer seat of the British government in India. We had not been long out of Delhi when suddenly a chattering of voices disturbed my reverie. I asked […]

A review of Kevin Young's Brown is at Riot Material

To Inter Your Name in Earth: a Review of Kevin Young’s Brown

Reviewed by Kevin T. O’Connor Brown: Poems by Kevin Young Knopf, 176pp., $19.29 Harvard Review In The Book of Hours, his 2011 collection, Kevin Young moved from elegiac responses to the sudden death of his father to reanimating poems on the birth of his son. His new collection, Brown, reverses the trajectory, beginning with “Home Recordings,” […]

Dispatch: Poems, by Cameron Awkward-Rich

Bloom how you must, wild: a Review of Dispatch, by Cameron Awkward-Rich

Reviewed by Flora Field Dispatch by Cameron Awkward-Rich Persea, 80pp., $12.69 Columbia Journal In poetry, a body becomes not just a vehicle through which we move about the world, but the lens from which we write that experience. What does it then mean to comment on the world from a body that exists at the […]

The Monument to Joe Louis, aka "The Fist," as sculpted by Robert Graham

Relic as Horrific Remembrance in the Monument to Joe Louis

by Max King Cap “My father was a little headstrong, my mother was a little armstrong. The Headstrongs married the Armstrongs, and that’s why darkies were born.” — Rufus T. Firefly, Duck Soup, 1933 He had done it before. One can readily find the photographs of his handiwork; two human torsos, headless, the legs amputated just below […]

Cornel West and his 2001 Preface to Race Matters: "Democracy Matters in Race Matters." At Riot Material.

Cornel West’s “Democracy Matters in Race Matters”

Preface to the 25th Anniversary Edition to Race Matters Race Matters by Cornel West Beacon Press, 110pp., $11.60 Black people in the United States differ from all other modern people owing to the unprecedented levels of unregulated and unrestrained violence directed at them. No other people have been taught systematically to hate themselves — psychic violence […]

Another Week in the Death of America

Samantha Fields, American Dreaming at LSH CoLab, Los Angeles Reviewed by Eve Wood The first verse of the Mamas and the Papas seminal 1960’s anthem California Dreamin’ begins with “all the leaves are brown, and the sky is grey,” at once establishing an atmosphere devoid of color, hope and youthful abandon, and certainly not a […]

Through the Lens of Race, and Jim Crow South, in Eudora Welty's photographs

Reckoning Race in Eudora Welty’s Photographs

by James McWilliams Two portraits; two men. Both are from 1930s Mississippi. The men are situated together, photos 22 and 23, both from Eudora Welty’s only published book of photographs, simply titled Photographs. If you could put a frame around both images it would be the Jim Crow South.

Kara Walker's Fons Americanus (2019) at Turbine Hall at the Tate Modern

A Gathering Of Ruins, And Simmering Consciousness, In Kara Walker’s Fons Americanus

in Turbine Hall at Tate Modern, London by Zadie Smith Kara Walker: Hyundai Commission edited by Clara Kim Tate Publishing, 144pp., $24.95 New York Review of Books Two women are bound at the waist, tied to each other. One is a slim, white woman, in antebellum underskirt and corset. A Scarlett O’Hara type. She is […]

Romare Bearden's Pittsburgh Memory, 1964. Two books on Romare Bearden, "An American Odyssey: The Life and Work of Romare Bearden" and "The Romare Bearden Reader" are reviewed at Riot Material Magazine

Romare Bearden And The Collapsing Of Worlds Into Fabulant Forms

Reviewed by Sarah Elizabeth Lewis An American Odyssey: The Life and Work of Romare Bearden by Mary Schmidt Campbell Oxford University Press, 443 pp., $34.95 . The Romare Bearden Reader edited by Robert G. O’Meally Duke University Press, 413 pp., $29.95 (paper) New York Review of Books Every year, Congressman John Lewis has made a […]

Donald Trump and the Corporate Fascist Takeover

Corporate Fascism And The Aesthetics of Politics

by Johanna Drucker Corporate fascism. We know the term. Now we will see the full ugly face of its wrath in the vengeful fury of Trump. Trump, like all opportunistic social phenomena, is an expression of a  trending wave of collective sentiment and will. He is neither sole cause (autonomous agent) nor simple effect (isolated […]

Wim Wenders Until The End Of The World Directors Cut. An in-depth review is at Riot Material Magazine.

The Unbound Promise Of The Full Five-Hour Masterwork Until The End Of The World

by Henry Cherry Until the End of the World is a film, like the best of them, that stands outside of genre. Part sci-fi epoch, part love story, part road movie, it begins and ends with an image of the Earth’s curvature. Made by director Wim Wenders, it is the culmination of his most successful […]

Shabaka and the Ancestors, We Are Sent Here by History, is reviewed at Riot Material Magazine

The Exploratory Instincts Of Shabaka And The Ancestors’ We Are Sent Here By History

on Impulse! Records Reviewed by Henry Cherry Shabaka Hutchings, the London based musician behind The Comet is Coming and Sons of Kemet, had just  released a second recording with his South African based project, Shabaka & the Ancestors when Covid-19 canceled the promotional tour along with everything else in the world. Hutchings spoke with NPR […]

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