While most of the republic’s cinema-goers flock to local theaters to indulge in the new incarnation of Stephen King’s It, your local RedBox is harboring a deliciously wicked and original work of cinematic viscera, Julia Ducournau’s Raw. This cannibal parable created quite the stir at the 2017 Cannes Film Festival, where audience members were reported to have fainted due to the movie’s bloody moments. As with most movies of this type, the gore doesn’t do justice to the hype. The film’s power resides in what it has to say as opposed to what it wants to show. Like all good satire, it knows that showing too much ruins the effect. Like American Psycho, Raw gets under your skin by casting a mirror. Ducournau is essentially putting on display a civilization eating itself, like Goya’s painting “Saturno devorando a su hijo (Saturn Devouring His Son).” Raw is art as splatter, capturing in its own special way those moments when youth, sexual awakening and finding one’s place in the social labyrinth all crash together. [Read more…]
The music of The Doors seems to find its place in every era since the band’s stirring debut first appeared fifty years ago. Spawned in the era of Vietnam, revolution and technological innovation, The Doors dived into a dark, literary well that is timeless and always relevant. Jim Morrison alone introduced a manic onstage persona that has influenced every rock genre to emerge since the 60s. He was Dionysus meets Rimbaud, hedonistic jester meets feverish wordsmith. Because the band was fronted by a figure who viewed himself foremost as a poet — the rare rock star who even wrote fan letters to literary scholars — their music endures much the same way the edgiest of classical literature still finds devotees.
There is a special power in the band’s music and Morrison’s persona that goes beyond the debauchery and rebellion associated with rock. This is because the band drew from a rich well that included not only John Lee Hooker and Willie Dixon, but Arthur Rimbaud, Bertolt Brecht and William Blake. Half a century later and the band’s self-titled debut pulsates with everything that has made it stay relevant, even as grander peers have been generally relegated to solely being identified with the 1960s. In the same way the Vietnam War revealed the violence of U.S. foreign policy to an entire generation, The Doors provided the soundtrack to the dark undercurrents of the national psyche. [Read more…]
In Alan Moore’s superb and baroque graphic novel From Hell, Jack the Ripper is quoted as saying, “One day men will look back and say I gave birth to the 20th century.” If such bloody and fevered characters can be set to frame a century, then Heath Ledger’s incarnation of The Joker in The Dark Knight is the cinematic icon that frames the 21st century thus far. Christopher Nolan returned to theaters over the summer with yet another big, loud opus, the World War II epic Dunkirk. Yet his most successful film has not only aged well but has gained a potent and disturbing relevance. [Read more…]