The art of Carol Rama occupies a strange and singular space; Rama, a self-confirmed outsider, is poised on a chosen cusp. Not a true outsider artist herself (her intense, self-conscious stoking of her own particular obsessive-compulsive neuroses precludes that) she provides a unique meta-vision — even a celebration — of the outsider mindset. She is a self-proclaimed insider of an outsider world, which she obsessively observes, reveling in recording its scatological and erotic impulses.
Henry Darger and Martin Ramirez were equally obsessed: it is fair to say that they all, including Rama, suffered from some degree of obsessive-compulsive disorder, just as does the uber-successful artist Yayoi Kusama. Louise Bourgeois once famously called her art “a form of therapy.” Or, as Rama put it, “We all have our own tropical disease within us, for which we seek a remedy. My remedy is painting.” [Read more…]